Josephine Baker: Bronze Venus

By Rick Hutchins

Pulp Fiction abounds with larger-than-life heroes who seemingly achieve more than any mere mortal could hope to accomplish in one lifetime. Mainstream society rejects such notions as mere Romanticism and advises us to set our sights lower — however, such people do exist.

This is the story of one such person.

The woman who would become known as the Bronze Venus was born into a life of poverty in the Negro slums of St. Louis in 1906, the daughter of Vaudeville performers. She did not intend to follow in her parents’ footsteps. However, abandoned by her father and abused as the domestic servant of a wealthy family, she found herself homeless and starving on the city streets; so, when dancing for pennies on the corner led to an invitation to perform in a local chorus line, she was not slow to accept.

Her natural talents quickly became apparent. Before she was out of her teens, she had moved to New York and had become the highest paid chorus girl in Vaudeville. By her early 20s, she was charming audiences in at the Folies Bergère in Paris with her uninhibited eroticism and comedic antics.

Josephine Baker quickly became one of the most famous women in the world. Her success allowed her to be financially independent, quite rare for a woman of that era and unheard of for a Black woman. As an artist, she was an innovator. In addition to pushing the boundaries of eroticism and nudity, even by the standards of the Roaring 20s, she was the first Black woman to star in a major motion picture and is credited with introducing the Jazz Age to Europe.

After more than a decade of increasing success as an exotic performer (complete with pet cheetah), mitigated only somewhat by experiences with racism in the United States, Baker had become a French citizen and did not hesitate to answer the call when World War II broke out. She was recruited by French Military Intelligence and, later, the French Resistance to obtain and conduct information vital to the war effort.

Her celebrity status allowed her to rub shoulders with movers and shakers at embassies throughout Europe and her charm allowed her to gather data about enemy airfields, harbors, and troop movements, which she would then convey written in invisible ink on her sheet music and in notes pinned in her underwear. She was, in short, a spy. In addition, her home in the south of France became an unofficial headquarters for the Free French movement, where operatives could obtain visas.

Throughout the war, Baker also performed freely for the troops and worked as a nurse for the Red Cross. Many Allied soldiers remembered her generosity and healing ministrations throughout the remainder of their lives.

For her efforts, she was awarded the Croix de guerre and the Rosette de la Résistance, and was made a Chevalier of the Légion d’honneur by General Charles de Gaulle.

After the war ended, Baker’s celebrity status was heightened by her wartime heroism, and she was not afraid to use her newfound clout. Returning to the United States after many years, she refused to perform for segregated audiences– most venues, most notably in Miami and Las Vegas, gave in to her demands, resulting in a sold-out national tour. She was named the NAACP Woman of the Year in 1951 and May 20th was declared Josephine Baker Day. A parade was held in her honor.

All was not wine and roses, however. She was turned away by dozens of hotels for being Black and received death threats from the Ku Klux Klan. A confrontation at the New York Stork Club (in which she was befriended by Grace Kelly, a hero in her own right), resulted in the revocation of her visa for several years.

Nevertheless, Baker continued to work with the Civil Rights Movement, and was an ally of the NAACP and Martin Luther King. She spoke at the historic March on Washington in 1963 (the only woman to do so) and was heartened by the sight of so many Blacks and Whites standing shoulder to shoulder. “Salt and pepper,” she said. “Just what it should be.” When Doctor King was killed, she was offered the leadership of the Civil Rights Movement by his widow, but she declined. By then, she had a family to think about.

Her family at that time consisted of her husband, Jo Bouillon, a French conductor, and a dozen adopted children who she called her Rainbow Tribe (as well as a menagerie of exotic pets). The children were of a variety of backgrounds– European, Asian, Hispanic, Middle Eastern– and were a testament to Baker’s belief that “Surely the day will come when color means nothing more than the skin tone, when religion is seen uniquely as a way to speak one’s soul; when birth places have the weight of a throw of the dice and all men are born free, when understanding breeds love and brotherhood.”

