Arachnophonia – MUS 235 Edition: “We Are The World: The Story Behind The Song”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

This special edition of Arachnophonia features contributions from students in Dr. Joanna Love‘s MUS 235 class: “I Want My MTV: Music Video and the Transformation of the Music Industry.”

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.
Today’s installment of Arachnophonia is by MUS 235 student Elena and features a documentary about the making of the 1985 song “We Are The World.” Thanks, Elena!

“We Are The World”: The Story Behind The Song

Michael Jackson. Lionel Richie. Quincy Jones. The trifecta of musical genius that came together in 1985 to write and produce the song “We Are the World,” a collaboration of Jackson, Richie, and 43 other popular artists at the time. This feat was accomplished within a short period of time, only six days of recording in total, much to the surprise of almost everyone in the music industry. Brought together for the sake of raising awareness to the famine in Africa and support the humanitarian efforts going on to aid those affected by the famine. The musicians brought together to perform this song spanned all different ages, and all different genres of music, ranging from the King of Pop himself, to Cindy Lauper, to Bruce Springsteen. All already with successful careers and star status, and all worked with each other to help create a song that would go on to win four Grammys (1986), two MTV Video Music Awards (1985), one People’s Choice award (1986) and one American Music Award (1986). A song- and music video- of this caliber drew the attention of millions, so it comes as no surprise that there was a behind the scenes DVD documentary showing what went on during the making of the song.

USA for Africa

Willie Nelson’s signed sheet music and poster with all of the other artists’ autographs

Directed by Tom Trbovich, with the help of producers Craig B. Golin and Howard G. Malley and distributed by Image Entertainment in Chatsworth, CA, “We Are the World: The Story Behind the Song” is a DVD documentary that shows what happened the night of January 28, 1985 on the last recording session of the song. Tom Trbovich was known at the time for his directing work on “The Bette Midler Show” and “Laverne and Shirley,” but the documentary happens to be his best known work. In a two disk, 54 minute long DVD set, Trbovich set out to help the audience understand the amount of effort and work put into the creation of the now iconic song. Narrated by Jane Fonda, the documentary takes the viewer step by step through the final day of recording, from the group all together recording the chorus, to the solos (i.e. Michael Jackson, Diana Ross), to Stevie Wonder bringing in two Ethiopian women to tell the artists what the song and the fundraising meant to them and for their country. Next, it jumps to a segment focusing on the introduction of Ray Charles (to add some soul to the song) and then to the individual interviews of some artists involved. The documentary ends with a message from Lionel Richie to the viewers, giving them the information on where the funds from the song will go to in terms of helping the humanitarian efforts in Africa, and then cuts to the music video.

We Are The World

Artists(from left to right) Paul Simon, Kim Carnes, Michael Jackson, and Diana Ross arm-in-arm

In my music class (Music 235 I Want My MTV with Dr. Love), our final paper for class is to connect two music videos of the past and present and how the interwoven meanings in the two videos transcend the time between them (the political and/or social meaning within both songs and videos). The past video that I chose to use is the music video shown at the end of the documentary, ‘We Are the World’ by USA for Africa. This documentary is one of my main sources, because not only does it give me all the information on the music itself (instrumentals, production) but also explains the meaning behind the song, why it was written and the circumstances under which the song was written and shows all the artists that were a part of the effort to create the song and the purpose of the song.

The biggest portion(s) of the documentary that I am going to focus on is the segment with the two Ethiopian women and the ending segment of Lionel Richie reaching out and talking to the viewers about the need for the support for the humanitarian efforts going on in Africa at the time. The underlying message of the song and the music video that I want to focus on is the way the coming together of so many successful, house-hold names was for the purpose of raising awareness for a cause that was close to the heart of the writers (and performers). These two segments will be the most helpful as they show the impact the two women had on all the people and the gravity of the success behind the song and what the impact of the song could be on the people affected by the famine all over Africa. Lionel Richie’s short segment of the individual interviews is a plea for help, for people to help their fellow people, until their fellow people stop dying of hunger. He closes the documentary before the music video starts with,

“Anything you can do, if you have any feeling in your heart at all about human life and the celebration of life… give of yourselves…give what you can.”

We Are The World DVD cover

Besides being a source for all things musical (videos included) this can also be helpful for other topics, for example, global consumer culture, as music can connect people from across the globe, and from a statistical and monetary standpoint, the sales coming from the song can show how relevant the song was in different countries all around the world and how people bought the track once it came out, and how those sales can be tracked from when the song was released up until this very day. This might be labeled as a music documentary and might be housed in a music library, but the uses of the video spread far out from just the topics of music.

