Parsons Playlists: Music Censorship

Welcome back to Parsons Playlists — a special Banned Books Week edition! Today’s playlist is curated by Music Library student manager Amy (class of 2025) and features tracks that have been censored over the years.

Music Censorship

For decades, musicians’ artistic liberties have been censored, whether it be because of references to sex, violence, drugs, politics, or religion, it is all a restriction of one’s freedom of speech. In honor of Banned Books Week, here is a list of songs that might be on your playlists that were banned or censored in one way or another.

Billie Holiday – “Strange Fruit”

Billie Holiday’s protest song “Strange Fruit” which was a direct call out of American racism, especially Southern lynchings, was too controversial for most radio stations. The song, originally a poem by Abel Meeropol inspired by the 1930 lynchings of Thomas Ship and Abraham Smith, was performed by Meeropol before Holiday made it her closing act in 1938. Time magazine named it “Song of the Century” in 1999. (1)

Lady Gaga – “Judas”

Christian groups in Lebanon and the Philippines called for a ban on Lady Gaga’s concerts and her album as a whole. Christian and Muslim groups in 2012 worked hard to try to ban Gaga’s shows, calling them the “work of Satan.” (2)

Loretta Lynn – “The Pill”

Loretta Lynn’s song about sexual freedom and birth control, “The Pill” shocked the world in 1975 because of its lyrics discussing birth control, something that was only made legal three years before the song’s release. When the song was released, three years after its initial recording, over 60 radio stations banned the song. Modern country artists like Miranda Lambert and The Chicks were heavily influenced by Lynn’s strength to stray from the norm and talk about important topics not everyone wants to sing about. (3)

The Notorious B.I.G. – “Juicy”

In 1993, a bomb exploded under the North Tower of the World Trade Center, killing six people. Some historians see this attack by Islamic radicals as the start of a two-decade conflict with the West. The Notorious B.I.G., nearby at the time, referenced the event in his 1994 single “Juicy” with the line “blow up like the World Trade,” symbolizing his desire for rapid success. After his 1997 death, his music became iconic in 1990s rap culture. Following 9/11, the lyric was removed from media, and the edited version of the song is still played today. (4)

Britney Spears – “If U Seek Amy”

In 2009, the Parents Television Council urged radio stations across the country not to play Britney Spears’s newest song, “If U Seek Amy,” because of the lyrics’ double meaning. If the title of the song is said quickly, it sounds like one is spelling out F-U-C-K me. (5)

Olivia Newton-John – “Physical”

Olivia Newton-John’s most successful song of her career, “Physical” was banned from many radio and TV stations for being too sexual. However, this didn’t stop the song from its roaring success. Over 40 years later the song’s release, her song is now sampled by modern music artists like Dua Lipa and Doja Cat. (6)

DJ Vadim & Sarah Jones – “Your Revolution”

Sarah Jones’ lyrical poem, “Your Revolution” was a direct call out of the treatment and portrayal of women in hip-hop music. The FCC called out a radio station and Jones for playing the song, and when Jones sued them, the case was dismissed, but many stations didn’t play the song while the case was ongoing. (7)

Parental Advisory label

Eminem – “The Real Slim Shady”

Following up on a listener complaint, the FCC fined a radio station $7000 for airing the radio edit of Eminem’s “The Real Slim Shady.” The FCC complained that the song contained offensive sexual references that were intended to shock audiences. (8)

The Rolling Stones – “(I Can’t Get No) Satisfaction”

The Rolling Stones’ song “(I Can’t Get No) Satisfaction” was initially played only on pirate radio stations in the UK due to its sexually suggestive lyrics. (9)

Madonna – “Like a Prayer”

Madonna’s 1989 hit was censored for its provocative mix of religious imagery and sexual themes. The accompanying music video, which featured depictions of burning crosses and Madonna receiving stigmata, caused outrage among religious groups and led to boycotts and bans. (10)

The Beatles – “Lucy in The Sky With Diamonds”

Though the band denied it, many believed this 1967 track was a reference to LSD due to its initials and psychedelic lyrics. As a result, the song faced bans from radio stations, particularly in the more conservative U.S. and U.K. (11)

Queen – “I Want to Break Free”

