Arachnophonia: Amy Winehouse “Back To Black”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Amy (class of 2025) and features Amy Winehouse’s 2007 album Back To Black. Thanks, Amy!

Amy Winehouse

Back To Black

Amy Winehouse - Back to Black

Amy Winehouse’s album Back to Black has been my top album since I was 16. Not only is the unique quality of her voice astounding but her lyrics perfectly encapsulate the realities of an abusive relationship.

Back to Black was Winehouse’s sophomore album and the title track, “Rehab,” suggested the album would be nothing like its predecessor Frank (released in 2003). Frank sounded as if Winehouse had taken the lyrics of an artist like Michael Bublé and added a bit of hip-hop to it, the most notable piece was her voice.

These raspy painful notes that begin “Rehab,” a Top 10 hit in the UK and US, point to the three years between Frank and Back to Black being far from easy. After Frank debuted, Winehouse began a very topsy-turvy relationship with Blake Fielder-Civil, a music video assistant. Fielder-Civil has come forward and admitted to being Winehouse’s introduction to hard drugs. The two would get into physical and verbal altercations in public, the catalysis of this being Fielder-Civil leaving Winehouse at one point for his ex-girlfriend.

Fielder-Civil leaving was the inspriation for the song “Back to Black.” It described the dark moments of depression she felt after he left. It also described how she went back to abusing alcohol after he left because she didn’t have anything else to cope with.

Another of her famous singles “Love is a Losing Game,” a long metaphor for love being an unfair game, the song, while quite simple with lyrics like “Know you’re a gambling man/ Love is a losing hand,” is considered to be one of Winehouse’s most powerful songs because of its deep meaning.

My personal favorite song, “Tears Dry on Their Own” is an anthem for those who need the hard truth: it is time to get over it. In an interview with BBC, Winehouse described her inspiration for the song: “I was with someone that I couldn’t really be with and I knew it wouldn’t last. But I think because I knew it couldn’t last, it’s kinda like saying, “I’m upset, but I know I’ll get over it, I guess.”

After a stint in rehab and an arrest for marijuana possession, Winehouse won five Grammy Awards in 2008, an award ceremony she was not able to attend as the US denied her visa on grounds of use and abuse of narcotics. That same year, Back to Black was said to be the second-highest selling album in the world. Winehouse died of accidental alcohol poisoning on July 23, 2011.

Arachnophonia: The Beatles “Abbey Road”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Danny (class of 2023) and features the classic 1969 Beatles album Abbey Road. Thanks, Danny!

The Beatles
Abbey Road

The Beatles - Abby Road (album cover)

The question that typically comes up every time and again – a question that I find disrespectful to everyone but one, and yet worthy of the highest praise for that one in question – is one that is hotly debated. I have seen friendships one word away from disaster over the lunch table regarding this one question. I have witnessed other’s whole argument lose its pull as soon as someone had a worthy counterargument. I have seen people argue over the topic on Twitter and Instagram as if their opinion was slated in fact. I have seen people get so emotionally invested in this question that their face begins to get red, their eyes stand on the verge of tears, and every single vein in their body is one more second away from exploding. That question – the one I hate – is who is the best musical group ever?

Where does this question even get its basis from? Are we saying some genres are better than others?

Are we saying we can compare every single artist together despite no two artists being the same – with different vocals, different instruments, different cultures, different pacing, different everything? I get humans have the natural inclination to tier and rank – competition drives the world. But honestly, to me, this is an unanswerable and impossible question. Yea, we may be able to rank albums off charting positions and sales numbers. And then logically, we can say the artist that has the most cumulative sales across their whole discography is the best. That is a LOGICAL WAY to determine it. It still blows for literally every other artist other than number one – BUT – that one artist lives enshrined as the best for forever. And yet, despite me not liking that way to derive who is the “best”, it is logical. But, also, on top of the fact that humans have the natural inclination to tier and rank, humans are not the most intelligent. And instead of deciding who is the best logically, we let emotions, opinions, and our own experiences decide for us! As if it is not obvious enough, that is a one-way ticket to disaster. It brings up some pretty interesting debate, however but humans are also stubborn, and we can only imagine that nothing will ever be accomplished.

