Parsons Playlists: Emotional Classical Music

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Amy (class of 2025) which explores how classical music can convey many emotions.

Emotional Classical Music

When people hear I enjoy listening to classical music, they often assume it’s the soft repetitive music most associate with studying. However, classical music is much more than just something to put on in the background. It is compelling storytelling, music I am not able to listen to while working because I am too enthralled by the story unfolding in my ears to pay attention to anything else. This is why I created this playlist: to show new classical music listeners that classical music is not a one-size-fits-all genre, it can convey anything you want it to.

Richard Wagner – Die Walkure, Act II: Ride of the Valkyries

Dimitri Shostakovich – String Quartet No. 8 in C Minor, Op. 110: IV. Largo

Dimitri Shostakovich – Symphony No. 10 in E Minor, Op. 93: II. Allegro

Gustav Holst – The Planets, Op. 32: 1. Mars, the Bringer of War

Carl Orff – Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna

Johann Sebastian Bach – Toccata and Fugue in D Minor, BWV 565: 1. Toccata

Johann Sebastian Bach – Orchestral Suite No. 2 in No. 2 in B Minor, BWV 1067: VII. Badinerie

Giuseppe Verdi – Requiem, Dies Irae

Sergei Prokofiev – Romeo and Juliet Op. 64, Act 1, Scene 2: Dance of the Knights

Antonin Dvorak – Symphony No. 9 in E Minor, Op. 95 “From the New World”: IV. Allegro con fuoco

Pyotr IIyich Tchaikovsky – Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: 1. Allegro non troppo e molto maestoso

Wolfgang Amadeus Mozart – Requiem in D Minor, K. 636 Sequence: VI. Lacrimosa Dies Illa

Pyotr IIyich Tchaikovsky – Swan Lake, Op. 20, Act 2: No. 10, Scene. Moderato

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLSwAwMtTLDwg9SWLgHg8b8oTYudIv8wSu&si=_wDnpCg7fHAYvRkS

And here it is on Spotify:

Arachnophonia: Amy Winehouse “Back To Black”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Amy (class of 2025) and features Amy Winehouse’s 2007 album Back To Black. Thanks, Amy!

Amy Winehouse

Back To Black

Amy Winehouse - Back to Black

Amy Winehouse’s album Back to Black has been my top album since I was 16. Not only is the unique quality of her voice astounding but her lyrics perfectly encapsulate the realities of an abusive relationship.

Back to Black was Winehouse’s sophomore album and the title track, “Rehab,” suggested the album would be nothing like its predecessor Frank (released in 2003). Frank sounded as if Winehouse had taken the lyrics of an artist like Michael Bublé and added a bit of hip-hop to it, the most notable piece was her voice.

These raspy painful notes that begin “Rehab,” a Top 10 hit in the UK and US, point to the three years between Frank and Back to Black being far from easy. After Frank debuted, Winehouse began a very topsy-turvy relationship with Blake Fielder-Civil, a music video assistant. Fielder-Civil has come forward and admitted to being Winehouse’s introduction to hard drugs. The two would get into physical and verbal altercations in public, the catalysis of this being Fielder-Civil leaving Winehouse at one point for his ex-girlfriend.

Fielder-Civil leaving was the inspriation for the song “Back to Black.” It described the dark moments of depression she felt after he left. It also described how she went back to abusing alcohol after he left because she didn’t have anything else to cope with.

Another of her famous singles “Love is a Losing Game,” a long metaphor for love being an unfair game, the song, while quite simple with lyrics like “Know you’re a gambling man/ Love is a losing hand,” is considered to be one of Winehouse’s most powerful songs because of its deep meaning.

My personal favorite song, “Tears Dry on Their Own” is an anthem for those who need the hard truth: it is time to get over it. In an interview with BBC, Winehouse described her inspiration for the song: “I was with someone that I couldn’t really be with and I knew it wouldn’t last. But I think because I knew it couldn’t last, it’s kinda like saying, “I’m upset, but I know I’ll get over it, I guess.”

After a stint in rehab and an arrest for marijuana possession, Winehouse won five Grammy Awards in 2008, an award ceremony she was not able to attend as the US denied her visa on grounds of use and abuse of narcotics. That same year, Back to Black was said to be the second-highest selling album in the world. Winehouse died of accidental alcohol poisoning on July 23, 2011.

Parsons Playlists: Spring-Themed Classical Music That Isn’t Vivaldi

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Amy (class of 2025) and features spring-themed classical music.

Spring-Themed Classical Music That Isn’t Vivaldi

When many think of spring, Vivaldi’s Spring movement of his Four Seasons violin concerto is often what comes to mind. However, there is a plethora of spring-themed compositions from other artists across music eras, including Aaron Copland’s “Appalachian Spring” and Igor Stravinsky’s “The Rite of Spring.”

