Parsons Playlists: Cartoon Classical

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library Associate Melanie A. and features some classical music which can be found in classic cartoons!

Cartoon Classical

What's Opera Doc still

It seems that sometimes folks can feel a bit intimidated by “classical” music. What if I told you that you are probably familiar with a lot more classical pieces than you think because they often show up in the soundtracks of classic cartoons?

During the 1930s and 1940s, many practices from silent film scoring (often performed on piano or organ in movie theaters), which often made use of classical pieces, made their way into cartoon shorts. Use of this music was economical for the movie studios because much of it was public domain and therefore free of copyright restrictions. Moreover, the use of “serious” classical music in silly cartoons often (literally & figuratively) the humor of the cartoons.

Here are a few a few “greatest hits” pieces which found their way into a variety of cartoons. Enjoy! – MAA

Gioachino Rossini – William Tell Overture
The most famous bit of Rossini’s William Tell overture is the finale (aka the “Lone Ranger Theme“) — you’ll see it in scenarios featuring horseback riding among other things.
Animated shorts featuring the finale include: Disney’s “The Band Concert” (1935) and Warner Brothers’ “Bugs Bunny Rides Again” (1948)

Section 2 “The Storm” and Section 3 “Call to the Cows” regularly show up as well
For example, Disney’s The Band Concert (again!) for a cartoon take on “The Storm” and both “The Storm” and “Call to the Cows” feature in Disney’s “The Old Mill” (1937)

Franz Liszt – “Hungarian Rhapsody No. 2”
Animated shorts featuring Hungarian Rhapsody include Tom & Jerry in “The Cat Concerto” (1947) & Bugs Bunny in “Rhapsody Rabbit” (1946), for example

Franz Von Suppé – “Light Cavalry Overture”
Features in animated shorts like Disney’s “Symphony Hour” (1942)

Franz Von Suppé – “Poet and Peasant Overture”
Used, for example, in the Popeye short “The Spinach Overture” (1935)

Popeye at the Piano

Johann Strauss II – Frühlingsstimmen op. 410
Tends to show up in cartoons where someone frolics in a field or similar, for example, “The Stupid Cupid” (1944) or “From A To Z-z-z-z” (1954)

Johann Strauss II – “An der schönen blauen Donau, Waltz, Op. 314”
Strauss’s “Blue Danube Waltz” also appears frequently for example in “A Corny Concerto” (1943) or “Johann Mouse” (1953)

Frédéric Chopin – “Marche Funèbre (Funeral March)” (from Piano Sonata No. 2)
Chopin’s funeral march is a bit morbid and will be instantly recognizable, cartoon examples include “Scaredy Cat” (1948) and “Convict Concerto” (1954)

Richard Wagner – “Ride of the Valkyries”
This one is used in one of my all-time favorite cartoons the 1957 classic “What’s Opera, Doc?” starring Bugs Bunny & Elmer Fudd

and here is a link all of the above (and more) on Youtube: https://youtube.com/playlist?list=PLU94rco57ZeyTST0VCx3NOQgyB_9o4ueq&si=v08TGVoC6bD3Y-LZ

P.S. If you’d like to learn a bit more about classical music as used in cartoons, check out this great thread with lots of video examples compiled by animator Vincent Alexander: https://threadreaderapp.com/thread/1366449816042102787.html

Arachnophonia: Frozen II

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Eliana (class of 2024) and features insert title info here. Thanks, Eliana!

Frozen II

Frozen II piano/vocal selections book cover

Is Frozen II (2019) your favorite movie? It should be! While this film has my heart for many reasons, the score is truly what sets it apart from many films of similar caliber.

The piano/vocal selections score, available at Parson’s Music Library, contains all songs from the film. The songs are written by Kristen Anderson-Lopez and Robert Lopez. Fun fact, Kristen Anderson-Lopez grew up in my hometown!

The score includes hits such as “Into the Unknown” and “Show Yourself.” In December of 2019, the soundtrack album reached number one on the US Billboard charts, making it the first soundtrack of an animated film to hit the position since Frozen (2013).

The soundtrack of Frozen II has many of the same elements that the first film had, but with even more depth and nuance. The score’s composer, Christophe Beck, said in an interview that the score matured alongside Anna and Elsa, with new sophisticated musical concepts and themes.

To supplement your listening/playing, I highly recommend watching Into the Unknown: The Making of Frozen II available on Disney+. It’s a 6-part docuseries that dives deep into not only the film’s score, but the cast, animation, and development process. I should warn you, though, it’s a tearjerker!