For those reasons, and just the idea that music should be appreciated for the piece of art it is and its individuality, not ranked against others because Jeff likes drums more than strings, I think that question is pretty lame.

However, I am going to explain a little bit about one album from one group that typically scores high on America’s meaningless “tier list.” Even better, I so happen to love this band, although they are not one of my everyday listens. But, since they have some of the most gripping and innovative music of the 1960s, I thought it would be a worthy choice to write about. And, even funnier, it leads into an interesting contradiction to say that I agree with the world in this case. I do not know if that now pigeonholes me into the broader term of being “basic,” but in this case, I will put aside that argument and agree with the world.
This leads me to this point: If I were to rank all bands, and put my differences aside with that impossible question, I would put the Beatles up at the very top – maybe not one, but top twenty. More specifically, if we were to rank albums, Abbey Road would be even higher.

Abbey Road album cover outtatke

To begin, Abbey Road is the 11th studio album of the Beatles, their second to last studio album and 11th in just over six years. The group itself is composed of Paul McCartney, John Lennon, George Harrison, and Ringo Starr, although Ringo was not one of the original members of the band (he replaced Pete Best in 1962). Together, the Beatles shot to worldwide prominence outside of their home country of the UK and more specifically their hometown of Liverpool. Their rise to American prominence began in the early 60s as many British bands were beginning to come to America in what was known as the “British Invasion.” If were to use the LOGICAL approach, the Beatles would be the most popular band of all time, selling 183,000,000 albums throughout their history. The album itself was a bit of a distance from some of the previous albums – they almost reverted back to their beginnings. The album did not contain many psychedelic hits as the majority of their later albums did. However, despite this, the band recorded the album at their breaking point; this was the last album that was released when they were all together, as John Lennon had made his exit from the brand prior to commercial release.

The album, in my opinion, demonstrates complete duality. Although the music is praised for being one of their best, with hit after hit, the band’s health, and the health of each of the members were deteriorating behind the scenes. The members were all annoyed with each other and George Martin played saving grace, trying to get the project to the world and to completion, whilst attempting to reduce the trouble brewing between the members. The wear and tear of fame, constant studio work, and trying to deal with it all took a toll on the Beatles by 1969, which caused a lot of the issues. They had faced adversity, as the band would experiment with cocaine, LSD, and marijuana in the mid to late 60s, followed by a crippling heroin addiction by three of the members. Behind the scenes, the Beatles were at their lowest and were struggling in their personal lives. It is still amazing that despite all the negatives, they somehow put their troubles, their conflicts, and their egos aside and created one of the most iconic songs of all time.

Some of my personal favorites off the album, are “Something,” “Here Comes the Sun,” “Oh Darling”, and “Because.” A large portion of the songs that I like most (in this case “Something” and “Here Comes the Sun”) were written by George Harrison. You could almost immediately tell when Harrison was the writer, with a distinct sound. In the case of Abbey Road, his songs were more melodic and slower, a slight diversion from the rock-infused roots that rose the band to prominence. They make for some of the most beautiful songs in their entire discography, but slightly behind my all-time favorite song from them – “While My Guitar Gently Weeps.” In my opinion, that song, with Eric Clapton playing the guitar in the background is the greatest Beatles song. The slower and melodic piece, with the guitar sounding almost as if it really was crying is nothing short of a masterpiece. And so, I consider myself biased in response to my favorites – George’s style and influence was something that resonates with me. That is yet another reason why I dislike ranking. Because in this case, my opinions, and biases seep through heavily.