Josephine Baker died in 1975 from a cerebral hemorrhage, following a retrospective performance in Paris that was attended by celebrities, royalty, and dignitaries from all over the world. She received full French military honors and a public funeral attended by tens of thousands.

Today there are parks and streets that bear her name, she is the subject of multiple books, movies and plays, and there are museums and memorials from Missouri to Monte Carlo that pay tribute to this underprivileged Black woman from the streets of St. Louis who championed sexual freedom, provided a role model for independent women, fought the Axis, stared down the Klan, and set an example of human fellowship that is still needed today.

Mere Romanticism indeed. Such people do exist.

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Rick Hutchins was born in Boston, MA, and is a regular contributor to this blog.  In his quest to live up to the heroic ideal of helping people, he has worked in the health care field for the past twenty-five years, in various capacities. He is also the author of Large In Time, a collection of poetry, The RH Factor, a collection of short stories, and is the creator of Trunkards. Links to galleries of his art, photography and animation can be found on http://www.RJDiogenes.com.

Two of Hutchins’ previous essays on heroes appear in our book Heroic Leadership: An Influence Taxonomy of 100 Exceptional Individuals.

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Reel Heroes: Volume 1

Our third book, Reel Heroes: Volume 1, is now available in paperback and on the kindle. In this book, we describe the elements of the classic hero journey and offer reasons why heroes are psychologically important to us all. Inside you’ll find:

* A new classification scheme identifying movie heroes as Lone Heroes, Duos, or Ensembles.

* A review of 75 movies released in 2013, showing you which movies excel in portraying the hero’s journey and which movies fall flat.

* Our choices for Best Movies and Worst Movies in 2013, along with the year’s Best Movie Heroes.

Our analysis of Five Great Truths about movie heroes.

* A Forward, written by Matt Langdon, the founder of The Hero Construction Company. Langdon discusses the link between movie heroes and the hero journey in classic myth as outlined by Joseph Campbell.

 Reviews of ‘Reel Heroes: Volume 1’

“Bravo! Film analysis at its finest. Smith and Allison have done a masterful job in providing a challenging yet insightful critique that goes right to the heart of the hero’s journey in contemporary cinema.” – Jason Roy, The Hero Construction Company

“Smith and Allison offer a refreshingly robust analysis of heroes and heroic action, showing us what we should have known all along, namely, that the hero journey makes the movie. Their innovative work is a must-read for all fans of heroes in the movies.” – Dr. James Beggan, Professor of Sociology, University of Louisville

“Smith and Allison get to the heart of the matter, and show us that it is the heart that matters. They go beyond the CGI and the 3D and drag the enduring human values out into the light of day.” – Rick Hutchins, Author of The RH Factor

“You can get more from movies than just a couple hours of fun. You can also learn how to be a hero and how to help others become more heroic. Let Scott and Greg take you deeper into your favorite movies and show you hidden lessons in heroism that you might have missed. Their humorous and thoughtful writing style is almost as entertaining as a summer blockbuster and their book costs less than one trip to the theater.” – David Rendall, Author of The Freak Factor

“A must for movie buffs.” – Jesse Schultz, Author of Alfheim.

“I applaud Smith and Allison for continuing ‘the hero’s journey’ by giving all of us the opportunity to apply movie scenes to the our own personal journeys of being a hero for others!” – Mike Dilbeck, Founder of RESPONSE ABILITY Revolution

“An ingenious approach to understanding effective storytelling in movies and literature.” – Dr. Robert Giacalone, Professor of Business Ethics, University of Denver

“If you want to see movies that will stay with you long after you leave the multiplex, then taking advice from these two on ReelHeroes.net is a great start. If you want to get a sense for what’s important in a successful story, read this book.” – Matt Langdon, Founder of The Hero Construction Company

Welles Crowther: The Self-Sacrificing Hero

By Hayden Stults, Amelia Knight, and Abby Goethals

Self-sacrifice is one of the principal defining features of heroism. No one embodied this principal better than Welles Crowther, a 24 year-old investment banker who sacrificed himself on September 11, 2001 in order to save the lives of at least 12 people inside the South Tower.