Spring anime background art

Ludwig van Beethoven – Violin Sonata No. 1 Spring Movement (Itzhak Perlman, Vladimir Ashkenazy)

Igor Stravinsky – The Rite of Spring, Pt. 1: Adoration of the Earth (Teodor Currentzis, musicAeterna)

Edvard Grieg – Lyric Pieces, Op. 43, No. 6 “To Spring” (Lang Lang)

Christian Sinding – Frühlingsrauschen (Rustle of Spring) for Piano, Op. 32, No. 3 (Dubravka Tomšič)

Claude Debussy – Prelude to the Afternoon of a Faun (Orchestra National de Lyon)

Camille Saint-Saëns – The Swan, Carnival of the Animals (Yo Yo Ma, Kathryn Slott)

Florence Beatrice Price – Juba Dance from Symphony No. 1 (Akiko Fujimoto, Minnesota Orchestra)

Alexander Borodin: Quartet No. 2 in D major for Strings, I. Allegro moderato (Chamber Music Society of Lincoln Center)

Bedřich Smetana – The Moldau (Polish National Radio Symphony)

Aaron Copland: Appalachian Spring – 1945 Suite – 1. Very slowly (LA Philharmonic)

Aaron Copland: Appalachian Spring – 1943 Suite – 7. Doppio movimento (New York Philharmonic)

Aaron Copland: Appalachian Spring – 1945 Suite – 2. Allegro (LA Philharmonic)

Aaron Copland: Appalachian Spring – 1945 Suite – 8. Moderato: Coda (LA Philharmonic)

Here is a link to the whole playlist on YouTube: https://www.youtube.com/watch?v=qizSgHRRbEo&list=PLSwAwMtTLDwitnvD5pQ8hTur4eSlqiamO

Arachnophonia: Slumdog Millionaire

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Amy (class of 2025) and features the soundtrack to the 2008 film Slumdog Millionaire. Thanks, Amy!

Slumdog Millionaire

Slumdog Millionaire soundtrack album cover

“What can a Slumdog possibly know?”

When I think of a powerful and incredibly well-made movie, Slumdog Millionaire is one that comes to mind. The 2008 drama stars Dev Patel as Jamal Malik, a teen on the Indian version of “Who Wants to Be a Millionaire.”

Slumdog Millionaire flashes between Jamal’s life as a teen and his childhood, showing the realities of living on the streets of Mumbai as a young child. The story is compelling, and the acting is phenomenal, but the thing that makes this film is the soundtrack. With artists like M.I.A. involved, it is easy to understand how this film won the Golden Globe for best soundtrack in 2009. A. R. Rahman, the score’s creator, wanted to create a mix of both modern and old India in the soundtrack.

A. R. Rahman’s original song “Jai Ho” for the movie won an Academy Award for Best Original Song and a Grammy for Best Song Written for a Motion Picture. The song was an international success with remixes and covers of the song coming from across the globe. The song was also the Indian National Congress’s official campaign song in 2009.

While this movie discusses and portrays hardship and is not indicative of every success story, I think it gives hope to those who feel stuck and like they won’t succeed. You can check out the soundtrack for Slumdog Millionaire at the Music Library!

Parsons Playlists: Pantone “Viva Magenta”

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Amy (class of 2025) and features songs inspired by Pantone’s 2023 color of the year.

Viva Magenta

It’s a new year which means that Pantone, a revolutionary color-matching system, has released their color of the year. 2023’s color is Viva Magenta, which is described as a symbol of new strength, bravery, and joy. Pantone Color Institute’s executive director describes Viva Magenta as a color to reconnect us to our spirit and nature. You can find the Viva Magenta phones from Motorola, Spoonflower and Pantone created six different Viva Magenta-themed fabrics. Cariuma, a skate shoe brand, created six different shoe styles that are all Viva Magenta. Here are 12 songs that remind me of Viva Magenta:

Viva Magenta - Pantone Color of the Year 2023

SZA – “Kill Bill”

Taylor Swift – “Vigilante Shit”

Dominic Fike – “She Wants My Money”

Declan McKenna – “Beautiful Faces”

Declan McKenna – “British Bombs”

Cage the Elephant & Beck – “Night Running”

Pearl Jam – “Dance of the Clairvoyants”

Frank Ocean – “Swim Good”

Cold War Kids – “Hang Me Up To Dry”

Hippo Campus – “boys”

Maggie Rogers – “Want Want”

SZA – “Shirt”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLSwAwMtTLDwjXclKN2XlaDxiB0kNq1Hl3

Arachnophonia: “In the Hall of the Mountain King”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Amy (class of 2025) and features “In the Hall of the Mountain King”. Thanks, Amy!

