Arachnophonia: Music and Manipulation

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Amy (class of 2025) is a special edition for Banned Books Week and features a book about the ways music is used as a tool for social influence. Thanks, Amy!

Music and Manipulation : On the Social Uses and Social Control of Music
edited by Steven Brown and Ulrik Volgsten

Music and Manipulation

Music and Manipulation, edited by Steven Brown and Ulrik Volgsten, delves into the complex ways in which music is employed as a tool for social influence and control. Through a collection of essays from various scholars, the book explores how music affects human behavior, shapes identities, and is used in contexts of power and manipulation.

The essays in this anthology investigate how music is used both to foster unity and to exert control, depending on the circumstances. For instance, one section of the book delves into the use of music in political propaganda, where governments and regimes leverage music to promote nationalistic sentiments and manipulate public opinion. This can be seen in examples ranging from national anthems to political campaigns, where music serves as a subtle yet powerful force to unite people under a common ideology.

The book also explores music’s role in advertising and commercial contexts, where it is utilized to shape consumer behavior and create emotional connections with products. This type of “manipulation” often goes unnoticed but is incredibly effective in influencing purchasing decisions and brand loyalty.

Another theme covered in Music and Manipulation is the therapeutic use of music. In contrast to the more coercive applications discussed earlier, music therapy is framed as a positive use of music to influence emotions and improve mental health. This section highlights how music can be used to heal and empower individuals, demonstrating its dual capacity for both control and liberation.

Religious and ceremonial uses of music are also examined, revealing how music shapes spiritual experiences and creates a sense of communal identity. In religious contexts, music often serves as a tool for guiding emotions and fostering a sense of unity among believers. The authors also explore how different cultures use music in rituals and ceremonies to reinforce social bonds and cultural values.

The book Music and Manipulation: On the Social Uses and Social Control of Music is available to check out at the Parsons Music Library!

Banned Books Week 2024

Arachnophonia: Velvet Terrorism – Pussy Riot’s Russia

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Rocio (class of 2027) and features a book about the activism of the punk feminist collective Pussy Riot. Thanks, Rocio!

Velvet Terrorism – Pussy Riot’s Russia
edited by Maria Alyokhina, et al

Velvet Terrorism: Pussy Riot's Russia

Maria “Masha” Vladimirovna Alyokhina (Russian: Мария Владимировна Алёхина[a]) is a Russian political activist and member of the anti-Putinist punk rock collective Pussy Riot. Alyokhina was born on June 6, 1988 in Moscow, Russia. Her mother works as a programmer and her father is a mathematics professor.

The book Alyokhina co-edited – Velvet Terrorism – Pussy Riot’s Russia – showcases the largest representation of the Pussy Riot artistic collective’s work up to this date. Alyokhina describes Pussy Riot as a way of life and a form of civic responsibility. Their art is their unique way of engaging in activism and she makes it clear to the audience that her goal is to fight against the oppression of Putin’s tyranny.

Alyokhina was arrested several times (August 2012, February 2014, January 2021, and February of 2022) due to “hooliganism motivated by religious hatred,” along with other acts that where treated as crimes due to her activist ideals and opposition to Putin. Because of her continued arrests and oppression she decided to flee Russia, disguising herself as a delivery driver. In exile she tours around Europe to support victims of the 2022 Russian invasion of Ukraine.

The book Velvet Terrorism – Pussy Riot’s Russia chronicles an exhibit about the group curated by the Louisiana Museum of Modern Art in Denmark. It’s worth a look if you’re interested in learning more about the group and its activism.

Arachnophonia: Carmina Burana

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record(s) for the item(s) in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library Associate Melanie A. and features a recording of and score for Carl Orff’s secular cantata Carmina Burana.

Carmina Burana by Carl Orff

Carmina Burana score

Carmina Burana is a secular cantata composed in 1936 by German composer Carl Orff (1895-1982).

Orff set 24 medieval texts from a longer manuscript dating to approximately the 12th century CE for his work – which he intended to be both a musical and theatrical piece. Carmina Burana is often performed as a concert work, but it has also become part of the ballet repertoire (productions have been mounted by the Alvin Ailey Dance Theater and Richmond Ballet, among others.

Said manuscript (containing 254 poems) is also known as Carmina Burana. These poems were written by young students/clergy in training known as Goliards, who were known for satirizing the church and society through their poems.

Orff’s Carmina Burana covers a wide variety of topics including the fickleness of fortune and wealth, the ephemeral nature of life, appreciation of spring, the pleasures and perils of drinking, and courtly love. There is even a movement (“Olim lacus colueram“) that is told from the perspective of a swan roasting on a spit over an open fire! (It’s also a metaphor regarding life and perceptions of change, beauty, and freedom.)

Carmina Burana recording - Chicago Symphony Chorus & Orchestra  (1985)

I was lucky enough to get to perform Carmina Burana as an undergraduate as part of my university’s choir and became very interested in it, partly because the music is so vital and evocative and partly because I minored in Medieval & Renaissance studies(!), so it resonated on several levels.
As a college student, I also perceived a few parallels between the interests of medieval and contemporary university students. For example, the joys and woes of young love, enjoyment of being outside on a spring day, or the vicissitudes of good vs. bad fortune!

Highlights for me include:

* “O Fortuna” – Starts and ends the cantata and has appeared in all manner of pop culture media from movies to TV to commercials, so you may find you are a bit familiar with it already!

* “In Taberna Quando Sumus” – An ode to the pleasures and perils of drinking, which switches about midway through to an almost musical theater-y style where I picture people swinging frothy pint glasses around.

* “Amor Volat Undique” – A rather gentler piece about love, featuring some nice woodwind lines, a treble choir representing mischievous cupids flitting in and out and a gorgeous soprano solo.

But you don’t have to take my word for it, come to the music library and check out scores, recordings, and more of Carmina Burana and explore it for yourself!