Richmond Writing

And The Students Stop Blogging?

At the very time that I feel most comfortable teaching with blogs, I read that blogging is on the decline among the very demographic I teach.

I like Twitter and other sites for short notices, but few ideas can be expressed in 140 characters. Perhaps “the unexamined life is not worth living” by Socrates would fit in a Tweet. The Apology would not.

As usual, I’ll blame what I call a life of constant interruption. My Neo-Luddite side, and it is a prominent side, finds some cold comfort in the warnings of writers and thinkers such as Nicholas Carr, Mark Edmundson, and Sven Birkerts. Even tech-savvy Sherry Turkle’s book, Alone Together, warns of the shallowness of our “social” networking habits.

I look out for such writing, so I quickly ran across Gregory Palmerino’s article, “Teaching Bartleby to Write,” in the January 2011 issue of College English. Palmerino writes of his “students who would prefer not to remember to hand in writing because of their complex and distractable lives.” Such students rarely linger in my classes after the add/drop period; the writing is plain on the syllabus about the consequences of Bartleby’s passive-aggressive preference of preferring not to do.

While I do find a kindred spirit in Palmerino, I part ways with his resistance to new technologies in the writing classroom. Blogging provides one excellent example of a type of writing that demands focus. Distraction here, in a post, can be as fatal as it would be in a short story or analytical essay. So far, however, none of my students Tweet or use Facebook status-updates for any sort of serious discourse. I doubt they ever will.

In print and online, we who cherish nuance and complexity in language need do something. Rejecting the new is not the answer. So for now, my students, at least, will keep posting to blogs and replying to each other.

The Curse of the B Minus: Writers, Teachers, Failure

Creative-Commons image courtesy of targuman’s Flickr photostream

When faculty believe that they have failed as writing instructors, why do they fear that outcome? We might dread poor evaluations, angry or quiet classrooms, or–the worst fear of all–that we have let down students on their journeys to attain something like wisdom.

I say “something like” because no university education or series of excellent assignments can impart wisdom. At best, I might lead writers to see how poorly they are served by unsupported generalizations. In fact, I often try to do no more than that, plus get writers to pay attention to their own words, in the course of a semester.

Assignments might fail, even the pilot-year of new class. But faculty members, like their students in a writing-intensive course, can learn from failure. Perhaps not enough time in graduate school goes into examining the psychology of designing assignments and conducting class, but the hard lessons of failure should be added to the curriculum. I never once did the sort of role-playing exercises that Ryan and Zimmerelli propose in their training manual for peer tutors (106-110). Had I done so, in the presence of a faculty mentor, I might have avoided what occurred my first semester teaching writing.

It might be a counterpart to a book that is making the rounds, The Blessing of the B Minus.

At Indiana I was so terrified teaching my first class that I broke into “flop sweats” in the classroom that night in Ballantine Hall. That got better fast, but one event sticks with me to this day. I had a student named Ellen who was a talented writer, a product of one of the best high schools in the state. But Ellen never pushed herself as hard as she might. She got an easy A on my first essay, a short diagnostic piece that counted little toward her final grade. The exercise intended to point out to me which writers had trouble with remedial issues; Ellen had none.

We Associate Instructors had been schooled in Elbow’s ideas and had read Nancy Sommers’ “Responding to Student Writing,” a 1982 masterpiece that changed my philosophy of writing commentary. We had not, however, discussed what to do with a writer who had never before received a B- on anything. Anything.

Ellen appealed that grade, her second of the term, to me, and I patiently sat down to show her why the project did not match expectations for academic writing. She was crushed, despite my assurance that the second paper would count no more than 10 or 15 percent (I forget) of the final grade. Never before, she noted, had she gotten anything lower than an A.

She thanked me, gathered her books and papers, then left the ready-to-be-condemned building that housed the AIs. I was a terrible undergraduate until my last year, so I watched her with real puzzlement as she strode off into the Hoosier twilight. The next class, she was absent. And the next. Indiana was not Richmond, and I had no way of letting an advisor know. There were no e-lists or other means of communications, beyond a land-line phone.

I thought the student was gone from campus, perhaps ill, until I crossed paths, literally, with her a month later. She crossed the street to avoid me, and did so again once or twice. Bloomington is a small town, so when I never saw her again, I wondered if Ellen had left the university. And was it my fault?

She got an F in Eng. 131 since she never withdrew.

