Spider Sounds: John Mayer “Continuum”

Editor’s Note:“Spider Sounds” invites members of the University of Richmond community to share their thoughts about CDs (or other items in the Parsons Music Library’s collection). The links included will take you to the library catalog record for the item in question, or to additional relevant information. Today’s post is a bit unusual — two different student workers actually have chosen to write about the same 2006 album by John Mayer. So we are presenting both Aly and Mary’s individual takes on this album in the same post. Thanks to student workers Aly and Mary for contributing to “Spider Sounds”!

John Mayer

Continuum

John Mayer - Continuum

Aly’s thoughts on “Continuum”:

ContinuumJohn Mayer (2006)

Continuum, John Mayer’s third studio album, is a fresh take on guitar-driven pop music. Chances are, you’ve probably heard a few songs from this album before, such as “Gravity,” “Dreaming With a Broken Heart,” or the uplifting “Say (What You Need to Say).” These songs all come together on an outstanding album, which dominated the 49th Grammy Awards – there, Mayer performed “Gravity” live, then went on to sweep the titles for Best Pop Vocal Album and Best Male Pop Vocal Performance for the recognizable “Waiting on the World to Change.”

As with all of Mayer’s albums, Continuum features tracks with incredibly vivid lyrics that stand far above many other pop songs that tend to feature an overused dialogue. Mayer’s messages are artful, inspirational, intelligent – they’re quick and concise, and stick with you. In
Continuum, many songs have positive, feel-good themes that any listener would love.

To add to the rich lyricism in Continuum, many tracks have rich guitar rhythms throughout, both acoustic and electric – and Mayer himself does most of it. His technique is undeniably masterful, and should not go unnoticed.

My personal favorite track on the album is “The Heart of Life” (the song’s refrain was actually my senior quote in my high school yearbook!). A sunny, poetic dialogue, effortless vocals, and a fresh guitar foundation – the track embodies everything that makes John Mayer a standout pop singer-songwriter.

John Mayer performs "Gravity"

John Mayer perfoming “Gravity” at the 49th Grammy Awards show. 11 February 2007

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Mary’s thoughts on “Continuum”:

If you’re looking for songs that are deep and meaningful, John Mayer’s third album called Continuum is the way to go. His songs in this album invite you to look at the world, your relationships, and your own life and ponder upon them. After listening to his songs, you would feel as if any brokenness or uncertainty are relieved temporarily. His calm voice placidly talks to you as if you’re sitting with your close friend at a café on a fair day, just talking about how life is going.

If you feel like you have a lot of burden in your life, come check out Continuum at the Parsons Music Library and let music share your burden for a bit.

John Mayer - Continuum

Spider Sounds: Purity Ring “Another Eternity”

Editor’s note: “Spider Sounds” invites members of the University of Richmond community to share their thoughts about CDs (or other items in the Parsons Music Library’s collection). The links included will take you to the library catalog record for the item in question, or to additional relevant information. Today’s post is by Liza, one of Parsons Music Library‘s student workers and features an album by the Canadian electronic music duo Purity Ring. Thanks, Liza!

Purity Ring

Another Eternity

Purity Ring - "Another Eternity"

If you haven’t heard of Purity Ring, you’re missing out! As a fairly new addition to the Parsons Music Library, Purity Ring combines their own genre of “future pop” with electronic indie in their newest album Another Eternity (2015). The Canadian duo Megan James and Corin Roddick recorded and produced the album themselves, showing off a sharper focus on James’ vocals and Roddick’s evocative percussive skills than in their first album Shrines (2012).

Purity Ring’s songs deliver dream-like melodies intertwined in electronic landscapes as heard in “Bodyache” and “Begin Again.” The duo continues to give rise to prevailing styles in indie music through their resonance of intensive trap beats and smooth, atmospheric lyrics.

If you missed Purity Ring on September 20, 2015 at The National in Richmond, then come to the Music Library to check out their CDs Another Eternity and Shrines!

Purity Ring - "Shrines"

Spider Sounds: Wicked

Editor’s Note: “Spider Sounds” invites members of the University of Richmond community to share their thoughts about CDs (or other items in the Parsons Music Library’s collection). The links included will take you to the library catalog record for the item in question, or to additional relevant information. Today’s post is by KyungSun, one of Parsons Music Library’s student workers and features the Broadway musical Wicked based on “The Wizard of Oz” and Gregory Maguire‘s literary reimagining of the story. The musical with music and lyrics by Stephen Schwartz premiered in 2003 and is still going strong on Broadway and on tour. Thanks, KyungSun!

Wicked

Wicked

It’s one thing to see Broadway or even claim you love live musical theater. But we all know that as artists or avid fans, we LOVE to sing along (or at least try to).