The 1984 song was banned by MTV in the U.S. due to its music video, which featured the band members dressed in drag, parodying soap operas. While it was intended humorously, it was deemed inappropriate and sparked controversy in more conservative regions. (12)

N.W.A. – “Fuck Tha Police”

This 1988 protest song against police brutality faced heavy censorship due to its explicit language and perceived incitement of violence against law enforcement. The FBI even sent a warning letter to the group’s record label, leading to bans from mainstream radio. (13)

The Chicks – “Travelin’ Soldier”

Released in 2002, this anti-war ballad was censored after the band spoke out against President George W. Bush and the Iraq War. Country radio stations pulled the song in response to public outrage, severely impacting its airplay. (14)

The Chicks – “Not Ready to Make Nice”

This 2006 track was the band’s response to the backlash they received for their anti-Bush comments. The song’s defiant tone led to continued boycotts from country radio, reflecting the politically charged climate at the time.(14)

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57Zez6tcIiiPxQ2h-Y7-caO4Al&si=SeQtFDtS3hLMuMLA

Banned Books Week 2024

If you want more information on the censorship of music, join us for a new Arachnophonia post later this week!

Parsons Playlists: Party Like It’s 200x

Welcome back to Parsons Playlists! Today we’re featuring a collection of popular music from the first decade of the 21st century, curated by Music Library student manager Abby (class of 2021).

Per Abby, here’s some “Popular music from 2000-2009 for all your guilty pleasure jam session needs”:

“Bulletproof” – La Roux

“Bad Romance” – Lady Gaga

“Makes Me Wonder” – Maroon 5

“Hot N Cold” – Katy Perry

“Viva La Vida” – Coldplay

Lady Gaga - Bad Romance

“Down” – Jay Sean ft. Lil Wayne

“Somebody Told Me” – The Killers

“Single Ladies (Put A Ring On It)” – Beyoncé

“Empire State of Mind” – Jay-Z ft. Alicia Keys

“Since U Been Gone” – Kelly Clarkson

Beyonce - Single Ladies (Put A Ring On It)

“Dog Days Are Over” – Florence + the Machine

“Seven Nation Army” – The White Stripes

“Disturbia” – Rihanna

“Harder, Better, Faster, Stronger” – Daft Punk

“Till I Collapse” – Eminem ft. Nate Dogg

Daft Punk - Harder Better Faster Stronger

“Sk8r Boi” – Avril Lavigne

“Fireflies” – Owl City

“One, Two Step” – Ciara ft. Missy Elliott

“Party in the U.S.A.” – Miley Cyrus

“I Gotta Feeling” – Black Eyed Peas

Owl City - Fireflies

“So What” – P!nk

“Crazy In Love” – Beyoncé ft. Jay-Z

“Yeah!” – Usher ft. Lil Jon and Ludacris

“Hollaback Girl” – Gwen Stefani

“Replay” – Iyaz

Iyaz - Replay

“Hips Don’t Lie” – Shakira ft. Wyclef Jean

“Temperature” – Sean Paul

“Toxic” – Britney Spears

“Shake It” – Metro Station

“Beautiful Girls” – Sean Kingston

Spotify playlist:

YouTube playlist:
https://youtube.com/playlist?list=PLU94rco57Zex74BH2Slptk6FS6baxqjnj

Some 2000s singles

Arachnophonia – MUS 235 Edition: Eminem “The Eminem Show”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

This special edition of Arachnophonia features contributions from students in Dr. Joanna Love‘s MUS 235 class: “I Want My MTV: Music Video and the Transformation of the Music Industry.”

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.
Today’s installment of Arachnophonia is by MUS 235 student Justin and features rap MC Eminem’s fourth studio album, The Eminem Show. Thanks, Justin!

Eminem

The Eminem Show

Eminem - The Eminem Show

Eminem – The Eminem Show album cover (2002)

When I hear the name Eminem, the first thing that comes to mind is a white rapper and that most likely is the same for most people as well. What most people don’t know is who he really is and where he came from until you listen to his music. The Eminem Show was the fourth studio album released by the Detroit MC and was released on May 26, 2002. His second album go Diamond in the United States would reach the number one spot in 19 different countries and was the best-selling album of 2002. The album would be nominated for a Grammy in 2003 and won the award for best Rap Album. Much has changed since then, but Eminem has always stayed true to one thing in his music which is telling a story.

