New CDs added: April 2021

Posted on May 3, 2021 by marmstr3

New CDs for April 2021

John Legend – Bigger Love
Dua Lipa – Future Nostalgia
Fito Paez – La Conquista del Espacio
Bobby Rush – Rawer Than Raw
Billy Strings – Home

The Strokes – The New Abnormal
James Taylor – American Standard
Thundercat – It Is What It Is
Toots and the Maytals – Got To Be Tough
Various Artists – Harmony In My Head: UK Power Pop & New Wave 1977-81

Opera, Opera Excerpts, Choral Music and Art Songs

Metropolitan Opera – The Gershwins’ Porgy And Bess

Gospel Music

P.J. Morton – Gospel According to PJ: From the Songbook of PJ Morton
Kanye West – Jesus Is King

Parsons Playlists: Heard It On Broadway

Posted on April 16, 2021 by marmstr3

Welcome back to Parsons Playlists! Today we’re featuring a collection of feel good indie/alternative music curated by Music Library student manager Abby (class of 2021).

So here are “some showtunes to belt in the shower, or to serenade your roommates with until they either join in or kick you out” per Abby:

“Wait For It” from Hamilton

“Impossible” from Rodgers & Hammerstein’s Cinderella

“You Can’t Stop The Beat” from Hairspray

“Proud of Your Boy” from Aladdin

“Defying Gravity” from Wicked

“La Vie Boheme” from Rent

“The Worst Pies In London” from Sweeney Todd

“I’ve Got Beginner’s Luck” from An American In Paris

“Giants in the Sky” from Into the Woods

“One Day More” from Les Misérables

“All I Ask of You” from The Phantom of the Opera

“My Favorite Things” from The Sound of Music

“Mi Siento Hermosa (I Feel Pretty)” from West Side Story

“Cell Block Tango” from Chicago

“Magic To Do” from Pippin

“Road To Hell” from Hadestown

“Forget About The Boy” from Thoroughly Modern Millie

“Omigod You Guys” from Legally Blonde: The Musical

“Waving Through A Window” from Dear Evan Hansen

“Say My Name” from Beetlejuice

“The World Will Know” from Newsies

“Hello!” from The Book of Mormon

“Sherry” from Jersey Boys

“Memory” from Cats

“Stick It To The Man” from School of Rock

“Rose’s Turn” from Gypsy

“I Wanna Be A Producer” from The Producers

“All For The Best” from Godspell

“Times Are Hard For Dreamers” from Amélie

“When He Sees Me” from Waitress

and here’s a link to a YouTube playlist of all the songs above.

New CDs added: January – March 2021

Posted on April 1, 2021 by marmstr3

New CDs for January- March 2021

Orchestral, Concertos and Chamber Music

Emanuele Arciuli – Walk in Beauty
Beethoven – Beethoven “Fur Elise,” Bagatelles, opp. 33, 119, & 126 / Paul Lewis, piano
Kenji Bunch – Boiling Point: Music of Kenji Bunch

Caroline Shaw / Attaca Quartet – Orange
Imani Winds – The Classical Underground
Imani Winds – Terra Incognita

Opera, Opera Excerpts, Choral Music and Art Songs

Will Liverman & Paul Sánchez – Dreams of a New Day: Songs By Black Composers
Kurt Sander – The Divine Liturgy of St. John Chrysostom

Dance Music

Gus Haenschen – The Missing Link: How Gus Haenschen Got Us from Joplin to Jazz and Shaped the Music Business

Musical Theatre

Original Broadway Cast – Moulin Rouge! The Musical
Stephen Sondheim – Anyone Can Whistle

Arachnophonia : Next To Normal

Posted on April 1, 2020 by marmstr3

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Danny (class of 2023) and features vocal selections from the 2008 musical Next To Normal. Thanks, Danny!

Next To Normal

The item spotlighted in today’s edition of Arachnophonia is titled, Vocal Selections from Next to Normal. This musical score of the 2008 smash hit musical Next to Normal featuring Aaron Tveit and Alice Ripley is a simply stunning piece that has been lucky enough to be purchased and brought into the Parsons Music Library Collection for years to come. Despite only lasting a few years on the big stage, this musical score has warmed the hearts of many even 12 years after its Broadway debut. Its popularity and relevance has garnered enough support as to open a revival at the Kennedy Center in Washington D.C earlier this year. However, it was through a friend back home that I had found out about this musical. Sharing her Broadway playlist with me on Spotify, filled with over 1,000 Broadway hits (this number sounds big and yes. It is very big. The run time of the playlist is a few days long), I had come across the song “How Could I Ever Forget,” sung by the character Diana, as she reminisces the day that doctors informed her that her infant son had passed.

