Arachnophonia: Amy Beach

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Esther (class of 2025) and features a biography of American composer Amy Beach (1867-1944). Thanks, Esther!

Amy Beach, Passionate Victorian by Adrienne Fried Block

Amy Beach, Passionate Victorian by Adrienne Fried Block - book cover

Amy Beach, Passionate Victorian is a detailed biography by Adrienne Fried Block, a renowned musicologist and scholar of American classical music. Block’s work was a significant contribution to the field, especially in the study of women composers who have often been overlooked in the traditional narrative of classical music. Block’s book dives into Beach’s life, not only exploring the cultural and societal challenges Beach faced as a woman in a male-dominated field, but also highlighting her overall impressive musical achievements as an accomplished composer.

In this biography, Block traces Beach’s life from her childhood in New Hampshire, where she displayed musical talent, to her rise as a respected composer and performer in the late 19th and early 20th centuries. Beach, who became the first American woman to compose a symphony, overcame many personal and professional obstacles, but her work continues to resonate today. Block’s narrative emphasizes Beach’s legacy in the context of American classical music, examining her compositions, such as the “Gaelic Symphony” and “Piano Concerto in C-sharp minor,” and situating her within broader cultural movements. The biography is not just an account of Beach’s career but a reflection on the complexities of gender, artistry, and recognition in the classical music world, offering readers a deeper understanding of Beach’s lasting impact on the music community!

Arachnophonia: Kendrick Lamar “To Pimp A Butterfly”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Susanne (class of 2026) and features Kendrick Lamar’s 2015 album To Pimp A Butterfly. Thanks, Susanne!

Kendrick Lamar

To Pimp A Butterfly

Kendrick Lamar - To Pimp A Butterfly - Album Cover Art

Celebrating 10 Years of To Pimp A Butterfly

Released almost 10 years ago on March 15, 2015, To Pimp A Butterfly is American rapper Kendrick Lamar’s third studio album. To Pimp A Butterfly blends numerous genres rooted in African American music styles, including hip-hop, jazz, funk, and soul.

The album centers political commentary surrounding racial violence and institutional discrimination, gaining widespread recognition for the artistry and social impact of the lyricism. Lamar drew inspiration from his travels to South Africa where he was able to draw connections between their racial and social landscape and Black communities of the U.S.

To Pimp A Butterfly centers Black memory and tradition while still focusing on contemporary social issues. Lamar’s song “Alright,” for example, came to be used in the Black Lives Matter movement as a call to action. Lamar received eleven total nominations at the 2016 Grammy Awards, seven just for To Pimp A Butterfly, and won Best Rap Album of the Year.

At a time of growing Black activism throughout the country, To Pimp A Butterfly had a tremendous impact on the hip-hop and rap industry. Many artists and fans alike cite Lamar’s album as a moment of empowerment to create pieces that express their cultural experiences and speak out against critical social inequalities.