a flickering flame?

kindle illuminated manuscript

My Kindle arrived the day after I called and I had to re-register it to my Amazon account and then re-load the texts I bought which I had assumed would have been pre-loaded  since I already made the registration switch to my account. One of the interesting features of the Kindle is a variety of images it displays when it is shut down. In my first entry we see the image of Ralph Ellison  and above an illustrated manuscript that I can’t quite identify except to find that Johannes Aquila was an Austrian painter in the 14th Century – not sure about his illuminations. I really like this image because it highlights the history of text and how much it has changed in 700 years – but the beautiful hand painted image is not so brilliant in black and white.

Once I got my Kindle charged up, I took it with me to our new Passport Cafe and began reading Poe’s “The Angel of the Odd” when I was interrupted by some kind of a download that was never identified. It didn’t take long but I didn’t appreciate it – especially without an explanation.  Downloads can be updated spontaneously, and  books can be added or deleted remotely which seems creepy but something we’re all getting used to with our computer updates. I can even see the notes other people have made on the texts I’m reading and I can offer mine to the public as well.

I plan to use it for teaching as much as reading and I can have multiple texts with highlighting (really just underlining) and annotation all bookmarked to the passages I have lined up for discussion. It’s nice to be able to enlarge the fonts for easier reading and having the ability to search any of the books is a great tool for study and teaching. A Kindle or any e-reader is much cheaper and smaller than an i-Pad and much easier to read outside. It doesn’t offer color, or movies or lots of other features available on other digital devices but it does hold a ton of searchable text that can be conveniently accessed and somewhat less conveniently annotated. The keyboard is small and, like the screen, is not backlit so it’s difficult to see and the keys are smaller around than new peas so my huge hands must be very agile to type in my notes or a search term.

I’m still grateful that my wife gave me this. Knowing that I’m a bibliophile she thought I might hate it, but at least it would be an informed hatred. The fire of my enthusiasm for this Kindle may have dwindled but there is still a flickering flame for future experiments and opportunities to use it in different situations. I like having my Kindle so far, but I’m sure not getting rid of my books!

wiki wabbit

logobugs bunnyfoia redacted

If you ever watched Bugs Bunny…

You might read the title of this posting with an echo of Elmer Fudd expressing his chagrin at one of our beloved tricksters. The relevance of this, if not immediately apparent, will be suggested in a bit.

 Wiki what?

The Oxford English Dictionary tells us that “wiki” is a Hawaiian word meaning fast, the emphatic form of which is “wikiwiki.” This phrase was first used to apply to a user-edited website called WikiWikiWeb composed by Ward Cunningham in 1995 – this was the first wiki. With 9,889,432 views per hour in English alone, most folks know about Wikipedia, but fewer understand what a wiki is or how to use one. Unlike traditional semi-static/gatekeeper websites that require complex software to create and are often controlled by a single person, a wiki can be built online, often for free, and designed so a limited or unlimited number of people can edit it easily.

I have been using Wikispaces for my writing workshops as well as for process drafting of research essays in my first-year writing courses. All changes are recorded in the “history” tab, so there is a complete record of who wrote what and when and this makes for a more thorough collection of drafts and revisions. Often the pages will have a “discussion” tab that is useful for writing workshop feedback, posting questions to readers etc. But wikis can be used for more than writing courses, they can be convenient and flexible group collaboration tools for any project, academic or otherwise. Browse the sites for Wetpaint or PB Works and note the varying complexity and features offered, or check WikiMatrix to find a handy tool for comparing a number of wikis of your own choosing.

Oh, and about those leaks….

In terms of “wiki-ness,” the Wikileaks website is not really a wiki since it is not editable by its users but its revelations certainly introduce an element of speed into the slower pace of partial diplomatic disclosure. Aside from speed, another aspect of wiki-ness manifest by Wikileaks is that of transparency and accountability – or at least the transparency and accountability of the powerful, since Wikileaks founder Julian Assange is less than transparent himself.

On a wiki, every user and every change are recorded, there is no way to hide and all information is immediately available to users. By contrast, FOIA information is laborious to obtain and is often heavily redacted, which is partly why these leaks evoke mixed feelings for me. Why do we subscribe to transparency so selectively? Isn’t one of our chief criticisms of North Korea its absolute lack of transparency? No doubt these leaks will increase tension, make negotiation more difficult and possibly risk some lives but it might also be argued that, in a WMD world, everyone’s life is at risk every day when governments are not transparent.

