Oops! We had to remove the hero profile you’re looking for because it appears in our book Heroic Leadership: An Influence Taxonomy of 100 Exceptional Individuals, published by Routledge in 2013.
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— Scott Allison and George Goethals
Many actors are known for the heroic exploits of their fictional alter egos, but far fewer deserve to be called heroes in their own right. Myrna Loy is best remembered for her role as Nora Charles, the wry better half of William Powell’s Nick Charles, whom she portrayed in six Thin Man films from 1934 to 1947. In these films, Loy never failed to help bring the murderer to justice and prevent further loss of life. In real life, her acts of heroism were more subtle, yet more profound and lasting.
Born in 1905 in Montana, Myrna Loy came to southern California with her mother following the death of her father when she was 13. Here she studied dance, posed for photographers and sculptors, and was soon performing in local stage productions. A job as a dancer in Grauman’s Egyptian Theater led to her first roles as exotic femme fatales in several silent films throughout the 1920s. But it was in 1934, at the age of 29, that she landed the role of Nora Charles, making her one of the biggest stars in Hollywood and earning her the nickname “The Queen of Hollywood.”
Loy put her fame and wealth to good use. A strong opponent of racism, she lobbied against discrimination in Hollywood. “Why does every black person in the movies have to play a servant?” she asked studio executives when she was at MGM. “How about a black person walking up the steps of a courthouse carrying a briefcase?” This was in 1934, during the Great Depression and three decades before the Civil Rights Era. 
Later, she worked as co-chair of the Advisory Council of the National Committee Against Discrimination in Housing.
When World War II broke out in Europe in 1939, she went to work raising money for the Red Cross and War Relief. With the bombing of Pearl Harbor in 1941, she went to work full time for the war effort, going on fund-raising tours (in full uniform) and working at a Naval Auxiliary Canteen run by Bundles for Bluejackets. As the war continued, she moved to New York and toured military hospitals throughout the east, visiting wounded and crippled soldiers and organizing shows to raise their spirits. Her outspoken statements against the Nazis earned her a spot on Hitler’s blacklist.
After the war, she faced the threat of another blacklist because of her progressive views — this time because of the rising tide of McCarthyism and the Communist Witch Hunt. As a response to the forming of the House Un-American Activities Committee, Loy helped create the Committee For The First Amendment. Also in the post-war years, she went to work for the American Association For The United Nations and as a delegate for UNESCO (the United Nations Educational, Cultural and Scientific Organization).
In her roles as strong, intelligent and sexually liberated women in films such as The Thin Man, Topaze and The Barbarian, Myrna Loy epitomized the “New Woman” feminism that began in the 1920s. Her progressive views on racial and gender equality foreshadowed the dramatic social changes of the following generation. Her dedication and patriotism in the face of war, as well as her courage and moral fiber in the face of ominous developments on the home front, brought comfort and hope to many. In both fact and fiction, Myrna Loy was a heroic force to be reckoned with.
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Rick Hutchins was born in Boston, MA, and has been an avid admirer of heroism since the groovy 60s. In his quest to live up to the heroic ideal of helping people, he has worked in the health care field for the past twenty-five years, in various capacities. He is also the author of Large In Time, a collection of poetry, The RH Factor, a collection of short stories, and is the creator of Trunkards. Links to galleries of his art, photography and animation can be found on http://www.RJDiogenes.com.
By Jesse Schultz
The admiration of heroes is something that comes easy to most. The firefighters and medical personnel who protect your safety and health. The soldiers who defend the borders and protect your way of life. Even the heroics of everyday people who rise to the occasion. Yet ironically, while the picture of a hero is one who defends and protects your well being, we also seem capable to admiring people who, under normal circumstances, would be our enemy.
One of the earliest examples is the legend of King Arthur. In the ancient lore of the British Isles, Arthur was a Briton who defended the island from invading Saxons who had been brought in by King Vortigern. The stories still resonate to this day of a noble and heroic king and his knights fighting a ruthless enemy bent on conquest. Yet this is the irony of the Arthurian myth. A majority of the English who revere King Arthur are in fact descendents of the very Saxons whom he fought.