Wicked is one of my favorite musicals. I saw it twice, and teared up both times. Why? If you haven’t seen it, it’s more than cheesy story about friendship. It’s also about the political manipulation, perception, and the power of language. Even more than that, Wicked has gotten me through some pretty tough times. If you haven’t heard of the song “The Wizard and I,” I highly recommend you listen or even better – sing it! – to find your inner confidence. The line, “My future is unlimited. And I’ve just had a vision almost like a prophecy. I know – it’s truly crazy. And true, the vision’s hazy. But I swear, someday there will be a celebration throughout Oz, that’s all to do with me.” This line reminds me to keep dreaming even when your own hometown is literally against you. If you’ve seen the beginning of The Wizard of Oz film, you’ll know why this particular lyric is important. Sure, other songs like “Popular” aren’t something we can (or should) sing as our life anthem, but it’s so much fun to try out…in your own room. Be sure to check out the Parsons Music Library‘s extensive collection of your favorite musicals if you’re ever in need of a sing your heart out moment!

New CDs added in February!

New CDs for February 2016

Classical

Alexsandr Scriabin – Complete Preludes
Jean Sibelius – Symphonies Nos. 5 and 6
Jean Sibelius – Symphonies Nos. 6 and 7: “The Tempest” Suite No. 2

Sibelius -  Symphonies 6 & 7

Jazz

Joey Alexander – My Favorite Things

Joey Alexander - My Favorite Things

Pop/Rock/R&B

Florence + the Machine – How Big, How Blue, How Beautiful

Florence + the Machine - How Big, How Blue, How Beautiful

Spider Sounds: Simon & Garfunkel “Live 1969”

Editor’s Note:“Spider Sounds” invites members of the University of Richmond community to share their thoughts about CDs (or other items in the Parsons Music Library’s collection). The links included will take you to the library catalog record for the item in question, or to additional relevant information. Today’s post is by Cate, one of Parsons Music Library’s student workers and features a classic live album by Simon & Garfunkel. Thanks, Cate!

Simon & Garfunkel

Live 1969

Simon & Garfunkel - Live 1969

I have a special liking for Simon and Garfunkel. They were one of the few artists my parents could agree on, so they made up much of the soundtrack for long car trips, and I remember falling asleep to the music thinking of flower crowns and the Mystery Machine from Scooby-Doo.

As always with Simon and Garfunkel, the melodies are lovely, woven with simple but really poetic lyrics.

I don’t usually go for live recordings, but listening to the audience was a lot fun. Art does most of the talking, understated and clear, introducing the band politely and quietly prefacing their new song “Bridge Over Troubled Water” (a hit with the crowd, unsurprisingly). The album, like one of their songs, starts softly and builds in intensity before letting us go with a gently wit an echo of the melody, and (except for the end) the crowd responds in kind, quiet so that they can listen but becoming more and more excited as the concert goes on.

Hearing the concert performance itself is a real treat. They sound freer; the harmonies swoop higher and swing lower, the guitar is more fevered, the words, still soft, are exposed and bittersweet. A band accompanies them for a few songs, giving “Mrs. Robinson” a more energetic vibe, closer to that of the Lemonheads‘ cover than one would expect from Simon and Garfunkel’s traditional sound. But my personal favorite track, “The Sound of Silence” is just the two of them — more ragged here, and beautiful as ever.

Like awesome music from a couple of guys with a guitar? Stop by the Parsons Music Library and check Simon & Garfunkel — Live 1969 out. Don’t like awesome music from a couple of guys with a guitar? Stop by anyways. We’ve got awesome music in every variety ready to be listened to.

Spider Sounds: Alabama Shakes “Sound & Color”

Editor’s Note: Our “Spider Sounds” feature returns! “Spider Sounds” invites members of the University of Richmond community to share their thoughts about CDs (or other items in the Parsons Music Library’s collection). The links included will take you to the library catalog record for the item in question, or to additional relevant information. Today’s post is by Kasey, one of Parsons Music Library’s student workers and features a CD by a group that just won several Grammy awards (including “Best Rock Song” and “Best Alternative Music Album”). Thanks, Kasey!

Alabama Shakes

Sound & Color

Sound & Color

If you’re looking for something with soul, substance and breadth look no further than Sound & Color by Alabama Shakes. The band’s Southern roots can be heard throughout the album backing raw vocals from their lead singer Brittany Howard and an array of instruments – some expected and some not. Whether you’re doing homework, hanging out with friends or cruising around town, Sound & Color by Alabama Shakes is sure to have your head bobbing to the beat. Find this album and many more at Parsons Music Library!

New CDs added in January!

New CDs for January 2016

Jazz

Herbie Hancock – Future Shock

Futureshock

Pop/Rock/R&B

Adele – 25

Adele 25

Aerosmith – Honkin’ On Bobo
Alabama Shakes – Sound & Color

Sound & Color

Drake – If Youre Reading This Its Too Late
Elle King – Love Stuff
Kendrick Lamar – To Pimp A Butterfly

To Pimp A Butterfly

Lamb of God – VII: Sturm und Drang
Bettye Lavette – Worthy
Mark Ronson – Uptown Special
Mavis Staples – One True Vine

Mavis Staples - One True Vine

Tame Impala – Currents
Taylor Swift – 1989
The Weeknd – Beauty Behind The Madness

The Weeknd - Beauty Behind the Madness

New CDs added in December!