“We Are the World: The Story Behind the Song” is a music documentary. But it’s so much more than that. It’s a behind the scenes look at what happens when people come together to try to make a difference in the world. And no, this is not a pitiful attempt to get people to feel bad about what they may be doing to make a difference. This is showing people the proof of what happens when people of all different backgrounds, with talents of all kinds come together and create something they can only hope can make a difference to the people who need it.

Find the music video at https://www.youtube.com/watch?v=M9BNoNFKCBI

New CDs added – October 2018

New CDs for October 2018

Chamber Music & Concertos

American Wild Ensemble – Music In The American Wild
Lisa Bielawa – In Medias Res
Lisa Bielawa – The Lay of the Love

Lisa Bielawa - The Lay of the Love

Glenn Kotche – Adventureland
David Lang – Peirced
David Lang – Writing On Water

David Lang - Pierced

Brad Mehldau – After Bach
Salvadore Spina – Robert Lombardo + M. William Karlins – Piano Works, 1961-1993

Jazz

Brad Mehldau Trio – Seymour Reads The Constitution!
Charles Lloyd & the Marvels + Lucinda Williams – Vanished Gardens

Brad Mehldau Trio - Seymour Reads the Constitution!

Opera, Art Songs, Vocal Music

Kati Agocs – The Debrecen Passion
Lisa Bielawa – Chance Encounter

Kati Agocs - The Debrecen Passion

Gavin Bryars – The Fifth Century
Hildegurls – Electric Ordo Virtutum
David Lang – The National Anthems

Hildegurls - Electric Ordo Virtutum

Musicals

Joe Iconis – Be More Chill
Kevin Murphy – Heathers The Musical

Heathers the Musical

Benj Pasek – Dear Evan Hansen
Richard Rodgers & Oscar Hammerstein – Rodgers & Hammerstein’s Carousel

Dear Evan Hansen

Popular Music

Ben Folds Five – Whatever and Ever Amen
Ben Folds Five – The Unauthorized Biography of Reinhold Messner

Ben Folds Five - Reinhold Messner

Hills and Home – High Fidelity
Schlong – Punk Side Story

Hills and Home - High Fidelity

Shovels & Rope – Busted Jukebox Volume 1
Shovels & Rope – Busted Jukebox Volume 2
Shovels & Rope – Little Seeds

Shovels & Rope - Little Seeds

Arachnophonia: Vampire Weekend “Modern Vampires of the City”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about items in the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library student worker, Griffin (class of 2019) and features Vampire Weekend’s 2013 album Modern Vampires of the City. Thanks, Griffin!

Vampire Weekend

Modern Vampires of the City

Vampire Weekend - Modern Vampires of the City

Vampire Weekend’s most recent, ableit already five years old, album entitled Modern Vampires of the City takes a leap away from the band’s quirky, Africa-inspired rhythmic playfulness. The album feels more emotionally powerful than the band’s previous work, but it hasn’t completely abandoned the playfulness that may have been the key draw to past listeners. Songs like “Step” and “Don’t Lie” both fit into more mainstream-sounding emotional pop tunes, while the band rekindles old sounds with new twists in “Diane Young”, “Worship You”, and “Unbelievers.”

Vampire Weekend band photo

2013 promotional photo of the band members
L-R Ezra Koenig, Rostam Batmanglij, Chris Baio, and Chris Tomson

Deeper cuts into the album get into some of the songs which bring out the band’s famous unique sounds even more. Each song on this 12-track album is worth a listen, as each one provides a brand new experience for the listener. I come back to it time and time again because each time I listen to it, I end up interpreting stanzas or choruses or the entire song in a different way. Whether you want rhythmic, wild, and carefree or if you are looking for something to listen to as a break from studying, this may be your ticket.

Arachnophonia: U2 “All That You Can’t Leave Behind”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about items in the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library student worker, Cole (class of 2021) and features U2’s album All That You Can’t Leave Behind. Thanks, Cole!

U2

All That You Can’t Leave Behind

U2 - All That You Can't Leave Behind

U2’s 10th studio album All That You Can’t Leave Behind was released on October 30th, 2000. It is their fourth-highest selling album, with over 12 million copies sold.