Although the lyrics, written by Brian Yorkey and composed by Tom Kitt, were full of raw and intense emotion that could turn you to tears in an instant, I fell in love with the song and the emotion put behind it. So, as any normal human being would do, I heard the entirety of the musical’s score. It moved me to tears, which I admit is hard to do for the most part. The songs were just full of raw emotion and the harmonies between all the characters made the songs super catchy. I played it on repeat for days.

Alice Ripley, Aaron Tveit, and J. Robert Spencer in Broadway production of Next to Normal – Joan Marcus

One day I just decided that maybe it would be cool if I find the score of some of the songs, play it, and possibly sing along to it. By no means am I a singer (I am so bad), but the ingenuity and the emotion felt behind the song compelled me so much, that I decided to take a stab at it. So, as a normal human being would do, I went to the Boatwright Memorial Library website and searched for my score. Sure enough, the coveted musical score that I so sought was there waiting for me, available under the illustrious call number: M1508.K5 N49 2009. I quickly checked out the score and began to play.

Even to this day, 12 years after its debut, there is something to the pieces that never get old. Although I did not have much time to play the songs since this spring semester has started, I am urging and scratching to find time just to hear myself play the amazing songs brought to us by Yorkey and Kitt. I urge that even if you are not interested in Broadway musicals, to check out the Vocal Selections from Next to Normalbook for a couple weeks, or at least have a listen. Tears will be shed, but it would be the best cry you’ve had in years.

Arachnophonia: A Chorus Line

Posted on October 30, 2019 by marmstr3

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Jane (class of 2022) and features the classic Broadway cast recording of A Chorus Line. Thanks, Jane!

A Chorus Line

If you’re a fan of musical theatre, you probably know about A Chorus Line. It’s a classic musical from the 1970s that’s pretty much the mother of meta – the whole story is a dance-based musical about dancers trying to get cast in a musical. It couldn’t be more self-reflective. The music, composed by Marvin Hamlisch, is lively and bouncy and inspires people even as uncoordinated as I am to get up and dance. A lot of the singing is conversational, with the songs dominated by jazz piano and interesting syncopated drumbeats.

Listening to this musical will give you confidence about your biggest creative insecurities. “Nothing” is about a girl whose acting teacher hates her because she doesn’t understand the value of pretending to be a table or an ice cream cone during class. “Sing!” is sung by a girl who can’t carry a tune to save her life.

“At the Ballet” is my favorite musical theatre song of all time. Three women sing about their different experiences getting into ballet while simultaneously talking about their families’ issues. It’s powerful without being sentimental, and the dark lyrics are contrasted with such lively music which creates the same kind of contrast between love and longing that I’m sure existed in their lives.

Overall, A Chorus Line is already so famous but if you haven’t heard it and you’re in the mood for a raw, real musical about a musical, give the soundtrack a listen.

Arachnophonia : Rent – Filmed Live on Broadway (2008)

Posted on October 16, 2019 by marmstr3

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Meghan (class of 2020) and features a filmed performance of the musical Rent. Thanks, Meghan!

Rent: Filmed Live on Broadway

Rent is a Tony award-winning musical production that originated on Broadway in 1994, and has since been remade into a movie and has been touring since its 20th anniversary in 2014. The story follows a group of New York City bohemians who are struggling to make their rent payments, while juggling the challenges of the AIDS epidemic that directly affects a few main characters. We see the ups and downs of their lives, all set to catchy rock music.

This musical is a personal favorite of mine. I remember stumbling across it about 8 years ago, when I was entirely too young to really understand what was going on. I can remember my attraction to the upbeat rock music, which I had never experienced in a musical theater setting before. However, as I got older and began to grasp the story line that the talented actors were portraying, it suddenly clicked: it is such a powerful work targeting tough social justice issues.