An even more curious case comes from the time of the Crusades. Starting in 1096 AD Christian Europe started a series of campaigns in an attempt to “liberate” the Holy Land from Muslim domination. It was during their Third Crusade that a Saracen leader by the name of Saladin became known to the West. Born around 1138 Saladin rose to become the Sultan of Egypt, despite being of Kurdish descent, and eventually in 1187 retook the Kingdom of Jerusalem from the Crusaders who had held it since 1099. Usually this would have been enough to insure Saladin’s role as a villain in the West, but instead he came to be looked on fondly by Europe. Tales of his wisdom and compassion seemed to present the picture of a man who lived by the code of chivalry at a time when it was lacking in many European knights. 
In fact, Saladin came to be more fondly remembered in the West, by the very people he was fighting, than in the Middle East.
Even in modern times there are still examples of individuals who having fought a particular society become celebrities in that very society. On June 25, 1876, a Hunkpapa Sioux chief named Sitting Bull led a combined force of Lakota and Cheyenne against the United States 7th Cavalry at the Little Big Horn river. It was a stunning defeat for the United States and insured that the names of Sitting Bull and Custer would go down through history. Sitting Bull was eventually forced into surrender and later was recruited into Buffalo Bill’s Wild West show in 1884. Less than a decade after Little Big Horn crowds were cheering the man who led the defeat of Custer. After leaving the show Sitting Bull even made a good living selling his autograph. And in later movies he was often portrayed sympathetically.
Why were these men revered by people who under most circumstances should have viewed them as villains? Simple understanding certainly plays some role. Arthur, Saladin, and Sitting Bull were all merely defending their way of life against invaders. It’s hard to criticize anyone for that. But there are likely deeper reasons. An admiration. The myth and romance of the Arthurian tale. The chivalry of Saladin. The underdog victory of Sitting Bull against an overconfident opponent. And perhaps opposing heroes are among the most honest kind of hero. Not people who achieve their notoriety for what they can give us, like protection or conquests. But notoriety for just being who they are.
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The author, Jesse Schultz, has also written entries Merlin: Supporting Hero of Myth and Those Whom We Forget: The Makers of Fire and perversely seeks the admiration of people who don’t like him.
Why do we perceive certain people as heroes? What qualities do we see in them? What must they do to win our admiration? In Heroes: What They Do and Why We Need Them, authors Scott T. Allison and George R. Goethals offer a stimulating tour of the psychology of heroism, shedding light on what heroism and villainy mean to most people and why heroes — both real people and fictional characters — are so vital to our lives.
Check out the authors’ interview on NPR’s Radio Lab program, in which they discuss their research on underdog heroes.
In their book on Heroes, the authors discusses a broad range of heroes, including Eleanor Roosevelt, the Beatles, Walt Kowalski in Gran Torino, Abraham Lincoln, and explorer Ernest Shackleton, plus villains such as Shakespeare’s Iago. The authors highlight the Great Eight traits of heroes (smart, strong, selfless, caring, charismatic, resilient, reliable, and inspiring) and outline the mental models that we have of how people become heroes, from the underdog who defies great odds (David and Goliath) to the heroes who redeem themselves or overcome adversity. Brimming with psychological insight, Heroes: What They Do and Why We Need Them provides an illuminating look at heroes — and into our own minds as well.
Heroes: What They Do and Why We Need Them, published by Oxford University Press, is now available for purchase.
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Here’s what they’re saying about Heroes: What They Do and Why We Need Them:
“Heroes and villains are outliers on the bell curve of humanity, Good and Evil the basic dialectic of human nature. These fascinating processes are brilliantly illuminated in this well-crafted exposition that takes its readers on a captivating journey.”