Steve Sherwood’s article for writing tutors, “Apprenticed to Failure: Learning From the Students We Can’t Help” provides signal advice for teachers as well as for peer tutors. Sherwood advocates Peter Elbow’s advice that we should create “Evaluation-free zones” on our campuses (qtd. in Sherwood 53). We faculty might enable writers to practice for very low stakes, at first, in order to learn the idiosyncrasies of our academic fields or our personal preferences.

I should have done that. I should have done many things. Now I do them.

It is easy to say, and be smug while saying it, that a B- is not a life-changing experience, but I do wonder what became of Ellen.

Works Cited:

Ryan, Leigh and Lisa Zimmerelli. The Bedford Guide For Writing Tutors. New York: Bedford, 2010.

Sherwood, Steve. “Apprenticed to Failure: Learning From the Students We Can’t Help.” The Writing Center Journal 17.1 (Fall 1996): 49-57.

Wonderful Wordle

Wordle is one of several tag cloud sites that can be fun to play with and may have useful potentials for writing and reading. A tag cloud or word cloud image functions like a visual concordance that reveals word frequency through font size. Most of these sites have various tools for adjusting the image, font, orientation and number of words processed so that a variety of “readings” are possible. Here’s a word cloud made from our WAC Program page that portrays writing as the foundation of a program involving curriculum, consultants and faculty. Other permutations of this image left the word “writing” looming ominously above the other words, perhaps suggesting a potentially crushing descent.

And here’s a word cloud I made with Maria Rajtik’s newsletter submission “Feedback: A Grade is more than a letter”

Word clouds can also enhance literary discussion. One word cloud I made for Gilman’s story “The Yellow Wallpaper” surprised me by demonstrating that the name of John was the most prominent word in the story even though the tale is about a woman being subjected to the “rest cure” of the celebrity Dr. Weir Mitchell.

Others have been Presidential Inauguration speech word clouds to provide interesting insights into their rhetorical patterns and even the economic prognostications of Fed Chair Ben Bernanke have been fed into word cloud generators to see what comes out. This new digital tool could be usefully applied to famous speeches, editorial essays, mission statements and even personal writing. To create effective word clouds Smashing design magazine suggests a few “good practices” .

Here is a word cloud of the first 100 words of “The Richmond Promise”

A Word cloud of Sarah Palin’s Tea Party speech is revealing…

What texts come to your mind for word cloud analysis?

Check out these other word cloud sites and start your own experiments:

Free online word cloud generator

TagCrowd

Tagxedo

Many Eyes

Emerson’s Pedagogy – radically relevant

rows of desks

As some American scholars continue to drag their feet, preferring to hunker in their bunker of familiar disciplinary and practical entrenchments, the exciting rush of the Digital Revolution reminds us that the wisdom of Ralph Waldo Emerson continues to shine through the smoke of battle with practical pedagogical insights that demonstrate an increasing relevance in the digital age. Though bold thinkers and creative educators like Sir Ken Robinson are beginning to re-assess traditional pedagogical perspectives & practices, the rusty residues of the Industrial Revolution continue to stain and restrain the eager minds of our students who often arrive full of enthusiastic hopes for a humane educational experience only to be disappointed by increasingly mechanistic and inflexible institutions that are unconsciously shaped by a kind of educational Taylorism.

factory school

In his “American Scholar” address to the Phi Beta Kappa Society of Cambridge in 1837, Emerson writes “Perhaps the time is already come…when the sluggard intellect of this continent will look from under its iron lids, and fill the postponed expectation of the world with something better than the exertions of mechanical skill.” Here Emerson seems to be suggesting that America has much more to offer than physical manufacturing and industrial development. But in the digital age, a re-ordering of his last four words here might suggest a more relevant contemporary hope for something greater than mechanical production. Emerson had not seen Ford’s mass production assembly line, but his emphasis in this essay and in “Self-Reliance” indicate his awareness of the dangers of homogenizing conformity and robotic (re)production when it comes to learning.

In his address, Emerson mentions “laborious reading” and seems to anticipate the objections of traditionalist complaints about the risks of reduced rigor whenever anyone strays from strict disciplinary boundaries and practices. Radically, Emerson argues that a college education should involve something more important and inspiring than mere content delivery, mechanical productions or laborious achievements:

“Of course, there is a portion of reading quite indispensable to a wise man. History and exact science he must learn by laborious reading. Colleges, in like manner, have their indispensable office,–to teach elements. But they can only highly serve us, when they aim not to drill, but to create; when they gather from far every ray of various genius to their hospitable halls, and, by the concentrated fires, set the hearts of their youth on flame.”

