Arachnophonia: The Phantom of the Opera

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Alexandra (class of 2026) and features the 2004 film version of Andrew Lloyd Webber’s The Phantom of the Opera. Thanks, Alex!

The Phantom of the Opera (2004 film)

Phantom of the Opera - 2005 film poster

This is the 2004 film adaptation of Andrew Lloyd Webber’s infamous 1986 musical The Phantom of the Opera, which is considered to be one of the most iconic productions of all time. It is the longest-running show in Broadway history, and second longest in West End history, indicating how well audiences have taken it over the years. The show ended its run in 2020 in London and in 2023 in New York, which has seen many viewers looking to the movie. For those who have not seen the musical, the film is an amazing way to experience the amazing songs and storytelling done by Webber. The movie tells how a woman, Christine, becomes the obsession of a disfigured man, the Phantom, who lives below the Paris Opera House.

One of my favorite things about the movie is the amount of involvement Andrew Lloyd Webber had with the entire process of production as well as the selection of the actors. It allowed his vision to match that of the vision of the musical, giving the movie the right feel. For those who have seen the musical, it is a great watch since it has so many similarities while also having elements not possible in a musical. For those who have not seen the musical, the movie version is a great introduction to the greatness of the musical and can make the plot a bit easier to comprehend on the first watch.

Arachnophonia: Abbey Road – The Inside Story of the World’s Most Famous Recording Studio

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Alexandra (class of 2026) and features a book about the history of Abbey Road Studios in London. Thanks, Alex!

Abbey Road: The Inside Story of the World’s Most Famous Recording Studio by David Hepworth

Abbey Road by David Hepworth

The Beatles have been an iconic part of music history since their original formation in the 60s, and well after their break-up with their impression ever-lasting on today’s music and music culture. With over 33 million monthly listeners on Spotify alone, The Beatles impression has continued through the present day generation. Fans today, whether a new fan or old, know what the Abbey Road crossing is. While the Beatles originated from Liverpool, the Abbey Road album (1969) features a picture outside the studio they often used in London. Fans today visit the crosswalk to see the studio as well as recreate the famous picture. Some may ask why fans go all the way to St. John’s Wood in London to see this? David Hepworth answers this question in his new release focused on the studio itself. Paul McCartney even gives insights into the history and the magic that lies within the studio.

I was originally inspired to write something about the Beatles since they have been a very influential band to my music taste and I find myself listening to their music quite often. I was drawn to this specific book as it talks more about the studio on Abbey Road. Although I am from the US, my family lives in London currently and we live down the road from this very crosswalk. This summer while training for a 10k, I would run past this crosswalk everyday and by the tons of people gathered outside the studio, whether they were waiting to take a recreation photo on the sidewalk or waiting to enter into the studio itself. It always amazed me how even if it was completely miserable out, cold and raining as it typically is, these people would still be there. And all of them would still be smiling and having a completely wonderful time. It made me wonder: What is so special about the inside of that studio? Is it that amazing? And while I’ve never taken a visit to the studio in my 2.5 years living there, after reading this book and learning more about it, it is on my must-visit list for when I return over winter or summer break!

Digital Resources: Rock’s Backpages

The Music Library has more resources available than physical items. We’re highlighting some of our digital resources, and including information about them as told by our student employees.

Today’s digital resource is:

Rock’s Backpages

Rock's Back Pages logo

Archive of rock and pop music journalism from mainstream publications and niche magazines.

Here is what student manager Cole (class of 2021) had to say about Rock’s Backpages:

Rock’s Backpages is an online archive of popular music journalism, from industry standards like Pitchfork and Rolling Stone, to more obscure and international publications, such as Stereo Review and Melbourne Weekly. Although the site catalogues a wide array of content (including reviews, letters, obituaries, book excerpts, press releases, columns, and more), the advanced search function makes it easy to filter by subject, author, original publication, and format.

My favorite use of the site is to read old reviews of albums and artists that I like, to get a sense of contemporary critical reception. In a 1980 review of U2’s debut album Boy, Paul Mory calls the group’s music “not radical, in many ways… traditionalist.” Seven years later, in a review of the band’s seminal album The Joshua Tree, Simon Reynolds writes that the band’s very existence is “at once radical and reactionary.” I find this not-conversation of radicality especially amusing considering the band’s current reputation among my generation as that dad-rock group whose 2014 album was forced upon anyone with an iPhone— an idea that would be humorously unfathomable for those critics writing in the 80s.

The Rock’s Backpages archive is the perfect tool to read music journalism from years past, uncolored by retrospection.”

U2 - The Joshua Tree

And here is student assistant Alex’s (class of 2021) take on this resource:

Rock’s Backpages is a fascinating resource and a deep dive into the views on musicians in their prime. If you have ever wondered what mainstream journalists thought of The Beatles in 1963 or AC/DC in 1975, this resource is right for you. You can use the “Free Articles” section on the left side of the screen under the resource’s Library to find an assortment of 1000s of articles on pop and rock stars through the ages. You can also easily search for any article you want to read and filter by artist, genre, publication, or writer. Rock and Pop music took the world by storm in the 20th century and you can read all about it as it happened with this amazing resource.”

AC/DC '75 - Beatles '63