However, there is a surprising amount of government and institutional cooperation worldwide and a massive assault by individual hackers to shut down or shut out Wikileaks, a fact suggesting that the threat we feel from transparency trumps the value we claim to put on it. Or perhaps it is a measure of our faith in the goodness of what our leaders and institutions do in secret, but this doesn’t seem in keeping with our recent waves of anti-government sentiment, so the motivation of leak opponents is unclear to me. And now, these anti-leak actions have led to “Operation Payback” a barrage of counter-hacking by supporters of Wikileaks in what may be our first public cyberwar.

One thing is for sure: without that cloak of secrecy, with the knowledge that we were watching, powerful persons and groups at all levels would act quite differently, perhaps with more humility, responsibility and vision. As the ambiguous Wikileaks logo suggests, time is running out for our planet and it may just take some kind of digital trickster to stir things up. Ultimately such transparency may be what assures our survival.

thats all folks

PlayPlay

Enkindling Experience

My Kindle

I got a Kindle for my 49th birthday and I can’t help but wonder what it will enkindle in me. When I checked the OED for “kindle” I found, as I expected, that the word means to set aflame or to arouse or inspire. The more surprising meaning was to bring forth or give birth. At the very least, the Kindle and other e-readers will bring about passionate discussions of text, meaning, materiality and technology.

Though I am a firm multisensory lover of printed materials that I relish marking up with abandon, I found myself immediately loading my Kindle up with the Complete Works of Shakespeare, the Complete Works of Dickens, the King James Bible, the short stories of Poe & Bierce as well as Brave New World, Brave New World Revisited, Chrome Yellow , Wieland and 1984 – a load of books that would fill two steamer trunks and weigh several hundred pounds.  This 7.5″ x 4.8″ e-reader is only 8.7 ounces and could fit in a generous jacket pocket – no steamer trunks or roller-luggage required. Lest the reader think this a shameless promo disguised as a blog posting, let me add another fact: it already broke.

I don’t know what happened, but when I went to dinner at my in-laws and went to show off the Kindle, it wouldn’t even power on though I had half a battery charge when we left the house. When I tried to charge it with the handy wall & computer compatible plug, the charge light wouldn’t even come on. So I’m returning it for a replacement.
When I called Amazon, initially they tried to re-boot my Kindle by remote but when that didn’t work the service agent told me I’d receive a replacement within a day. I was pleased with his service but the remote re-boot reminded me of the ironically Orwellian way Amazon remotely deleted 1984 and Animal Farm from customer Kindles without their permission.

Even with this initial glitch in my e-reader experience, I find myself looking forward to getting a functioning Kindle pre-loaded with the books I already downloaded and paid for. It’s not that I planned to sit down and read them all through, but I thought such a collection in an electronic format might be very useful to reference during teaching. Of course, I could access the same texts online as in the links above, but if I wanted to hold class outdoors or not be posted at the podium, the portable e-reader might be very handy.

Kindle is the trademark name for Amazon’s e-reader but there are several non-compatible competitors like Barnes & Nobel’s Nook, the Literati Digital Reader by Sharper Image or Sony’s Digital Reader. Naturally, due to the ‘wisdom’ of market competition, none of them are compatible. While the “electronic paper” and “digital ink” used in e-readers is the result of R&D attempts to give the most print-like reading experience, I found myself wanting a backlit screen when I began to read it in a dimly lit room.

When I get my new Kindle, I’ll post a follow up assessment of its usefulness for quick reference, powerful searching and annotation of my steamer trunkloads of texts.

Fighting “Link Rot” in Webtexts

It just happened this week. I got an e-mail from a student doing research on the Beat Generation. She’d discovered a site I did a decade ago (or more) using a campus MOO, a text-only virtual world.  My “build” in the world was a writer’s space that resembled my vision of a 50s coffee shop in San Francisco’s North Beach neighborhood.

“RichMOOnd” is long gone but the site about it remains on our server and I guess Google picked it up. The links to Beat-Generation sites have long vanished or moved.

It’s a common problem, but as I read in The Chronicle of Higher Education, a group of scholarly publishers called CrossRef have been working for a decade to solve this problem.  Their plan will provide a sort of digital ISBN for publications.