Yet if we polled students across the country, I would bet that the group of students with a glowing passion for learning would be relatively small. Perhaps we could call this the “enthusiasm gap” – that gulf between the lofty educational hopes of our students and their dull and sometimes humiliating encounters with the dry, distant, “rigor” of an outmoded or unplanned pedagogy that often crushes those hopes. Sometimes the authoritative deployment of the word “rigor” can be an excuse for petty meanness or simply a distraction from a more serious intellectual and creative rigor mortis that can develop in a protected and powerful elite. This is a “rigor” that will never enkindle the flames of enthusiastic learning or evoke a desire for education.

The etymology of “educate” includes the idea of drawing forth or drawing out of a student his particular genius, it is not simply the disciplinary stamping and rigid reproduction of pre-approved perspectives and forms of expression. It’s not hard for students to recognize the disconnect between institutional lip-service to values like “free expression” and “passion for learning” and the stifling realities of their everyday experience.

Many students desperately want to learn, but they rightfully resist a high-pressure non-stop assembly line approach to teaching that cranks out slick but somewhat identical mechanical productions devoid of genuine student input and engagement. Some of these students accept their disillusionment and re-group to successfully “play the game,” but other students drop out – or worse.

It seems that good old Emerson was way ahead of the curve when it comes to pedagogical insight and in our digital age, his ideas are more relevant than ever.

Academic Blogging: Impressing a Professor in 350 Words

image source: Creative-Commons licensed image from xkcd

My colleagues are, increasingly, reading blogs and assigning them in classes. “Weblogs,” the full name for this medium, appear in every class I teach. I use them for weekly reading responses, warm-ups for formal writing, and even for graded multimedia projects impossible on paper.

A blog like this, rather than a closed discussion list at a course-management system like Blackboard, provides students with several real-life advantages. First, the secondary audience for a blog, one far greater than professor and classmates, enables writing for publication in the real-world Internet, rather than what we techies often call a “walled garden.” Second, blogs resemble the sorts of collaborative tools coming into use in the workplace. Finally, blogs are not bound by the conventions of print, and that enables them to do things impossible on paper.

How to Get Started

In planning the workshop on academic blogging, I decided to first write what journalists call a “nutgraf,” or a few sentences that sum up the focus and claims the writer will make. Here’s mine:

Academic blogging opens a new and easily used venue for student and faculty writers. A blog provides a number of advantages when compared to traditional papers, such as the ability to embed photos and videos, the use of easy-to-manage feedback from other writers in a class, and an informal style that tends to help writers still learning to write for the academy. Blogs also pose certain problems, and in my blog post I will outline them as well.

Now that you have my nutgraf, how about those problems? From my experience with many student bloggers, here are some issues that hurt their assessment when I ask them to blog.

Paper-based thinking: Blogs and other Web-based media do not need double-spacing and they do not tend to support paragraph indents. Instead, single-spacing, left-justification, and one blank line between paragraphs suffice.

Unclear focus: preparing a nutgraf avoids the sort of rambling monologue that can afflict a new blogger. Keep in mind, readers, that your readers choose to visit your site. Keep them informed and stay focused. For this reason, blogs rarely cover more than a single topic.

Broken links: Non-working links hurt all sorts of Web texts, but a blogger should take extra care; one’s reputation depends on providing accurate references to other materials. In print, an analogous mistake might be a severe error in a citation, such as providing the wrong title for a printed work.

To avoid such errors, be certain that every link works when you preview or publish the post. Note that links to on-campus resources requiring a university log-in will not work off campus. Check all links from a computer at home or find a public version of the material.

Clumsy links: Also beware of pulling in URLs (Web addresses) like this:

Instead of testing readers’ patience, if the post needs a URL rather than a link from text (as I have just done) consider a Web site that can make long URLs short. These “crunched” URLs persist, and I have had good luck with bit.ly and tinyurl.com. I used the latter to shorten that monster address above:

http://tinyurl.com/6e4fyez

In some classes, and for formal projects published online, you may not be permitted to do this. Check with your professor and a handbook for documentation. Both MLA and APA formats now give advice on how to shorten a URL for publication.

Microsoft Word & Blogging: Word is designed for printed documents, no matter what appears under its “save as” menu. Word works wonders on paper, partly because the software enables dozens or even hundreds of fonts, sizes, and margin-changes. But Word does this through hidden formatting codes. We never see them when cutting and pasting to a blog, but in some blogging software, these typographic phantoms cause nightmares.

