Tag Archives: movie soundtrack

Parsons Playlists: Transcendental Film Soundtracks

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Welcome back to Parsons Playlists! Today we’re featuring a collection of film soundtrack music curated by Music Library student manager Colin (Class of 2021).

Films have been my go-to source of entertainment for years. In high school, my friends and I became heavily invested in the awards season of movies, in which we tried to watch every film that was nominated for Best Picture by the Academy. Movies are not measured for enjoyability by their success winning awards, nor do awards automatically make a movie “good.” Rather, this activity was something that my friends and I enjoyed doing, and exposed us to a lot of new films and directors. Particularly interesting for us in watching films was hearing the soundtrack, as all of my friends and I were involved in my school’s music program. We loved talking about the scores of films, and the impact that specific songs have through their leitmotifs or influence on the narrative. For example, we were obsessed with the soundtrack from La La Land, because, well let’s be honest; who can’t tap their foot or hum along with the songs when listening to its music?

La La Land - movie poster

Richard Wagner had a great influence upon the film industry and its scores due to his methodical approach to writing operas, in which the music he composed enhanced the narrative through the use of leitmotifs, or short musical phrases that indicate the appearance of a character or narrative theme. This concept was recognized by the film industry, and was expanded on by different film composers, specifically Max Steiner who is known as “The Father of Film Music.” Steiner was heavily influenced by Wagnerian musical concepts, and would incorporate leitmotifs, non-diegetic sounds and other elements that enhanced the musical experience in movies and their relation to narratives. Since Steiner, films have grown to incorporate songs into their soundtracks that are either specifically written for the movie from a preexisting band, or the rights are bought from a band to include their song in the movie. The songs themselves share the same focus that Steiner envisioned for his films, in that songs are used for a narrative purpose in order to advance the plot, express the emotions of a specific character, and/or give credibility to the environment in which the film or a scene takes place.

Max Steiner scores

A sampling of films scored by Max Steiner

With this playlist, I wanted to highlight songs used in films that transcend just their immediate presence in the film. The rules of this playlist are rather loose, in that the songs included may have been written for the specific movie in which they are famous for being in, or written before the movie and added to the soundtrack and become a staple song for the film. I have included highly popular choices that the general film-viewing population would agree with, such as “My Heart Will Go On” in Titanic and “Don’t You (Forget About Me)” in The Breakfast Club. However, I have also offered some of my personal choices of songs that I believe greatly enhance the movie and urge audiences to listen to the song outside of the filmic experience, but do not necessarily have the history or popular recognition by audiences. I hope that choices like “Slip Away” from Booksmart and “(I’m Gonna) Love Me Again” from Rocketman will expand your music and film libraries. I have organized the songs in order of their film’s release date, and my personal choices begin with “Send Me on My Way” from Matilda. And this playlist does not feature any instrumentally focused soundtracks that typically appear in large blockbuster films, but rather individual songs focused on lyrics. I hope you enjoy this eclectic playlist and relive some great film experiences through music!

Movie Posters 1

“Somewhere Over the Rainbow” by Judy Garland – The Wizard of Oz
“Singin’ in the Rain” by Gene Kelly – Singin’ in the Rain
“Moon River” by Audrey Hepburn – Breakfast at Tiffany’s
“Mrs. Robinson” by Simon & Garfunkel – The Graduate
“Born to be Wild” by Steppenwolf – Easy Rider
“Stayin’ Alive” by Bee Gees – Saturday Night Fever
“Eye of the Tiger” by Survivor – Rocky III
“Footloose” by Kenny Loggins – Footloose
“Purple Rain” by Prince – Purple Rain
“Don’t You (Forget About Me)” by Simple Minds – The Breakfast Club
“Take My Breath Away” by Berlin – Top Gun
“(I’ve Had) The Time of My Life” by Bill Medley & Jennifer Warnes – Dirty Dancing
“In Your Eyes” by Peter Gabriel – Say Anything
“Unchained Melody” by The Righteous Brothers – Ghost
“I Will Always Love You” by Whitney Houston – The Bodyguard
“My Heart Will Go On” by Céline Dion – Titanic

Movie Posters 2

“Kiss Me” by Sixpence None the Richer – She’s All That
“Tiny Dancer” by Elton John – Almost Famous
“Lose Yourself” by Eminem – 8 Mile
“Dancing Queen” by ABBA – Mamma Mia!
“Happy” by Pharell Williams – Despicable Me 2
“Can’t Stop the Feeling” by Justin Timberlake – Trolls
“Send Me on My Way” by Rusted Root – Matilda
“Somebody to Love” by Queen – Ella Enchanted
“Life is a Highway” by Rascal Flatts – Cars
“Hoedown Throwdown” by Miley Cyrus – Hannah Montana: The Movie
“Heroes” by David Bowie – The Perks of Being a Wallflower
“Mystery of Love” by Sufjan Stevens – Call Me By Your Name
“Helplessly Hoping” by Crosby, Stills & Nash – Annihilation
“Shallow” by Lady Gaga & Bradley Cooper – A Star is Born
“Slip Away” by Perfume Genius – Booksmart
“(I’m Gonna) Love Me Again” by Elton John & Taron Egerton – Rocketman

And here is a link to a YouTube playlist version!

