“Lights, please … ” – “A Charlie Brown Christmas” and the Music of Vince Guaraldi

A Charlie Brown Christmas - Title Card

The animated TV special A Charlie Brown Christmas made its debut on December 9th, 1965 on CBS.

The special was atypical for most cartoons at the time because of its contemplative message, its use of real children (some of whom were too young to read) to voice the characters as opposed to adult voice actors and its LACK of use of a laugh track. (Peanuts creator Charles Schulz refused to allow one saying he wanted to “let the people at home enjoy the show at their own speed, in their own way.”)

A Charlie Brown Christmas - cast

A Charlie Brown Christmas was also noteworthy for its holiday-infused jazz soundtrack created by musician/composer Vince Guaraldi.

Jazz musician/composer Vince Guaraldi

Jazz musician/composer Vince Guaraldi

Guaraldi became involved with the Peanuts before the start of production for the Christmas special. Producer Lee Mendelson heard Guaraldi’s 1963 radio hit “Cast Your Fate To The Wind” while traveling by taxi on the Golden Gate Bridge in San Francisco and initially commissioned Guaraldi write a jazz soundtrack for a television documentary about Charles Schulz called A Boy Named Charlie Brown that wound up never being broadcast. According to Mendelson, the first performance of “Linus & Lucy” occurred over the phone during the production of the documentary. Fortunately, the Christmas special allowed the piece to find a home.

Peanuts characters dance to Guaraldi's iconic "Linus & Lucy"

Peanuts characters dance to Guaraldi’s iconic “Linus & Lucy”

The jazz soundtrack to the special was initially a hard sell, both to Charles Schulz (who was not much of a jazz fan at the time) and to the network since jazz had never been used in an animated special before. Despite Schulz’s initial feelings about jazz, he pushed for Guaraldi’s music to be included because he believed it created a perfect “bubbly, childlike tone” for the show.

Interestingly, the song “Christmas Time Is Here” was something of a happy accident. According to Lee Mendelson: “For the Christmas Show, [Vince] wrote an original melody that wasn’t in the documentary. It was a beautiful melody that opened the scene where the kids are skating. When we looked at the final cut, it seemed to me to be very slow. I said, ‘Let me see if I can find some lyricists to put some words to it.’ I couldn’t find anybody. I sat down at my kitchen table and in 10 minutes I wrote a poem called ‘Christmas Time Is Here’ to the melody. I wrote all the words down, handed it to Vince, and said, ‘Find a choir of kids to sing this.’ He had been working with a choir to do a jazz mass in San Francisco. He rushed them all together, about two days later. So that whole thing was written and recorded in about over a two-day period and then rushed into the final mix [of the special].” The song has gone on to become a holiday standard and has been covered by many artists including Tony Bennett and Diana Krall.

In fact, it is hard to imagine the holiday season in the US now without the beloved special and its music!

Charlie Brown Christmas album art

Univeristy of Richmond students, faculty and staff can stream the soundtrack to the special by logging into the Alexander Street press database to which the library subscribes. They can also access Guaraldi’s Grace Cathedral Jazz Mass (which also celebrated its 50th anniversary in 2015) as well as several of Guaraldi’s other albums.

Grace Cathedral concert

A Charlie Brown Christmas has become the second longest running animated Christmas special of all time (behind 1964’s Rudolph the Red-Nosed Reindeer) and the soundtrack album was added to the Library of Congress’s National Recording Registry in 2011.

Charlie_Brown_Xmas_tree

The Parsons Music Library has a special display about A Charlie Brown Christmas and Vince Guaraldi that you can visit through the end of the year — come check it out!

“There Are Places I’ll Remember …” – The Beatles’ Rubber Soul turns 50

The Beatles - Rubber Soul

Rubber Soul is the sixth album released by the Beatles. It was issued in the UK on December 3rd, 1965, fifty years ago. (And was released in an altered form in the US on December 6th, 1965.) The album was the first album the Beatles recorded during a continuous period (between October 12th and November 15th, 1965) instead of being recorded piecemeal between tour gigs. This gave the band an opportunity to craft an album that was a more cohesive and introspective unit. Rubber Soul‘s 14 songs (11 composed by John Lennon & Paul McCartney, 2 composed by George Harrison and 1 written by Lennon, McCartney and Ringo Starr) are stylistically diverse, incorporating elements of R&B, folk rock, pop, soul and psychedelia. It is also the first Beatles album to NOT include any cover songs (i.e., songs orignally written and recorded by other artists).