“Let’s be frank.” I feel like any discussion regarding U2 in 2018 has to, for whatever reason, be prefaced by those three words. The fabled Irish rock band present a somewhat curious case in the canon of The Great Rock And Roll acts; few bands achieved such a breadth of critical and commercial success without famously disbanding (see: The Beatles, The Smiths, and, to a lesser extent, Pink Floyd.) or cycling through members to the point of near-unrecognition (The Rolling Stones). No, U2 are still here, still plucking away through a slew of pedal effects. From Boy (1980) to Songs of Experience (2017), co-founders Bono, The Edge, Adam Clayton, and Larry Mullen Jr. have experienced everything that a modern musical career could promise. Eight number one albums in the United States. 22 Grammy awards (more than any other group). A PR misstep that has forever associated their name with “how do I get this off of my iPhone?” Induction into the Rock and Roll Hall of Fame. Multiple collaborations with Kendrick Lamar that can at best be described as “uncomfortable.” The Dublin boys have done it all.

So, let’s be frank: the U2 of today is not the U2 of How to Dismantle an Atomic Bomb, just as that U2 isn’t the U2 of Achtung Baby, just as that U2… etc., etc., ad nauseam. Nor should they be. A discography spanning such a great length ought to be varied, especially if the band in question is as experimental and flippant with their sound as U2. For this reason, I chose to write about their tenth studio album.

U2 Beautiful Day

All That You Can’t Leave Behind constitutes the best of U2’s ever-changing sound. After a mixed reception to their industrial and electronic dance-inspired efforts of the ‘90s (Zooropa and Pop), the group set out to record a ‘return to form.’ Melding the electronic drums of the group’s Pop-era sound with the Edge’s signature effect-driven guitar playing, more reminiscent of The Joshua Tree than ever, the lead single “Beautiful Day” proved an instant success, charting at #1 in the U.K, the Netherlands, and Australia, and #21 in the U.S. In keeping with their tradition of social conscience, the fourth and final single, “Walk On” was inspired by and dedicated to Burmese democratic activist Aung San Suu Kyi, who was at the time placed under house arrest. “Walk On” is widely regarded as U2’s greatest ode to hope, due to both the instrumentation, centered on one of the Edge’s most gratifying riffs, and the heartening lyrics:

Walk on, walk on
What you got they can’t steal it
No they can’t even feel it
Walk on, walk on…
Stay safe tonight

“Walk On” was attributed even greater significance after the September 11th attacks, as it was performed on the September 21st television benefit concert America: A Tribute to Heroes. Subsequently, the single was interpreted as a message of hope to a nation grappling with the world changing before them. The song won the Grammy for Record of the Year in 2002, contributing to the total seven Grammys awarded to the album. Interestingly, “Beautiful Day” had previously won Record of the Year in 2001, making All That You Can’t Leave Behind the only album to receive two Record of the Year awards consecutively.

U2 - All That You Can't Leave Behind

All That You Can’t Leave Behind is the album that forced U2 into the very core of my musical tastes. I fully accept that The Joshua Tree is the band’s best output (and indeed, one of the greatest rock records ever), but there’s an elusive quality to this one that demands it be at the forefront in my mind. Maybe it’s just because it happened to be one of the three U2 albums forever interred in the CD player of my dad’s Oldsmobile. I’d be lying if I said I didn’t enjoy the 50 minute nostalgia injection it provides. Or maybe it’s because not a great many albums are so blatantly and unabashedly a product of the moment they were created in. From the millennium-era instrumentation and lyrical inspiration, to the life the songs took post-release, All That You Can’t Leave Behind is the musical embodiment of how Bono & co. saw the world in 2000. Even for the majority of people who didn’t grow up hearing snippets of this album every time that got in their family’s car, I think we can all appreciate the power of an album that can transport us, if only for a short while, to its moment.

New CDs added – Summer 2018

New CDs for Summer 2018

Concertos & Chamber Music

Lou Harrison – Works for Percussion, Violin, and Piano
Steve Reich + SO Percussion – Drumming Live
Various Artists – Kaleidoscopic

Lou Harrison - Works

Piano Music

William Appling – Scott Joplin: The complete rags, waltzes and marches
Beth Levin – Inward Voice

William Appling - Scott Joplin

Jazz

Hector Barez – El Laberinto del Coco
Masayoshi Fujita – Book of Life

Masayoshi Fujita - Book of Life

Danny Green Trio plus Strings – One Day It Will
Maria Schneider Orchestra – The Thompson Fields

Maria Schneider - The Thompson Fields

Woody Shaw – Tokyo ’81

Woody Shaw - Tokyo '81

Cantatas & Choral Music

Eighth Blackbird – Olagon : A Cantata in doublespeak
Tigran Mansurian – Requiem

Eighth Blackbird - Olagon

Musicals

Sara Bareilles – Waitress: Original Broadway Cast Recording

Waitress - Original Broadway Cast

Stephen Flaherty – Once On This Island: The Musical: New Broadway Cast Recording

Once On This Island - New Broadway Cast

Electronic Music

Jaan Raats – Marginalia
Various Artists – Electronic Chamber Music

Jaan Raats - Marginalia

Popular Music

Art of Time Ensemble with Steven Page – A Singer Must Die

Art of Time Ensemble - A Singer Must Die

Kendrick Lamar – Damn

Kendrick Lamar - Damn

Arachnophonia : The Smiths “The Queen Is Dead”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about items in the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library student worker, Aly (class of 2018) and features a classic 1986 album by the British group The Smiths. Thanks, Aly!