Welles was a very smart and ambitious young man, and on the morning of September 11, 2001 he had every reason to fight for his own life, which was tracking toward great success. Fortunately for South Tower employee Judy Wein, along with dozens of others, Welles took it upon himself to change the outcome of a situation that would have meant certain death without his intervention.

Welles looked up to his father from a very early age, which is what led him to follow in his footsteps and become a junior volunteer firefighter at age 16. Although Welles did receive training as a volunteer firefighter, many people would still have considered him a kid, or at least a young adult, at age 24.

From the perspective of Judy Wein, one of the direct recipients of Welles’ aid, “people can live 100 years and not have the compassion, the wherewithal to do what he did.” The difference between Welles and most of the people in the Trade Center Towers on that horrific day is that Welles dismissed the fear of his own death and made it his sole mission to help as many people escape as possible.

After United Airlines Flight 175 crashed into the South Tower, Welles made his way down to the 78th floor sky lobby, where he found a group of dazed and confused survivors huddled near the elevators. According to witnesses, he was already carrying a young woman on his back when he took control of the disgruntled group and directed them in a “strong, authoritative voice” to the stairway, where he led them down fifteen flights of stairs to safety.

Rather than escape the building with the first group of survivors, Welles turned around and ran back up the fifteen flights of stairs, where he found a second group of distressed survivors. He helped put out fires surrounding the group, administered first aid to those in immediate need, and led the group downstairs. Welles repeated this process several times, and was last seen entering the chaos with firefighters before the South Tower collapsed.

We consider Welles to be a hero because he exhibited extraordinary bravery and selflessness in the face of grave danger. He disregarded his own safety in a situation in which the majority of people would put themselves first, and by doing so he saved the lives of more than a dozen people, many of whom have said individually that they believe they would not have made it without his help and guidance.

Welles not only directly helped those individuals, he also inspired other survivors in the South Tower to help the get the injured to safety. Welles did not know that his story would be told, and he was not acting in order to gain fame or respect. He simply felt that it was his responsibility to do everything in his power to help every person that he could.

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Hayden Stults, Amelia Knight, and Abby Goethals are undergraduate students at the University of Richmond. They wrote this essay as part of their course requirement while enrolled in Dr. Scott Allison’s Social Psychology class. Abby is the niece of George Goethals, one of the co-founders of this blog.

Carl Fredricksen: Old Man on a Mission

By Robby Schranze and Brian Guay

Heroes come in all shapes and sizes, though not usually in the form of a short old man with a cane.

In Disney Pixar’s 2009 animated film, Up, Carl Fredricksen becomes a hero after he begrudgingly discovers an unwanted passenger aboard his escape to paradise, and gradually sacrifices his life’s goal for this young boy’s happiness.  

After the loss of his wife, Carl lives his life as a recluse.  He sits beside his late wife’s empty chair in their house surrounded by objects and memories as a city grows around him.  Rather than move to a retirement home or give up his house, Carl releases thousands of balloons that lift the house away into the sky.  Though Carl escapes a changing outside world, he brings his inner world (i.e., his house and belongings) with him, not willing to part with this connection to his wife.

Carl crosses a threshold from a journey to his unexpected journey when, floating at 10 thousand feet, a terrified boy knocks on his door and asks to come inside to safety.  In an instant, Carl’s solitude is disrupted and his life is flipped upside down. Yes, grumpy old Carl initially refuses to let Russell inside!

With the 8-year old now at his side, Carl encounters a long dirt road of trials and tribulations that weaves through the deep South American wilderness.  The pair get caught between a rare exotic bird named Kevin, who is trying to find her children, and an evil explorer seeking to capture the bird.  Carl’s selfish nature surfaces one last time when he abandons the bird, alienates Russell, and returns to his beloved house.

However, Carl undergoes a transformation and is called to action once more, though this time not by the selfish, reclusive motives that originally sent he and his house into the sky.  In order to lift the house back into the air to save Russell and Kevin, Carl destroys his precious belongings.  This pure sacrifice of his inner-life for others is a significant turning point in his life and establishes him as a hero.  He later risks his life and nearly falls to his death to save Russell, cementing his new role as Russell’s and the audience’s hero.

