Monthly Archives: November 2020

The Queen’s Gambit Tells the Ultimate Underdog Hero Story

Artist Heroes, Sports Heroes, ,

By Scott T. Allison

The Queen’s Gambit is one of those miniseries that shouldn’t work but somehow does. What could be less exciting than watching two people sit at a table silently playing a board game that most of us don’t really understand?

But here’s the secret to The Queen’s Gambit’s success:  It tells one hell of a hero’s story.

And as we’ve been saying for years, as long as a story captures the beauty and inspiration of the hero’s journey, and does so in a new and interesting way, it will find an audience.

Let’s start with our hero, Beth Harmon. We really shouldn’t like her. She’s cold, aloof, self-destructive.

Why are we drawn to this hero? Well, we all know that people love an underdog, and Beth is an underdog in five different ways. Maybe even six. It’s a bit sledgehammered, but it works.

First, Beth is a woman competing in a man’s world. Second, she’s not only an orphan, but a double-orphan. Third, she’s an addict. Fourth, because of the severity of her losses, she’s emotionally stunted. Fifth, she is poor.

We can also add that she is an American playing a game that is dominated by the Russians.

Like all good heroes, Beth has a superpower: She is a brilliant chess player, possessing more raw talent than anyone.

Beth also has a superpower within the superpower: She can mentally play out the winning moves of a chess game on the ceiling of any room she is in.

Like all good heroes, Beth has her kryptonite: She is hopelessly addicted to drugs and alcohol. Her pain cuts deep — hence her need to self-medicate with sedatives.

Beth thinks she can only win at chess when she’s drugged up. All good heroes are missing something important and must find these missing qualities to succeed. Beth lacks self-insight, self-regulation, and courage.

So the set-up of the story is clear. If only Beth can get out of her own way, she can rule the chess world. That’s a big “if”. Especially for a person who doesn’t attract friends easily.

The good news is that every hero receives help, even Beth. Her mentor is a janitor at the orphanage named Mr. Shaibel. Later Beth receives help from former competitors whom she has defeated: Townes, Harry, Benny, and the twins Matt and Mike.

On the eve of Beth’s match with the great Soviet champion Borgov, her childhood friend Jolene shows up. Beth benefited from Jolene’s stable, sensible influence years earlier and needs it now more than ever. Jolene offers to pay for Beth’s travel to Russia.

Returning to the orphanage to attend Mr. Shaibel’s funeral, Beth learns that her old mentor had followed her career closely and supported her from afar. This discovery reduces her to tears — her first show of emotion.

The ice has cracked. Beth is now fully human and ready to become her best self.

All good hero stories end with the hero returning home. The Queen’s Gambit portrays this return home in a wonderful and unique way. After defeating Borgov in Moscow, she mingles among a throng of Mr. Shaibel-like old men playing chess in a Russian park.

She has returned “home”, so to speak, only as poet T.S. Eliot once said, home is now completely different. The hero now sees home with a new set of eyes.

By playing chess with one of the Russian Mr. Shaibels, Beth is now giving back what was once given to her. Once transformed, the hero helps transform others. And as Joseph Campbell said, the hero is now in union with all the world.

Beth Harmon was a pawn who became a Queen. You rarely see a hero’s journey better than that.

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The Obligation to Greatness

Commentary and Analysis,

By Scott T. Allison

Recently, sports journalist Tony Kornheiser, co-host of ESPN’s Pardon the Interruption, discussed Tiger Woods’ scoring a septuple bogey 10 on a par 3 in the final round of the 2020 Masters golf tournament.

Kornheiser didn’t talk at all about Tiger’s shotmaking gaffes. Instead he focused on what Tiger did after carding his disastrous score.

Tiger birdied 5 of the next 6 holes, a feat that Kornheiser called, “The Obligation to Greatness”.

I was struck by this line and immediately Googled it to see its origins and usage. To my surprise, “the obligation to greatness” appears most often in a religious context, referring to our call to transcend our earthly ambitions. From this perspective, the obligation to greatness is God’s wish for us to become our best selves.

My feelings about this phrase, “the obligation to greatness”, are a mix of inspiration and cautionary dread.

The inspiration is the more obvious emotion. All my work on heroism this past decade has focused on helping and encouraging people to reach their fullest, most heroic potential. Despite life’s challenges, and maybe even because of them, we can all be heroes. We can overcome our struggles, and our suffering, to offer hope to others, help others, and thus make a positive difference in the world.

The caution I feel about “the obligation to greatness” is that it may feel like a burden to those who are not yet ready to heed the call. For many of us right now, life is one slap in the face after another. There are economic challenges. There are the hurts of broken relationships. There are health challenges. Achieving “greatness” may be the last thing on our minds. Just getting through the day seems like challenge enough.