The Smiths

The Queen Is Dead

Smiths - The Queen Is Dead

One of The Smiths’ most well-known albums, The Queen is Dead, is the quintessential album for anyone looking to get into this quirky indie rock band. The album, released in 1986 and re-released as a collector’s edition in 2017, has been unanimously praised, and even considered the “greatest album of all time” by major British music publication NME. The lyrics, sung by the famous now-solo Morrissey, are filled with clever imagery and sharp social commentary. Track 9, “There Is A Light That Never Goes Out,” was featured in the classic rom-com 500 Days of Summer and remains one of the most famous Smiths songs. This album is full of songs that take a few listens to really absorb all of the witty lyric details that often hint at social unrest, emotional struggles, and even anarchy. For someone looking to indulge in some of the best vintage fight-the-power music with hints of satire, this album is definitely worth the listen.

Smiths - Queen Is Dead poster

Arachnophonia : Maroon 5 “Live: Friday The 13th”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about items in the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library student worker, Mary (class of 2018) and features a 2005 CD/DVD release by the band Maroon 5. Thanks, Mary!

Maroon 5
“Live: Friday the 13th”

Maroon 5 Live Friday the 13th

This is a live DVD and CD release by Maroon 5, and it was recorded on May 13, 2005 in Santa Barbara, California at the Santa Barbara Bowl. The live concert is a performance of all their songs and the CD contains the same tracks. I chose this one because Maroon 5 is one of my favorite artists and this CD contains one of my favorite tracks called “Sunday Morning.” “Sunday Morning” is often described as blue-eyed soul or jazz-fusion. This is one of my go-to songs when I’m driving in a nice weather. When the weather gets warm and the sky looks nice outside, I just want to drive and listen to this song. This is the kind of a song that you want to listen to when you had a lazy day, slept in on a weekend and are going to a nice brunch place on a warm nice day in April or May. The lyrics are very sweet as well as it describes someone who is all the songwriter sees when life gets hard to do. I highly recommend this song to those of you who haven’t heard it yet as the weather is warming up now!

Maroon 5

New CDs added in March!

New CDs for March 2018

Concertos, Chamber and Orchestral Music

Francois Devienne – Flute Concertos Nos. 9-12
Jennifer Higdon – All Things Majestic / Viola Concerto / Oboe Concerto
Jennifer Higdon – Piano Trio / Voices / Impressions

Higdon - All Things Majestic

Sheku Kanneh-Mason – Inspiration

Sheku Kanneh-Mason - Inspiration

Jeffrey LaDeur – Debussy & Rameau: The Unbroken Line
Alon Sariel – Telemandolin

Alon Sariel - Telemandolin

Arnold Schoenberg – String Quartets 2 & 4 / Gringolts Quartet
Kai Schumacher – Beauty in Simplicity

Kai Schumacher - Beauty in Simplicity

Jazz

Behn Gillece – Walk of Fire
Aaron Goldberg – The Now

Justin Kauflin – Dedication
Jimmy McGriff – The Best of the Sue Years, 1962-1965

Jimmy McGriff

Thelonious Monk – Solo Monk
Mostly Other People Do The Killing – Red Hot
Oneness of Juju – Space Jungle Luv

Oneness of JuJu - Space Jungle Luv

Gregory Porter – Nat “King” Cole & Me
Rez Abbasi Acoustic Quartet – Intents and Purposes

Rez Abbasi Acoustic Quartet

Opera, Opera Excerpts and Art Songs

Daron Hagen – After Words : 21st-Century Song Cycles

Daron Hagen 21st Century Song Cycles

Choral Music

Benjamin Britten – A Ceremony of Carols / Friday Afternoons / Three Two-Part Songs
Luminos – In Lucem
John Turner – Christmas Card Carols

Luminos - In Lucem

Folk and World Music

The James Connolly Songs of Freedom Band – Songs of Freedom
Various Artists – Andina, the Sound of the Peruvian Andes : Huyano, Carnaval & Cumbia, 1968 to 1978

Andina

Popular Music

Various Artists – Caribbean in America, 1915-1962
Steven Wright-Mark – My Plastic World …

Caribbean in America

Arachnophonia: Adele “21”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about items in the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library student worker, Diego (class of 2021) and features English singer-songwriter Adele’s 2011 studio album 21. Thanks, Diego!