– Philip Zimbardo, Professor Emeritus of Psychology, Stanford University, President of the Heroic Imagination Project, and author of The Lucifer Effect and The Time Paradox
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“Who are our heroes, who are our villains and why? Through a skilled interweaving of fascinating examples, relevant research, and crucial conceptual distinctions, Scott Allison and George Goethals answer these questions for our time.” — Howard Gardner, Hobbs Professor of Cognition and Education, Harvard Graduate School of Education
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“Allison and Goethals have done a masterful job leading the reader through the complex labyrinth of leaders and followers, heroes and villains, and even the nature of evil. The book is both erudite and entertaining. The have used familiar heroes from fiction, popular culture, and everyday life to make important points come alive while remaining true to the empirical research literature across many areas. This is a book that may be destined to cross the line from scientific analysis to best seller.” — Martin Chemers, Professor of Psychology, University of California Santa Cruz
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“By conjoining deep insights from psychology, history and the arts, Allison and Goethals have tendered a unique analysis of heroism€”and have succeeded wonderfully.” — Robert B. Cialdini, Regents’ Professor Emeritus of Psychology & Marketing, Arizona State University, and Author of Influence: Science and Practice
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“In this outstanding book, Scott Allison and Al Goethals probe beneath the surface of heroes and heroism. What kinds of people are recognized as heroes? What motivates them to take actions that most others are unable or unwilling to take? Allison and Goethals answer these questions with a rich analysis that draws from a wide range of scientific and historical sources.”
— Alice Eagly, Professor of Social Psychology, Northwestern University
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“George Goethals and Scott Allison, two of the world’s preeminent social psychologists, have combined their considerable talents to produce a tour de force analysis of heroes and heroism. This book is a scholarly triumph, a heroic intellectual achievement, and one that will both inform and inspire contemporary debate and understanding of this important but neglected topic.” — Roderick M. Kramer, William R. Kimball Professor of Organizational Behavior, Graduate School of Business, Stanford Business School
By Scott T. Allison and George R. Goethals
In the introductory chapter of our book Heroes, we discuss American actress Meryl Streep and former British Prime Minister Margaret Thatcher on consecutive pages. We make the point that both women well illustrate the point that heroism is in the eye of the beholder. Streep is not a hero to Americans as a whole, but she is to most people in the film business. Hardly anyone would regard her as a villain. On the other hand, most of the British public, and many Americans, have opinions about Thatcher, with different people regarding her as either a hero or a villain.
The two were recently paired in a movie that few will ever forget. In the movie The Iron Lady, Streep portrays Thatcher in what we consider one of the best acting performances in years. Streep has been nominated for almost two-dozen Oscars as either Best Actress or Best Supporting Actress. Before this year, she had won twice, for Sophie’s Choice in 1983 and Kramer vs. Kramer in 1980. And in The Iron Lady, Streep hoisted the hardware again in her role as Margaret Thatcher. Streep’s performance is doubly impressive compared to the usual biopic. She plays Thatcher both in her current semi-demented state, 
and in her prime as the longest serving British Prime Minister of the 20th century.
Thatcher herself was a highly divisive figure as Prime Minister. The daughter of a grocer in Lincolnshire, England, she rose through the ranks of the Conservative Party by articulating and embodying middle class values and virtues that seem now almost anachronistic. She stood more firmly on her fundamental principles than almost any other politician in a democratic state. University of Richmond leadership scholar Gary McDowell wrote “principle, she never failed to believe, is everything, and leadership is, at least in part, a matter of great, principled truths being simply told.” Among the principles that were central to Thatcher, McDowell added were, “individual liberty, small government and low taxes” as well as “a sense of personal responsibility.”
Thatcher was not loved by all. Her most dramatic leadership came twenty years ago during the brief war over the Falklands Islands in the South Atlantic Ocean. The islands are just off the coast of Argentina, and that country had long held that they, called Malvinas by the Argentines, rightfully belonged to Argentina and only British imperialism made them English. In 1982 Argentina invaded and captured the lightly defended islands. 