Arachnophonia: Dirty Dancing

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Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Gabriela (class of 2020) and features the original soundtrack album for the 1987 film Dirty Dancing. Thanks, Gabi!

Dirty Dancing

Dirty Dancing soundtrack album

With the 92nd Academy Awards freshly behind us, I’ve been thinking about my favorite film soundtracks. For me, a driving factor of what makes a movie memorable or great is its music –either score, soundtrack, or both. I love when I hear a song that I recognize during a scene, which I can dance or sing along to in my seat. On the other hand, I also love when movies introduce me to music. The only reason I loved the songs “Hungry Eyes” and “Be My Baby” so much as a kid was because of the movie Dirty Dancing.

Dirty Dancing still

My parents showed me Dirty Dancing at a young age, probably because I was a dancer whose first childhood dream was to be a Broadway star, and it instantly became one of my favorite movies. The soundtrack, which features songs spanning multiple decades, made an already wholesome and fun movie even more enjoyable. Even as a child, I could feel the nostalgia that it portrayed, as it features 50’s and 60’s pop hits like “Love is Strange” and “Stay” that instantly transport the viewer to a summer in 1963. Naturally, a distinctly 80s sound is also incorporated in songs like “She’s Like the Wind” sung by lead actor Patrick Swayze himself, a man of apparently many talents. And of course, many of these songs are used in dance scenes, following Baby and Johnny’s journey from frustrating rehearsals to final performance.

Dirty Dancing lift

There are many iconic movie scenes that will be forever associated with their respective songs, or vice versa. Think: “(Don’t You) Forget About Me” with Judd Nelson’s fist in the air at the end of The Breakfast Club, or “Girl You’ll Be a Woman Soon” in Uma Thurman’s apartment in Pulp Fiction. But undoubtedly one of the most commonly known and referenced music/movie scene pairings is “(I’ve Had) The Time Of My Life” from the final dance scene in Dirty Dancing –with extra emphasis on the achievement of Baby’s lift that happens right as the song climaxes. This is the kind of flawless, emotional moment that makes the right fusion of a scene and a song selection one of my favorite aspects of film. It’s also one of the many moments that made the Dirty Dancing soundtrack go multi-platinum.

Arachnophonia: The Polar Express

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Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item(s) in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Allison (class of 2022) and features a suite of music from the soundtrack to The Polar Express film released in 2004. Thanks, Allison!

The Polar Express

Polar Express movie poster

In 1985, Chris Van Allsburg wrote the children’s book The Polar Express. His story was released as an animated children’s film in 2004 and was wildly successful. The soundtrack, composed by Alan Silvestri, received much well-deserved praise, including a 2006 Grammy for the song “Believe.”

Although my parents definitely read the book to me previously,my first tangible memory of The Polar Express was in first grade when my class had “Polar Express Day.” On that day we came to school in our pajamas, drank hot chocolate, and watched The Polar Express. As a result, I have always had a certain fondness for the movie.

In 2017, I played “The Polar Express Suite” with my youth orchestra as a part of our annual Christmas concert. Even with our packed program, “The Polar Express Suite” still stuck out as one of my absolute favorites. The suite highlights the main themes from the polar express soundtrack and creates the same majestic feeling the songs have in the movie. The suite is often overlooked but I find it to be just as much of a holiday classic as the movie itself.

Polar Express book cover

Arachnophonia: “Hans Zimmer & James Newton Howard’s The Dark Knight: A Film Score Guide”

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Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about items in the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library student worker, Abby (class of 2021) and features an analysis of the score from the 2008 film The Dark Knight. Thanks, Abby!

Han Zimmer and James Newton Howard’s The Dark Knight : A Film Score Guide by Vasco Hexel

Are you a fan of Batman? Do you love learning about how movie soundtracks impact movies, even having the power to completely change emotion and perception? Or maybe you’re taking a music theory class and want to read something that won’t put you to sleep on the first page? Then this, my friend, is the book for you: Hans Zimmer and James Newton Howard’s The Dark Knight: A Film Score Guide by Vasco Hexel. It’s a long title but hear me out. This book tracks Zimmer’s process in the making of The Dark Night film score, as the name suggests. But not only that, it provides in depth analysis of the characters Batman and the Joker, describing how the music was designed to reflect the psychology of each character.

For mega-fans and theorists, it’s a musical, analytical wonderland. And for those who need help in figuring out how to make a Grammy award-winning soundtrack, or who just need a break from Beethoven, this is the place to start!