Poplar Forest: A Tribute to John Hemings

by Eden Wolfer

Eden Wolfer is a rising junior from Wilmington, Delaware. She is majoring in sociology and minoring in education. This is her first summer working for the Race & Racism Project and she is excited to learn from this experience.

The entrance to the Poplar Forest plantation home is well marked from the residential road in Lynchburg, but it is really just a long gravel road through the woods with an occasional glimpse of a golf course to the right and empty fields to the left. There is nothing to indicate you did not drastically mess up somewhere in the last two and a half hour trip. Eventually, the trees part and you can see the beautiful brick facade of Poplar Forest. The property consists of a gift shop, two barns, converted offices, and the actual plantation home; all making up Thomas Jefferson’s retreat plantation.

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The Hidden Gem of Jackson Ward

by Mysia Perry

Mysia Perry is a rising sophomore from Richmond, VA with an intended major in Leadership Studies and minor in Sociology and Women, Gender, and Sexuality Studies.  She is a part of the WILL* program, Peer Advisors and Mentors,  Planned Parenthood Generation Action, and she is both an Oldham and Oliver Hill Scholar. This is her first summer working on the Race & Racism Project on Team Oral History, and she is very excited to begin working for more equitable environment here at the University of Richmond.

I am always excited and proud to pass the bronze statue on Broad Street and Adams Street in Richmond, Virginia. Maggie Lena Walker’s statue stands at 10-feet, surrounded by the events that led her to be the respected, powerful businesswoman we know her as today. Other feelings consume me when I travel through the Monument Avenue Historic District: disappointment and discomfort. Those statues tower over my car, with the largest totaling over 60 feet tall. Those statues celebrate the enslavement of my ancestors.

When others think of Richmond, it is hard not to concentrate on our city weighing the decision of what to do with the Confederate statues on Monument Avenue. Our identity has been consumed by this, especially after the events of last August in Charlottesville regarding the fate of other Confederate monuments. It is easy to forget about some of the opportunities Richmond held for black people during the Jim Crow era.  I found that as I visited the Maggie L. Walker Historic Site in Jackson Ward, I was able to finally see more than Richmond’s connection to the Civil War.

 

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A Tribute to the Enslaved at Montpelier

by Catherine Franceski

Catherine Franceski is rising junior from Washington, D.C. majoring in Philosophy, Politics, Economics & Law (PPEL) with concentration in politics and minoring in Rhetoric & Communication Studies. She is the president of Phi Alpha Delta pre-law fraternity, and a member of the Westhampton College Honor Council. This is her second year working on the Race & Racism Project. Last summer, she focused on studying the lives and legacies of “hidden” black figures in Richmond, Virginia’s history.

Montpelier is the estate and plantation home of James and Dolley Madison. It is where James Madison, the fourth president of the United States, penned several invaluable documents in America’s history, such as the Virginia Plan, which would provide the groundwork for the U.S. Constitution, and the Federalist Papers. Furthermore, it was also home to a population of more than 100 enslaved persons who waited upon the Madisons and their visitors, maintained the mansion, and labored in the fields.

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A History Unrepresented

by Tucker Shelley

Tucker Shelley is a rising senior at UR from Burlington, Vermont. He is a member of the Theta Chi fraternity on campus. In his free time, Tucker prefers staying active and listening to good music. This is his first summer working on the Race & Racism Project and will continue similar work next semester for Dr. Maurantonio in the “Digital Memory and the Archive” course.

Photo from NPS.

The Maggie L. Walker National Historic Site is a house museum in the mansion that Maggie Lena Walker resided in. Walker was a public figure, civil rights activist, teacher, and the first black, female bank owner. The goal of this house museum is to take you back to Walker’s time and see how life might’ve been for her through the lens of her abode. This house is in Jackson Ward, a historically black neighborhood in downtown Richmond. More specifically, the home is on 2nd Street which was previously known as “The Deuce.” It was a bustling street that was the center of almost all black commerce, warranting its other nicknames: “Black Wall Street” and “Harlem of the South.” Maggie L. Walker embodied this mentality by becoming the first female of any race to charter a bank in the United States. One day in mid-June, I made a visit to this museums in hopes of an enjoyable experience in which I learned something. While I did learn quite a lot about the history of The Deuce and Maggie Walker’s history, it was a rather dull showing.

