Our word this week began life in an Italian cave, or grotto. As early as the 16th Century, painters captured the primitive feelings of that setting with work called grotesque. So how did the word change over time, to become something revolting and unnatural?
Slowly. By the dawn of the 20th Century, when H.G. Wells wrote The Island of Doctor Moreau, the artistic sense of the word and its more modern sense were both in play. A definition given by the OED Online, “Characterized by distortion or unnatural combinations; fantastically extravagant; bizarre,” came to be common. Think of any gargoyle you see on a cathedral. They are nearly all grotesques.
Thanks to Victor, in my course Reading Science Fiction and Fantasy, for asking about this term used by Wells, as when his narrator remarks, “The apparition of this grotesque, half-bestial creature had suddenly populated the stillness of the afternoon for me.”
Using the Project Gutenberg copy of the text, now in the public domain, I stopped counting at 20 uses of the word. Clearly, Wells was after the human-animal hybrids’ grotesque appearance and behavior. And Dr. Moreau, who makes these “Beast-Men,” certainly had art in mind as much as science, since in the novel he calls the narrator a “materialist” when the narrator questions the practical application of the doctor’s mad experiments.
Please nominate a word (or metaphor!) useful in academic writing by e-mailing me (jessid -at- richmond -dot- edu) or leaving a comment below.
See all of our Words of the Week here.
Image Courtesy of Wikipedia.