Parsons Playlists: Broadway’s Finest

Welcome back to Parsons Playlists! Today’s playlist features a selection of Broadway tunes curated by Music Library student manager Danny (class of 2023).

Broadway’s Finest

On Broadway

“Santa Fe” from Newsies

“Defying Gravity” from Wicked

“I’m Not A Loser” from Spongebob Squarepants: The Musical

“I’d Rather Be Me” from Mean Girls

“Freeze Your Brain” from Heathers

“Tonight At Eight” from She Loves Me (2016)

“I Dreamed A Dream” from Les Miserables

“The Music of the Night” from The Phantom of the Opera

“More Than Survive” from Be More Chill

“Prologue/The Day I Got Expelled” from The Lightning Thief

Cast album covers

“What Baking Can Do” from Waitress

“Waving Through A Window” from Dear Evan Hansen

“Dust and Ashes” from Natasha, Pierre and the Great Comet of 1812

“One Fine Day” from Beautiful: The Carole King Musical

“Dear Theodosia” from Hamilton

“Just Another Day” from Next To Normal

“Say My Name” from Beetlejuice

“Tonight Belongs to You” from The Prom: A New Musical

“Welcome to the Renaissance” from Something Rotten!

“That Face” from Dogfight

“Grow For Me” from Little Shop of Horrors

Here’s the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZewGPd58vomkfAoKzV0YQyw2

And here is an extended edition on Spotify:

Arachnophonia: Mamma Mia!

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item(s) in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Kiran (class of 2024) and features the ABBA musical Mamma Mia!. Thanks, Kiran!

Mamma Mia!

Mamma Mia! selections piano/vocal/guitar

Songs for the Dancing Queen

If you’re anything like me, Mama Mia! is a classic pick for movie night. The catchy songs, written by Swedish 70s group ABBA, are upbeat and danceable. The movie features Meryl Streep, who plays the hardworking Donna. Her daughter, Sophie (Amanda Seyfried), is getting married and wants to invite her biological father. However, it could be one of three different men that Donna was involved with. Sophie sends invitations to all of them, leaving her mother in a predicament as she faces her former lovers. With the addition of breathtaking Greek landscapes and hilarious friends, this film embodies the music that brought it to life. The sweet, slow ballad reminds me of the waves crashing on Greek beaches while the fiery electric guitar solos personify the energy that the men bring to Donna’s life once again. I often wonder how a series of ABBA songs could correlate to form an entire movie. The original recordings are so iconic on their own but Mama Mia! brings them all together for one hilarious story. Parsons Music Library offers both ABBA CDs and the score from Mama Mia!, so you can also listen and read along with these iconic tunes.

Parsons Playlists: Musical Madness

Welcome back to Parsons Playlists! Today we’re featuring a playlist of Broadway tunes curated by Music Library student assistant Kinme (class of 2022).

Musical Madness

“Put On Your Sunday Clothes” from Hello Dolly

“Found a New Baby” from Bullets over Broadway

“Welcome to Wonderland” from Wonderland

“The Schuyler Sisters” from Hamilton

“Times Are Hard For Dreamers” from Amelie

“Non-Stop” from Hamilton

“That’s Rich” from Newsies

“Dancing in Pairs” from Island Song

“Out Of My Head” from Out Of Our Heads: The Music of Kooman and Dimond

Assorted Broadway posters

“Alms” from Renascence

“The Beanstalk” from Renascence

“Salty Teardrops” from Caroline or Change

“West of Worlds” from Alice By Heart

“Those Long Eyes” from Alice By Heart

“My Man” from Funny Girl

“Who Are You Now?” from Funny Girl

“If I Loved You” from Carousel

“Pretty Funny” from Dogfight

And here’s a link to the full playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZewRwtngcguySjs-8RpQRR8n

Arachnophonia: Alan Menken Songbook

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Danny (class of 2023) and features a collection of Alan Menken songs for piano, voice and guitar. Thanks, Danny!

Alan Menken Songbook

Alan Menken Songbook

If you’re any fan of Disney, or of musicals, there can be a 95% guarantee – if not 100%, that you have heard of Alan Menken. Menken, born in 1949 in Manhattan, is a composer and songwriter who has worked tirelessly since 1972 to give the American public and worldwide audiences the pleasures of listening to his incredible musical abilities, writing songs for some of our favorite Disney movies, musicals, and shows.

After graduating from New York University in 1971, Menken’s musical career took off. To name some of his most famous works, he was a songwriter for Little Shop of Horrors, The Little Mermaid, Rocky V, Beauty and the Beast, Newsies, Aladdin, Pocahontas, The Hunchback of Notre Dame, Hercules, Enchanted, Tangled, and a variety of their stage adaptations.

