Arachnophonia: Chopin’s Letters

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Xipeng (class of 2024) and features book of letters by the composer Frederic Chopin (1810-1849). Thanks, Xipeng!

Chopin’s Letters

Chopin's Letters - book cover

I started working on Chopin’s G Minor Ballade last December, and it was the piece with the heaviest emotions I have ever studied before. By chance, I read several sections of this book, a collection of Chopin’s letters, and the texts have such a strong power that I was immersed in the intensity and great sorrow reading through the lines.

Here is what Chopin recorded in his Stuttgart diary in this book when the Battle of Warsaw took place in September 1831: “Sometimes I can only groan, and suffer, and pour out my despair at the piano! … Is a corpse any worse than I? … A corpse is as colorless as I, as cold, as I am cold to everything now” (Chopin, 149).

When studying a new piece, I found it extremely helpful to better interpret the narrative and emotions behind the composition by reading different versions of the score and the composer’s diary or other written documents. The book Chopin’s Letters will give you a brand-new insight into this patriotic composer if you love his music! The call number is ML410.C54 A4 1988.

Arachnophonia: Mozart’s Letters, Mozart’s Life

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Esther (class of 2025) and features a collection of Mozart’s letters. Thanks, Esther!

Mozart’s Letters, Mozart’s Life: Selected Letters
Edited and translated by Robert Spaethling

Portrait of a young Mozart

Portrait of Wolfgang Amadeus Mozart at the age of 13 in Verona, 1770

When we first hear the term “classical music,” we often think of great composers like Beethoven and Mozart. Despite his relatively short life, Mozart is known and celebrated for his prodigious musicality and influential compositions even to this day. But what was Mozart like? You may know several of his pieces, but have you taken the time to consider the person behind these famous pieces?

There’s no better way of being first introduced to Mozart’s private life than Mozart’s Letters, Mozart’s Life by Robert Spaethling. Spaethling, a scholar of German literature of the 19th and 20th centuries and Mozart, has carefully chosen and depicted a compilation of Mozart’s letters spanning twenty-two years of the young composer’s life. Spaethling’s most recent edit of these letters provides us with the most accurate translation to appropriately convey Mozart’s nuanced personality.

Mozarts Letters Mozarts Life

Through Mozart’s Letters, Mozart’s Life, we are invited to explore Mozart’s innermost thoughts and raw perspective of life. In addition to the analysis of the different voices that shine through in Mozart’s candid letters, Spaethling includes information, such as various life events throughout the composer’s life, that encourages us to think deeply and have greater appreciation for the person behind these great works.