Did you know that the University of Richmond has its own radio station?
WDCE 90.1: UR Radio is the voice of independent radio in Richmond, VA and has been student-run and operated since 1960.
Students have used it as a launching pad for careers in radio or other mass communications, and also as an engaging extra-curricular activity. Community members and UR alumni also continue to play an important role in the station.
Did you know that the University of Richmond has its own radio station?
WDCE 90.1: UR Radio is the voice of independent radio in Richmond, VA and has been student-run and operated since 1960.
Students have used it as a launching pad for careers in radio or other mass communications, and also as an engaging extra-curricular activity. Community members and UR alumni also continue to play an important role in the station.
Did you know that the University of Richmond has its own radio station?
WDCE 90.1: UR Radio is the voice of independent radio in Richmond, VA and has been student-run and operated since 1960.
Students have used it as a launching pad for careers in radio or other mass communications, and also as an engaging extra-curricular activity. Community members and UR alumni also continue to play an important role in the station.
Did you know that the University of Richmond has its own radio station?
WDCE 90.1: UR Radio is the voice of independent radio in Richmond, VA and has been student-run and operated since 1960.
Students have used it as a launching pad for careers in radio or other mass communications, and also as an engaging extra-curricular activity. Community members and UR alumni also continue to play an important role in the station.
Did you know that the University of Richmond has its own radio station?
WDCE 90.1: UR Radio is the voice of independent radio in Richmond, VA and has been student-run and operated since 1960.
Students have used it as a launching pad for careers in radio or other mass communications, and also as an engaging extra-curricular activity. Community members and UR alumni also continue to play an important role in the station.
The Māori are the indigenous people of New Zealand. Their folk music traditions are often integrated with poetry and dance. Here’s a brief overview of Māori music culture past and present:
Taonga pūoro
This picture displays several traditional Maori instruments belonging to master practitioner, Horomona Horo. The instruments are from bone, wood ,shell and gourd. Source: https://en.wikipedia.org/wiki/Taonga_p%C5%ABoro
Taonga pūoro are the traditional musical instruments of the Māori and consist of a variety of blown, struck and twirled instruments made from hollowed-out wood, stone, whale ivory, and bone.
The sounds of the instruments were intended to mimic the sounds of the natural environment such as insects, birds, water, trees and wind and were connected with religious practice. According to Wikipedia, the Māori viewed music related to their creation story where “The Gods sang the Universe into Existence.”
Here is a short video on taonga pūoro featuring Māori instrumentalist Richard Nunns:
Today, taonga pūoro are most frequently used at Māori ceremonies and also by New Zealand composers, such as Gillian Whitehead.
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Haka
The Te Aka Māori Dictionary defines haka as a general term for “vigorous dances with actions and rhythmically shouted words” and/or the performance of these dances. Haka are sometimes described as challenges. They are used to make a point, honor someone/something, tell a story or express an emotion. They are performed by both men and women.
Kapa haka is a term for Māori action songs like haka and groups that perform them.
Here is a short video on kapa haka produced by NPR:
And here are a few song styles performed by kapa haka groups: Waiata are songs are sung solo or in unison, usually lullabies, love songs or laments. Waiata is also a Māori verb which means “to sing.”
Poi are (usually) women’s dances involving the swinging of balls, about the size of tennis balls, attached to cords and its accompanying music.
A karanga is a formal, ceremonial call and response at the start of a pōwhiri (welcome ceremony). Karanga are carried out almost exclusively by women and in the Māori language.
*** Contemporary Māori Music
Māori musical heritage continues to have an impact on New Zealand music and culture. Western instruments like guitars are frequently employed with traditional instruments today and indigenous sounds are melded with many different styles of music such as pop, jazz, classical and hip hop. Māori traditional instruments are sometimes used by contemporary composers, musicians and artists.
Here are a couple of fun video examples of Māori music melding with western forms for your enjoyment:
* “Poi E” by Pātea Māori Club was a NZ hit single in 1984 and is still beloved today. (Note that poi as described above are featured in the video!):
* Here is a classical piece featuring taonga pūoro written by contemporary Māori composer Gillian Whitehead:
* And for contrast, here is a thrash metal song released in 2019 by the group Alien Weaponry:
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Here are some items from our collection that will give you more information on Māori music:
Our exhibit highlights items (both physical and streaming) from UR’s collection as well as information about traditional Chilean instruments and dance. It also includes thumbnail biographical info on several Chilean musicians.
Here’s a little info on the music with some links to items in the library’s collection and a few video clips for good measure!
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The traditional music of Chile is a rich mixture of Spanish and Pre-Columbian influences.
Some of the traditional instruments commonly used in Chile include Andean instruments such as
* The charango – a small stringed instrument of the lute family. It was traditionally made from armadillo shell, but is more commonly made of wood today. It has 10 strings.
The Cueca is considered to be the “most traditional music and dance of Chile” and is officially the country’s national dance. While cueca’s origins are not entirely certain, indigenous, African and Spanish influences are evident.
It is a partner dance which is indented imitate the courtship of a rooster and hen. Men usually wear a traditional Chilean cowboy costume while women traditionally don a flowered dresses with an apron.
In the 1960s and 1970s, Chilean songwriters like Victor Jara and Violeta Parra used the tonada as a foundation of the “Nueva Canción,” explicitly political music that blended Chilean folk music with progressive politics, similar to the way Bob Dylan and Joan Baez led a political folk revival around the same time in the U.S.
The foundations of nueva canción were laid by Violeta Parra (1917-1967) who was a popular folk singer-songwriter and musicologist who researched and recovered the poetry and songs of rural Chile.
Víctor Jara (1932-1973) was a legendary Chilean folk singer and political activist who also pioneered nueva canción. His activism led to his murder by the Pinochet dictatorship in 1973.
Jara’s life and work continue to be celebrated by Latin American artists as well as globally known bands like U2 and The Clash. The 2018 documentary film The Resurrection of Víctor Jara is a great introduction to his life and legacy and is available to UR students, faculty and staff as a streaming video resource.
Here’s a trailer for the documentary:
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Claudio Arrau (1903-1991) was a Chilean pianist known for his interpretations of a vast repertoire, especially the works of Bach, Beethoven, Schubert, Chopin, Schumann, Liszt and Brahms.
He is widely considered to be one of the greatest pianists of the twentieth century.
Here are a couple of library resources about his life and work:
The Music Library has more resources available than physical items. We’re highlighting some of our digital resources, and including information about them as told by our student employees.
The Music Library has more resources available than physical items. We’re highlighting some of our digital resources, and including information about them as told by our student employees.
Here is what student assistant Allison (class of 2022) had to say about this resource:
“Met Opera on Demand is a resource put out by The Metropolitan Opera for college and university libraries. There is access to more than 700 full-length Met performances, featuring both audio and video recordings. Scrolling through, I saw that they have a recording of Nabucco.
A still from the Metropolitan Opera’s 2016 production of Nabucco
This is of specific interest to me because I’ve played a piece from that opera in orchestra. It would be cool to watch to get a better sense of the context for the piece. This resource would be great for anyone studying music from operas or anyone who is interested in opera and wants to watch.”