So where does that leave us? Wrapping our minds around “the obligation to greatness” may require a creative tension. We can trust that the obligation is there, but only when we are ready to fulfill it. Not before.

During our struggles, we can trust, even to a slight degree, that something bigger and better is waiting for us. Trusting the process is very hard when there are bills to pay, hurts to mend, and tears to shed. This is why so many good mentors encourage us to hold on.

So today, I am telling you:  Hold on.  I am here for you. I am telling you that even by holding onto life by a thread, you are fulfilling your obligation to greatness, whether you are aware of it or not.

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Growth, Wholeness, and Intelligence are at the Core of the Universal Journey

Commentary and Analysis, , ,

By Scott T. Allison

A central part of Joseph Campbell’s (1949) genius resided in his ability to see a universal journey among all the great heroes of mythology across the globe and throughout all time periods in human history. Swimme and Tucker (2011) take this universality to its furthest extreme in suggesting that the hero’s journey and the human journey – which are arguably one and the same – represent a microcosm of the journey of the entire known physical universe.

They propose that “the universe is best understood not as discrete incidents of evolution, but as a whole unfolding dynamic and developmental process, which is like a story” (Mowe 2017, p. 48-50). Swimme and Tucker boldly set out to “create a new genre of a fusion of science and humanities”:

“We’re not looking at science as just facts or numbers or equations or graphs, but science in relation to the humanities – literature, history, art, music, philosophy, and religion and so on. These are the disciplines that have tried to understand how humans have lived in the past and how might we live more integrally in the future. So Journey of the Universe is a conscious fusion of fact, metaphor, and meaning.”

Swimme and Tucker (2011, p. 15) first examine the origins of the physical universe, including the Big Bang and the creation of galaxies and solar systems. Patterns among physical entities, both immensely small and infinitesimally small, show emergent qualities that are reminiscent of the hero’s journey — birth, expansion, calamity, contraction, and then repetition of the cycle. The authors argue that the universe’s “overall journey depends, in critical moments, upon the transformations taking place in the microcosm.” These transformations, moreover, show the same tendencies toward integrated wholeness that every hero shows on the classic journey: “To commune may be one of the deepest tendencies in the universe.” (p. 51).

The Universe is drawn toward learning, growing, and truth-seeking, with the ultimate truth pointing toward wholeness: “The ancient process of evolution can be understood as a higher-level form of ‘learning’” (p. 60). For example, the entire process of adaptation and memory in animal life is responsible for the ability to turn breath into energy and to transform food into flesh. “Life adapts. Life remembers. Life learns” (p. 61).

This inherent drive to learn is the key toward achieving wholeness and communion. According to Swimme and Tucker, “Humans have at their disposal vast storehouses of learning accumulated and refined over millennia in written and oral traditions. There is little validity to the idea that humans are isolated individuals, for each of us arises out of an ocean of experience and understanding acquired by our species as a whole.” (italics added, p. 90).

The pervasive rhythmic cycle of nature, especially that of expansion and contraction, ensures that death and life form an intelligent whole. Swimme and Tucker (2011) review many recurring patterns of growth and development in the physical universe that map onto patterns found in humanity. The authors pose a number of questions: Does deep geological and cosmological time offer us useful insights into human meaning and purpose? How can the rhythms of the physical world inform us of our own human destiny? “Can it be that our small self dies into the large self of the universe? Are our passions and dreams, as well as our anguish and loss, woven into the fabric of the universe itself?” (Swimme & Tucker 2011, p. 69).

These ideas are reminiscent of the ancient Greek notion of sympatheia, which refers to the phenomenon of all beings on earth and in the heavens as inextricably linked together to form parts of a whole. Sages over several millennia have sensed the centrality of sympatheia in the cosmos, and Swimme and Tucker (2011) invoke Zhang Zai’s Western Inscription from the 11th century as one telling example:

Heaven is my father and Earth is my mother and even such a small creature as I finds an intimate place in their midst. Therefore that which extends throughout the universe I regard as my body and that which directs the universe I consider as my nature. All people are my brothers and sisters, and all things are my companion.

This conceptualization of the universe is consistent with some physicists’ argument that the physical universe operates like a neural network, a Matrix-like computer system that operates similar to a human brain.

Swimme and Tucker (2011, p. 109) suggest that the human journey is a product of deep time, originating with the Big Bang and marked for eternity. “We can begin to reflect on the way in which time, in a cosmological sense, is the creativity of the universe itself… We live not in any mechanical time but in this enveloping cosmological time. We live in that time when Earth itself begins its adventure of conscious self-awareness.”