While I love the idea, it won’t help self-published work (such as this blog). What can writers outside the CrossRef imprimatur do?  I claimed in a publication a few years ago that the hyperlink is the first new form of punctuation to come along in a while. It contains the sense of multiple conjunctions, depending on context. For the link above, it’s an “and” but in some cases it can be “and/but” or “and/or,” depending upon the context and the writer’s intention.

I teach students who are Google-happy to find an academic source for information, preferably one that is archived.  Even when a casual source offers well written content, will it still be there in a year? Students often don’t care, since they they their work to be ephemeral, but if a class project endures, employers and prospective employers might want to see the brilliance on display.

Thus I point students to libraries, government sites, and university pages for “hard links” to at least keep the “rot” minimal.

St. John’s fights The “Great Books” on iPads

St. John’s is truly like no other institution of higher education. Have a look at the reading list that constitutes the curriculum.

It’s easy to poke fun at a way of learning that, aside from some Supreme-Court decisions in the fourth year, includes no works written by anyone still alive.  The emphasis on Great Books, it appears, does not include any consideration of networked technology and its impact on us.

To that end, apparently, St. John’s faculty voted to “discourage” iPads loaded with Descartes or Sophocles from coming into the classroom. You can read more about the decision and follow the commentary flame-war, at this story in The Chronicle of Higher Education.

I’m a contrarian by nature,  so part of me, at a distance, loves the attitude of this liberal-arts school. I think of resistance every day,  whenever I see my students rushing between classes, gazes frozen. They work both hands frantically to text someone, as they notice nothing around them.

I wonder if just yanking the damned things from their hands and smashing them would help.

Well, it would help me to get arrested and fired.

Ostensibly, St. John’s revolt against what Neil Postman called a culture of “And Now This!”  was to insure that students had the same editions of all of the texts used in seminar. Faculty also do not want students distracted, something I’ve seen again and again in our writing lab or even with laptops in traditional classrooms. I ban laptops except for taking notes, and the students must send me copies.

Were I a faculty member there, as a contrarian I’d insist on only e-texts for my students. I’d make them do annotations and share ideas via a blog. I dislike the iPod’s lack of Flash, a technology I use to collaborate with a co-writer via Google Docs. But the platform is less important than how we use the knowledge it bears. I’d do my best to make the Great Books hip. The ideas in them are, after all, undying. If they are too frail to survive an ADD time, we are truly in trouble as a civilization.

And I do think we are in trouble, from the rise of anti-scientific thinking, to the loss of nuance and decorum in spoken language, to the waning interest in the unmediated experience of reading for its own sake.  Then there are climate change and resource depletion, the monsters in the room we choose not to acknowledge.

Recommendation to St. John’s: stay the course, but add Postman’s Amusing Ourselves to Death to your fourth year. He raises an enduring question as networked technologies literally change the structure of children’s minds.  As I noted in my comment at the Chronicle, St. John’s reminds me of heirloom varieties in a monoculture of GM crops.

We may need to same that DNA again one day, when the lights flicker and our wonderful inventions do not return all of the promises we have come to demand.

E-mail From a Deceased Attorney

zombie-1.jpg

image credit: Sabrina of Introverted Wife

Usually, I simply delete “scam” e-mails without a second thought. This one, however, got me reading. I wonder if Mr. DeSilva’s legal fee would be “your brain!”

Ah, what magic a simple apostrophe + s can work on a piece of writing.  It can even bring back the dead.

Attn: Dear

My name is Barrister Martinez De Silva , My aim of writing to you is to seek your consent and present your humble self as trustee of my deceased client estate and the bank had issued me several notifications on my capacity as the deceased Attorney to provide a legal representative thereof.

Moreover, the fact that there is no surviving relative or trustee to inherit the estate of my deceased client  which may spur the bank to classify the estate as unserviceable and legally uncollectible after statutory time limit imposed by the law.

If you are interested in my project please contact me immediately so that I can provide you with more details and procedures.

Regards

Barrister Martinez De Silva.

Postscript: The comments are flooding in to this site. All of them are spam linked to products (often pornographic or financial). The best so far, however, is quite innocent in its surrealism:

“I found your article, Richmond Writing » Blog Archive » blather and beyond, is one of the most interesting articles about face cream.”

Keep that spam coming! We get great laughs from you spammers!

