Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.
Today’s installment of Arachnophonia is by student manager Tim (class of 2024) and features a book that teaches the basics of learning to play the Chinese bamboo flute. Thanks, Tim!
How to Play Dizi, the Chinese Bamboo Flute: The Dongxiao by H. H. Lee
The Dongxiao is a type of Xiao from the Chinese bamboo flute family. It has a history of over 8,000 years, dating back to the Neolithic Age in China. The entire flute is made of bamboo, and its length is usually over 32 inches. It is either carved with six or eight holes, with an additional “V”-shaped hole on the top serving as the mouthpiece (the blowing hole). Sound is produced by air vibration passing through the “V”-shaped blowing hole. It is primarily used in the Yangtze River Delta, especially in Jiangsu Province.
Unlike major Chinese musical instruments, the Xiao has its own unique cultural significance, closely tied to traditional Chinese culture. Due to its distinctive characteristics, the Xiao cannot project a very loud sound. Its unique timbre makes it an ideal instrument for solo performances or duets. Chinese scholars view the Xiao as an instrument for a Junzi (gentleman), and it is traditionally played by scholars to cultivate their minds, often for personal enjoyment or for a very small audience. The airy sound of the Xiao is considered “ambient.” In Chinese aesthetic terms, this “ambient” quality evokes a sense of vast space where people become mere ornaments, reflecting the vastness of nature and the smallness of human beings in comparison.
The book How to Play Dizi, the Chinese Bamboo Flute: The Dongxiao introduces Western readers to the world of the Xiao. It covers the types, structures, and key signatures of the Xiao, along with relatively simple instructions on how to play it and modern Chinese music notation. This book is especially useful for beginners or those interested in Chinese music and culture.