I just typed this line into Word: “Now is the time for all talented geeks to come to the aid of Cyberspace.”

Here is what I got when I copied the text from Word and pasted it to the editor of Google’s Blogspot:

<style>
@font-face {
font-family: “Cambria”;
}p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: “Times New Roman”; }div.Section1 { page: Section1; }
</style>
<div class=”MsoNormal”>
Now is the time for all talented geeks to come to the aid of Cyberspace.</div>

Oh oh. Normally, this is not a problem, if a blogger does not put any bolds, underlines, or other formatting into Word. If those features appear, however, it may take hours to untangle the mess. I have encountered lines that do not want to single-space, strange changes of fonts, and more.

Random eye-candy: Why use a photo, video, or other illustration in a blog? They can emphasize an argument and save you words. In every case, they should be placed close to the material referenced.

When choosing images, search for those licensed for non-commercial reuse. You can do this with the advanced options for Google image search as well as Flickr. I’m sure that most other image-sharing sites have ways to find content with Creative-Commons licensing. The candy-apple image appeared licensed for reuse in a Google search.

Bad Tags: Tagging blogs permits readers to aggregate topics by clicking a tag. Huge sites need this. I’ve found that even my blog on virtual worlds and gaming, “In a Strange Land,” needs tags so I can, say, separate how-to advice for folks from general news about the industry. At the same time, tagging can be tedious when misused. Why on earth, at this blog, would I need to tag this post or any other with “writing”? That is, after all, the focus on the entire blog and its sponsor.

My post has gone on far more than 350 words (it’s at 991 now!), but I think it presents the basics.

The hardest part remains the writing itself. No medium changes that.

Refer to links at this Writer’s Web page for more advice on academic blogging. Good luck with your posts!

On Egypt and other Toppling Towers

Fast on the heels of the Wikileaks scandal, Web 2.0 media have also been central to the massive protests by the Egyptian people against their President of 30 years, Hosni Mubarak. The Egyptian leader came to power after the 1981 assassination of Anwar al-Sadat a co-winner of the 1978 Nobel Peace Prize along with Israeli Menachem Begin for their collaboration on President Carter’s Camp David Peace Accords. In response to the assassination, President Mubarak enacted Egyptian Emergency Law No. 162 of 1958 through which he has justified and maintained his decades of power and position in the name of fighting terrorism and drug trafficking. While it is not clear what touched off the protests at this particular time, it is clear that new social media tools on the Web have played a central part in challenging controlling regimes of all types, political, economic or academic that resist the obvious flow of history towards greater openness, connection and democratic participation.

In response to the democratic use of technology by protesters, Egypt attempted to shut off all web access in the country via a “Web blackout,” a feat possible only with the cooperation of private corporations. True to the nature of the Web, protesters were able to do a work around by using their cell phones to access the web by the elder technology of a dial up connection. This is not only a prime example of the ultimate uncontrollability of the Web but also a reminder of the wisdom of keeping in touch with elder technologies that may continue to be useful when newer, more complex systems fail or are shut down by those who wish to control the flow of information because they cannot stand up to public scrutiny. For Mubarak the excuse to stifle web access was to “combat terror” but we needn’t be too smug at this familiar ploy – such stifling happens in America as well. Recent US attempts to limit access are claimed to be instituted to “fight piracy” or to increase the corporate profits of companies like Verizon with a hierarchical plan to enclose parts of the Web from those unable or unwilling to pay higher service fees for the fast and capacious connection speeds that are currently our common level playing field.

One of the most insightful observations William Burroughs ever made certainly applies here:

“Control is controlled by the need to control.”

Maybe the OCD control freaks of the world should re-read the recent news from Egypt and reconsider their ill-advised and ultimately futile fight against the unstoppable evolution of freedom…

NPR “Anti-Government Protests Roil Egypt”

Aljazeera reports in “Talks fail to end Egypt protests”

a flickering flame?

My Kindle arrived the day after I called and I had to re-register it to my Amazon account and then re-load the texts I bought which I had assumed would have been pre-loaded since I already made the registration switch to my account. One of the interesting features of the Kindle is a variety of images it displays when it is shut down. In my first entry we see the image of Ralph Ellison and above an illustrated manuscript that I can’t quite identify except to find that Johannes Aquila was an Austrian painter in the 14th Century – not sure about his illuminations. I really like this image because it highlights the history of text and how much it has changed in 700 years – but the beautiful hand painted image is not so brilliant in black and white.