This is Your Brain, Hooked on Gadgets

Location: Doing ONE Thing at a Time
image courtesy of UCLA Magazine

I was pleased to see “Hooked on Gadgets, and Paying a Mental Price” in The New York Times, and it’s a decent follow up to my recent post about why I resist getting an iPad right away.

My own students love to multitask, and, frankly, often their work lacks depth because it has been done haphazardly and with partial attention. Too many students get Cs or lower because of this. Even though I encourage multimodal work that includes more than text, the core of the idea under discussion must be sound, and the execution must be excellent to earn an A.

A few of us in academe, notably Michael Joyce in his book Othermindedness and elsewhere, have celebrated the ways in which we think laterally and associatively, under the influence of networked technology. Joyce once praised “successive attendings” as more important to our future than a sustained attention span.

I won’t deny that appeal and the power of lateral and associative thinking, because brains like Thomas Jefferson’s thrived on it. But sadly, for most of us multitasking seems an either/or proposition. Michael Joyce has always impressed me with his expansive mind, like his fellow poet Walt Whitman’s, able to contain multitudes.

Most of my students, as well as this writer, can contain only a few things at a time. The result of trying to overload the brain often comes with a price, and for students, it’s likely the one paid by Connor, the son of one of the people interviewed for the Times story:

Connor's troubles started late last year. He could not focus on homework. No wonder, perhaps. On his bedroom desk sit two monitors, one with his music collection, one with Facebook and Reddit, a social site with news links that he and his father love. His iPhone availed him to relentless texting with his girlfriend.

Connor began getting Cs in school, largely, his parents claim, because of his multitasking. And that is what happens too often to my students. Parents can–and too often do not–encourage better habits by example and, old schooler that I am, punishment. But Connor’s parents are both heavy multitaskers, so dad interrupts vacation time to check mail and make calls. That’s a different world from that of my med-school-bound friend John, when he was in high school. After one B on the report card, John got pulled from our gaming group until he again got straight As.

John got the scholarship to UVA. I limped in and out of Virginia with a C+ GPA. I will admit that I had a lot more fun.

Some diversions were different then: paper-and-dice games, dorm bull sessions, movies in an auditorium and not on a computer. Others, notably women and beer, remain the same. But the effects of dividing my personal time were pernicious. Luckily, I had no cell phone or laptop when I burrowed into the depths of the Alderman Library to read and prepare drafts in writing.

Now, every square centimeter of our campus library has wireless access, and the students don’t look up as they cross our beautiful grounds. Their thumbs are busy, texting. With that goes a chance at introspection. As this shift has happened, I’ve grown less afraid that my students won’t know the fable of George Washington and the cherry tree than I am that no one but me and a few other old folks will notice the cherry trees blooming in front of Ryland Hall. This is the emblematic price we pay for multitasking. Cherry trees are the unnoticed wallpaper for student walks, not a vital part of their college experiences to remind them that beauty and youth fade quickly.

One of Sven Birkerts’ great fears in The Gutenberg Elegies, the waning of the private self, is coming to pass. There’s no quiet time alone for those I teach. You can get a 2010 sense of his thinking in “Reading in the Digital Age,” from The American Scholar. The waning process is well underway. How do we fight it?

I’ve learned, the hard way, to tell those who IM me at Gmail, despite the busy status, that “I’m busy.” In Second Life I’m relentless about not answering IMs when building. I check mail three times daily at work, and that’s it. I do not answer the phone, ever.

I’ve recaptured acres of time, as a result. But I have a strong will, strong to the point that I’ll hurt others’ feelings if they interrupt my work. My students, for whatever reasons related to peer pressure and a lack of counterexamples, live in a hive.

As a beekeeper, that’s a metaphor I normally enjoy. But humans are not honeybees.

As a student put in in the UCLA story where I found the image for this post:

“If I’m reading for one of my classes, and doing other things as well, then I am not paying my full attention to the reading, and therefore learning less.”

Other than “focus on one, maybe two, tasks until you are done,” I see no other way around this dilemma. The task is hard, but the reward, as Birkerts notes, is no less than living what Socrates would have called an examined life:

Concentration is no longer a given; it has to be strategized, fought for. But when it is achieved it can yield experiences that are more rewarding for being singular and hard-won. To achieve deep focus nowadays is also to have struck a blow against the dissipation of self; it is to have strengthened one's essential position.

e.g. i.e. etc. What to do?