Finally, as for the most influential and iconic portion of the piece, the Abbey Road album cover has become one the most definitive images of the band. Although an album cover that was very simplistic in nature, the image holds a variety of meaning and captures the Beatles’ spirit and careers all in one image. The image itself features all four Beatles walking along a crosswalk on Abbey Road, which is a street in London where EMI studios, the recording studio of the Beatles was housed. From left to right, there is George Harrison, in a jean shirt, jeans, white boots, long hair and a beard. This encompasses their later years, in which most of the members began to grow their hair out amidst the war years and counter-culture movement. To his right is Paul McCartney in a blueish-grey suit, a cigarette in hand, and a shorter hairstyle that is reminiscent from their pre-fame days. Afterward is Ringo Starr, dressed in a black suit. Finally, John Lennon finishes the image, with his long hair and all white appearance. Although not traditionally associated with the image, John being last in line wearing all white to me symbolizes heaven and the idea that the band is nearing their end. They are looking to the light and waiting for their come to end. The final piece of the album cover that many do not know is that the photographer only took six images of them. The Beatles walked down back and forth along the street three times. This cover image was the fifth image taken, and they were walking away from the studio. If we were to blow up the image, EMI would be on the left. This also foreshadows their immediate exit, as them walking away from EMI hints at their careers together ending.

Abbey Road album cover outtake

Image 3 (of 6) from the Abbey Road album cover shoot. Photo: Iain MacMillan

The everlasting impact of the band and this album is one that will live on forever in the minds and hearts of all music lovers. It is so popular to this date, that in 2019, 246,000 vinyl copies were sold. This comes over fifty years after its initial release. And so, to close, despite saying in the beginning of this piece that I hate rankings and considering a band to be the “best,” if I ever had the chance to make my opinion fact and that that becomes the standard everyone will have to adhere by – I would place Abbey Road in the top 15 albums of all time.

If you are so inclined to relisten to this masterpiece, or grace your ears for the first time, you can check out a copy of Abbey Road at Parsons Music Library today.

Arachnophonia: Amy Winehouse “Back To Black”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Deisy (class of 2024) and features Amy Winehouse’s 2007 album Back To Black. Thanks, Deisy!

Amy Winehouse

Back To Black

Amy Winehouse - Back to Black

Throughout my years in college, I have tried to expand my musical taste by asking friends to introduce me to some of their favorite artists. Along the way, a good friend of mine introduced me to Amy Winehouse, one of the best things in my life. My favorite song of hers has to be “You Know I’m No Good” and “Back to Black.” Her Back to Black album was on repeat for a long time in 2021 as I began to discover more of her work.

If people are interested in discovering new artists and songs, I recommend asking a friend or coming to the Parsons Music Library where there is a large collection of CDs and LPs to look through.

Arachnophonia: A New Dawn Fades “I See The Nightbirds”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Esther (class of 2025) and features a locally produced album by A New Dawn Fades. Thanks, Esther!

A New Dawn Fades

I See The Nightbirds

A New Dawn Fades - "I See The Nightbirds" album cover

I See the Nightbirds by A New Dawn Fades is a new album released by Cherub Records. The title song’s polyrhythmic beat, complimentary guitar and bass lines, and attractive transitions converge to create a distinctive musical picture. The gradual accumulation of tension yet unrushed nature of the piece is what results in the captivating arch shape drawn throughout the song.

Cherub Records, founded by PJ Sykes in 2001, is an outlet through which Sykes and his friends communicate their music to the rest of the world. Though originally located in Lynchburg, VA, Cherub Records has now moved to the city of Richmond where they document and release music of numerous bands. Their curious exploration of music conveyed through improvised pieces has been one of the defining traits of this band. Furthermore, they are known for blurring the line drawn between the audience and performers by interacting with the crowd during their live performances.

Because Richmond is known for its unique sense of community, supporting our local musicians is significant in allowing the local music scene to grow and thrive. It gives us the opportunity to experience new music specific to our area and builds mutual support between the musicians and ourselves. I assure you, I See the Nightbirds will make you reflect on the vast range of what music encompasses and what makes it truly special.