Just the sheer variety of different types of films/musicals and the musical talent to be able to write completely original songs with varying styles is incredible. And all of them were absolute hits. This incredible discography is beyond fascinating. Just imagine – currently in New York, Little Shop of Horrors is playing again Off-Broadway. Aladdin is on Broadway. The Little Mermaid live action remake is coming out in 2023. The Hunchback of Notre Dame’s live-action remake is in the works. That is four – yes four – pending or active projects that have Menken’s name attached to them.

Parsons Music Library has had the privilege to house the Alan Menken Songbook, with scores for piano, voice, and guitar. Some of his most popular pieces are held in this 188 page score.

Songs that are included are “Sante Fe” (Newsies), “Somewhere That’s Green” (Little Shop of Horrors), “Proud of Your Boy” (Aladdin), “Go the Distance” (Hercules), “A Change in Me” (Beauty and the Beast) and a variety of other classics.

As you play, listen, or read the scores for all 28 songs included in the songbook, you can feel the different styles and the creativity needed to write songs for such Disney-esque plots. Nothing Disney has come out with has ever been less than imaginative – it takes an even more imaginative person to bring those creative tales to life through song. And that is all achieved through Menken’s song writing abilities.

New CDs added: April 2021

New CDs for April 2021

Orchestral, Concertos and Chamber Music

Imani Winds – Imani Winds
Nikolai Kapustin – Piano Music Marc-Andre Hamelin

Nikolai Kapustin - Piano Music

Felix Mendelsson – Mendelssohn – Piano Works Vol. 5 Benjamin Frith
Robert Schumann – Kinderszenen : op. 15 ; Davidsbündlertänze : op. 6 ; Piano sonata no. 2 in G minor, op. 22 Angela Hewitt

Mendelssohn - Piano Works, Vol. 5

Musical Theatre Cast Recordings

Toby Marlow and Lucy Moss – SIX The Musical: Studio Cast Recording
Anaïs Mitchell – Hadestown: Original Broadway Cast Recording

SIX: The Musical

Alanis Morrisette and Glen Ballard – Jagged Little Pill: Original Broadway Cast Recording
Stephen Sondheim – Company – 2018 London Cast Recording

Jagged Little Pill - Cast Recording

Popular Music

Fiona Apple – Fetch The Bolt Cutters
Fantastic Negrito – Have You Lost Your Mind Yet?
Miranda Lambert – Wildcard

Miranda Lambert - Wildcard

John Legend – Bigger Love
Dua Lipa – Future Nostalgia
Fito Paez – La Conquista del Espacio
Bobby Rush – Rawer Than Raw
Billy Strings – Home

Fantastic Negrito - Have You Lost Your Mind Yet?

The Strokes – The New Abnormal
James Taylor – American Standard
Thundercat – It Is What It Is
Toots and the Maytals – Got To Be Tough
Various Artists – Harmony In My Head: UK Power Pop & New Wave 1977-81

Dua Lipa - Future Nostalgia

Opera, Opera Excerpts, Choral Music and Art Songs

Metropolitan Opera – The Gershwins’ Porgy And Bess

The Gershwins' Porgy and Bess

Gospel Music

P.J. Morton – Gospel According to PJ: From the Songbook of PJ Morton
Kanye West – Jesus Is King

Gospel According to PJ

Parsons Playlists: Heard It On Broadway

Welcome back to Parsons Playlists! Today we’re featuring a collection of feel good indie/alternative music curated by Music Library student manager Abby (class of 2021).

A Broadway view

So here are “some showtunes to belt in the shower, or to serenade your roommates with until they either join in or kick you out” per Abby:

“Wait For It” from Hamilton

“Impossible” from Rodgers & Hammerstein’s Cinderella

“You Can’t Stop The Beat” from Hairspray

“Proud of Your Boy” from Aladdin

“Defying Gravity” from Wicked

“La Vie Boheme” from Rent

“The Worst Pies In London” from Sweeney Todd

“I’ve Got Beginner’s Luck” from An American In Paris

“Giants in the Sky” from Into the Woods

“One Day More” from Les Misérables

“All I Ask of You” from The Phantom of the Opera

“My Favorite Things” from The Sound of Music

Assorted Broadway Musical Posters

“Mi Siento Hermosa (I Feel Pretty)” from West Side Story

“Cell Block Tango” from Chicago

“Magic To Do” from Pippin

“Road To Hell” from Hadestown

“Forget About The Boy” from Thoroughly Modern Millie

“Omigod You Guys” from Legally Blonde: The Musical

“Waving Through A Window” from Dear Evan Hansen

“Say My Name” from Beetlejuice

“The World Will Know” from Newsies

“Hello!” from The Book of Mormon

“Sherry” from Jersey Boys

“Memory” from Cats

“Stick It To The Man” from School of Rock

“Rose’s Turn” from Gypsy

Assorted Broadway Musical Posters 2

“I Wanna Be A Producer” from The Producers

“All For The Best” from Godspell

“Times Are Hard For Dreamers” from Amélie

“When He Sees Me” from Waitress

and here’s a link to a YouTube playlist of all the songs above.