Once I got my Kindle charged up, I took it with me to our new Passport Cafe and began reading Poe’s “The Angel of the Odd” when I was interrupted by some kind of a download that was never identified. It didn’t take long but I didn’t appreciate it – especially without an explanation. Downloads can be updated spontaneously, and books can be added or deleted remotely which seems creepy but something we’re all getting used to with our computer updates. I can even see the notes other people have made on the texts I’m reading and I can offer mine to the public as well.

I plan to use it for teaching as much as reading and I can have multiple texts with highlighting (really just underlining) and annotation all bookmarked to the passages I have lined up for discussion. It’s nice to be able to enlarge the fonts for easier reading and having the ability to search any of the books is a great tool for study and teaching. A Kindle or any e-reader is much cheaper and smaller than an i-Pad and much easier to read outside. It doesn’t offer color, or movies or lots of other features available on other digital devices but it does hold a ton of searchable text that can be conveniently accessed and somewhat less conveniently annotated. The keyboard is small and, like the screen, is not backlit so it’s difficult to see and the keys are smaller around than new peas so my huge hands must be very agile to type in my notes or a search term.

I’m still grateful that my wife gave me this. Knowing that I’m a bibliophile she thought I might hate it, but at least it would be an informed hatred. The fire of my enthusiasm for this Kindle may have dwindled but there is still a flickering flame for future experiments and opportunities to use it in different situations. I like having my Kindle so far, but I’m sure not getting rid of my books!

wiki wabbit

logo

If you ever watched Bugs Bunny…

You might read the title of this posting with an echo of Elmer Fudd expressing his chagrin at one of our beloved tricksters. The relevance of this, if not immediately apparent, will be suggested in a bit.

Wiki what?

The Oxford English Dictionary tells us that “wiki” is a Hawaiian word meaning fast, the emphatic form of which is “wikiwiki.” This phrase was first used to apply to a user-edited website called WikiWikiWeb composed by Ward Cunningham in 1995 – this was the first wiki. With 9,889,432 views per hour in English alone, most folks know about Wikipedia, but fewer understand what a wiki is or how to use one. Unlike traditional semi-static/gatekeeper websites that require complex software to create and are often controlled by a single person, a wiki can be built online, often for free, and designed so a limited or unlimited number of people can edit it easily.

I have been using Wikispaces for my writing workshops as well as for process drafting of research essays in my first-year writing courses. All changes are recorded in the “history” tab, so there is a complete record of who wrote what and when and this makes for a more thorough collection of drafts and revisions. Often the pages will have a “discussion” tab that is useful for writing workshop feedback, posting questions to readers etc. But wikis can be used for more than writing courses, they can be convenient and flexible group collaboration tools for any project, academic or otherwise. Browse the sites for Wetpaint or PB Works and note the varying complexity and features offered, or check WikiMatrix to find a handy tool for comparing a number of wikis of your own choosing.

Oh, and about those leaks….

In terms of “wiki-ness,” the Wikileaks website is not really a wiki since it is not editable by its users but its revelations certainly introduce an element of speed into the slower pace of partial diplomatic disclosure. Aside from speed, another aspect of wiki-ness manifest by Wikileaks is that of transparency and accountability – or at least the transparency and accountability of the powerful, since Wikileaks founder Julian Assange is less than transparent himself.

On a wiki, every user and every change are recorded, there is no way to hide and all information is immediately available to users. By contrast, FOIA information is laborious to obtain and is often heavily redacted, which is partly why these leaks evoke mixed feelings for me. Why do we subscribe to transparency so selectively? Isn’t one of our chief criticisms of North Korea its absolute lack of transparency? No doubt these leaks will increase tension, make negotiation more difficult and possibly risk some lives but it might also be argued that, in a WMD world, everyone’s life is at risk every day when governments are not transparent.

However, there is a surprising amount of government and institutional cooperation worldwide and a massive assault by individual hackers to shut down or shut out Wikileaks, a fact suggesting that the threat we feel from transparency trumps the value we claim to put on it. Or perhaps it is a measure of our faith in the goodness of what our leaders and institutions do in secret, but this doesn’t seem in keeping with our recent waves of anti-government sentiment, so the motivation of leak opponents is unclear to me. And now, these anti-leak actions have led to “Operation Payback” a barrage of counter-hacking by supporters of Wikileaks in what may be our first public cyberwar.

