Arachnophonia: For the Audiophiles

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item(s) in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Esther (class of 2025) and features our new portable record player and an opera LP to go with it. Thanks, Esther!

For the Audiophiles

Vinyl LPs

I love exploring different mediums of storage when it comes to art. I initially became interested in physical art forms because of film photography; as a musician, it was inevitable for me to stumble into the world of sound storage mediums. From VHS tapes to 8-track cartridges to cassette tapes to vinyl records, there were so many different forms of music over the years I did not know about. There seems to be controversy over what form sounds best, but we can respect all the different presentations!

LP stands for “Long Playing” due to the extended playing time (around 22 minutes per side) that resulted from the larger discs spinning at 33 ⅓ rpm. (As compared to EPs which are smaller and held about 10-15 minutes of material per side.) They are also referred to as vinyl records because of the material the physical discs are made of. These discs can transmit sound waves when placed on a turntable because the stylus placed on top of the disc moves through the small grooves along the record. As the stylus is reading, the tip of it vibrates and the microscopic bounces are transmitted along the bar. Ultimately, an electrical signal is generated and is played through the stereo speakers!

I appreciate the history of music storage forms, especially because of the wide availability we have for any song nowadays that significantly contributed to the relationship between the listeners and producers. Though I prefer the pros of digital music over analog with the technology we have today, the nostalgia of LP records is appealing as well. One of my fondest memories of growing up was listening to opera on the cassette tape player with my mother.

So, when I found out about a new addition to the music library — a portable record player — I had to recommend this LP to go with it!

Ten Tenors, Ten Arias

Ten Tenors Ten Arias LP cover

Though you are welcome to play it on your turntable, and in addition to the record player that lives in one of our study rooms, the Music Library also has a portable vinyl player available for anyone to check out for a week at a time!

Record Player

Arachnophonia: Taylor Swift “folklore”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Marissa (class of 2025) and features Taylor Swift’s 2020 album folklore. Thanks, Marissa!

Taylor Swift

folklore

Taylor Swift - folklore (album cover)

During the height of the COVID-19 pandemic in July 2020, American singer-song writer Taylor Swift released her 8th studio album titled folklore. This album was vastly different from anything she had produced previously, drawing in a new crowd of indie folk fans.

While Swift’s usual songs are written about events that took place in her personal life, folklore takes a different route: each song tells a fictional story with the same cast of characters throughout the album. The tracks “cardigan”, “betty”, and “august” all center around a love triangle between the characters Betty, James, and Augustine. Most of these songs include only Taylor Swift‘s vocals, however the track “exile” features the band Bon Iver as well.

If you are interested in anything Taylor Swift, learning more about this love triangle, or are already a fan of indie folk music, I’d recommend checking out this CD today from Parsons Music Library. You can find the item here: folklore.

Arachnophonia: Moana

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Marissa (class of 2025) and features vocal sheet music selections from the 2016 animated feature Moana. Thanks, Marissa!

Moana: music from the motion picture soundtrack
Original songs by Lin-Manuel Miranda, Opetaia Foa’i, and Mark Mancina

Moana piano vocal selections

A newer Disney classic, the musical movie Moana hit theaters in late 2016. The story follows Moana, a Polynesian Disney princess on a mission to return the heart of Te Fiti that was once stolen by the demigod Maui. Throughout the movie’s twists and turns, a lively soundtrack mostly written by Lin-Manuel Miranda makes the audience feel as though they are part of the adventure. Known for the creation of the Broadway musical Hamilton, Lin-Manuel Miranda is a beloved song writer and performer who makes all of his work memorable for years and years to come.

Have you ever wanted to replicate The Rock‘s stellar performance in “You’re Welcome,” or learn the instrumentals in “How Far I’ll Go” ? This collection of musical scores by Lin-Manuel Miranda, Opetaia Foa’i, and Mark Mancina includes sheet music for pianists, vocalists, and guitarists. This item is available now in the Parsons Music Library, along with the scores to many of your other favorite Disney songs.

Arachnophonia: Music as Biology

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Esther (class of 2025) and features a book about the connections between music and biology. Thanks, Esther!

Music As Biology: The Tones We Like and Why by Dale Purves

Music As Biology: The Tones We Like and Why by Dale Purves

The innate attraction we have towards music as humans have always fascinated me. Nicknamed the “universal language,” music seems to be so deeply embedded into society. The way it evokes certain emotions within us feels like a concept too abstract to be explained. Why do we enjoy certain combinations of tones over others? How does music remain the same or change over time and cultures? Why do different scales induce different emotions? Music as Biology by Dale Purves was an interesting read that helped me formulate concrete ideas about some of these questions through a biological perspective. 

Dale Purves is a highly accomplished neuroscientist who is currently a professor at Duke University. His lab studies the neurobiological underpinnings of our perception to different stimuli, including sound.  Dr. Purves takes an empirical approach to music, incorporating data and research from biology to support his arguments on how we react to music. He provides additional links to more information on certain questions throughout the book if you were interested in further research as well. Overlapping music theory and biology offered a refreshing insight into how we perceive music. I highly recommend this book to anyone interested in music or science!