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Chimborazo Medical Museum

by Eden Wolfer

Eden Wolfer is a rising junior from Wilmington, Delaware. She is majoring in sociology and minoring in education. This is her first summer working for the Race & Racism Project and she is excited to learn from this experience.

I had never been to Church Hill until going for this site visit–exploring the city is hard when relying entirely on University of Richmond for transportation. So I asked my friend, a history major with just enough interest in the Civil War, to make a museum trip on a hot afternoon (a better plan than laying in bed), to come with me to the Chimborazo Medical Museum. We got lunch and walked the five blocks to the museum.

We got to the park and saw on the top of the hill a building labeled Richmond National Battlefield Park Visitors Center. I was greeted by an older man, “Welcome to Chimborazo! If you’re looking for a battlefield, I’m sorry but this is it.” I asked what he meant and he explained that most of the historical tourists that came to visit were looking for a battlefield, the name of the building being a misnomer. He explained that the first floor of the building was the museum, “we’ve got some pretty gory stuff in that room there, a fifteen minute video, and a model of what the hospital would have looked like back in the day. This building wasn’t the hospital you see it was actually a weather station, used to launch weather balloons off the roof.”

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The Monument to Stonewall Jackson’s Arm

by Ayele d’Almeida

Ayele d’Almeida is a Political Science and Leadership double-major from Bloomington, Minnesota. Her work at Common Ground, the University of Richmond’s social justice initiative informed her decision to pursue the Race & Racism Project as a summer fellow. She hopes that through her fellowship and continued connection with the project, she will learn more about the University of Richmond. Ayele believes that the Race & Racism Project will also help later in life – as the project forces her to question institutions she may benefits from. She hoped to focus her research on black faculty and the presence of black students in white-dominated clubs and spaces.

When Irina Rogova, the Race & Racism Project archivist first presented the list of potential site visits to our  group, every site seemed normal except for one — “The Monument to Stonewall Jackson’s Arm.” By normal, I mean that all of the other sites did not memorialize individuals but rather told a story. I had joked to myself saying “I wonder if it’ll be sticking up out of the dirt.” I am not sure what it was that initially drew me to visit the Monument to Stonewall Jackson’s Arm at Ellwood Manor. Thomas Johnathan “Stonewall” Jackson was an America Confederate general during the America Civil War. Ellwood Manor served as a field hospital after the Battle of Chancellorsville. Perhaps it was the mere disbelief that Jackson’s arm was buried separately from his body. It may have even been the fact that his arm was memorialized at all. Regardless of whatever it was, I set out to find out what the fervor was about on June 16th with Mysia Perry, another summer research fellow and Dr. Maurantonio, the Race & Racism Project Coordinator.

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Agecroft Hall: What We Value Is What We Preserve

by Kristi Mukk

Kristi Mukk is a rising senior from Mililani, Hawaii. She is majoring in Rhetoric and Communications and minoring in English. She is a dancer and communications director for Ngoma African Dance Company. This is her first time working for the Race & Racism Project as a Summer Fellow, and she is excited to continue her work in the course Digital Memory & the Archive in Fall 2018.