Swimmer and Tucker (2011, p. 112) further suggest that our purpose may be “to drink so deeply of the powers of the universe that we become the human form of the universe.” Human beings may be answering a call to “become not just nation-state people, but universe people…. knowing how we belong and where we belong so that we enhance the flourishing of the Earth community” (p. 113). Swimme and Tucker then make the leap from the universality of the journey to human well-being. First, the authors emphasize the centrality of storytelling in mapping out the realities of the physical universe as well as the human world. “We have discovered the ongoing story of the universe, a story that we tell, but a story that is also telling us” (p. 114).

According to the Swimme and Tucker, the Earth has given rise “to the possibility of an empathetic being who could flow into and become one with the intimate feelings of any being. Our human destiny is to become the heart of the universe that embraces the whole of the Earth community… That is the direction of our becoming more fully human” (p. 115). From this perspective, the connection to well-being is a logical one: “Our human role is to deepen our consciousness in resonance with the dynamics of the fourteen-billion-year creative event in which we find ourselves…. Our role is to provide the hands and hearts that will enable the universe’s energies to come forth in a new order of well-being” (p. 117).

All heroes begin their journey missing an important inner quality that they must either recover or discover during their heroic quest (Allison & Smith 2015). Swimme and Tucker (2011) propose that creativity may be humanity’s missing inner quality. Their analysis implies that life on our planet has always been on a hero’s journey and that it has relied on extraordinary creativity for survival and well-being:

“We find ourselves inside an amazing drama filled with danger and risk but also stunning creativity. Two billion years ago, when the [Earth’s] atmosphere became so filled with oxygen, all of life was deteriorating. The only way for the life of that time to survive was to burrow deep into the mud at the bottom of the oceans. The future of Earth seemed bleak. And yet, in the midst of that crisis a new kind of cell emerged, one that was not destroyed by oxygen, but was in fact energized by it. Because of this miracle of creativity, life exploded with an exuberance never seen before…. It is the nature of the universe to more forward between great tensions, between dynamic opposing forces.”

The idea that creativity is essential for heroic transformation is consistent with the metaphor of heroic imagination put forth by Franco, Blau, and Zimbardo (2011). At the human level, heroic imagination “can be seen as mind-set, a collection of attitudes about helping others in need, beginning with caring for others in compassionate ways, but also moving toward a willingness to sacrifice or take risks on behalf of others or in defense of a moral cause” (p. 111). From this metaphorical perspective, unleashing the heroic imagination involves igniting people’s drive to create the best life for themselves and others.

Such heroic imagination implies creativity borne of non-dual thinking (Rohr 2009) and transdisciplinary thinking (Efthimiou 2017a, 2017b; Efthimiou & Allison 2017). Swimme and Tucker (2011) have extended this metaphor of imagination to include the idea that it is embedded in the universe. As products of the universe, the human race has a built-in predisposition toward fulfilling its heroic personal imperative to imagine and create heroic growth for each individual, for all of humanity, and for the planet and cosmos in which we live.

Leading scientists are coming to embrace this direction of the universe. Celebrated physicist and mathematician Freeman Dyson once observed: “The more I examine the universe and study the details of its architecture, the more evidence I find that the universe in some sense must have known that we were coming.”

Astrophysicist Neil deGrasse Tyson, moreover, has said: “We are part of this universe; we are in this universe, but perhaps more important than both of those facts, is that the universe is in us.”  The journey we’re all on is the universal journey.

References

Allison, Scott T., and Greg Smith. 2015. Reel Heroes and Villains. Richmond: Agile Writer.

Campbell, Joseph. 1949. The Hero with a Thousand Faces. Princeton: Princeton University Press.

Efthimiou, Olivia. 2017a. “Heroic ecologies: embodied heroic leadership and sustainable futures”. Sustainability Accounting, Management and Policy Journal, 4, 489-511.

Efthimiou, Olivia. 2017b. “The Hero Organism: Advancing the Embodiment of Heroism Thesis in the 21st Century”. In Handbook of Heroism and Heroic Leadership, edited by Scott T. Allison et al. New York: Routledge.

Efthimiou, O., & Allison, S. T. 2017. Heroism science: Frameworks for an emerging field. Journal of Humanistic Psychology.

Efthimiou, O., Allison, S. T., & Franco, Z. E. (Eds.) 2018. Heroism and wellbeing in the 21st Century: Applied and emerging perspectives. New York: Routledge.

Franco, Zeno E., Kathy Blau, and Philip G. Zimbardo, 2011. “Heroism: A Conceptual Analysis and Differentiation between Heroic Action and Altruism”. Review of General Psychology, 15, 99-113.

Rohr, Richard, 2009. The Naked Now: Learning to See What the Mystics See. New York: Crossroad Publishing Company.

Swimme, Brian T., & Tucker, Mary E. 2011. Journey of the Universe. New Haven: Yale.