One of the most commercially successful songs from the album was “Without Me” where Eminem addressed many critics of his alter ego Slim Shady. After his success with The Marshall Mathers LP this song can be considered a sequel to the song “The Real Slim Shady.” In simpler terms, Eminem’s message in the song is that he is back to save the world which is a reference to his role in the music industry and his effects on the culture of hip hop. Within the song lyrically, Eminem pokes fun at the likes of Dick Cheney, Chris Kirkpatrick, and even Prince. He also attacks his own mother in one of his lines for the lawsuit she filed for the slander of her name in one of his earlier songs. The song uses samples from songs such as “Rap Name” by Obie Trice, “E” by Drunken Monkey, and “Buffalo Gals” by Malcolm McLaren.

Yet even though the album was a success, and critics saw this as a more mature Eminem who, according to Sal Cinquemani, “peels back some of the bullshit façade and reveals a little bit more of the real Marshall Mathers” his use of intense profanity in his lyrics had many parents concerned about his influence on so many young children who were listening to his music. To deal with this, Eminem released a clean version of the album where most of the profanity is edited out with a few exceptions on certain songs, but Eminem has stood strongly on his stance of using profanity. In an interview with 60 minutes in 2011, Eminem told Anderson Cooper that profanity was something he grew up with and that he didn’t invent saying offensive things. He actually felt that he was being singled out because of the color of his skin and when asked about why he doesn’t feel guilty about young children using profanity as a result of his music, he stated “I feel like it’s your job to parent them. If you’re the parent, be a parent.” Eminem has two daughters of his own and told Cooper that he does not use profanity at all in the house.

This album is helpful for my project because I am currently looking into hip hop and the influence it had on the world during the era of MTV and currently as it develops to a global stage. As one of the first successful white rappers who established legitimacy as a hip-hop MC, Eminem opened the gates in a way for other people from different cultures to enter the world of hip hop that was predominantly African American to begin with. Previous rappers like Vanilla Ice and the Beastie Boys were viewed more as white males excelling in a “black man’s” game. This was due to their sound which still had to appease to the mainstream “white” audience. Since Eminem worked closely with Dr. Dre, you would think that there would be a hint of the West Coast sound, but interestingly enough Eminem doesn’t fall under either “coast” of hip-hop. This is because Eminem focused heavily on his lyrics and the stories that he told within them.

Since Eminem grew up in Detroit in a predominantly black area, he grew up around the culture of hip hop. He attended many underground rap battles to gain legitimacy, but struggled to do so because of the color of his skin. This stayed with Eminem throughout his career until Dr. Dre gave him a chance when everyone was telling him not to. A reference to that can be found in the song “I Need a Doctor” featuring Dr. Dre.

It was you, who believed in me
When everyone was telling you don’t sign me
Everyone at the fucking label, lets tell the truth
You risked your career for me
I know it as well as you
Nobody wanted to fuck with the white boy
Dre, I’m crying in this booth.

An interesting aspect that is related to the topic of breaking culture barriers in hip hop is the movement going on in Asia and the hip-hop scene that is developing there. While some view it as being “culture vultures,” this can be viewed similarly to Eminem’s case. While Eminem became successful because of his intense, but relatable lyrics, Asian artists such as Rich Brian, Joji, Higher Brothers and Keith Ape have found success by incorporating Asian language in their lyrics. But with success does come some mishaps. One of the first songs that Rich Brian released called “Dat Stick” contains the n-word which created a lot of backlash and this has happened many times during the era of hip-hop. Artists like Post Malone have also had trouble with using the racially charged word in their songs.

Higher Brothers

The Higher Brothers are a Chinese hip hop group

This ties into Eminem’s career because even though his use of profanity was very generous in his songs, he never crossed that line by using language from a culture that he did not come from. If artists are able to incorporate their own special twist on genres of music from other cultures, then they will have a chance of succeeding because they can appeal to their own desired audiences while also still appealing the rest of the masses. For example, with the Higher Brothers, most of their songs use Chinese with bits of English here and there, but because the beat of the song is still hip-hip, there is still that comfort that the song is still under the umbrella of hip-hop.