by Nathan Burns
Nathan Burns is a junior from Newtown, Pennsylvania double-majoring in French and Leadership Studies and minoring in English. This summer of 2019 marks Nathan’s first time working with the Race & Racism Project. On campus, Nathan is also a writing consultant and a member of the dining services student advisory committee.
I find it fitting to begin this blog post at the end of my experience at The American Civil War Museum mostly because of a t-shirt I saw hanging in the gift shop. Blazoned in bold white capitals against black fabric, the shirt read, “I AM MY ANCESTORS’ WILDEST DREAMS”. The phrase stayed with me as I left the gift shop and stepped into the warm summer rain. I stared back at the museum from the outside and marveled at the blend of past and present architecture, noticing the brick ruins of the historic Tredegar Iron Works enveloped by the steel and glass modern design of the current museum. In this moment, I couldn’t help but reflect on our team discussion with public historian Free Egunfemi on the topic of ancestral self-determination. I ask myself now as I write this post: how and where did I see this idea of self-determination at work in the museum’s exhibit? In other words, where did I see resistance against the traditional historical narrative of the Civil War, and how might this resistance inform the ways we remember our past in the present?