Arachnophonia: Folk Music and the New Left in the Sixties

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Eve (class of 2020) and features a book entitled Folk Music and the New Left in the Sixties. Thanks, Eve!

Folk Music and the New Left in the Sixties by Michael Scott Cain

Folk Music and the New Left in the Sixties

I am super excited about Michael Scott Cain’s Folk Music and the New Left in the Sixties book available through the Music Library Collection! As an environmental activist, I am intrigued by the connection between music and activism and have drawn strength from songs like “The Times They Are A – Changin’” (Bob Dylan), “Resilient” (Rising Appalachia) and “Pa’lante” (Hurray for The Riff Raff). Most recently, at the Climate Strike in D.C., performers like Caroline Rose sang “Money”, and my Environmental Law professor’s daughter performed an original song about climate change!

https://globalclimatestrike.net/

As a result, I am excited to explore this book and Cain’s insight about the revival of folk music in the 1960’s that addressed a political shift and new cultural ideologies in America. The book focuses on musicians like Joan Baez, Peter Paul & Mary, and Bob Dylan and is divided into three parts; first, The Background, focused on the emergence of the New Left, second, The Politics, examining the politics of the New Left, and third, The Music, or the soundtrack of the New Left movement. When paging through the book, I was interested in the connection between suburbanization and the emergence of the New Left, and was drawn to the idea of a “prefigurative model” that turns the status quo upside down, where the “last shall be first”. Michael Scott Cain integrates an analysis of American history, culture, icons, music and experiences in an accessible and interesting read. Check it out!

Bob Dylan & Joan Baez during the 1960s

Arachnophonia : The Life Aquatic soundtrack

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about items in the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library student library worker, Gabi (class of 2020) and features the soundtrack album for the 2004 film The Life Aquatic. Thanks, Gabi!

The Life Aquatic with Steve Zissou soundtrack
Mark Mothersbaugh, Seu Jorge, et al

Life Aquatic soundtrack

What makes a film great? Some may say an Oscar-worthy performance by a lead actor, or the presentation of aesthetically pleasing cinematography. For me, although both of these are important, what really makes a movie stand out is music. Whether it’s the soundtrack, the score, or both, the ability to perfectly match a song to a scene is impressive. It can bring the emotions I’m feeling while watching up to another level.

Life Aquatic still

The Life Aquatic with Steve Zissou, directed by Wes Anderson, is a comedy-drama about an oceanographer played by Bill Murray. This film is an excellent example of one that uses a unique background of music to enhance its tone, which is whimsical and quirky.

Let me tell you about my boat

Mark Mothersbaugh, a former member of the pop group DEVO and a frequent Anderson collaborator, is the composer of the film’s score. Five of Mothersbaugh’s instrumental tracks appear on the official soundtrack, including “Let Me Tell You About my Boat”, which accompanies one of the most famous scenes in the film: Steve Zissou breaking the fourth wall by directly introducing himself to the audience.

Mark Mothersbaugh

Mark Mothersbaugh

The coolest part about this soundtrack is that it features five covers of some of David Bowie’s best songs… in Portuguese. The movie itself showcases Seu Jorge performing a variety of Bowie covers including “Rebel Rebel”, “Starman” and “Rock ‘n’ Roll Suicide”. Jorge plays one of Steve Zissou’s crew members in the movie, and sings the songs with a red beanie on his head and an acoustic guitar in his hands. These covers do not only provide a fresh take on several well-known classic rock songs, but also give the film unforgettable character.

Seu Jorge

Seu Jorge in the film

Seu Jorge’s work in The Life Aquatic was so memorable that, 13 years after the film’s initial release, he is currently on tour performing the covers as an homage to the late David Bowie.