New CDs added: January – March 2021

New CDs for January- March 2021

Orchestral, Concertos and Chamber Music

Emanuele Arciuli – Walk in Beauty
Beethoven – Beethoven “Fur Elise,” Bagatelles, opp. 33, 119, & 126 / Paul Lewis, piano
Kenji Bunch – Boiling Point: Music of Kenji Bunch

Caroline Shaw/Attacca Quartet - Orange

Caroline Shaw / Attaca Quartet – Orange
Imani Winds – The Classical Underground
Imani Winds – Terra Incognita

Imani Winds - The Classical Underground

Opera, Opera Excerpts, Choral Music and Art Songs

Will Liverman & Paul Sánchez – Dreams of a New Day: Songs By Black Composers
Kurt Sander – The Divine Liturgy of St. John Chrysostom

Dreams of a New Day

Popular Music

Lizzo – Cuz I Love You
Mile Twelve – Roll The Tapes All Night Long
Various Artists – At The Minstrel Show: Minstrel Routines From The Studio, 1894-1926

Lizzo - Cuz I Love You

Dance Music

Gus Haenschen – The Missing Link: How Gus Haenschen Got Us from Joplin to Jazz and Shaped the Music Business

The Missing Link

Musical Theatre

Original Broadway Cast – Moulin Rouge! The Musical
Stephen Sondheim – Anyone Can Whistle

Moulin Rouge - Original Broadway Cast Recording

Arachnophonia : Next To Normal

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Danny (class of 2023) and features vocal selections from the 2008 musical Next To Normal. Thanks, Danny!

Next To Normal

Next to Normal

The item spotlighted in today’s edition of Arachnophonia is titled, Vocal Selections from Next to Normal. This musical score of the 2008 smash hit musical Next to Normal featuring Aaron Tveit and Alice Ripley is a simply stunning piece that has been lucky enough to be purchased and brought into the Parsons Music Library Collection for years to come. Despite only lasting a few years on the big stage, this musical score has warmed the hearts of many even 12 years after its Broadway debut. Its popularity and relevance has garnered enough support as to open a revival at the Kennedy Center in Washington D.C earlier this year. However, it was through a friend back home that I had found out about this musical. Sharing her Broadway playlist with me on Spotify, filled with over 1,000 Broadway hits (this number sounds big and yes. It is very big. The run time of the playlist is a few days long), I had come across the song “How Could I Ever Forget,” sung by the character Diana, as she reminisces the day that doctors informed her that her infant son had passed.

Although the lyrics, written by Brian Yorkey and composed by Tom Kitt, were full of raw and intense emotion that could turn you to tears in an instant, I fell in love with the song and the emotion put behind it. So, as any normal human being would do, I heard the entirety of the musical’s score. It moved me to tears, which I admit is hard to do for the most part. The songs were just full of raw emotion and the harmonies between all the characters made the songs super catchy. I played it on repeat for days.

Next to Normal production photo

Alice Ripley, Aaron Tveit, and J. Robert Spencer in Broadway production of Next to Normal – Joan Marcus

One day I just decided that maybe it would be cool if I find the score of some of the songs, play it, and possibly sing along to it. By no means am I a singer (I am so bad), but the ingenuity and the emotion felt behind the song compelled me so much, that I decided to take a stab at it. So, as a normal human being would do, I went to the Boatwright Memorial Library website and searched for my score. Sure enough, the coveted musical score that I so sought was there waiting for me, available under the illustrious call number: M1508.K5 N49 2009. I quickly checked out the score and began to play.

Even to this day, 12 years after its debut, there is something to the pieces that never get old. Although I did not have much time to play the songs since this spring semester has started, I am urging and scratching to find time just to hear myself play the amazing songs brought to us by Yorkey and Kitt. I urge that even if you are not interested in Broadway musicals, to check out the Vocal Selections from Next to Normalbook for a couple weeks, or at least have a listen. Tears will be shed, but it would be the best cry you’ve had in years.

Arachnophonia: Les Miserables

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Danny (class of 2023) and features the popular musical Les Miserables. Thanks, Danny!

