Arachnophonia: The Allman Brothers Band: At Fillmore East

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker AJ (class of 2019) and features a live recording of the Allman Brothers Band at the Fillmore East. Thanks, AJ!

The Allman Brothers Band

At Fillmore East

Allman Brothers Band - At Fillmore East

When I was 12 years old, my mother took me to my first concert. My love for music had become exceedingly apparent to my parents, and they figured that 12 years old was an appropriate age to expose me to live music.

My mother is a huge classic rock fan, so growing up I was fed a strict diet of Fleetwood Mac, Rolling Stones, Beatles, and other such legendary bands. However, my favorite band growing up was The Allman Brothers. Gregg Allman’s lyrics and Duane Allman’s guitar (later Dickey Betts’ guitar) constantly played over our car’s sound system during rides short and long. They were coming to our area around my birthday, so my mother decided to get us tickets. Now, although the members were in their old age, and weren’t in their prime anymore, I still believe that to this day it was one of the best concerts I have ever been to.

allman-brothers-band-1971

The Allman Brothers Band circa 1971 – Butch Trucks, Gregg Allman, Berry Oakley, Jaimoe Johanson, & Dickey Betts (L-R)

I wish I had a recording of the night, but unfortunately they weren’t taping this particular concert. The Music Library, however, has The Allman Brothers Band at Fillmore East on CD. A CD that I believe my mother and I listen to quite frequently on trips. There’s nothing better than live music, and nothing better than The Allman Brothers live; I highly recommend listening to this particular recording because it ends with two of my absolute favorite Allman Brothers songs: “In Memory of Elizabeth Reed” and “Whipping Post.”

“In Memory of Elizabeth Reed” is the first instrumental track the Allman Brothers Band wrote. It was written by Dickey Betts who dedicated it to a woman with whom he had had an affair with after she had passed away. This woman was actually Boz Scaggs’ girlfriend, but Dickey changed the name to keep their tryst a secret. Fun fact: the woman is buried in the same graveyard where Duane Allman is buried, and Dickey frequently visited to pay his respects and to write songs. He lifted the name “Elizabeth Reed” from a tombstone near where he used to write.

“Whipping Post” is a hard-hitting, in your face rock song about the torment of being in love with a woman who doesn’t love you back, even when you bend over backwards for her. Its powerful lyrics and driving rhythm really foreshadowed the Allman Brothers’ future success, as “Whipping Post” was one of the first songs written by the band. The song itself is actually quite difficult to play because the track is written in 11/4. Gregg Allman, who didn’t know how to read sheet music at first, had to ask Duane how to count it because he thought the rhythm felt wrong (rightfully so).

Spider Sounds: Diana Krall “Live In Paris”

Editor’s Note: “Spider Sounds” invites members of the University of Richmond community to share their thoughts about CDs (or other items in the Parsons Music Library’s collection). The links included will take you to the library catalog record for the item in question, or to additional relevant information. Today’s installment of “Spider Sounds” is by Julie (aka Xinyi), one of our student workers, and features a live album from Canadian jazz pianist & singer Diana Krall which was originally released in 2002 and won a Grammy Award for Best Jazz Vocal Album. Thanks, Julie!

Diana Krall

Live In Paris

Diana Krall - Live In Paris

I picked the CD called “Live in Paris” by Diana Krall, because I personally prefer European-style music. This CD has many different pieces. The first one is called “I Love Being Here With You.” At the very beginning, the general rhythm sounds very lively and energetic. It provides me a happy feeling of living in Paris. Because of the quick rhythm and pace, I feel it encourages listeners to become more interested in living in Paris and assume living in Paris would be a colorful and interesting experience.

The second track is called “Let’s Fall In Love,” which has a very different mood from the first track and is much slower paced.
I think Paris is known as a romantic city, and the second track fits that “romantic” feeling quite well.

The other songs on this CD, in general, consists of alternating quick and slow tracks. I feel this is variety is good so listeners won’t feel bored when they listen to the whole album.

This album also is available to UR students, faculty and staff via our streaming service — click on this link to access it: http://librarycat.richmond.edu/vwebv/holdingsInfo?searchId=4353&recCount=25&recPointer=0&bibId=1455539.

Spider Sounds: Simon & Garfunkel “Live 1969”

Editor’s Note:“Spider Sounds” invites members of the University of Richmond community to share their thoughts about CDs (or other items in the Parsons Music Library’s collection). The links included will take you to the library catalog record for the item in question, or to additional relevant information. Today’s post is by Cate, one of Parsons Music Library’s student workers and features a classic live album by Simon & Garfunkel. Thanks, Cate!

Simon & Garfunkel

Live 1969

Simon & Garfunkel - Live 1969

I have a special liking for Simon and Garfunkel. They were one of the few artists my parents could agree on, so they made up much of the soundtrack for long car trips, and I remember falling asleep to the music thinking of flower crowns and the Mystery Machine from Scooby-Doo.

As always with Simon and Garfunkel, the melodies are lovely, woven with simple but really poetic lyrics.

I don’t usually go for live recordings, but listening to the audience was a lot fun. Art does most of the talking, understated and clear, introducing the band politely and quietly prefacing their new song “Bridge Over Troubled Water” (a hit with the crowd, unsurprisingly). The album, like one of their songs, starts softly and builds in intensity before letting us go with a gently wit an echo of the melody, and (except for the end) the crowd responds in kind, quiet so that they can listen but becoming more and more excited as the concert goes on.

Hearing the concert performance itself is a real treat. They sound freer; the harmonies swoop higher and swing lower, the guitar is more fevered, the words, still soft, are exposed and bittersweet. A band accompanies them for a few songs, giving “Mrs. Robinson” a more energetic vibe, closer to that of the Lemonheads‘ cover than one would expect from Simon and Garfunkel’s traditional sound. But my personal favorite track, “The Sound of Silence” is just the two of them — more ragged here, and beautiful as ever.

Like awesome music from a couple of guys with a guitar? Stop by the Parsons Music Library and check Simon & Garfunkel — Live 1969 out. Don’t like awesome music from a couple of guys with a guitar? Stop by anyways. We’ve got awesome music in every variety ready to be listened to.