Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
Throughout my years in college, I have tried to expand my musical taste by asking friends to introduce me to some of their favorite artists. Along the way, a good friend of mine introduced me to Amy Winehouse, one of the best things in my life. My favorite song of hers has to be “You Know I’m No Good” and “Back to Black.” Her Back to Black album was on repeat for a long time in 2021 as I began to discover more of her work.
If people are interested in discovering new artists and songs, I recommend asking a friend or coming to the Parsons Music Library where there is a large collection of CDs and LPs to look through.
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
Portrait of Wolfgang Amadeus Mozart at the age of 13 in Verona, 1770
When we first hear the term “classical music,” we often think of great composers like Beethoven and Mozart. Despite his relatively short life, Mozart is known and celebrated for his prodigious musicality and influential compositions even to this day. But what was Mozart like? You may know several of his pieces, but have you taken the time to consider the person behind these famous pieces?
There’s no better way of being first introduced to Mozart’s private life than Mozart’s Letters, Mozart’s Life by Robert Spaethling. Spaethling, a scholar of German literature of the 19th and 20th centuries and Mozart, has carefully chosen and depicted a compilation of Mozart’s letters spanning twenty-two years of the young composer’s life. Spaethling’s most recent edit of these letters provides us with the most accurate translation to appropriately convey Mozart’s nuanced personality.
Through Mozart’s Letters, Mozart’s Life, we are invited to explore Mozart’s innermost thoughts and raw perspective of life. In addition to the analysis of the different voices that shine through in Mozart’s candid letters, Spaethling includes information, such as various life events throughout the composer’s life, that encourages us to think deeply and have greater appreciation for the person behind these great works.
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
I, like most young cellists, have a love-hate relationship with David Popper. Popper was a prominent composer of Romantic-era cello solo music in the 19th century. He wrote four concertos, although his most played solo piece is probably “Tarantella.” What some may not know is that in addition to these concert solo pieces, he wrote a book of etudes dedicated to strengthening cello technique – 40 Studies: High School of Cello Playing. As the description might give away, the music in this book is not meant for performance in a recital or concert series. These etudes focus on playing in different positions, frequent shifting, bow control, and much more, meaning some of them sound very strange and complicated to listeners. Some musicians consider mastery of these etudes (among other things) a hallmark of a professional cellist.
While playing through such a book may sound like every aspiring young cellist’s dream, many of them are harder to play than they appear on paper. Then, considering the book has 40 separate etudes each averaging about two pages, you can only imagine how much time and dedication mastering each and every one might take. It’s a wonderful resource – if you have the patience to spend countless hours on them.
Since I was first assigned an etude out of this book, I have struggled and fumbled my way through roughly a quarter of the 40 available to me until I ended up with something I was happy with. I can’t say that I got as much joy out of this type of practice as I have on recent solo pieces I have rehearsed, but I also must admit that playing through the etudes strengthened my playing more than I could have imagined. Thumb position used to be a region of the cello I never thought I would be able to wander into confidently, but after playing Etude No. 1 and 5, I feel stronger and enjoy going high on the instrument. If you are a cellist and don’t have a copy of this book in your library, consider picking up a copy from the Music Library!
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
Elton John is one of the most successful and influential musicians of all time, known for his expressive outfits and electrifying performances. In 1973, John released Goodbye Yellow Brick Road, a 17-song album that would go on to sell over 30 million copies worldwide. The album, with lyrics written by Bernie Taupin and produced by Gus Dudgeon, is known as one of John’s best works. Some of the best songs on the album include “Goodbye Yellow Brick Road,” “Candle in the Wind,” and “Bennie and the Jets”.
Ever since I had to analyze Goodbye Yellow Brick Road for a school project, the title track is one of my favorite songs. On the surface, “Goodbye Yellow Brick Road” contains rich vocal harmonies, dreamy piano chords, and a crisp drum beat to create a contemplative atmosphere for John to reflect on his life of fame. As a child, I remember my parents singing along to “Bennie and the Jets” on the radio, another personal favorite song of mine from the album. The song has an instantly recognizable introduction and a spectacular piano solo that displays John’s genius piano and composition skills.
Though John struggled with addiction at the height of his fame, he managed to quit his substance abuse and create his own charity, the Elton John AIDS Foundation. Despite his personal struggles, Elton John is one of the most successful musicians of all time, selling over 300 million records and producing many timeless hits that will live on long after his career is over.
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
“Main Hoon Na – The Importance of Support During College”
Growing up, I didn’t understand much about my culture. It wasn’t until I was in middle school that I really started to appreciate my ethnic background. Bollywood movies changed my entire perspective on a hidden part of my identity that I had neglected to explore. I began to immerse myself in India’s film industry, enamored by the music, dancing, and storylines. Main Hoon Na (I am there) quickly became one of my favorite movies and a staple pick for family movie night.
