Tag Archives: piano/vocal selections

Arachnophonia: Dear Evan Hansen

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Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Marissa (class of 2025) and features the vocal selections score for Dear Evan Hansen. Thanks, Marissa!

Dear Evan Hansen

Dear Evan Hansen

Premiering on Broadway in 2016, Dear Evan Hansen is a musical about Evan Hansen, a high school senior in therapy for social anxiety and depression. As an exercise, his therapist tells him to write a letter to himself about his feelings going into the first day of school. The musical also centers around Connor Murphy, another high school senior battling depression. On the first day of senior year, Evan and Connor bump into each other, and Connor ends up taking Evan’s letter. Later that same day, Connor sadly ends his own life, with Evan’s letter still in his pocket. Connor’s family later reads this letter thinking Evan must have been Connor’s best friend, and Evan goes along with it instead of telling the truth. Through classic songs like “Sincerely, Me” and “You Will Be Found“, Dear Evan Hansen tells the story of just how big a single lie can get, while also raising awareness for teen mental health and suicide.

Benj Pasek, Justin Paul, and Alex Lacamoire are responsible for bringing this world to life through their musical talents. Their music has been heard off and on-Broadway, on tours, and even in a musical movie. If you would like to learn how to sing these coming-of-age pieces through sheet music, you can check this item out now from the Parsons Music Library.

Arachnophonia: Waitress

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Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item(s) in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Nicole (class of 2024) and features the cast recording and vocal selections score for the musical Waitress. Thanks, Nicole!

Waitress

Waitress CD

Have you checked out Waitress yet? It’s a musical that serves up a slice of life with a side of humor and soulful tunes.

Based on the 2007 film, Waitress became an award-winning Broadway musical with lyrics and music by Sara Bareilles.

The story follows Jenna, a small-town waitress and exceptional pie-maker trapped in a tough situation of domestic abuse. She finds solace in baking and pouring her hopes and dreams into her pies.

The score, by pop singer Sara Bareilles, is a work of art. “Opening Up” and “What Baking Can Do” set the stage, while “She Used to Be Mine” steals the show with its powerful and heart-wrenching arrangement. Over the past few years, the musical has earned multiple accolades, including Tony and Grammy nominations. Another song favorite of mine is “Everything Changes,” which captures pivotal moments in Jenna’s life that eventually lead to her resurfacing power to get through adversity. As the story unfolds, it teaches the audience a lesson about resilience to get through life’s obstacles.

The ensemble members add depth and texture to the story, filling the stage with vibrant personalities. Whether they’re delivering pies, chatting over coffee, or sharing in Jenna’s triumphs and struggles, each member of the ensemble contributes to the vibrancy of the musical’s narrative.

Overall, Waitress serves as a story of resilience and human connection. The musical’s cast recording includes heartfelt performances, humor, and unforgettable melodies.

You can check out the Waitress score and cast recording at the Parsons Music Library!

Arachnophonia: Frozen II

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Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Eliana (class of 2024) and features insert title info here. Thanks, Eliana!

Frozen II

Frozen II piano/vocal selections book cover

Is Frozen II (2019) your favorite movie? It should be! While this film has my heart for many reasons, the score is truly what sets it apart from many films of similar caliber.

The piano/vocal selections score, available at Parson’s Music Library, contains all songs from the film. The songs are written by Kristen Anderson-Lopez and Robert Lopez. Fun fact, Kristen Anderson-Lopez grew up in my hometown!

The score includes hits such as “Into the Unknown” and “Show Yourself.” In December of 2019, the soundtrack album reached number one on the US Billboard charts, making it the first soundtrack of an animated film to hit the position since Frozen (2013).

The soundtrack of Frozen II has many of the same elements that the first film had, but with even more depth and nuance. The score’s composer, Christophe Beck, said in an interview that the score matured alongside Anna and Elsa, with new sophisticated musical concepts and themes.

To supplement your listening/playing, I highly recommend watching Into the Unknown: The Making of Frozen II available on Disney+. It’s a 6-part docuseries that dives deep into not only the film’s score, but the cast, animation, and development process. I should warn you, though, it’s a tearjerker!

Arachnophonia: The Lion King

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Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Isaac (class of 2025) and features piano/vocal selections from The Lion King. Thanks, Isaac!