One thing is for sure: without that cloak of secrecy, with the knowledge that we were watching, powerful persons and groups at all levels would act quite differently, perhaps with more humility, responsibility and vision. As the ambiguous Wikileaks logo suggests, time is running out for our planet and it may just take some kind of digital trickster to stir things up. Ultimately such transparency may be what assures our survival.

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Enkindling Experience

I got a Kindle for my 49th birthday and I can’t help but wonder what it will enkindle in me. When I checked the OED for “kindle” I found, as I expected, that the word means to set aflame or to arouse or inspire. The more surprising meaning was to bring forth or give birth. At the very least, the Kindle and other e-readers will bring about passionate discussions of text, meaning, materiality and technology.

Though I am a firm multisensory lover of printed materials that I relish marking up with abandon, I found myself immediately loading my Kindle up with the Complete Works of Shakespeare, the Complete Works of Dickens, the King James Bible, the short stories of Poe & Bierce as well as Brave New World, Brave New World Revisited, Chrome Yellow , Wieland and 1984 – a load of books that would fill two steamer trunks and weigh several hundred pounds. This 7.5″ x 4.8″ e-reader is only 8.7 ounces and could fit in a generous jacket pocket – no steamer trunks or roller-luggage required. Lest the reader think this a shameless promo disguised as a blog posting, let me add another fact: it already broke.

I don’t know what happened, but when I went to dinner at my in-laws and went to show off the Kindle, it wouldn’t even power on though I had half a battery charge when we left the house. When I tried to charge it with the handy wall & computer compatible plug, the charge light wouldn’t even come on. So I’m returning it for a replacement.
When I called Amazon, initially they tried to re-boot my Kindle by remote but when that didn’t work the service agent told me I’d receive a replacement within a day. I was pleased with his service but the remote re-boot reminded me of the ironically Orwellian way Amazon remotely deleted 1984 and Animal Farm from customer Kindles without their permission.

Even with this initial glitch in my e-reader experience, I find myself looking forward to getting a functioning Kindle pre-loaded with the books I already downloaded and paid for. It’s not that I planned to sit down and read them all through, but I thought such a collection in an electronic format might be very useful to reference during teaching. Of course, I could access the same texts online as in the links above, but if I wanted to hold class outdoors or not be posted at the podium, the portable e-reader might be very handy.

Kindle is the trademark name for Amazon’s e-reader but there are several non-compatible competitors like Barnes & Nobel’s Nook, the Literati Digital Reader by Sharper Image or Sony’s Digital Reader. Naturally, due to the ‘wisdom’ of market competition, none of them are compatible. While the “electronic paper” and “digital ink” used in e-readers is the result of R&D attempts to give the most print-like reading experience, I found myself wanting a backlit screen when I began to read it in a dimly lit room.

When I get my new Kindle, I’ll post a follow up assessment of its usefulness for quick reference, powerful searching and annotation of my steamer trunkloads of texts.

Fighting “Link Rot” in Webtexts

It just happened this week. I got an e-mail from a student doing research on the Beat Generation. She’d discovered a site I did a decade ago (or more) using a campus MOO, a text-only virtual world. My “build” in the world was a writer’s space that resembled my vision of a 50s coffee shop in San Francisco’s North Beach neighborhood.

“RichMOOnd” is long gone but the site about it remains on our server and I guess Google picked it up. The links to Beat-Generation sites have long vanished or moved.

It’s a common problem, but as I read in The Chronicle of Higher Education, a group of scholarly publishers called CrossRef have been working for a decade to solve this problem. Their plan will provide a sort of digital ISBN for publications.

While I love the idea, it won’t help self-published work (such as this blog). What can writers outside the CrossRef imprimatur do? I claimed in a publication a few years ago that the hyperlink is the first new form of punctuation to come along in a while. It contains the sense of multiple conjunctions, depending on context. For the link above, it’s an “and” but in some cases it can be “and/but” or “and/or,” depending upon the context and the writer’s intention.

I teach students who are Google-happy to find an academic source for information, preferably one that is archived. Even when a casual source offers well written content, will it still be there in a year? Students often don’t care, since they they their work to be ephemeral, but if a class project endures, employers and prospective employers might want to see the brilliance on display.

Thus I point students to libraries, government sites, and university pages for “hard links” to at least keep the “rot” minimal.