Defending the Empire

A reader who uses our Writer’s Web online handbook contacted me concerning my use of “ex.” before an example of correct usage:

 I was of the belief that the correct way to abbreviate "example" was, in fact, e.g., (preceded and followed by a comma), then the example itself.

I realize that the English language is ever-evolving and Latin is considered by many a dead language, but there are a number of other credible sources that still show exempli gratia in its abbreviated form as being the correct expression to use when providing an example.

Thank you for an otherwise valuable resource for the finer points of written English.

Dear Reader:

Language is indeed changing; what is “correct” today will be forgotten tomorrow. No cohort of academics can stem the tide.  Language policies are, at best, like Hadrian’s Wall: it cut off intruders who managed to slip over, so their small bands could be easily wiped out.  On the safe side of the Wall lay the Roman civitates, unarmed and peacefully doing the business of Empire.

Yet no Wall–Hadrian’s included–could withstand a mass onslaught. That is, indeed, what new media, and before it, television and radio have done to formal English.

To your questions: for the sake of modernity, I’m going to retain “ex.” in my examples. For the sake of clarity, however, I won’t abbreviate it. All “ex.” instances will become “example” since the abbreviation might be misconstrued as “former.”

Let us be Stoic about this, as Marcus Aurelius did in the face of change. As he so wisely put it, “If you are distressed by anything external, the pain is not due to the thing itself but to your own estimate of it; and this you have the power to revoke at any moment.”

With this in mind, I teach writers to appeal to their readers. While a few well educated readers like yourself will be offended by my modern usage, in a few years no student I teach–at a selective liberal-arts university–will ever use “i.e.” or “e.g.” or “op cit.” or “idib.” except when writing a paper using the Chicago Manual of Style. Even that will be fleeting as fame and earthly treasures were in Aurelius’ estimation. I do not believe that the “paper” as we know it will even exist in a generation. Multimedia projects will replace it.

Ars Rhetorica will survive this change, as it did when Socrates lamented that his follower Phaedrus would recall nothing important during the arrival of that pesky new technology called writing. Had Socrates’ idea prevailed, would the Romans have plundered–I mean, appropriated–what they did from Athens’ rich heritage?

Take heart! Even as our old Roman stalwarts vanish into the linguistic sunset, the dogged centurion “Etc.” will, however, limp along, often misspelled “Ect.” Its original will remain as meaningful to modern readers (we bloggers do still read) as, exempli gratia, a Roman gladius would against a British Centurion tank.

Once I saw the need to hold some sort of line against language change. No longer, except when students veer into contemporary slang (much of it on the way to becoming formal English). Seeing the following changes in formal academic prose, for instance, I no longer penalize students for contractions or the use of “center around.” These both pained me at various times in my academic career. Now I’ve just moved along since, as Aurelius reminds us, “Every man’s life lies within the present; for the past is spent and done with, and the future is uncertain.”

19th Century Clues Explored with 21st Century Writing Tools

Usher, Beeble & Swedenborg

Here, avatar Beeble Baxter muses upon the image of Immanuel Swedenborg in Richmond’s virtual House of Usher.

During our pedagogical collaborations in virtual reality, there have been surprising parallels with traditional composition, but finding these parallels is not difficult. More challenging is the invention of an engaging and useful composition in virtual reality for use in our courses to help us to create that balance of challenge and learning that Lev Vygotsky called the zone of proximal development, or ZPD.

Poe’s horror story “The Fall of the House of Usher” has always fascinated me in terms of its psychological prescience and its manifold intriguing but arcane details. Like many Poe characters, Roderick Usher is melancholic and has surrendered to “the grim phantasm, FEAR” that seems to  paralyze him. Sometimes a cursory reading of Poe moves us to dismiss his tales as merely formulaic, but his details are often doors to the dank dungeons of the human psyche. The narrator of this tale, responding to Roderick’s desperate letter, attempts to distract his friend’s obsessive and fevered mind as they “pored together over” the titles in Usher’s library. In so doing, the narrator gains some understanding of Usher’s disintegrating psyche, but we do not.

