Arachnophonia: Taylor Swift “folklore”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Marissa (class of 2025) and features Taylor Swift’s 2020 album folklore. Thanks, Marissa!

Taylor Swift

folklore

Taylor Swift - folklore (album cover)

During the height of the COVID-19 pandemic in July 2020, American singer-song writer Taylor Swift released her 8th studio album titled folklore. This album was vastly different from anything she had produced previously, drawing in a new crowd of indie folk fans.

While Swift’s usual songs are written about events that took place in her personal life, folklore takes a different route: each song tells a fictional story with the same cast of characters throughout the album. The tracks “cardigan”, “betty”, and “august” all center around a love triangle between the characters Betty, James, and Augustine. Most of these songs include only Taylor Swift‘s vocals, however the track “exile” features the band Bon Iver as well.

If you are interested in anything Taylor Swift, learning more about this love triangle, or are already a fan of indie folk music, I’d recommend checking out this CD today from Parsons Music Library. You can find the item here: folklore.

Parsons Playlists: Indie Covers

Welcome back to Parsons Playlists! Today we’re featuring a collection of Indie Covers by Music Library student manager Cole (Class of 2021).

Cole says:

“I’m a huge fan of musical covers; seeing how great artists interpret one another’s work is purest joys of being a music fan. There are, of course, certain covers that everyone knows (Jeff Buckley’s cover of John Cale’s cover of Leonard Cohen’s original “Hallejulah” comes to mind). But I have a particular affinity for covers done by indie artists. I love seeing how smaller acts put their own unique spin on familiar songs, dancing on the line between fidelity and novelty. Collected below are some of my favorite covers by indie and alternative artists.”

Michael Cera Palin – “If It Makes You Happy” (originally by Sheryl Crow)

Michael Cera Palin - I Don't Know How To Explain It

Run River North – “Mr. Brightside” (originally by The Killers)

Iron & Wine – “Time After Time” (originally by Cyndi Lauper)

Japanese Breakfast – “Dreams” (originally by The Cranberries)

Lucy Dacus – “La Vie En Rose” (originally by Edith Piaf)

Lucy Dacus - La Vie En Rose

Richmond native Lucy Dacus graduated from Maggie L. Walker Governor’s School and attended Virginia Commonwealth University. She is also one third of the indie supergroup boygenius, alongside Julien Baker and Pheobe Bridgers.

The Japanese House – “Landslide” (originally by Fleetwood Mac)

Day Wave & Hazel English – “PDA” (originally by Interpol)

Day Wave and Hazel English - PDA

Phoebe Bridgers – “Friday I’m In Love” (originally by The Cure)

Soccer Mommy – “Drive” (originally by The Cars)

Bon Iver – “Coming Down” (originally by Anaïs Mitchell)

Snail Mail – “The 2nd Most Beautiful Girl In The World” (originally by Courtney Love — the little-known band, not the famous Hole singer)

Snail Mail - The 2nd Most Beautiful Girl In The World

The Cranberries – “Go Your Own Way” (originally by Fleetwood Mac)

Best Coast – “Rhiannon” (originally by Fleetwood Mac)

Dashboard Confessional – “It’s the End of the World as We Know It (And I Feel Fine)” (originally by R.E.M.)

Chris Carrabba - Covered in the Flood

Bonus: Punch Brothers – “Reptilia” (originally by The Strokes)
This is one of my favorite covers, though it was never formally released and cannot be included in the Spotify playlist below.

Spotify playlist:

YouTube playlist:
https://www.youtube.com/playlist?list=PLU94rco57ZewHDv2qO-LL0MWM1SZ45mr0

Arachnophonia : Bon Iver “Bon Iver”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about items in the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library student worker, Claire (class of 2020) and features indie folk band Bon Iver’s second album. Thanks, Claire!