Arachnophonia: Romantic Arias

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Esther (class of 2025) and features a CD collection of opera arias sung by tenor Jonas Kaufmann. Thanks, Esther!

Romantic Arias

Romantic Arias Jonas Kaufmann cd cover

If you frequent the music library, you may remember the question we had on our whiteboard last semester: do you listen to music when studying? If you do, this CD is something you should definitely check out.

Side note: the whiteboard questions are open for anyone to answer!

This CD is a collection of arias, or long accompanied songs for soloists, from a variety of romantic composers. The romantic era in music can usually be characterized by the introduction of chromatic harmonies and new chord progressions that “break” the rules of classical composition. They do not necessarily rely on resolving a melody or having a constant tempo throughout the piece. Romantic composers saw music as a medium to express human emotion and experience; it was seen as a way of communication.

Sung by my favorite tenor, this CD contains arias sung in Italian, French, and German. Jonas Kaufmann is a German operatic tenor noted for his versatility. You may remember seeing him as Don José in Carmen, but I personally became a fan after watching him in Massenet’s Werther. Check out this CD along with the CD players we have available for use in the library for your next study session!

Tenor Jonas Kaufmann

Arachnophonia: tick, tick … BOOM!

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Marissa (class of 2025) and features the complete book and lyrics of Jonathan Larson’s tick, tick … BOOM!. Thanks, Marissa!

tick, tick … BOOM!

Jonathan Larson with script consultant David Auburn

tick tick boom complete book and lyrics

Known for his phenomenal Broadway show Rent, Jonathan Larson was a musical genius of the 80s and 90s. Recently popularized by Netflix in the film tick, tick… BOOM! starring Andrew Garfield, this musical tells the tale of Jonathan Larson’s trials and tribulations as an almost 30-year-old musical writer in New York City (before the creation of Rent). Although Larson sadly passed away before he could see Rent’s Broadway debut, his impact on the world of music will never be forgotten.

Tick, Tick– Boom! by Jonathan Larson and Script Consultant David Auburn is a look into the mind of Jonathan Larson, including the lyrics and music to his lesser known, Off-Broadway show Tick, Tick… Boom!. There is no better way to immerse yourself in the world of Jonathan Larson before Rent. This book is available now at the Parsons Music Library, along with a wide selection of other musical hits.

Arachnophonia: Mozart’s Letters, Mozart’s Life

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Esther (class of 2025) and features a collection of Mozart’s letters. Thanks, Esther!

Mozart’s Letters, Mozart’s Life: Selected Letters
Edited and translated by Robert Spaethling

Portrait of a young Mozart

Portrait of Wolfgang Amadeus Mozart at the age of 13 in Verona, 1770

When we first hear the term “classical music,” we often think of great composers like Beethoven and Mozart. Despite his relatively short life, Mozart is known and celebrated for his prodigious musicality and influential compositions even to this day. But what was Mozart like? You may know several of his pieces, but have you taken the time to consider the person behind these famous pieces?

There’s no better way of being first introduced to Mozart’s private life than Mozart’s Letters, Mozart’s Life by Robert Spaethling. Spaethling, a scholar of German literature of the 19th and 20th centuries and Mozart, has carefully chosen and depicted a compilation of Mozart’s letters spanning twenty-two years of the young composer’s life. Spaethling’s most recent edit of these letters provides us with the most accurate translation to appropriately convey Mozart’s nuanced personality.

Mozarts Letters Mozarts Life

Through Mozart’s Letters, Mozart’s Life, we are invited to explore Mozart’s innermost thoughts and raw perspective of life. In addition to the analysis of the different voices that shine through in Mozart’s candid letters, Spaethling includes information, such as various life events throughout the composer’s life, that encourages us to think deeply and have greater appreciation for the person behind these great works.

Arachnophonia: A New Dawn Fades “I See The Nightbirds”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Esther (class of 2025) and features a locally produced album by A New Dawn Fades. Thanks, Esther!

A New Dawn Fades

I See The Nightbirds

A New Dawn Fades - "I See The Nightbirds" album cover

I See the Nightbirds by A New Dawn Fades is a new album released by Cherub Records. The title song’s polyrhythmic beat, complimentary guitar and bass lines, and attractive transitions converge to create a distinctive musical picture. The gradual accumulation of tension yet unrushed nature of the piece is what results in the captivating arch shape drawn throughout the song.

Cherub Records, founded by PJ Sykes in 2001, is an outlet through which Sykes and his friends communicate their music to the rest of the world. Though originally located in Lynchburg, VA, Cherub Records has now moved to the city of Richmond where they document and release music of numerous bands. Their curious exploration of music conveyed through improvised pieces has been one of the defining traits of this band. Furthermore, they are known for blurring the line drawn between the audience and performers by interacting with the crowd during their live performances.

Because Richmond is known for its unique sense of community, supporting our local musicians is significant in allowing the local music scene to grow and thrive. It gives us the opportunity to experience new music specific to our area and builds mutual support between the musicians and ourselves. I assure you, I See the Nightbirds will make you reflect on the vast range of what music encompasses and what makes it truly special.