Black Composers Matter: Zenobia Powell Perry

Editor’s note: In conjunction with the current “Black Composers Matter” display at the Music Library, I – your friendly neighborhood Music Library Associate – had a great time researching for it and I thought it might be nice to showcase the Black Composers highlighted therein. Things that are linked will take you to additional relevant information or to OneSearch for library-owned materials.

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Zenobia Powell Perry
(October 3, 1908 – January 17, 2004)

Perry was born in Boley, Oklahoma into a well-educated, middle class family. Her grandfather, who had been enslaved, sang her traditional spirituals as a child, which later influenced her work.

When she was about 7 years old, she met Booker T. Washington and sang for him at his appearance in Boley on August 22, 1915. She won a piano competition in 1919, and also learned to play violin.

Perry went on to study music at Berryman Conservatory in Nebraska and the Hampton Institute in Virginia. In 1935, she started at the Tuskegee Institute where she studied with composer William L. Dawson, who encouraged her to compose original work. She graduated from Tuskegee in 1938.

After Tuskegee, Perry became part of a Black teacher training program which was headed by Eleanor Roosevelt (who helped to fund Perry’s graduate studies).

Perry (left) with music students and teachers in 1949.

Perry worked as a professor at several historically black colleges and universities (HBCUs), including Central State University in Ohio.

She did not seriously begin composing until she was in her 40s. Her music is classical with some jazz and folk influence. She wrote an opera Tawana House (first performed in 1987 and revived in 2014), as well as works for voice, orchestra, band and a mass.

American Composer Zenobia Powell Perry

If you’d like to learn more about her, here are some items about Perry from the Music Library’s collection:

* American Composer Zenobia Powell Perry: Race and Gender in the 20th Century by Jeannie Gayle Pool (Book)

* Soulscapes: Piano Music by African American Women (CD)

* Black Women Composers: A Century of Piano Music (1893-1990) edited by Helen Walker-Hill (Score)

* You can also find her works by searching on streaming services like Spotify or Youtube!

Black Composers Matter

Arachnophonia: Amanda Maier

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record(s) for the item(s) in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Librarian Dr. Linda Fairtile and features Amanda Maier, an overlooked woman composer who lived from 1853-1894. Thanks, Dr. Fairtile!

Amanda Maier

Amanda Röntgen-Maier portrait

Amanda Röntgen-Maier portrait
Bergen Public Library Norway from Bergen, Norway

If you look up Amanda Maier in Grove Music Online, the self-styled “world’s premier online music encyclopedia,” you’ll find that she was the first wife of composer Julius Röntgen, as well as a violinist who studied at the Stockholm Conservatory. But Maier (1853-1894) wasn’t “only” a wife and a violinist; she was also a gifted composer whose music was praised by both Brahms and Grieg. After hearing a recording of Maier’s violin concerto on the radio, I resolved to add the works of this unjustly neglected composer to Parsons Music Library’s collection.

Jennifer Martyn, herself a violinist, has filled in some of Maier’s background. Maier’s performing career essentially ended when she married Julius Röntgen, her violin teacher’s son, but she continued to compose until a few years prior to her tragically early death, from a lung ailment, at the age of forty-one.

Two CDs recently acquired by Parsons Music Library are simply titled Amanda Maier, volumes 1 and 2 (call numbers RM3.1 .M36 2016 and RM3.1 .M36 2017) They are the brainchild of Swedish producer Erik Nilsson, who plans to record all of Maier’s works. Volume 1 contains the first movement of her Violin Concerto in D Minor, performed by violinist Gregory Maytan and the Helsingborg Symphony Orchestra, conducted by Andreas Stoehr (unfortunately, the second and third movements have been lost). Maier’s final work, her Piano Quartet in E Minor, is played by Maytan with Bernt Lysell (viola), Sara Wijk (cello), and Ann-Sofi Klingberg (piano). The Quartet is a profound work, with a dramatic first movement, a lyrical second movement reminiscent of Brahms, a dancelike third movement, and an exuberant finale. Klingberg also accompanies Maytan on the Swedish Tunes and Dances that Maier and her husband composed together.

Amanda Maier Volume 1

Volume 2 of Amanda Maier contains her best known work, the passionate Sonata in B Minor for Violin and Piano, here performed by violinist Cecilia Zilliacus and pianist Bengt Forsberg. This duo also plays her Nine Pieces for Violin and Piano, only six of which have ever been published. Maier’s vocal music is represented on this recording by four unpublished songs setting texts by the now-forgotten poet Carl-David af Wirsén. Soprano Sabina Bisholt and pianist Bengt Forsberg perform these rather melancholy pieces.

Amanda Maier Volume 2

Parsons Music Library will soon have three other CDs of Amanda Maier’s music (Amanda Maier, vol. 3, Amanda & Julius, and Amanda Maier Meets Johannes Brahms), as well scores of her Piano Quartet and her Sonata for Violin and Piano (arranged for flute). Most of Maier’s music remains unpublished or exists only in rare 19th-century editions, many of which have been uploaded to IMSLP. We will continue to collect the music of this undeservedly forgotten composer as it becomes available.

Leah Broad devotes an episode of her podcast “Notes on Notes” to Amanda Maier, which includes video performances of Maier’s music:
https://notesonnotespodcast.com/2019/04/19/5-short-notes-on-amanda-maier/

And here is a fascinating video about the rediscovery of Maier’s Piano Trio in E flat:
https://www.youtube.com/watch?v=dF7-AtKhZds