Rubber Soul was unique for many reasons. The Beatles were beginning to experiment with lyrics that were not necessarily about boy-girl romance and are more lyrically sophisticated than songs like “She Loves You“. “Nowhere Man” isn’t about romance at all — a first on a Beatles album.

The group also experiments with incorporating unusual instruments (for the time) and sounds onto the album. George Harrison’s use of the sitar on Lennon’s “Norwegian Wood” helped to spark a musical craze for Indian instruments in pop music. Other “world music” influences are evident in the jazzy French style of McCartney’s “Michelle” and a Greek flavored accompaniment on Lennon’s “Girl” (with acoustic guitars standing in for bouzoukis). “In My Life” features an instrumental bridge with a Bach-like passage played on piano, but sped up to sound like a harpsichord.

The Beatles’ willingness to experiment in the studio was a feature of their work that would continue to develop by leaps and bounds over their next couple of albums. The spirit of experimentation even extended to the album cover itself, which featured a distorted image of the Fab 4 and, unlike most pop albums of the time, did NOT feature the name of the band on the front cover.

Rubber Soul remains a fulfilling album to listen to and to quote music critic Walter Everett, “was made more to be thought about than danced to, and this began a far-reaching trend.”

New CDs added in November!

New CDs for November 2015

Classical

Eighth Blackbird – Filament
Antonio Vivaldi – Complete Viola D’Amore Concertos
Franz Schubert – The Unauthorised Piano Duos
Pablo Villegas – Americano
Kontras Quartet – Origins

Eighth Blackbird - Filament

Pablo Villegas - Americano

Vivaldi - Complete Viola D'Amore Concertos

Early Music

Blue Heron Renaissance Choir – Music From The Peterhouse Partbooks, Vol. 4

Blue Heron Renaissance Choir

Vocal/Opera

Joyce DiDonato & Antonio Pappano – Joyce & Tony: Live At Wigmore Hall

Joyce & Tony:  Live at Wigmore Hall

Musicals

Lin-Manuel Miranda – Hamilton: Original Broadway Cast Recording

Hamilton Cast Recording

Pop/Rock/Country/Blues

Juan Diego Florez – Sentimiento Latino
Shemekia Copeland – Talking To Strangers
Shemekia Copeland – Outskirts of Love
Janelle Monae – The Archandroid
Janelle Monae – Metropolis: The Chase Suite

Sentimiento Latino

Metropolis

Outskirts of Love

Jazz

John Scofield – Past Present
Sun Ra – Four Classic Albums Plus Bonus Singles
Sun Ra – Soundtrack to the Film Space Is The Place
Kenny Clarke – Kind of Clarke
Dee Dee Bridgewater, Irvin Mayfield & The New Orleans Jazz Orchestra – Dee Dee’s Feathers

Dee Dee's Feathers

Sun Ra - Space Is The Place

New CDs added in October!

New CDs for October 2015

Classical

J.B. Cramer – Studio Per Il Pianoforte (84 Etudes in Four Books)
Brahms & Reger – Sonatas For Clarinet And Piano
William Lawes – The Royal Consort
Jane Austen Entertains – Jane Austen Entertains: Music From Her Own
Library

Jane Austen’s Favourite Music – Jane Austen’s Favourite Music: Songs, Piano & Chamber Music from Jane Austen’s Own Music Collection
Jane Austen Piano Favourites – Jame Austen Piano Favourites
Entertaining Miss Austen – Entertaining Miss Austen
The Flautadors Recorder Quartet – Cynthia’s Revels
Alan Feinberg – Fugue State
Chou Wen-Chung – Eternal Pine

Jane Austen Entertains

Vocal/Opera

Thomas Arne- Artaxerxes
Mary Jane Newman – Jane’s Hand: The Jane Austen Songbook
Loyset Compere – Compere: Magnificat, Motets & Chansons

Artaxerxes

Pop/Rock/Country

Peggy Lee – Miss Peggy Lee
Harry Nilsson – The Point
Harry Nilsson – Pandemonium Shadow Show, Aerial Ballet and Arial Pandemonium
Ballet

Harry Nilsson – Nilsson Schmilsson
The Honey Dewdrops – Silver Lining
Now That’s What I Call New Wave 80s – Now That’s What I Call New Wave
80s

Nilsson Schmilsson

Jazz

Herbie Hancock Septet – Herbie Hancock Septet Live at the Boston Jazz
Workshop

Sam Most – From The Attic of My Mind
Terell Stafford – Brotherlee Love: Celebrating Lee Morgan
Jule Styne – Scott Hamilton Plays Jule Styne
Fred Hersch – Solo
Lafayette Harris Jr. – Trio Talk
Jazz at Lincoln Center Orchestra with Wynton Marsalis – Live In Cuba
Charlie Haden – Tokyo Adagio
Eric Alexander – The Real Thing

Trio Talk - Lafayette Harris, Jr.