From homelessness and poverty, to the AIDS epidemic, drug abuse, and homosexuality, this musical puts faces, names, and stories behind people who grapple with the challenges associated with these and the experiences they have. Especially for those who were born in the 1990s and after, they don’t really have an idea of what the AIDS epidemic was like in the United States. This musical is a way for us to get a glimpse into what the lives of affected individuals were like. We see a heartbroken romantic partner and devastated friends lose a loved one, we see others struggle with past losses, and we see others just wondering when it will be their turn. At times, it can be hard to watch these characters go through this, especially because the writing and acting is so realistic and authentic. However, I think it is important to watch, as it gives us a chance to reflect on our own privilege, and how lucky we are today. We never know when our time is up in this world. We must treat every day like there is “no day but today”, and we must hold onto what is important. There’s only 525,600 minutes a year: how will you measure your year?

Arachnophonia: Dear Evan Hansen

Posted on April 3, 2019 by marmstr3

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Susie (class of 2019) and features the Tony Award winning musical Dear Evan Hansen. Thanks, Susie!

Dear Evan Hansen

Dear Evan Hansen is certainly not your classic musical. For one thing, there are only 8 people in the entire cast, and there are certainly no big dance numbers. But there are many reasons why Dear Evan Hansen cleaned up at the 2017 Tony Awards including winning Best New Musical, and one of those reasons is the cast recording, which also won the Grammy for Best Musical Theater Album in 2017. The soundtrack captures the rawness of the story by having the “orchestra”, comprised of 5 instruments, on stage with the performers, and it utilizes electronic instrumentation to complement the importance of technology in the story line. And the soundtrack as a whole takes you on the journey of Evan Hansen, shy, bullied, friendless teenager who finds his place in the sun through a fabricated story just to have the truth come crashing in and destroy his new “perfect” life.

The soundtrack opens with “Anybody Have A Map?”, a song any mother wondering “does anybody happen to know how the hell to do this?” while raising teenagers can relate to. Then you hear the heartbreaking tune “Waving Through A Window” from Evan Hansen himself as he sings about always being on the outside and never being seen. Through the next 5 songs, you hear about Evan and his bully Connor, who is now dead, but due to a combination of coincidences, Evan is believed to have been Connor’s only friend. And as Evan leans into the lie, he helps Connor’s family, the school, and the world cope with loss due to teenage suicide through the song “You Will Be Found.” As Evan builds relationships and finds love in a father figure and a girlfriend that he never thought would be possible, everything begins to fall apart in a true Broadway fashion culminating with “Good For You” and “Words Fail.” But, of course, when the whole world seems to hate you, a child can always find support from his mother, and in “So Big/So Small”, Evan’s mother comforts him and the audience with lines like “your mom isn’t going anywhere … no matter what”. And from the rubble, Evan comes back and finds himself by “Stepping Into The Sun”. And in closing, Evan Hansen reminds us that even if you don’t have the life you have dreamed about, “today at least you’re you, and that’s enough”.

This soundtrack certainly isn’t a light and breezy listen, but if you enjoy emotional ballads and the beautiful vocals of Ben Platt, certainly give Dear Evan Hansen a listen.

Arachnophonia: The Sound of Music

Posted on February 13, 2019 by marmstr3

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Emma A. (class of 2021) and features the libretto for the classic Rodgers & Hammerstein musical The Sound of Music. Thanks, Emma!

The Sound of Music: The Complete Book and Lyrics of the Broadway Musical

I’ve chosen to discuss the libretto for The Sound of Music. Growing up this movie, play, and its music were quintessential to my after-school evenings and my sister’s love for the music. She was Maria in our school’s production of this show which inspired my own love for the drama club years later. We would watch this movie over and over until we knew every word and could sing along perfectly. They are very happy memories that I share with my sister; and the rest of my family and I will always enjoy listening to and watching The Sound of Music no matter how many times we’ve done it before.

I love how some of the songs are so intricate and over-the-top (“The Lonely Goatherd”) and some are so sweetly written and simple (“My Favorite Things”). No matter which song from the show you’re playing, they are all different — no two sound the same. Some Broadway shows can be very repetitive and over the course of three hours song after song can become boring, but that was never the case for me with The Sound of Music. In addition, the talent that you need to sing some of the songs is amazing. That’s not to say anyone can’t sing along, but to sing them well requires some major pipes. My sister had this talent and seeing her perform our favorite show was one of the moments she truly knew that music and singing would be her life’s passion.

I think that watching, or even just listening to, The Sound of Music is a must for everyone, even if you’re not into musicals. The story line is so captivating and the music is beautiful. If you’ve never seen it before give it a try! If you’re feeling so inclined after, take out this book and learn some of the songs too!