New CDs added – October 2019

New CDs for October 2019

Concertos, Orchestral and Chamber Music

Lake Trio – Lake Trio
Trey Pollard – Antiphone

Trey Pollard - Antiphone

Jazz

Alicia Olatuja – Timeless

Alicia Olatuja - Timeless

Opera, Opera Excerpts and Art Songs

Ivan Zajc – Nikola S´ubic´ Zrinski

Ivan Zajc - Nikola Subic Zrinski

Folk & World Music

The Richmond Folk Festival – All Together Now: 15 Years of the Richmond Folk Festival

Richmond Folk Festival - All Together Now

New CDs added – September 2019

New CDs for September 2019

Concertos and Chamber Music

Johannes Brahms – Violinkonzert Op. 77 / Schumann Fantasie Op. 131 / Anne-Sophie Mutter

Brahms - Anne-Sophie Mutter

Opera, Opera Excerpts and Art Songs

Franz Schubert – Die Schone Mullerin / Thomas Meglioranza, Baritone / Reiko Uchida, Fortepiano

Schubert - Die Schone Mullerin

Cabaret and Theatre Songs

Theo Bleckmann – Berlin: Songs of Love and War, Peace and Exile

Treasures of Devotion

Cantatas and Sacred Songs

Mason Bates – Children of Adam
The Boston Camerata – Treasures of Devotion: European Spiritual Song ca. 1500

Bates - Children of Adam

Spider Sounds: Brian Eno “The Shutov Assembly”

Editor’s Note: Spider Sounds” invites members of the University of Richmond community to share their thoughts about items in the Parsons Music Library’s collection. The links included will take you to the library catalog record for the item in question, or to additional relevant information.
Today’s installment of “Spider Sounds” comes courtesy of Music Library Student worker, Aly (class of 2018) and features “The Shutov Assembly” a 1992 ambient album by English musician, composer & visual artist Brian Eno. Fun Fact: The Shutov Assembly album was dedicated to Russian painter Sergei Shutov. Thanks for contributing to Spider Sounds, Aly!

Brian Eno

The Shutov Assembly

Brian Eno - The Shutov Assembly

If you are looking for some chill, ambient studying music, or just looking for a break from your usual go-to playlist, look no further than Brian Eno’s The Shutov Assembly.

Brian Eno

Eno is one of the pioneers of electronic and rock music production, and his style varies greatly from album to album. The Shutov Assembly, an electronic album, is ambient, dynamic, and deeply calming, making it perfect for some hardcore studying or just relaxing.

You’ve almost certainly heard Eno’s music before. His music is featured on soundtracks of some very popular works, like Criminal Minds, The Perks of Being a Wallflower, American Horror Story, and even Netflix’s Stranger Things!

Eno is commonly regarded as one of the best musicians in his genre, and for good reason. His vastly diverse works will appeal to anyone, even those with the pickiest of music tastes.

Spider Sounds

New CDs added this month!

For August and September 2015

Classical

International Double Reed Society – 25th Anniversary
Marisa Robles – Harp Concertos
Mieczysław Weinberg – Mieczysław Weinberg
Alvin Singleton – Sweet Chariot
Kenneth Tse – Kenneth Tse, soprano saxophone
Georg Philipp Telemann – Twelve Fantasias
Edward T. Cone – Solo & Chamber Music
Sarn Oliver – Tangled Flow
Tanglewood Music Center Orchestra – Tangled Flow
Kevin R. Gallagher – Guitar Recital
Johan Dismas Zelenka – Chamber Sonatas, Volume One
Heinrich Koll – The Art of the Viola
Lillian Fuchs – Complete Music For Unaccompanied Viola
Quicksilver – Fantasticus: Extravagant & Virtuosic Music of the German Seventeeth Century
Jon Manasse – Trio, op. 11 / Beethoven. Grand duo : op. 48 / Weber. Trio, op. 114 / Brahms.
Trio Indiana – Trio Indiana
Hilary Hahn – The Hilary Hahn encores : in 27 pieces
Heinrich Koll – The Art of the Viola
Liturgical Organists Consortium – Divinum Mysterium
Hilary Field – Premieres – Contemporary Lyrical Works for the Classical Guitar
Manchester Festival String Orchestra – Vision: Music of the 20th & 21st Centuries
Franz Schubert – The Unauthorised Piano Duos, vol. 2: The Gahy Friendship
Boston Symphony Orchestra – Bolero; La valse / Ravel. Pictures at an exhibition / Mussorgsky.
Wiener Glasharmonika Duo – Glas & Steine
Music & Art in the Time of Rembrandt – Music & Art in the Time of Rembrandt