World/Folk Music

Music Rough Guides – The Rough Guide to the Best Arabic Music You’ve Never
Heard

The Moving Violations – Faster Than A Walk: New England Contra
Music

Marti Nikko & DJ Drez – Dreaming In Sanskrit
The Best Arabic Music You've Never Heard

Electronic Music

Bang On A Can All-Stars- Field Recordings

Field Recordings - Bang On A Can All-Stars

Richmond Folk Festival

Richmond Folk Festival Poster 2015

This year’s festival poster was created by RVA’s own Bizhan Khodabandeh

The Richmond Folk Festival has brought world class musicians to the City of Richmond since 2005.    It is a FREE event and attracts thousands of people to Richmond’s riverfront (Brown’s Island and environs)  to celebrate the richness and diversity of America’s culture through music, crafts, dance, storytelling and food. It also provides an excellent opportunity to experience music and performances that are not commonly seen in Virginia and to appreciate different musical styles.

This year’s festival takes place October 9th-11th and features an amazing mixture of performers such as:

DJ Grandmaster Flash

DJ Grandmaster Flash

Hip hop legend DJ Grandmaster Flash from New York, NY, best known for “The Message” and his work with the Furious Five. (We have several CDs, DVDs, and other resources featuring his work or information about it in our collection.

Cambodian American Heritage Dance Troupe

Cambodian American Heritage Dance Troupe

The Cambodian American Heritage Dance Troupe will perform in elaborate costumes with traditional instrumental accompaniment. You can find assorted resources to help you learn more about Cambodian classical music and dance in the library and online.

Feedel Band

Feedel Band

Feedel Band, an Ethio-jazz band from Addis Ababa via Washington, D.C. Ethio-jazz is a fusion of traditional Ethopian music with jazz, funk, soul and Latin rhythms.

Grupo Rebolu

Grupo Rebolu

Grupo Rebolu is an Afro-Colombian ensemble that plays a mix of indigenous, African and modern instruments and sings in Spanish. Their music is rooted in traditions of the Caribbean coast of Colombia and dancing is encouraged!

The Alt

The Alt

If you’re into Celtic music you can see performances by The Alt, a trio of master Irish musicians. The group takes its name from The Alt, a storied glen on the slopes of Knocknarea in County Sligo, said to be the final resting place of the ancient Irish warrior-queen Maeve.

In honor of the Richmond Folk Festival (and in case you can’t make it since it’s happening during Fall Break), the Parsons Music Library has created a small exhibit featuring examples of the types of music that you can find at the Folk Fest this year as well as some examples of specific performers that will be attending.   Items include books, CDs and DVDs. You can check out the exhibit in the library through the end of October.

We also have an assortment of streaming audio from musicians participating in the folk festival that can be accessed if you are a UR Student, Faculty or Staff Member. You will need to sign in with your UR email address and password to access most of our streaming content.

The Campbell Brothers - Sacred Steel

The Campbell Brothers – Sacred Steel On Tour

Sacred steel is a musical style and African American gospel tradition that developed in Pentecostal churches during the 1930s. Per the Richmond Folk Festival’s website: “Named for the metal bar – often made of steel – that players slide over strings to vary the pitch of notes, steel guitarists have provided the driving musical force for spirit-filled church services for nearly eighty years. The signature sound remains one characterized by single-note passages that uncannily imitate African American vocal styles. This unique musical tradition, rarely heard outside the church before the early 1990s, has since captivated the ears of the nation and world. Among the finest ambassadors of sacred steel are the Campbell Brothers.”

Here is a link where you can hear some of their music: https://newman.richmond.edu/login?qurl=https://search.alexanderstreet.com/view/work/385813

Shemkia Copeland

Shemekia Copeland

Schooled in Texas blues by her father and raised in Harlem, Shemekia Copeland creates music that reflects gritty urban realities and weaves together blues, soul, and rock and roll.

Here’s a link to some streaming audio of her for you to enjoy: https://newman.richmond.edu/login?qurl=https://search.alexanderstreet.com/view/work/2130437

You can also have a listen to streaming audio by artists like rockabilly icon Sleepy LaBeef or out of this world big band free jazz groups like the Sun Ra Arkestra (which bears the name of its founder and bandleader, Sun Ra, who named himself after Ra, the Egyptian God of the Sun, and claimed to be from Saturn!).