Les Miserables

Les Miserables

At the end of the day, as I leave my shift and head off back to my dorm, I’m on my own. By myself, I have time to decompress and utilize that time to think about everything that is happening in my life. Most days, my thoughts are filled with happiness and satisfaction with the day’s events. Other days, my thoughts are foggy, due to the fatigue caused by the emotionally and mentally draining events of the day. Turning right outside of the Modlin Center for the Arts, I traverse back to my castle on the cloud, Lora Robins court. Once I arrive, I slump into my bed as I dream a dream.

As if it was not evident enough, certain phrases such as “on my own,” “in my life,” “turning,” “castle on the cloud,” and “I dream (ed) a dream” all contain one commonality; they are all wonderful masterpieces in the Broadway musical, Les Miserables. So, it is no question to assume that I was absolutely awestruck when I saw the Les Miserables piano/vocal score on the shelf. After years of looking, I had finally found the book that I had searched for all this time.

What makes this specific piece of music so compelling and important to me?

Les Miserables opened me to the world of theatre, Broadway, piano, and French history. To begin, the movie for the beloved musical reached theaters on Christmas day in 2012. Never taking any attention to the 10th or 25th anniversary performances, I never thought of myself to have any interest in theatre or music itself. It seemed to almost take away from the plot and add nonsense that could stated simply through plain dialogue. It was not until 2017 where I finally gave it a chance. On a rainy day one summer afternoon, I sifted through DVDs in my parents’ movie collection, seeing the one movie I vowed I wouldn’t watch. After all these years, I could have been missing out on an absolute gem. With this in mind, I inserted the disc into my computer and watched the 2012 movie. The movie blew me away. Yes, some of the most popular actors at the time were featured in the movie, but that was not the one thing that captivated me. What made me so in love with the movie was the music. The combination of fast and slow songs, heartfelt and fierce songs, and the melodies were breathtaking. Additionally, the strings and the complexity of the orchestral score made the songs stand out even more.

Les Miserables 2012 movie poster

It was simply beautiful. Every song had been sung with heart and every instrument combined with the rest to create a full orchestra unlike any other. With this in my mind, I went straight to youtube to find the 25th anniversary concert. Seeing the full choir in the back of the stage and the giant pit in front of the actors shocked me. I never really thought of musicals and concerts to have such grand setups and stages. So, completely awestruck of what was in front of me, I took to find other Broadway musicals that had music just like Les Miserables. Although there are none that compare exactly to it, I fell in love with everything Broadway. It even prompted me to join my school musical and do something that years prior I thought was not interesting.

Les Miz 25th Anniversary Concert

Now Les Miserables still touches me. On top of everything mentioned, it is what made me want to learn piano. The music was so beautiful that I knew that I wanted more of an experience with the pieces. I did not just want to sing the songs or listen to them through my headphones; I wanted to play them. So, after finding the sheet music at the library here at the University of Richmond, I took to the practice rooms and began to teach myself the piano. The very first song I learned was “Stars.” A simpler yet more heartfelt song, this song was one of the ones that made me so obsessed with the musical. Because of the impact Les Mis had on my life, it was a no-brainer to choose it, filled with drama surrounding love and revolution, with characters experiencing danger and confrontation at every corner.

Arachnophonia: A Chorus Line

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Jane (class of 2022) and features the classic Broadway cast recording of A Chorus Line. Thanks, Jane!

A Chorus Line

A Chorus Line

If you’re a fan of musical theatre, you probably know about A Chorus Line. It’s a classic musical from the 1970s that’s pretty much the mother of meta – the whole story is a dance-based musical about dancers trying to get cast in a musical. It couldn’t be more self-reflective. The music, composed by Marvin Hamlisch, is lively and bouncy and inspires people even as uncoordinated as I am to get up and dance. A lot of the singing is conversational, with the songs dominated by jazz piano and interesting syncopated drumbeats.

Listening to this musical will give you confidence about your biggest creative insecurities. “Nothing” is about a girl whose acting teacher hates her because she doesn’t understand the value of pretending to be a table or an ice cream cone during class. “Sing!” is sung by a girl who can’t carry a tune to save her life.

At the Ballet” is my favorite musical theatre song of all time. Three women sing about their different experiences getting into ballet while simultaneously talking about their families’ issues. It’s powerful without being sentimental, and the dark lyrics are contrasted with such lively music which creates the same kind of contrast between love and longing that I’m sure existed in their lives.

Overall, A Chorus Line is already so famous but if you haven’t heard it and you’re in the mood for a raw, real musical about a musical, give the soundtrack a listen.