After Carl and Russell save Kevin, they return home on a magical flight, crossing the threshold back from their adventure and bringing with them new identities.  Carl fills in as Russell’s father figure at his boy scout ceremony and gives Russell a gift that once belonged to his wife.  This gift marks Carl’s immense transformation from a grumpy, secluded old man to a caregiver, friend, and father figure.  With this change, Carl is able to prove that he is a master of two worlds; he followed his childhood dream to explore the world, and he is able to love and care for someone after the loss of his wife.

Just as not all heroes carry a cane, not all heroes are without challenges and faults.  Faced with immense grief and a selfish attitude, Carl demonstrates the timeless act of transformation, self-sacrifice, and renewal that inspires us all.

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Robby Schranze and Brian Guay are undergraduate students at the University of Richmond. They wrote this essay as part of their course requirement while enrolled in Dr. Scott Allison’s Social Psychology class.

Harriet Tubman: The Hero Who Fought Slavery

By Mary Hampton, Kelsey Donner, & Jessica Partlow

In 1820, Harriet Tubman, born Araminta Ross, was born into a family of slaves in Maryland. Several of her siblings were sold by their owners and she never saw them again. Harriet spent countless hours laboring for others. Along with doing manual work for her owners, she had to put up with numerous beatings, one in particular that split her skull open and never healed, causing severe brain damage. She never received any medical attention and the trauma resulted in epileptic seizures and narcolepsy for the rest of her life. Her resentment and anger at her circumstances steadily grew, particularly after she was threatened with being sold, fueling her passion to escape and bring others along with her.

Harriet was called to be a freedom hero. In 1849, Harriet became ill once again as a result of her head injury. Her value as a slave was diminishing and her owners were attempting to sell her. Soon afterward, one of her owners died and it became likely that her family would be split up and sold to different owners to settle his estate. Harriet decided she would not be sold again so she fled to Pennsylvania through the Underground Railroad. She successfully avoided slave catchers by traveling at night and seeking the protection of abolitionists.

She had not been in free territory for long when she heard that her niece was going to be sold. Tubman decided to go back to slave territory to save her niece and her children. She selflessly wanted to help others and she would risk her life in doing so.

In December of 1850, Tubman made the bold and dangerous decision to return south. Risking her own re-enslavement, she courageously embarked on the first of many journeys to set her people free. On her first trip she brought her niece and family to the north by the same route she escaped by.

A few months later she returned for her own brother and was well on her way to earning the nickname “the Moses” of her people. In over a decade she made 19 trips to the south and back, rescuing over 300 slaves. Slave owners in the south never knew there was one person behind the escape of so many slaves, but other abolitionists did.

She worked with many abolitionists like Thomas Garrett, Frederick Douglass, John Brown and William Lloyd Garrison.  Douglass and Brown both counted Tubman among the bravest and most important anti-slavery heroes of the day. Tubman successfully led slaves to freedom for nearly a decade without ever being discovered or losing a single passenger on her “underground railroad.” She was a valued activist and spoke publicly to abolitionists while taking care of her relatives and fighting her illness.

When the Civil War began Harriet first served as a nurse before adopting a more active role by helping map terrain for the Union Army and even leading armed assaults. When slaves were liberated from captured Confederate Territory she helped to recruit them to the Union Army.

Despite her incredible work and dedication to the Union, Harriet was never compensated and the U.S. government did not properly recognize her service until nearly 40 years later. The fact that she never received compensation combined with her role as caretaker for her family and rescued slaves meant that she was in a perpetual state of poverty. Despite the constant difficulties she faced with her health, her finances and the total lack of recognition, Harriet never stopped working to help other people.