However, it only takes a look behind the mention of Immanuel Swedenborg’s Heaven and Hell (1758) to get a more detailed insight into Roderick’s madness. The full title of the text the narrator finds in Usher’s Library is Heaven and its Wonders and Hell from things Heard and Seen.  Swedenborg begins with an exegesis of Matthew 24:29–31 in which he makes the following claim after dismissing the literal reading of the passage:

 “However, people who believe such things are not aware of the hidden depths that
lie within the details of the Word. There is in fact spiritual meaning in these
details, for they intend not only the outward and earthly events that we find
on the literal level but spiritual and heavenly events as well.
This holds true not just for the meaning of phrases but even for each word.”

This passage almost seems to apply to Poe’s tale as well, and so in traditional text we have mirrors of meaning. Roderick’s belief in the consciousness or “sentience” (1st coined in this story) of his house and the influence of the masonry, most specifically the “collocation of the stones”or their particular arrangement, seems to suggest a tendency to find hidden meanings not unlike Swedenborg. The “House” of Usher certainly exhibits the layered meanings that Swedenborg sees in the Scriptures. In his mystified mental misery, it may be that Roderick overlooked or dismissed Swedenborg’s insight in entry 311 where he reminds us that “heaven and hell come from the human race” a concept that might have encouraged Usher to clean up his own haunted palace to end the personal hell he had endured for so long.

It is such detail that suggests virtual reality as a potentially powerful tool for motivating students to dig more deeply into the details of the text and reflect upon their narrative function. Why does Poe bother to list these specific titles? The image of Swedenborg on one of the walls of the Usher library can be “scripted” to provide clues for student research prompting them to ask: how can Swedenborg’s Heaven and Hell can help us understand the intricacies of Roderick’s madness?

 And this is but one of the books named by the narrator of Poe’s story, each of which provides its own web of connections and opportunities for research. In “Fall of the House of Usher” the line of exploration can run from Poe to Swedenborg to William Blake whose astonishing hybrids of poetry and image composed via etching and engraving, continue to provide fertile intellectual and aesthetic delight even in the digital age.
The William Blake Archive is one of the first collaborative hypermedia texts to receive academic acclaim and its design provides unprecedented access to the vast collection of Blake’s genius scattered across the globe. Here students can follow the thread from Swedenborg to Blake’s The Marriage of Heaven and Hell which includes images and text critical of Swedenborg’s views.

When the 19th Century meets the 21st Century in the dark digital hallways of our virtual House of Usher, the possibilities begin to unfold for the bold who playfully pioneer.

Blake's Marriage of Heaven and Hell

Greetings From “The Old Man Store”

Old Time Office Supplies

Today I placed an order with Staples for some supplies badly needed at the Center:

  •  “Reinforcement, hole”
  • “Pressboard Report Cover, side tab”

My reader may well wonder, “why badly needed?”  No one died because pages fell out of a three-ring binder.

We forget at times how much the work of writing still depends on paper. As much as I’ve tried, mightily in fact, to be rid of paper in my office, I find that about once per year, I will need an ancient text I photocopied in grad school in the late 1980s, an article I saved and hole-punched from a moldy issue of The Chronicle of Higher Education in the mid 90s, or  a news item printed from the New York Times‘ Web site in 2005.

These sorts of materials are not alien to my students, but I suspect that keeping and organizing them are as alien as, say, using a slide rule would be to their peers in the sciences.  And yet a Writing Center could  not exist without its crumbling archives of printed matter.

One day in the not-too-distant future, such paper-based storage supplies will be as hard to locate as typewriter ribbons (Google that, you young rascals! We can still order them!). When that dolorous day arrives, I’ll do one of two things.

Option One: horde the remaining stocks of Dymo labels from the 1970s, hole-punch machines, and White-Out for personal use.

Option Two: Open “The Old Man Store,” with lines of clothing (suspenders, by gum!) and food (Where in the Sam Hill can I get me any Ovaltine?).

For a long while, The Vermont Country Store served this purpose, even including jabs at “the young word-processing crowd” in their praise for a manual typewriter (no longer available, it seems).

As if my students get sweaty palms thinking about opening MS Word.

I just wonder if, in a few  years, their younger siblings will be saying things like “OMG you still have an external computer!” as they chat on their brain-implants.

What that will mean for writing remains unseen, but I worry about the longevity of the technologies for paper storage. These everyday items have so long been a part of a writer’s fortifications against forgetfulness and stupidity.

1970s Dymo Label Maker