Main Hoon Na explores the journey that a young soldier (Ram) takes to find his half-brother after the death of their father in the midst of a peace treaty between India and Pakistan. Indian terrorists threaten to destroy this peace and are after Sanjana, the Indian General’s daughter, who happens to attend the same college as Ram’s half-brother. Ram goes undercover as a student and must protect Sanjana without compromising his position for his half-brother. What follows is a charming and action-packed adventure that will test them all.
College, especially after COVID-19, has proven to be a mental challenge for both students and professors. We continue to see deaths of college athletes by suicide and a rise in demand for mental health resources. We often forget that it’s ok to reach out for help, and that we don’t have to go through college alone. Main Hoon Na is a reminder that we can lean on our support systems, no matter what. Although fictitious, every Bollywood movie has real-world lessons or morals to learn from. Ram’s dedication to his family and his friends when they need it the most carries over into our daily lives – we can both give and receive support.
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
Yet his most intriguing work is undoubtedly Variations on an Original Theme, better known as the Enigma Variations. These fourteen variations are each dedicated to important people in Elgar’s life, including his wife and his students. Each variation shares similar phrases, but the attitude and voices vary widely. Significant moments in Elgar’s relationship with these people are written into the variations, as well as their key personality traits.
The “Nimrod” variation, dedicated to his mentor Augustus J. Jaeger, is widely considered one of Elgar’s finest works and is frequently reproduced. Most notably, it was played at Princess Diana’s funeral and at the opening ceremony of the 2012 London Olympics.
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
Guillaume Du Fay (left), with Gilles Binchois (right) in a c. 1440 Illuminated manuscript copy of Martin le Franc’s Le champion des dames (source: Wikipedia)
One of the most fascinating aspects of music history to me is the way that musical notation and writing has evolved. A prime example of this is the madrigal. A madrigal is a part-song for several voices most commonly found in the Renaissance period. While this style of music was most popular in Italy and England, there are several noteworthy French composers who wrote madrigals.
One such composer is Guillaume Dufay. The music library is lucky to have a score of a selection of 45 of his pieces, all in original notation. Flipping through the pages shows a style of notation that has since lost popularity, but it is still incredibly interesting to look at.
Learning to transpose such music is a vast field of study that is very active to this day. I find it to be a sort of puzzle, as there are some notes and articulations that were assumed to be inferred by performers in the period it was written, but that are generally explicitly written out in modern music. Finding these hidden clues and listening to your transcription is a rewarding and fun experience. If you get a chance, be sure to check out this music!
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
Referred to as the most renowned unreleased album in pop music history, Smile was supposed to be the 12th studio album by the American band the Beach Boys, projected to be released after their album Pet Sounds. However, they did not officially release the album, potentially because of legality issues with Capitol Records and the producer and composer of the album – Brian Wilson’s – rocky emotional state.
The album had fully completed musical tracks, but only a few of the songs have vocal recordings. Potentially because of his fear of ridicule, Brian Wilson refused to finish the album, but when bootleg versions of the album became popular among the Beach Boys’ audience in the 80s, Capitol Records released a portion of the album to the public in the 90s.
Wilson drew inspiration from astrology, numerology, and the occult when composing Smile. He also became fascinated with religion, even adopting meditation and vegetarianism. Wilson wanted this album to be a “teenage symphony to God.” The group named the album Smile because it focused on good thought and happiness.
You can find the Beach Boys Smile album at the Parsons Music Library. The box set includes 40 tracks, many of which are unfinished but include parts of the structure of the original Smile album. The box also includes a small book of notes from Wilson and photos from the recording sessions.
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
“La flor de la Canela,” which translates to: “ The Cinnamon flower” in English, is a vals criollo song first recorded by the group Los Morochucos in 1950, and later popularized by the singer and composer Chabuca Granda in the same year. Chabuca is a symbol of música criolla in Peru, a genre that exhibits influences from European, African, and Andean music.
Chabuca Grande singing on a Peruvian TV show circa 1960
I have grown up hearing this popular song on the radio since it has become the unofficial anthem of the citizens of Lima, the capital of Peru. The song also conveys a beautiful meaning. The expression itself, “to be a cinnamon flower” means to be proud and far from reach.
Chabuca was inspired to write the song because of a friend who would always come to her performances, an African Peruvian woman named Victoria Angulo Castillo. During their meetings, Victoria would tell Chabuca about her journey home after the shows, crossing an old wooden bridge: “el Viejo Puente de Palo”. The lyrics tell the story of a young beautiful woman on her journey home. This woman is described as “the cinnamon flower.”
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
The musical, written by and starring Lin-Manuel Miranda, centers on a group of Dominican American young adults living in Washington Heights, NYC.
The story centers around Usnavi, a young bodega owner with the dream of returning home to the Dominican Republic. It’s summertime, so his neighbor Nina comes back from Stanford University with the unsettling news that she’s feeling out of place and wants to drop out, in turn disappointing her family. To make things even worse, things aren’t going great with Vanessa, the object of Usnavi’s affection. When there’s a city-wide blackout, chaos ensues.