The Richmond Folk Festival offers something for everyone and is well worth investigating further either by attending the FREE event yourself or by visiting the music library to learn more about resources that we offer relating to it!

Richmond Folk Festival Logo

Happy Birthday, Julie Andrews!

"Julie Andrews Park Hyatt, Sydney, Australia 2013" by Eva Rinaldi from Sydney Australia - Julie Andrews. Licensed under CC BY-SA 2.0 via Commons - https://commons.wikimedia.org/wiki/File:Julie_Andrews_Park_Hyatt,_Sydney,_Australia_2013.jpg#/media/File:Julie_Andrews_Park_Hyatt,_Sydney,_Australia_2013.jpg

“Julie Andrews Park Hyatt, Sydney, Australia 2013” by Eva Rinaldi from Sydney Australia

Today (October 1, 2015) is Dame Julie Andrews‘ 80th birthday!

Julie Andrews (née Julia Elizabeth Wells) was born in 1935 in Walton-on-Thames, Surrey, England.

She is probably best known today for her roles in the 1964 Walt Disney film Mary Poppins and for the 1965 film production of Rodgers & Hammerstein’s The Sound Of Music. 

In addition to these classics, which are both available to borrow at the MRC in Boatwright Memorial Library,  the Music Library has some other items featuring Julie Andrews that are worth a look.

Julie Andrews - "Don't Go In The Lion's Cage Tonight"

 

Don’t Go in the Lion’s Cage Tonight is new addition to our collection.   It’s a reissue of a 1962 album of “Heartrending Ballads & Raucous Ditties” in British Music Hall style.

We also have vocal scores and cast recordings of some of her London and Broadway stage shows such as My Fair Lady and Camelot

My Fair Lady - Original London Cast Recording

Camelot - Original Cast Recording

 

The Music Library also has an assortment of DVDs featuring Julie Andrews like her last screen musical, Victor/Victoria  or the documentary series Broadway: The American Musical, in which she serves as host.

Victor/Victoria

Broadway: The American Musical

These items and many more fabulous resources are available for you to check out now at the Music Library, so come see us!

New CDs added this month!

For August and September 2015

Classical

International Double Reed Society – 25th Anniversary
Marisa Robles – Harp Concertos
Mieczysław Weinberg – Mieczysław Weinberg
Alvin Singleton – Sweet Chariot
Kenneth Tse – Kenneth Tse, soprano saxophone
Georg Philipp Telemann – Twelve Fantasias
Edward T. Cone – Solo & Chamber Music
Sarn Oliver – Tangled Flow
Tanglewood Music Center Orchestra – Tangled Flow
Kevin R. Gallagher – Guitar Recital
Johan Dismas Zelenka – Chamber Sonatas, Volume One
Heinrich Koll – The Art of the Viola
Lillian Fuchs – Complete Music For Unaccompanied Viola
Quicksilver – Fantasticus: Extravagant & Virtuosic Music of the German Seventeeth Century
Jon Manasse – Trio, op. 11 / Beethoven. Grand duo : op. 48 / Weber. Trio, op. 114 / Brahms.
Trio Indiana – Trio Indiana
Hilary Hahn – The Hilary Hahn encores : in 27 pieces
Heinrich Koll – The Art of the Viola
Liturgical Organists Consortium – Divinum Mysterium
Hilary Field – Premieres – Contemporary Lyrical Works for the Classical Guitar
Manchester Festival String Orchestra – Vision: Music of the 20th & 21st Centuries
Franz Schubert – The Unauthorised Piano Duos, vol. 2: The Gahy Friendship
Boston Symphony Orchestra – Bolero; La valse / Ravel. Pictures at an exhibition / Mussorgsky.
Wiener Glasharmonika Duo – Glas & Steine
Music & Art in the Time of Rembrandt – Music & Art in the Time of Rembrandt

Vocal/Opera

Weser-Renaissance Bremen- Virgo Prudentissima
Giacomo Puccini – Puccini Rediscovered
Titta Ruffo – Titta Ruffo

Pop/Rock/Country

Sam Smith- In The Lonely Hour
Julie Andrews- Don’t Go in the Lion’s Cage Tonight
Merge Records – Oh, Merge: A Merge Records 10 Year Anniversary Compilation
The Texas Troubadours – Almost To Tulsa: The Instrumentals

Musicals

Jeanine Tesori – Fun Home
Richard Rodgers – The King and I (2015 Broadway Cast Recording)
John Kander – The Visit (Original Broadway Cast Recording)
Skip Kennon – The Pioneers of Movie Music: Sounds of the American Silent Cinema

Jazz

Adrian Cunningham – Ain’t That Right! The Music of Neal Hefti
Arturo O’Farrill – Cuba The Conversation Continues
John Burnett Swing Orchestra – Swingin’ In The Windy City
Cécile McLorin Salvant – For One To Love

World/Folk Music

Harry Everett Smith – Harry Smith’s Anthology of American Folk Music, Volume Four
Rumanian Folk Music – Rumanian Folk Music
Maleem Mahmoud Gania – Gnawa Essaouira
Louisiana Cajun Music – Louisiana Cajun Music
Martilar – Memories From Turkey

Electronic Music

Qluster – Lauschen

This ain’t your grandma’s ballet.