Under Thatcher’s leadership, Great Britain launched a major – and very expensive – military counterattack thousands of miles away from the home country. British forces made short work of it, quickly regaining the Falklands. In doing so, they sank an Argentine destroyer killing hundreds of sailors.
Many people, in and out of England, questioned the value of the Falklands and severely criticized Thatcher for spending so much money and wasting so many lives in order to recapture the sparsely populated islands. For Thatcher, the principles of national sovereignty and self-defense unequivocally dictated the islands’ retaking. She became both a hero and a villain, depending on whose eyes were beholding.
Meryl Streep acts wonderfully throughout The Iron Lady, and shows Thatcher’s steely determination best of all, perhaps, in the Falklands scenes. The film is fascinating, and presents two possible heroes for our consideration. It is well-worth watching.
Below Meryl Streep talks about her portrayal of former Prime Minister Margaret Thatcher in the film The Iron Lady.
By Scott T. Allison and George R. Goethals
There are times when real-life hero stories are so unlikely, and so inspiring, that they have the appearance of a fairy tale. The story of New York Knick basketball player Jeremy Lin is one such tale.
Lin played college basketball at Harvard, a school known far more for its academics than for its athletics. Lin was a star player at Harvard, but when he graduated in 2010, there were no professional basketball teams in the NBA interested in him. He was judged to be a marginally skilled player who lacked athleticism.
Eventually the Golden State Warriors decided to take a chance with Lin, but they gave him little playing time and eventually cut him from the team. The Houston Rockets then did the same. Lin’s basketball future looked bleak.
But Lin never abandoned his dream to play professionally. 
He began this current basketball season languishing at the end of the New York Knicks’ bench, still waiting for his chance. There appeared to be little hope that Lin would ever be able to prove himself on the basketball court.
At this point, the magical part of the fairy tale kicks in. On February 5, 2012, with the Knicks struggling to win games, coach Mike D’Antoni took a chance and decided to bring Lin into a game against the New Jersey Nets. Lin proceeded to dazzle everyone by scoring 25 points and handing out 7 assists, leading the Knicks to victory. His performance stunned everybody.
Was it a fluke? There was only one way to find out. Coach D’Antoni allowed Lin to start the next game against the Utah Jazz. This time Lin scored 28 points and dished out 8 assists, again leading the Knicks to victory. Next came the Washington Wizards. The Knicks won again with Lin scoring 23 points and getting a career-high 10 assists. Against the Los Angeles Lakers, Lin poured in 38 points and had 7 assists. He out-played the Lakers’ future Hall of Famer Kobe Bryant, who muttered, “Players don’t come out of nowhere.”
In his first four games as a starter, Lin scored more points (109) than any player in NBA history. That includes legends such as Michael Jordan and LeBron James. “I have never seen this,” said Knicks coach D’Antoni. “What he’s doing is amazing.” Lin is the first New York-based team athlete to appear on the cover of Sports Illustrated two weeks in a row since the magazine started in 1954. 
Lin’s stunning rise to stardom has captivated New York Kick fans, who erupt into a Beatlemania-like frenzy whenever Lin touches the ball. The phenomenon has been called Linsanity.
As if Lin’s storybook rise to fame isn’t enough, he has also shown remarkable humility and generosity off the basketball court. When interviewed, Lin comes across as genuinely gracious, modest, and grateful for the opportunities given him. He always gives credit to his teammates first. One day he wants to become a pastor devoted to helping others and establishing non-profit organizations to assist those less fortunate than him. Lin also plans to work in inner-city communities to help underprivileged children.
Every once in a while, a hero appears out of nowhere to accomplish goals that no one could ever have anticipated. The story has a powerful, almost archetypal quality to it. It reminds us of fables and childhood tales that mesmerize us at a young age. No one expects Cinderella to become a princess or the ugly duckling to grow into a majestic swan. These stories inspire and move us because they are so very rare and have such a great emotional payoff. And when they do occur, as with Jeremy Lin, our views about the promise and hope of humankind are rekindled.
Below is clip showing some highlights of Jeremy Lin leading the Knicks to victory over the Lakers.