I had never heard of Agecroft Hall before visiting even though it is just a short 10 minute drive from the University of Richmond. Agecroft Hall is an estate that includes a Tudor manor house and gardens overlooking the James River. The manor house was originally located in Manchester, England and was built in the late fifteenth century, but it fell into disrepair in the 20th century. It was bought at auction by entrepreneur Thomas C. Williams, Jr. Williams, who made his fortune in tobacco, banking, and real estate development. He decided to dismantle the manor house and ship it across the Atlantic to be reconstructed in the Windsor Farms neighborhood of Richmond and was completed in 1928. After Williams’ death in the following year after the completion of reconstruction, Agecroft Hall became a house museum as he had instructed in his will. Furthermore, as Williams was a University of Richmond trustee, the Williams’ family donated $25,000 to the University of Richmond in 1890 after his death, and the law school was later named the T.C. William School of Law.

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Win Freedom or Die Trying

by Jacob Roberson

Jacob Roberson is a rising senior on the varsity football team from Richmond, VA double majoring in psychology and sociology. He is a co-vice president of UR Mentoring Network, he is a part of the Dean’s Student Advisory Board, and during the 2017-2018 academic year he was an appointed student representative of the Presidential Advisory Committee for Sexual Violence Prevention and Response. Additionally, he has been inducted into numerous honor societies including Omicron Delta Kappa, Mortar Board, Alpha Kappa Delta, and Psi Chi. He joined the Race & Racism Project in the summer of 2018 as a part of Team Oral History and hopes to remain an active contributor and collaborator into and through the 2018-2019 school year.

“Freedom is never given, it is won.” – A. Philip Randolph

This was one of the first quotes I saw as I made my initial walk through the Black History Museum and Cultural Center of Virginia, looking for a starting point. It caught my eye and teased my mind because I understood the sentiment, but I wasn’t convinced. The short yet encouraging and motivating message led me to question, “Okay, but how do you win?” How do you win freedom that you didn’t know was lost? How do you win when your opponent has a 400-year (and counting) head start? How do you win when your opponent makes all the rules, and makes new ones as you go to make sure you stay behind? How do you win when you didn’t even sign up to play in the first place? How do you win when even when someone on your team starts to make positive progress, their legs are cut from underneath of them? How did you win an arms race when it’s only “legal” for the other team to be armed? How did you win when a grossly disproportionate amount of your squad is incarcerated? You get my drift…

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Contemporary Issues, Addressed at VCU’s Institute for Contemporary Art

by Catherine Franceski

Catherine Franceski is rising junior from Washington, D.C. majoring in Philosophy, Politics, Economics & Law (PPEL) with concentration in politics and minoring in Rhetoric & Communication Studies. She is the president of Phi Alpha Delta pre-law fraternity, and a member of the Westhampton College Honor Council. This is her second year working on the Race & Racism Project. Last summer, she focused on studying the lives and legacies of “hidden” black figures in Richmond, Virginia’s history.

Virginia Commonwealth University’s Institute for Contemporary Art opened its doors to the public in April of 2018. Visitors enter a beautiful, airy architectural masterpiece called the Markel Center. Ranging three floors, the museum’s inaugural exhibit is called “Declaration.” The entrance to the exhibit states, “We believe in the socially transformative power of arts and the arts…Emphasizing new work by artists based in Richmond and around the globe, it deliberately mixes work by artists of varied generations, backgrounds, and perspectives. Such diversity is essential to any healthy community, whether a university, a city, or a nation. These works mirror the multitude of voices that we encounter on a daily basis, speaking in different modes, tones, and intensities.”

 

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A History of Slavery Won’t Look Nice on Your Wedding Pinterest Board

by Rena Xiao

Rena Xiao is a rising junior from New York City who has spent the majority of her life living abroad in Beijing, China. She is a Double Major in Geography and Global Studies with a Concentration in World Politics and Diplomacy, and a minor in WGSS.

Driving down the gravel path it is easy to see how one can be seduced by the idyllic, tranquil settings of Westover Plantation. The grounds are surrounded by farmland and greenery right on the banks of the James River. The place is quiet except for the occasional breeze or bird chirp. Looking around, one could see how the red brick mansion and expansive green lawn could be the backdrop of a wedding or birthday party. Westover Plantation is inviting and alluring, without even a mention of its nefarious past of slavery.

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