Editor’s Note: The following contribution is a guest post by UR undergraduate James Fong, who is a Student Assistant working at Parsons Music Library. Thanks, James, for the insights on the in-famous work of Igor Stravinksy!

Ever see a ballet that made you want to riot? If that sounds strange, that’s because it is. The brainchild of composer Igor Stravinsky and impresario Sergei Diaghilev, The Rite of Spring caused its audience members to do just that.

Prior to May 29, 1913, ballet was a rather docile thing. From its first beginnings in Renaissance Italy as a courtly activity for the aristocracy, to its transformation as a formalized discipline involving grace and technique by the late 19th century, ballet was fairly content with itself.
There would be an added creative wrinkle here or there (poses, costumes, etc.), but its fashionability in the day gave it no reason to revolutionize itself.
Then May 29, 1913 happened.

“The theater resembled a prison yard: shouting, howling whistling, slapping, punching.”

“A beautifully dressed lady in an orchestra box stood up and slapped the face of a young man who was hissing in the next box. Her escort arose, and cards were exchanged between the men. A duel followed next day.”

480 px width, cropped version of original by Flickr poster "Piano Piano!"

Sacre du Printemps – London Philharmonic Orchestra

“Exactly what I wanted.” – Diaghilev

That is only a microcosm of the reception of a ballet centered around the creative forces of Spring. That and a sacrificial virgin dancing herself to death to appease the god of that very season.

Set in pagan Russia, The Rite was, for all intents and purposes, an uncontrolled experiment in music and dance. Musically, Stravinsky pushed the limits of meter, tonality, and dissonance, which must have caused quite some discomfort for an audience raised on formal music from the glory days of the Common Practice Period. Meanwhile, Nijinsky’s choreography blew the doors off of anything that had preceded it. Angular, violent, and downright convulsive, it was as much a powder keg as the score. So much so that Nijinsky’s choreography was scrapped from 1920 until its resurrection by the Joffrey Ballet in Los Angeles in 1987.

Despite its beginnings in obscurity (at best), or disaster (at worst), The Rite – particularly the score – has since emerged as an enormous commercial and artistic success, lending credibility to the Russian ballet scene, even being featured in Walt Disney’s color trick film, Fantasia. That being said…
Read up on the mayhem, witness the performances, and explore Stravinsky’s other (equally chaotic) works at Parsons Music Library, located on the second floor of Booker Hall. We hope you’ll be better behaved than the original audience.

photo credit

Additional CD’s added in May!

5/28/2014

Classical

Berio – Chamber Music
Peter Serkin – Beethoven Sonatas

Instrumental

Michael Daugherty – American Icons

Jazz

John Coltrane – Africa/Brass
Donald Byrd – Early Byrd

Pop/Rock

Foy Vance – Joy of Nothing
Bruce Springsteen – Human Torch
Bruce Springsteen – Darkness on the Edge of Town

Soul Music

Allen Toussaint – What is Success: The Scepter and Bell Recordings
Charles Wright – Express yourself the best of Charles Wright and the Watts 103rd Street Rhythm Band
Gladys Knight – The very best of Gladys Knight & the Pips : the early years

Soundtracks/Film Music

Various – BaadAsssss Cinema (The Sounds of Blaxploitation)
Various – The Best of Blaxploitation

Hear and see our own Richuan Hu in action!

Editor’s update (1/17/13): Here is video of our student assistant, Ruiquan (Richuan) Hu performing with the UR Orchestra last semester. Bravo, Richuan!

As a part of the upcoming concerto performance that features the Music Library’s own Richuan Hu, we’d like to present a previous blog submission that Richuan wrote about his thoughts on studying a famous piano work by Franz Liszt. Please come out to the UR Orchestra concert on Wednesday, December 5 at 7:30pm in Camp Concert Hall, so you can hear Richuan in action as he performs the first piano concerto by Chopin. Richuan is the winner of the 2012 concerto competition!

UR orchestra and Richuan Hu

UR orchestra and Richuan Hu


 

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