“In the Hall of the Mountain King”

In the Hall of the Mountain King - Peer Gynt

Ibsen Peer Gynt Before The King Of The Trolls Illustration By Arthur Rackham (1867-1939)

With Halloween nearing, now is the perfect time to listen to a classic “scary” piece of classical music: “In the Hall of the Mountain King” – incidental music by composer Edvard Grieg from Henrik Ibsen’s play Peer Gynt.

Peer Gynt tells the story of a man, Peer, who is in love with a girl he is not allowed to marry. After leaving home, he ends up in the hall of the Mountain King after being captured by trolls. The King of the Trolls upsets him when he refuses to marry the King’s daughter and become a troll. In the end, Peer barely makes it out by running away from the trolls. The piece “In the Hall of the Mountain King” plays when Peer insults the king, and the trolls start to chase him as he runs away.

The drama was written by Henrik Ibsen, who originally did not want the show to ever be performed. However, 7 years later, Ibsen changed his mind and asked Edvard Grieg to write the music for the production. The show premiered on February 24, 1876, in Mollergaden Theatre, Christiania, which is now Oslo, Norway. Grieg re-orchestrated the music before productions in Copenhagen, Denmark. During a revival of the show in 1902, he added new pieces to the show. The score was finally published a year after Grieg died, in 1908.

The piece starts out slow with quiet notes to simulate the quiet footsteps of Peer as he tries and sneaks away from the Troll King. The music grows louder as the trolls slowly get closer to Peer. The music swells as Peter starts running and fighting off the trolls, trying to get away.

You can listen to Grieg’s “In the Hall of the Mountain King” in the CD section of the Parson’s Music Library and find the Orchestra Suites from the Music to Peer Gynt arranged for the piano in the scores section.

In the Hall of the Mountain King music notation

Parsons Playlists: “Very Peri”

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Amy (class of 2025) and features a playlist inspired by Pantone’s 2022 color of the year.

Very Peri Playlist

Songs that I associate with Pantone’s color of the year for 2022, Very Peri!

Very Peri - Pantone Color of the Year 2022

Lana Del Ray – “California”

Gracie Abrams – “Long Sleeves”

Taylor Swift – “Wonderland”

Tame Impala – “Eventually”

Conan Gray – “Astronomy”

Taylor Swift – “august”

Lana Del Ray – “Watercolor Eyes”

Phoebe Bridgers – “Friday I’m In Love”

Phoebe Bridgers – “Garden Song”

Mitski – “First Love/Late Spring”

The Neighbourhood – “The Beach”

Salvia Palth – “I Was All Over Her”

The Smiths – “Heaven Knows I’m Miserable Now”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLSwAwMtTLDwhUUa5MDIWAzH5pyakXPRsm

Parsons Playlists: Studying in the Parsons Music Library

Welcome back to Parsons Playlists! Today’s playlist features a selection of music for a Music Library study session curated by Music Library student assistant Amy (class of 2025).

Studying in the Parsons Music Library

Study music

Frederic Chopin – Waltz No. 19 in A Minor, Op. Posth.

Camille Saint-Saens – The Carnival of the Animals The Swan

Rachmaninov – Piano Concerto No. 2 in C Minor Op. 18 – II Adagio sostenuto

Bach – Cello Suite No. 4 in E-flat Major, BWV 1010: 1 Prelude

Tchaikovsky – The Nutcracker Op. 71, Act 2: No. 13, “Waltz of the Flowers”

Dvorak – Serenade for Strings in E Major, Op. 22, B.52 – II Tempo di valse

Dvorak – Serenade for Strings in E Major, Op. 22 – I Moderato

Ravel – Ma Mere L’Oye, M. 60 – I Pavan de la Belle au bois dormant

Piero Piccioni – Amore Mio Aiutami (Main Theme)

Dvorak – “Song to the Moon” Rusalka, Op. 114, Act 1

Respighi – Pini di Roma, P. 141: III I pini del Gianicolo

Borodin – Nocturne

Beethoven – Lenore, Op. 72, Act I “Mir ist so wunderbar”

Debussy – La Mer, L. 109, II Jeux de vagues

Lavinia Meijer – Dances for Harp and Orchestra, L. 103, II Danse profane

Shostakovich – Piano Concerto No. 2 in F Major, Op. 102

Faure – Pavane, Op. 50

Gershwin – The Man I Love

Debussy – Deux Arabesques, CD 74: I. Andantino con moto

Liszt – Liebestraum

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLSwAwMtTLDwjK99x65ClwlqXWXG6vyGRP

And here it is on Spotify: