Arachnophonia: Taylor Swift “Speak Now”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Eliana (class of 2024) and features Taylor Swift’s 2010 album Speak Now. Thanks, Eliana!

Taylor Swift
Speak Now

Taylor Swift - Speak Now

Taylor Swift, one of the biggest artists of the century, has amassed a cult-like following since her self titled debut album. She’s since released 9 additional studio albums and 2 re-recorded albums, all seemingly more successful than the last. Speak Now, her third studio album released in 2010, remains my favorite to date. Let me tell you why.

When determining my personal album rankings, I consider two factors: general cohesiveness and amount of “skips.”

In terms of cohesiveness, Speak Now exceeds expectations. Taylor describes it as a loose concept album regarding the things she never got a chance to tell people throughout her life. She calls the songs diary entries, using them to navigate her newfound adulthood. Speak Now perfectly encapsulates all the emotions of a 20-year-old dealing with love, heartbreak, and regret. Every song tunes into those emotions in a slightly different way, creating a wholly relatable album.

Even more importantly, this is a no-skips album. Each song serves a beautiful purpose in connecting the whole, but also has the ability to stand alone. Of course, this isn’t to say I don’t have favorites. “Back to December“, “Mine“, “Better than Revenge“, and “Last Kiss” certainly top my list. Still, even my least favorite songs on this album are always worth a listen.

You can check out this CD, as well as Swift’s 1989, Fearless, and folklore from Parson’s Music Library.

Arachnophonia: Twenty One Pilots “Blurryface”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Kiran (class of 2024) and features Twenty One Pilots’ 2015 album Blurryface. Thanks, Kiran!

Twenty One Pilots
Blurryface

Twenty One Pilots Live

Wait…how many Pilots?

The early 2010s gave rise to a multitude of alternative-rock bands: Panic! at the Disco, Fall Out Boy, and Cage the Elephant, just to name a few. I, like most other middle/high schoolers at the time, was obsessed with these bands. Twenty One Pilots was no exception. The duo from Columbus, Ohio, exploded into the alternative-rock scene with their 2015 album, Blurryface. Their songs “Stressed Out”, “Tear in My Heart”, and “Ride” were all hits, with “Ride” making the top 5 on The US Billboard 100. The band went on to win the 2017 Grammy for Best Pop Duo/Group Performance. Bandmates Tyler Joseph and Joshua Dun accepted the award without their pants, as a tribute to the way they were watching the Grammys a few years prior to their breakout.

In his speech, Joseph concluded that “anyone from anywhere can do anything,” which aligns with the overarching message they convey through their music and performances. The duo often sings of mental hardships and social constructs, but have always weaved a positive narrative into their music. Their two most recent albums, Trench (2018) and Scaled and Icy (2021), have intricate story lines that show how perseverance can outstand even the toughest circumstances. Each song plays a different role and serves as a world-building tool. “Dema” is a fictional land that is guarded by several bishops, each representing an inner demon or fear. Throughout several videos, Joesph and Dun befriend the weird creatures and strange rebels in order to escape. These are just a few examples of how Twenty One Pilots uses creative techniques to express raw and difficult emotions and experiences.

Although I didn’t understand how relatable these lyrics were at the time, my 8th grade-self fell in love with the intricate bass lines and vibrant drum solos. Since then, my fondness for this band has grown exponentially. While some have outgrown the duo, I have continued to follow their musical journey. Twenty One Pilots is currently on their third world tour and came to the DMV last month. I’ve seen three of their shows over the past six years and have yet to be disappointed. Their stage presence and interaction with the fan base is incredible and truly a unique experience.

If you’re ready to start an emotional roadshow, come check out Blurryface and other related CDs in Parsons Music Library!

Twenty One Pilots - Blurryface album cover