Adele

21

Valentine’s Day was this month, and with that there are usually two types of people, those who have reason to celebrate the holiday, and those who celebrate the day afterwards, when all the candy is marked 50 percent off at the store. That being said, I think we can all agree on the fact that there is music that can be listened to in order to enjoy the holiday to its finest. It is hard to call out a certain artist for making love songs, as there are a lot, a lot, A LOT of love songs that have been made throughout history, just like there are a lot for us lonely people as well. However, without any regret, we can take a look at Adele for the sake of love/breakup songs. Specifically, we can look at 21, one of her most famous albums to date.

Released in 2011, 21 was a way for Adele to tell her story about an unsuccessful relationship that she experienced. Having released 19 just two years prior, Adele had already begun to build a very devoted fan base that rushed to pre-order and buy her album. Little did anyone know that this would be one of the best sold albums in history. The album itself was widely praised both by professional critics and the general population. It peaked at number 1 on the US Billboard Hot 100, and had singles that remained on the US album charts for 24 weeks. 21 ended up becoming the bestselling album of both 2011 and 2012.

Adele 21

Moving on to the songs on the album, as you listen to some of the songs, you notice that she seems to go through all of the themes everyone attributes to after a breakup, from anger to loneliness, regrets, and finally the acceptance of what has happened. For example, the song “Rumor Has It” is in response to all the rumors that surrounded the breakup of Adele and her partner at the time. “Rolling in the Deep” was written to insult Adele’s ex-lover for making negative remarks about her after the break-up. As a whole, her entire album tells different aspects of Adele’s relationship, and its subsequent failure. While it does give off a solemn vibe, the album as a whole makes it sound like the opening of a new door in Adele’s life, and after taking the hard road of coping with the breakup, and the fallout from it, she is ready to move on to someone new. The song “Someone Like You” is one of the last songs in the album, a song which Adele describes as one that made her feel free and liberated.

I had to write it to feel OK with myself and OK with the two years I spent with him. And when I did it, I felt so freed.

And that’s what this album is about! It is about being able to make it past a breakup and coming out stronger because of it, it is about learning to forgive those who have hurt you, and it is about cherishing what you have before it’s gone. Adele’s 21 isn’t just for those who have gone through a bitter breakup, or those who miss what they once had, but instead it’s a reminder that there is a such thing as happiness out there, and maybe you already have it, or maybe it’s out there looking for you.

Adele - Rolling in the Deep music video still

Arachnophonia: Simon & Garfunkel “Bridge Over Troubled Water”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about items in the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library student worker Colin (class of 2021) and features Bridge Over Troubled Water a classic Simon & Garfunkel album first released in January 1970. Thanks, Colin!

Simon & Garfunkel

Bridge Over Troubled Water

Bridge Over Troubled Water

Bridge Over Troubled Water is Simon & Garfunkel’s fifth and final studio album and widely regarded as their best work. Bridge Over Troubled Water hit number 1 on the Billboard 200 in March 1970 and remained there for 10 weeks, sold over 8 million records in the United States, and also earned a Grammy award for Album of the Year in 1971.

Bridge Over Troubled Water is described as the duo’s “‘most effortless album and their most ambitious.’” The album is an eclectic mix of multiple genres, such as rock, jazz, R&B, and gospel, which formed a unique “individual” sound that was met with both acclaim and criticism. Riding the enormous success of their previous album, Bookends, Simon & Garfunkel established themselves as one of the greatest rock duos in the world at the time, before splitting up shortly after the album’s release.

Baby Driver / The Boxer 45

The album has two notable songs that I particularly like and recommend. “The Boxer” is a folk rock selection, and is a narrative, first-person lament that outlines the character of a boxer. The song describes the singer’s struggle to overcome poverty and loneliness, before crafting the boxer character as a metaphor for his life, exhibited in the lyrics “I am leaving, I am leaving, but the fighter still remains.” “The Boxer” was popularized in the instrumental world due to Drum Corps International’s premier corps, the Bluecoats, and their 2008 production entitled “The Knockout,” in which the corps plays and sings excerpts of “The Boxer.” The Bluecoats’s interpretation of the song is widely recognized as one of the most popular segments of any DCI show in history, and is frequently performed by the corps while they tour over the summer.

The second song I recommend is entitled “Baby Driver.” This song played no part in the naming of 2017’s hit movie Baby Driver, but it was featured in the film. The song features an upbeat, rock vibe that sounds quite similar to The Beach Boys, and “Baby Driver” is sure to stick in your head hours after listening to it.