Bon Iver

Bon Iver

Bon Iver - Bon Iver

Last semester, I had the chance to attend a Bon Iver concert, after being an avid fan of the band for more than six years. The concert exceeded my expectations. Since the concert, I have frequently listened to Bon Iver’s second studio album, cleverly titled Bon Iver. This album is a departure from the band’s first album, which was self-recorded in an isolated cabin in the woods of Wisconsin. Bon Iver won the Grammy for Best Alternative Music Album in 2012, and the song “Holocene” was nominated for both Song of the Year and Record of the Year, breaking into the alternative music scene in a bold and recognizable way. My favorite song on this album is, by far, “Holocene.” The name of the song is shared with geological epoch which translates to “The Age of Man.” The album also features titles of tracks with names of places, such as Hinnom, TX and Lisbon, OH, which seem to have little to do with the songs themselves. The experience of listening to this album from start to finish is difficult to describe in words, yet it brings about an intense emotional response, allowing listeners to question their own human condition in this “Holocene” we are currently living in.

Bon Iver - Holocene

Arachnophonia: Bon Iver

Editor’s Note: Our music review column “Spider Sounds” has had a name change and will now be known as “Arachnophonia”. The name has changed, but the idea remains the same — members of the UR community can share their thoughts about items from the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia comes courtesy of Music Library Student worker Colette (class of 2017), and features indie folk band Bon Iver’s second album. Thanks, Colette!

Bon Iver

Bon Iver, Bon Iver

Bon Iver, Bon Iver

This album has been one of my favorites since high school. Two years after “For Emma, Forever Ago” was released in 2008, Bon Iver’s sophomore release was this self-titled album.

“Holocene” is one of my favorite tracks on the album. The intro features intricately woven electric/acoustic guitars and vibes. While the beginning of the song is gentle and almost mesmerizing, by the time the chorus rolls around, the song picks up. The chorus lyrics are not your typical “pop” chorus:

And at once I knew I was not magnificent
Huddled far from the highway aisle
Jagged vacance, thick with ice
And I could see for miles, miles, miles

Justin Vernon

A wintry shot of Bon Iver’s frontman, Justin Vernon

“Towers” is also a favorite. This tune demonstrates the poetic nature of the group’s lyrics. The lyrics are a rhyming poem, which detail the process of falling in, then out of love. Some of my favorites include:

From the faun forever gone
in the towers of your honeycomb
I’d a tore your hair out just to climb back darling
when you’re filling out your only form
can you tell that itʼs just ceremon’
now you’ve added up to what you’re from

If you’re looking for a folk/indie album that’s not like the rest, check out Bon Iver’s “Bon Iver”.

Holocene cover

Cover for the 12″ single release of “Holocene”

Spider Sounds: Bon Iver

Editor’s Note: Spider Sounds” invites members of the University of Richmond community to share their thoughts about items in the Parsons Music Library’s collection. The links included will take you to the library catalog record for the item in question, or to additional relevant information.
Today’s installment of “Spider Sounds” comes courtesy of Music Library Student worker, Liza (class of 2017) and features indie folk band Bon Iver’s second album, “Bon Iver, Bon Iver”. Thanks for contributing to Spider Sounds, Liza!

Bon Iver

Bon Iver, Bon Iver

Bon Iver, Bon Iver

If you haven’t heard of Bon Iver before, you can already get a feeling of their music with a glimpse at this album’s cover artwork.
Bon Iver is an American indie folk band founded by the singer-songwriter Justin Vernon, who won the 2012 Grammy Award for Best New Artist and Best New Alternative Music Album for Bon Iver, Bon Iver.

A promotional photo of Bon Iver frontman Justin Veron taken around the time the album was released.

A promotional photo of Bon Iver frontman Justin Veron taken around the time the album was released.

Differentiating himself from the typical sounds of “folk,” Vernon combined chamber pop with an edge to create his own sounds from scratch. His soulful voice remains a unique characteristic that no other singer sounds like; he evokes an earthy virtuosic voice that you can easily get lost in when listening to his lyrics.

The album is composed of 10 songs, each representing a place. In particular, “Holocene,” is one of my favorite songs on the album because of its ability to trigger dozens of emotions within seconds. I would recommend listening to Bon Iver when you’re in a “chill” and relaxed mood or even when you’re studying, so come by the Parsons Music Library to check it out!

Spider Sounds