The Lion King

The Lion King piano/vocal selections

The score from The Lion King by Elton John, with lyrics by Tim Rice, has long fascinated me, compelling me to explore its depths beyond the surface level of its widespread appeal and just songs I’ve heard since I was little. As someone who has always enjoyed children’s movie scores, I find this score to be a particularly striking example of how melodies intertwined with poignant lyrics can create a tapestry of sound that is both enchanting and something that was stuck with me for quite some time––even as I’ve gotten older.

What makes this score particularly interesting and worth studying is not just its ability to support the narrative arc of an iconic film but how it seamlessly blends a variety of musical styles and cultural influences, creating a universal appeal that transcends geographical and cultural boundaries. Elton John’s compositions, infused with his signature melodic flair, are elevated by Tim Rice’s evocative lyrics, which together capture the essence of the story’s themes—power, betrayal, love, and redemption. The integration of African musical elements with Western pop sensibilities in the soundtrack offers a fascinating study in cross-cultural musical fusion, showcasing the richness that such blends can bring to mainstream music, and I really do think its aurally emblematic of everything Disney had hoped to achieve with the project.

Arachnophonia: Wicked

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Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Isaac (class of 2025) and features the piano/vocal selections score for the 2003 musical Wicked. Thanks, Isaac!

Wicked

Wicked

I remember my mom waking me up to go watch my first musical in the downtown of my city, much to my chagrin. I never showed an interest in musicals––really, ever––so spending the first few hours of my weekend attending a show about a movie I’d seen a billion times was never on the top of my bucket list.

Finding our seats in the dark and cramped theater after buying $8 bottles of water just added to my annoyance, especially after finding out that ushers would be watching vigilantly for phone users, so I couldn’t even resort to that. And then the show started. Immediately, I knew this was definitely NOT The Wizard of Oz I’d grown up watching. The dynamic expressions, the mercurial lighting, and the most handsome of musical notes filled every corner of my surroundings: I smiled, I relented.

The cast of Wicked, from the verdant “villain” of the story to the anthropomorphic bat-monkey-things that legitimately frightened me, were equal in energy to the score that is still stuck in my head. “Are musicals my new thing?” I thought to myself. Maybe not fully. Was I puerile to dismiss them in their entirety? Definitely.

So if you haven’t, I would highly recommend watching Wicked, it remains one of my favorite Saturday 12:10 pm’s ever; if you can’t attend a full show (they can be pretty popular), check out the score and imagine yourself on the indelible yellow brick road.

Arachnophonia: La La Land

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Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Deisy (class of 2024) and features music from the 2016 film La La Land. Thanks, Deisy!

La La Land

La La Land - movie poster

One of the best films I have watched is definitely La La Land. For the longest time, I have heard so much about this film and how it is so many people’s favorite movie. But I never understood the hype for it until very recently.

La La Land is a musical centered in Hollywood as two individuals fall in love. Emma Stone plays Mia, an aspiring actress, and Ryan Gosling, plays Sebastian, a struggling Jazz pianist. The characters meet and fall in love as they try to pursue their dreams. This is a beautiful movie about following one’s dream, falling in love, and the hard decisions that can intervene between the two lovers.

This movie is filled with beautiful Jazz music, many colorful and beautiful scenes, and moments that make you fall in love with the story. The soundtrack in particular is very compelling. My favorite tracks from the movie are “Mia and Sabastian’s Theme,” “Planetarium,” and “City of Stars.” The Music Library actually has a score dedicated to the music in the film. The score focuses on piano, vocal, and guitar chords arrangements for anyone to try.

If you have not yet watched or heard about the amazing film La La Land, I definitely recommend giving it a try!

Arachnophonia: Moana

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Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Marissa (class of 2025) and features vocal sheet music selections from the 2016 animated feature Moana. Thanks, Marissa!

Moana: music from the motion picture soundtrack
Original songs by Lin-Manuel Miranda, Opetaia Foa’i, and Mark Mancina

Moana piano vocal selections

A newer Disney classic, the musical movie Moana hit theaters in late 2016. The story follows Moana, a Polynesian Disney princess on a mission to return the heart of Te Fiti that was once stolen by the demigod Maui. Throughout the movie’s twists and turns, a lively soundtrack mostly written by Lin-Manuel Miranda makes the audience feel as though they are part of the adventure. Known for the creation of the Broadway musical Hamilton, Lin-Manuel Miranda is a beloved song writer and performer who makes all of his work memorable for years and years to come.