New CDs for December 2015

Classical

Susan Allen – Postcard From Heaven
Franz Schubert – The Unauthorised Piano Duos, Volume 3

Postcard From Heaven

Early Music

Psallentes – Missa Transfigurationis

Missa Transfigurationis

Film Music

Carmine Coppola and Francis Coppola – Apocalypse Now Redux
James Newton Howard – Snow Falling On Cedars

Snow Falling On Cedars

Pop/Rock

Various Artists – Soul Of Sue Records
Various Artists – I’m A Good Woman – Funk Classics From Sassy Soul
Sisters

I'm A Good Woman

Jazz

Lafayette Harris, Jr. Trio – Bend To The Light
Jacob Fischer- … In New York City
Donald Vega – With Respect To Monty

Bend To The Light

Band Music

The President’s Own U.S. Marine Band – Elements

Elements

World/Folk Music

George Wassouf – The Best of George Wassouf
Various Artists – Teen Dance Music From China and Malaysia
Voices of Ireland – Lord of the Dance and Other Famous Irish Songs &
Dances

Teen Dance Music From China and Malaysia

“There Are Places I’ll Remember …” – The Beatles’ Rubber Soul turns 50

The Beatles - Rubber Soul

Rubber Soul is the sixth album released by the Beatles. It was issued in the UK on December 3rd, 1965, fifty years ago. (And was released in an altered form in the US on December 6th, 1965.) The album was the first album the Beatles recorded during a continuous period (between October 12th and November 15th, 1965) instead of being recorded piecemeal between tour gigs. This gave the band an opportunity to craft an album that was a more cohesive and introspective unit. Rubber Soul‘s 14 songs (11 composed by John Lennon & Paul McCartney, 2 composed by George Harrison and 1 written by Lennon, McCartney and Ringo Starr) are stylistically diverse, incorporating elements of R&B, folk rock, pop, soul and psychedelia. It is also the first Beatles album to NOT include any cover songs (i.e., songs orignally written and recorded by other artists).

Rubber Soul was unique for many reasons. The Beatles were beginning to experiment with lyrics that were not necessarily about boy-girl romance and are more lyrically sophisticated than songs like “She Loves You“. “Nowhere Man” isn’t about romance at all — a first on a Beatles album.

The group also experiments with incorporating unusual instruments (for the time) and sounds onto the album. George Harrison’s use of the sitar on Lennon’s “Norwegian Wood” helped to spark a musical craze for Indian instruments in pop music. Other “world music” influences are evident in the jazzy French style of McCartney’s “Michelle” and a Greek flavored accompaniment on Lennon’s “Girl” (with acoustic guitars standing in for bouzoukis). “In My Life” features an instrumental bridge with a Bach-like passage played on piano, but sped up to sound like a harpsichord.

The Beatles’ willingness to experiment in the studio was a feature of their work that would continue to develop by leaps and bounds over their next couple of albums. The spirit of experimentation even extended to the album cover itself, which featured a distorted image of the Fab 4 and, unlike most pop albums of the time, did NOT feature the name of the band on the front cover.

Rubber Soul remains a fulfilling album to listen to and to quote music critic Walter Everett, “was made more to be thought about than danced to, and this began a far-reaching trend.”

Spider Sounds: Mumford & Sons “Babel”

Editor’s note: This week “Listening In” is inaugurating a new feature called Spider Sounds. We’re inviting members of the University of Richmond community to share their thoughts about CDs (or other items in the Parsons Music Library’s collection). The links included will take you to the library catalog record for the item in question. Our first post comes from James, one of the library’s student workers. Thanks, James!

MUMFORD & SONS

    Babel

Mumford & Sons - Babel

2012: In the spirit of “If it ain’t broke, don’t fix it,” British rock band MUMFORD & SONS released BABEL, three years after their multi-platinum debut album, SIGH NO MORE. Now, I’d be lying if I said BABEL didn’t sound a lot like its predecessor, but there’s something about that signature “Mumford” sound that my ears crave.

Rustic, pure and clean. Think Hemingway, Teddy Roosevelt, and Ron Swanson gathered ‘round, singing campfire songs in the woods. It’s no accident – there is a formula for this. The recipe calls for raspy, powerful vocals with acoustic guitar, intimate lyrics, a banjo, and not much else – a minimalist arrangement enough to break your heart and put hair on your chest at the same time.

Luckily for you, we’ve got BABEL right here at Parsons Music Library. So if you need a break from EDM or plugging away on the clarinet – not that there’s anything wrong with that! – come by and check out the unadulterated musical stylings of Mumford & Sons.