Tag Archives: pop music

Arachnophonia: Simon & Garfunkel “The Columbia Studio Recordings, 1964-1970”

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Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about items in the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library student library worker Emma (class of 2021). Her selection is part of a multi-disc CD set of works by American folk rock duo Simon & Garfunkel. Thanks, Emma!

Simon and Garfunkel

The Columbia Studio Recordings, 1964-1970

My CD of choice (from this set): Simon and Garfunkel – Sounds of Silence

I love modern music and radio pop just as much as the next person, but sometimes its nice to listen to things that don’t have auto tuning or heavy bass constantly blaring in the background. Simon and Garfunkel have special place in my heart because I can remember as a little girl hearing my dad play their songs in the car, and my sister singing along. Of course, I wanted to be “cool” like my older sister, so I would dance and act as if I knew exactly what the lyrics were saying. However, as I grew up and develop a better appreciation for good music, I realized just how good these songs are.

Some of my favorite songs off the set are “Cecilia” (I’m a little biased considering Cecilia is my middle name), “Mrs. Robinson,” and “The Boxer.” They are each so different, but so powerful. Their music has a way of making you want to dance around your room and sing like no one is listening, but a lot of songs also evoke a certain poetry and emotion that show just how talented these men were/are at writing and producing music. Although some of the songs deal with serious topics, the way they are written is beautiful, but they’re easy to listen to and they’re very catchy.

I don’t think I’ll ever stop listening to this album, because it’s timeless. Songs on the radio today come and go, but the music of past generations will never get old.

New CDs added in February!

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New CDs for February 2017

Classical

Francis Poulenc – Gloria for soprano solo, chorus and orchestra

Poulenc -- Gloria

Charles Rosen – The Complete Columbia and Epic Album Collection

Charles Rosen Collection

Pop/Rock/R&B

The Avett Brothers – I and Love and You
The Avett Brothers – True Sadness

Avett Brothers - True Sadness

De La Soul – And The Anonymous Nobody
Prince – HITnRUN Phase One

De La Soul - Anonymous Nobody

Prince – HITnRUN Phase Two
Radiohead – A Moon Shaped Pool

Radiohead - A Moon Shaped Pool

Jill Scott – Woman
A Tribe Called Quest – We Got It From Here Thank You 4 Your Service
Twenty One Pilots – Blurryface

Twenty One Pilots - Blurryface

Musical Theatre

Jay Kuo – Allegiance: Original Broadway Cast Recording

Allegiance - Cast Recording

Spider Sounds: The Carpenters “Now and Then”

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Editor’s Note: “Spider Sounds” invites members of the University of Richmond community to share their thoughts about CDs (or other items in the Parsons Music Library’s collection). The links included will take you to the library catalog record for the item in question, or to additional relevant information. Today’s installment of “Spider Sounds” is by Xixi, one of our student workers, and features the mellow 1970s pop stylings of The Carpenters. Thanks, Xixi!

The Carpenters

Now And Then

The Carpenters - Then And Now

In the Carpenters’ 1973 album Now and Then, we got to hear some of the world’s best known songs like “Jambalaya” and “Yesterday Once More.” With Karen Carpenter’s deep melodic voice and Richard Carpenter’s skilled and classical use of string instruments, we hear a smooth harmonious mixture of country, folk, and bluegrass music. The Carpenters were a big hit in the UK, US, and Japan during the 1970s. Many of their songs have been revisited and covered by other artists.

When you feel stressed, frustrated, or lost, listen to the Carpenters’ Now and Then. Every single song aims to tell a story of happiness and sorrow, memories of past and present. You are welcomed not just as an audience, but also a listener, a participant, and a close friend, thinking of “those were such happy times and not so long ago, how I wondered where they’d gone.”

To me, listening to Carpenters’ music is beyond the expression of words, and I always have different thoughts about it at different time periods. I guess that’s the charm of this album and
the Carpenters’ music, that no matter when or where you hear them, you can always be renewed and enriched by the lyrics and rhythm of their songs.

Come visit the Parsons Music Library and discover what we have available!

“There Are Places I’ll Remember …” – The Beatles’ Rubber Soul turns 50

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The Beatles - Rubber Soul

Rubber Soul is the sixth album released by the Beatles. It was issued in the UK on December 3rd, 1965, fifty years ago. (And was released in an altered form in the US on December 6th, 1965.) The album was the first album the Beatles recorded during a continuous period (between October 12th and November 15th, 1965) instead of being recorded piecemeal between tour gigs. This gave the band an opportunity to craft an album that was a more cohesive and introspective unit. Rubber Soul‘s 14 songs (11 composed by John Lennon & Paul McCartney, 2 composed by George Harrison and 1 written by Lennon, McCartney and Ringo Starr) are stylistically diverse, incorporating elements of R&B, folk rock, pop, soul and psychedelia. It is also the first Beatles album to NOT include any cover songs (i.e., songs orignally written and recorded by other artists).

Rubber Soul was unique for many reasons. The Beatles were beginning to experiment with lyrics that were not necessarily about boy-girl romance and are more lyrically sophisticated than songs like “She Loves You“. “Nowhere Man” isn’t about romance at all — a first on a Beatles album.

The group also experiments with incorporating unusual instruments (for the time) and sounds onto the album. George Harrison’s use of the sitar on Lennon’s “Norwegian Wood” helped to spark a musical craze for Indian instruments in pop music. Other “world music” influences are evident in the jazzy French style of McCartney’s “Michelle” and a Greek flavored accompaniment on Lennon’s “Girl” (with acoustic guitars standing in for bouzoukis). “In My Life” features an instrumental bridge with a Bach-like passage played on piano, but sped up to sound like a harpsichord.

The Beatles’ willingness to experiment in the studio was a feature of their work that would continue to develop by leaps and bounds over their next couple of albums. The spirit of experimentation even extended to the album cover itself, which featured a distorted image of the Fab 4 and, unlike most pop albums of the time, did NOT feature the name of the band on the front cover.

Rubber Soul remains a fulfilling album to listen to and to quote music critic Walter Everett, “was made more to be thought about than danced to, and this began a far-reaching trend.”