Have you ever wanted to replicate The Rock‘s stellar performance in “You’re Welcome,” or learn the instrumentals in “How Far I’ll Go” ? This collection of musical scores by Lin-Manuel Miranda, Opetaia Foa’i, and Mark Mancina includes sheet music for pianists, vocalists, and guitarists. This item is available now in the Parsons Music Library, along with the scores to many of your other favorite Disney songs.

Arachnophonia: Hadestown

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Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Nicole (class of 2024) and features the musical Hadestown. Thanks, Nicole!

Hadestown
Music, lyrics and book by Anaïs Mitchell

Have you heard of the tale of Orpheus and Eurydice?

It is an ancient Greek legend about the story of two lovers that ends up with them being separated by the Underworld for eternity. Singer and songwriter Anaïs Mitchell released her fourth album inspired by this famous tale, with a twist, back in 2006. It has been advertised as a “folk opera” which eventually became a stage production in 2019.

Hadestown tells the story of two lovers, Orpheus and Eurydice, trying to get through times of economic hardship. Unlike the original tale which highlights the location of the Greek Underworld, the stage production depicts a hellish industrial version of it. Orpheus reassures Eurydice that by composing songs he will find a solution to all their problems (“Wedding Song”). Other characters in the story are Hades, the ruler of a town where citizens are exploited for their labor, and Persephone, the beautiful and kind wife of the tyrant that rules Hadestown.

When Eurydice, unsure about Orpheus’ ability to provide for them, gets convinced by Hades to seek a better life in Hadestown, Orpheus sets on a journey to find her, which becomes the premise of the musical.

This successful musical, written by Anaïs Mitchell and directed by Rachel Chavkin, was a winner of 8 Tony Awards including Best Musical, and a Grammy Award for Best Musical Theatre Album.

Hadestown was the first musical I ever saw live when it began being performed in 2019. Not only does the story provide an original twist on a great classical tale, but also, the composition of the songs make this a stellar performance. The cast featuring Eva Noblezada and André De Shields have provided high quality performances for the last couple of years which help make this musical even more worth giving it a listen.

You can check out the piano/vocal selections score of songs from Hadestown at the Music Library!

Arachnophonia: In The Heights

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Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record(s) for the item(s) in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Eliana (class of 2024) and features the musical In The Heights. Thanks, Eliana!

In The Heights

In The Heights

Before the critically acclaimed film of the same name, In the Heights had a 3-year run on Broadway. In that time, it was nominated for 13 Tony Awards and won 4.

The musical, written by and starring Lin-Manuel Miranda, centers on a group of Dominican American young adults living in Washington Heights, NYC.

The story centers around Usnavi, a young bodega owner with the dream of returning home to the Dominican Republic. It’s summertime, so his neighbor Nina comes back from Stanford University with the unsettling news that she’s feeling out of place and wants to drop out, in turn disappointing her family. To make things even worse, things aren’t going great with Vanessa, the object of Usnavi’s affection. When there’s a city-wide blackout, chaos ensues.

The score features upbeat, energetic songs like “96,000,” “Blackout,” and “In the Heights” and slower, emotional numbers like “Breathe” and “It Won’t Be Long Now,” providing a myriad of entertainment for all types of listeners.

You can check out both the score and original Broadway cast recording here at Parsons Music Library!

Arachnophonia: Selections from “Charlie and the Chocolate Factory”

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Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Nathan (class of 2024) and features piano/vocal selections from the 2005 film Charlie and the Chocolate Factory. Thanks, Nathan!

Selections from Charlie and the Chocolate Factory

Selections from "Charlie and the Chocolate Factory"

Danny Elfman is such a prolific composer, known for commonly working alongside filmmaker Tim Burton. Arguably, the best and most diverse collection of his work can be found in his music for the 2005 adaptation of Roald Dahl’s “Charlie and the Chocolate Factory.” His score explores a variety of styles, from Bollywood to the sugar-pop of the 1960s. While the piano score struggles to capture all of the complex work and sound behind the “Main Titles” (Elfman at his prime, in my opinion), it does an excellent job providing a solid basework for solo playability. The piano adaptation for the “Finale” is perfectly captured and successfully leaves what it intends to bring – a feeling of finality and completion at the end of a wild ride.