Arachnophonia: Of Bluey and “The Planets”

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item(s) in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Kiran (class of 2024) and features Gustav Holst’s The Planets and its use in an episode of the animated series Bluey. Thanks, Kiran!

Of Bluey and The Planets

Bluey  - "Sleepytime" title card

My parents both work in pediatric healthcare, and now that I’ve grown up, they have gotten out of touch with what kids like to watch. My mom will sometimes put on Disney shows while she’s doing other work so that she can know the characters that her patients love. Recently, my whole family has started watching Bluey every chance we get. Since I go to school in another state, I haven’t had a chance to watch it recently. It’s a show that’s made for kids while still bringing in something for adults to enjoy, which is why we love it so much. The storyline follows 6-year-old Bluey, a blue Heeler dog, and her family.

My favorite episode is called “Sleepytime”, where Bluey’s sister Bingo reads a bedtime story and dreams about flying to different planets. The ending scene always makes me cry, and part of it comes from the beautiful instrumental music that plays during it. It’s a slightly remastered version of Gustav Holst’s The Planets, specifically Op. 32: 4. Jupiter. The story and string part fit beautifully together and make for the perfect episode to watch with family. You can listen to or play this piece by checking out our selection at the music library!

Arachnophonia: Drawn to Sound

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Isaac (class of 2025) and features a collection of essays about music in animated films. Thanks, Isaac!

Drawn to Sound: Animation Film Music and Sonicity edited by Rebecca Coyle

Drawn To Sound book cover

Animation as a medium is something that has always intrigued me. Inherently having limits differing from traditional film, animation’s visual spectacle sees itself as a source of disagreement. On one end, you have supporters celebrating the composition of the visuals, but on the other, critics viewing it as a commodification of drawing, reserved for children. Regardless of viewpoint, however, is the music in works of animation. Masters of animation music use the medium in conjunction with what is on the screen for an expressive statement.

This book piques my interest for its breakdown of the works of these very artists, auteurs like Hisaishi have created works so fitting they have become indelible from what is on the screen. Sublimity is unequivocally achieved because of these scores, I often reflect most heavily on the sounds I heard from an animated feature, extending beyond even the most dogmatic of views on what a film “should be”. Editor Rebecca Coyle’s shared admiration for the often-ignored musical elements of these songs is something I was delighted to discover, as the focus of animated films are naturally on the animation itself. But this doesn’t mean music in animation should be marginalized, making this book all the more interesting as it is devoted to animation music. Stylistically, music drive themes in film more subtly than dialogue or visuals–– saturating the viewer in a soundscape is a pivotal role–– and throughout my life, recognizing the importance for these composers made any film an enriching watching (and listening) experience.

Parsons Playlists: Music from Tom & Jerry

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Xipeng (class of 2024) and features music used in the soundtracks of Tom & Jerry cartoons.

Music from Tom and Jerry

The Tom & Jerry cartoons provided me with so much inspiration for my piano practice when I was a kid, and this playlist of a small collection of the original soundtracks, reminds me of my childhood memories.

Tom and Jerry

Johan Pachelbel – “Canon in D” (London Symphony Orchestra)

Wolfgang Amadeus Mozart – Symphony No.41 in C Major “Jupitar” K.551 (English Baroque Soloists, John Eliot Gardiner)

Johannes Brahms – 21 Hungarian Dances No.5 in G Minor: Allegro (Wiener Philharmoniker)

Ludwig van Beethoven – Bagatelle No. 25 in A Minor, “Für Elise”, WoO 59 (Lang Lang)

Anonymous – “Sari Galin” (Farid Farjad)

Francois-Joseph Gossec – Gavotte in D Major, “Rosine” (arr. for violin and piano) (Takako Nishizaki)

Stephen Foster – “Old Folks At Home” (Tom Roush)

Anonymous – “Go Tell Aunt Rhody” (Woody Guthrie)

Gerardo Hernán Matos Rodríguez – La Cumparsita, tango (Ensemble Contraste)

Frédéric Chopin – Grande Valse Brillante, Op. 18, No.1 in E-Flat Major (Lang Lang)

Anonymous – “Deck The Halls” (The Ames Brothers)

Eduardo di Capua – “Maria, Marì” (Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna)

Anonymous – “Froggie Went A-Courtin'” (Woody Guthrie)

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZewM9r0M6kQyxNW8PbpHUKWW

[Editor’s note: And here is a fun piece about classical music in cartoons from Classic FM: https://www.classicfm.com/composers/liszt/cartoonist-how-generation-learned-classical-music-bugs-bunny/ ]