Parsons Playlists: Renaissance Polyphony to Get Your Brain Going

Welcome back to Parsons Playlists! Today we’re featuring a collection of Renaissance Polyphony curated by Music Library student assistant Ryan (class of 2022).

So here is “Renaissance Polyphony to Get Your Brain Going”:

Singing Angels - Van Eyck

The Ghent Altarpiece: Singing Angels (detail) by Jan van Eyck (1432)

William Byrd – Mass for Four voices

William Byrd – Infelix Ego

William Byrd – Mass for Five Voices

Some Renaissance musical notation

Thomas Tallis – Spem in Alium

Giovanni Pierluigi da Palestrina – Missa Papae Marcelli

Gregorio Allegri – Miserere mei, Deus

And here is a link to a YouTube playlist of all of the works above!

The Concert - Honthorst


Musicians of the late Renaissance/early Baroque era (Gerard van Honthorst, The Concert, 1623)

Arachnophonia: Carlo Gesualdo “Complete Sacred Music For Five Voices”

Editor’s Note: Our music review column “Spider Sounds” has had a name change and will now be known as “Arachnophonia”. The name has changed, but the idea remains the same — members of the UR community can share their thoughts about items from the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia comes courtesy of Music Library Student worker Erin (class of 2017), and features some sacred choral music by Italian Renaissance composer Carlo Gesualdo. Thanks, Erin!

Gesualdo

Complete Sacred Music for Five Voices

Gesualdo - Complete Sacred Music for Five Voices

If you’re looking for some relaxing study music, you should definitely check out Gesualdo’s CD of Complete Sacred Music for Five Voices!
This collection of choral pieces was written by Carlo Gesualdo di Venosa around the year 1600, and is entirely a capella. This specific recording from 1993 is by the Oxford Camerata, a group created for the specific purpose of making music from the medieval and renaissance periods more accessible. This music was written before more recent Western ideas of musical keys and common practice period chordal structure came about, so the way Gesualdo weaves chords and cadences together is very unusual and beautiful to my ears.

Gesualdo - Tenebrae

If you enjoyed this CD, I’d also recommend another CD of Gesualdo’s music that the music library carries — the Hilliard Ensemble’s 1991 recording of Tenebrae. The polyphonic style (or multiple voices singing different lines at once) of this piece is more on the darker/serious side because of the topic material (the Passion of Christ). The Latin text is translated in the CD’s notes in English, so you can follow along with it as well if you’re wondering what they’re actually saying!
It’s a really long and really gorgeous piece that always helps me find a sense of peace and relaxation amongst the craziness of college life.

Enjoy!

Carlo Gesualdo

Portrait of Carlo Gesualdo, principe de Venosa (ca. 1560-1613) by an anonymous artist