Vocal/Opera

Weser-Renaissance Bremen- Virgo Prudentissima
Giacomo Puccini – Puccini Rediscovered
Titta Ruffo – Titta Ruffo

Pop/Rock/Country

Sam Smith- In The Lonely Hour
Julie Andrews- Don’t Go in the Lion’s Cage Tonight
Merge Records – Oh, Merge: A Merge Records 10 Year Anniversary Compilation
The Texas Troubadours – Almost To Tulsa: The Instrumentals

Musicals

Jeanine Tesori – Fun Home
Richard Rodgers – The King and I (2015 Broadway Cast Recording)
John Kander – The Visit (Original Broadway Cast Recording)
Skip Kennon – The Pioneers of Movie Music: Sounds of the American Silent Cinema

Jazz

Adrian Cunningham – Ain’t That Right! The Music of Neal Hefti
Arturo O’Farrill – Cuba The Conversation Continues
John Burnett Swing Orchestra – Swingin’ In The Windy City
Cécile McLorin Salvant – For One To Love

World/Folk Music

Harry Everett Smith – Harry Smith’s Anthology of American Folk Music, Volume Four
Rumanian Folk Music – Rumanian Folk Music
Maleem Mahmoud Gania – Gnawa Essaouira
Louisiana Cajun Music – Louisiana Cajun Music
Martilar – Memories From Turkey

Electronic Music

Qluster – Lauschen

New CD’s added this month!

Classical

Maurice André – Hummel | Molter – Concertos
Jonathan Dawe – A Noise Did Rise
Granados | Dosse – Complete Piano Music, Vol. 2
Festetics Quartet – Haydn: The Complete String Quartets Played on Period Instruments
Marin Marais – 6 Suites
Nikolay Rimsky-Korsakov – The Snow Maiden
Nikolay Rimsky-Korsakov – La Nuit de Mai
Nikolay Rimsky-Korsakov – Sadko
Nikolay Rimsky-Korsakov – La Nuit de Noel

Jazz

Keith Jarrett | Charlie Haden | Paul Motian – Hamburg ’72
Spanish Harlem Orchestra – United We Swing
Spanish Harlem Orchestra – Viva La Tradición
Vijay Iyer Trio – Break Stuff

New CD’s added this month!

Classical

C.P.E. Bach – Trio Sonatas – Flute Concertos
J.S. Bach – Italian Concerto
Ludwig van Beethoven – Missa Solemnis
Johannes Brahms – Alt-Rhapsodie
Hélène Grimaud – Mozart
Hélène Grimaud – Reflection: Works by Robert & Clara Schumann & Brahms
Noël Lee – Works For Piano
Patricia McCarty, viola – Six Cello Suites, J.S. Bach
Jean-Philippe Rameau – Prelude Baroque VIII
Franz Schubert – Piano Music For Four Hands, Vol. 4
Franz Schubert – Winterreise
Tanglewood Music Center Orchestra – Live Performances, 2006
Henry Vieuxtemps – Music for Viola and Piano

Pop/Rock

Björk – Vulnicura
George Ezra – Wanted on Voyage
Rhiannon Giddens – Tomorrow Is My Turn
Woody Guthrie – American Radical Patriot
Punch Brothers – The Phosphorescent Blues
Ed Sheeran – X
Matthew E. White – Fresh Blood
Matthew E. White – Big Inner/Outer Face

Movie Soundtrack

Jake Monaco* – Role/Play, Original Motion Picture Soundtrack

Vocal

Herbert Howells – Hymnus Paradisi: An English Mass

*University of Richmond alumnus, class of 2004 (homepage)