Harriet Tubman showed great heroism during her journey from slavery to freedom to liberator. Her life was not easy and her experience of belittlement and hardship persisted even into the 20th century. Even though she was oppressed herself in being a disabled, uneducated, black, former slave woman, she navigated physical, social and political danger for the sake of freedom. She received some recognition for all of her many achievements, including her work in the suffragette movement.  She pursued her vision unswervingly and by the end of her life, Tubman was widely known and finally received the respect she deserved. After her death she has become widely recognized as one of the most important American heroes and activists for the end of slavery and civil rights for former slaves, African-Americans, and women.

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Mary Hampton, Kelsey Donner, & Jessica Partlow are undergraduate students at the University of Richmond. They wrote this essay as part of their course requirement while enrolled in Dr. Scott Allison’s Social Psychology class.

My Sister, the Quiet Hero

By Scott T. Allison

Recently, my sister Sheree passed away from stomach cancer at the age of 57.

On the surface, Sheree was no different from many people. She had a husband and two children, lived in suburbia, owned some pets, played the guitar, and loved to tinker with her home decor and yard.

But for those who knew Sheree and loved her, there was much more below the surface. She was a hero in her own quiet way.

Heroism is tough to define, but most people would agree that heroism involves improving the lives of others in significant ways. It is love and compassion put into action. Here’s one story that shows how, even at a very young age, my sister Sheree had great heroic instincts.

Back in the 1960s, we lived in a lower-middle class neighborhood in Pittsburgh, Pennsylvania. The houses in this neighborhood were packed very close together. The five of us – my father, mother, brother, Sheree, and me – lived in a small 800 square-foot home. Literally within an arm’s reach of our porch was the home of our neighbor, a woman named Irene.

Irene was a cranky, middle-aged widow with red hair and a terrible singing voice. We knew about the bad voice because she lived alone and entertained herself with loud singing. On warm summer evenings, with all the windows open in the hopes of catching an occasional breeze, we’d also catch that unmistakable singing. And to call it singing was generous. It was more like the screeching of a wounded owl.

The crankiness of Irene would be on full display any time the three of us kids ventured onto her property. We were very young kids who liked to play ball and go exploring, and so needless to say we’d stray into her yard now and then either out of carelessness or to retrieve a lost ball. When Irene saw us violating her space, she’d yell at us to get out. And much to my mother’s horror, her shouts would include a few choice swear words to boot.

None of us liked Irene, and we did our best to steer clear of her. But there were many times when we’d be shouted at, and the only comfort we took was that at least it momentarily stopped her from singing.

One day after one of Irene’s tirades, Sheree did something extraordinary. She was only five years old at the time, a sweet thing with blonde hair, deep blue eyes, and an endearing smile. She also had the instincts of a saint.

Sheree had just been on the receiving end of one of Irene’s outbursts. She ran home to escape our neighbor’s rant. But rather than stay home, she decided to go outside and pick as many wildflowers as she could. She gathered them into a beautiful bouquet and then walked up to Irene’s front door and knocked. When Irene opened the door, Sheree handed her the flowers and apologized.

And Irene was forever changed.

Obviously touched by Sheree’s kindness, Irene never yelled at us again. In fact, she became a friend to the family.  Sheree’s simple act of reaching out with love and generosity had transformed Irene into a kind, neighborly soul.

Irene’s loud and horrid singing continued, however.

Sheree’s kind gesture to Irene pretty much sums up the way she lived her life. She always went out of her way to show kindness to others, including me. Last September, after she had surgery to remove her stomach, she was very weak and in the hospital for almost a month. Yet she still found time to mail me a birthday card with her shaky handwriting wishing me well. I’ve kept the card and will always treasure it.

She died just two days after Christmas. Despite being in pain and obviously in a terribly weakened state, she still mailed me a Christmas gift just days before her passing.

There are other aspects to Sheree’s heroism, too many to describe here. She was an Art Docent in her local elementary school, teaching kids about art and famous artists, as well as tutoring and leading or participating in after-school reading programs. She took in stray animals. She reached out to people, and touched them with her smile, her heart, and her contagious laugh.

Irene was one of many whose heart was forever changed by Sheree. I count myself among this group, too.

Thank you, dear sister. I love you and miss you.

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