Parsons Playlists: Party Like It’s 200x

Welcome back to Parsons Playlists! Today we’re featuring a collection of popular music from the first decade of the 21st century, curated by Music Library student manager Abby (class of 2021).

Per Abby, here’s some “Popular music from 2000-2009 for all your guilty pleasure jam session needs”:

“Bulletproof” – La Roux

“Bad Romance” – Lady Gaga

“Makes Me Wonder” – Maroon 5

“Hot N Cold” – Katy Perry

“Viva La Vida” – Coldplay

Lady Gaga - Bad Romance

“Down” – Jay Sean ft. Lil Wayne

“Somebody Told Me” – The Killers

“Single Ladies (Put A Ring On It)” – Beyoncé

“Empire State of Mind” – Jay-Z ft. Alicia Keys

“Since U Been Gone” – Kelly Clarkson

Beyonce - Single Ladies (Put A Ring On It)

“Dog Days Are Over” – Florence + the Machine

“Seven Nation Army” – The White Stripes

“Disturbia” – Rihanna

“Harder, Better, Faster, Stronger” – Daft Punk

“Till I Collapse” – Eminem ft. Nate Dogg

Daft Punk - Harder Better Faster Stronger

“Sk8r Boi” – Avril Lavigne

“Fireflies” – Owl City

“One, Two Step” – Ciara ft. Missy Elliott

“Party in the U.S.A.” – Miley Cyrus

“I Gotta Feeling” – Black Eyed Peas

Owl City - Fireflies

“So What” – P!nk

“Crazy In Love” – Beyoncé ft. Jay-Z

“Yeah!” – Usher ft. Lil Jon and Ludacris

“Hollaback Girl” – Gwen Stefani

“Replay” – Iyaz

Iyaz - Replay

“Hips Don’t Lie” – Shakira ft. Wyclef Jean

“Temperature” – Sean Paul

“Toxic” – Britney Spears

“Shake It” – Metro Station

“Beautiful Girls” – Sean Kingston

Spotify playlist:

YouTube playlist:
https://youtube.com/playlist?list=PLU94rco57Zex74BH2Slptk6FS6baxqjnj

Some 2000s singles

Parsons Playlists: Heard It On Broadway

Welcome back to Parsons Playlists! Today we’re featuring a collection of feel good indie/alternative music curated by Music Library student manager Abby (class of 2021).

A Broadway view

So here are “some showtunes to belt in the shower, or to serenade your roommates with until they either join in or kick you out” per Abby:

“Wait For It” from Hamilton

“Impossible” from Rodgers & Hammerstein’s Cinderella

“You Can’t Stop The Beat” from Hairspray

“Proud of Your Boy” from Aladdin

“Defying Gravity” from Wicked

“La Vie Boheme” from Rent

“The Worst Pies In London” from Sweeney Todd

“I’ve Got Beginner’s Luck” from An American In Paris

“Giants in the Sky” from Into the Woods

“One Day More” from Les Misérables

“All I Ask of You” from The Phantom of the Opera

“My Favorite Things” from The Sound of Music

Assorted Broadway Musical Posters

“Mi Siento Hermosa (I Feel Pretty)” from West Side Story

“Cell Block Tango” from Chicago

“Magic To Do” from Pippin

“Road To Hell” from Hadestown

“Forget About The Boy” from Thoroughly Modern Millie

“Omigod You Guys” from Legally Blonde: The Musical

“Waving Through A Window” from Dear Evan Hansen

“Say My Name” from Beetlejuice

“The World Will Know” from Newsies

“Hello!” from The Book of Mormon

“Sherry” from Jersey Boys

“Memory” from Cats

“Stick It To The Man” from School of Rock

“Rose’s Turn” from Gypsy

Assorted Broadway Musical Posters 2

“I Wanna Be A Producer” from The Producers

“All For The Best” from Godspell

“Times Are Hard For Dreamers” from Amélie

“When He Sees Me” from Waitress

and here’s a link to a YouTube playlist of all the songs above.

Parsons Playlists: Jazz Study Mix

Welcome back to Parsons Playlists! Today we’re featuring a collection of feel good indie/alternative music curated by Music Library student manager Abby (class of 2021).

So here are “some relaxing jazz instrumentals for your late night study sessions” curated by Abby for you:

“Soft Like Rain” – Anita Rosswell

Anita Rosswell - Soft Like Rain

“Relentlessly Fascinating” – Western Jazz Trio

“Body & Soul” – Hudson Harris & Haim

“Old Folks” – Southside Players

“First Season” – Henry Lindon

Sixth Street Quartet - Morning Heartache

“Good Morning Heartache” – Sixth Street Quartet

“I’m Old Fashioned” – Carl Bagge Trio

“If You Could See Me Now” – Astoria Three

“My Church” – Jacky Terrasson

“Summertime” – Tall Trees Jazz

Tall Trees Jazz - Summertime

“Blue Moon” – Kendrettes

“Skating” – We Three Trio

“Maybe We’ll Meet Again” – Kuipers & Winter

“Happy Chilled Jazz” – Happy Jazz

“Birthday Song” – Trygve Seim

Kuipers and Winter - Maybe We'll Meet Again

“Club France” – Classic French Jazz

“On A Turquoise Cloud” – Echoes of Swing

“He Was Too Good To Me” – Connie Hen

“Can’t Let Go” – Triosence

“Now We Know” – Ambient Jazz Collective

Fredrik Kronkvist - Altitude

“Theme for Ernie” – Fredrik Kronkvist

“Dear Ruth” – David Hazeltine

“Little Person” – Brad Mehldau Trio

“Curves” – Tord Gustavsen Trio

“Easy Living” – Massimo Faraò

Asi Kaplan Jazz Band - In the Blue of Evening

“In The Blue Of Evening” – Asi Kaplan Jazz Band

“You Left With My Heart Still Yours” – Jaden Berry

“Waltz At Midnight” – Midtown Trio

“In A Sentimental Mood” – The Uptown Players

“The Shadow Of Your Smile” – The Blue Green

Coffee House Classics

“Bee Blues” – Brad Mehldau Trio

“Aves” – Ennio Máno

“I’ve Got You Under My Skin” – The Red Robin Quartet

“Late Nights” – Coffee House Classics

and here is a link to most of the above songs on YouTube.

Digital Resources: Qwest.TV

The Music Library has more resources available than physical items. We’re highlighting some of our digital resources, and including information about them as told by our student employees.

Today’s digital resource is:

Qwest.TV

Qwest.TV

Here’s what student manager Abby (class of 2021) had to say about this resource:

QwestTV is the first ever streaming service dedicated to Jazz, Soul, Funk & World Music. Created by Quincy Jones and curated by other music legends, this service contains hundreds of concerts, documentaries, archives, and exclusive content. And with the “My List” feature, you can keep track of all your favorites. On top of premium streaming video, QwestTV also offers articles, interviews, and album reviews written by professional journalists and renowned jazz experts. With content spanning decades, this service is a powerful research tool and just an all-around awesome resource for any music lover.”

qwesttv

Digital Resources: Music ID

The Music Library has more resources available than physical items. We’re highlighting some of our digital resources, and including information about them as told by our student employees.

Today’s digital resource is:

Music ID

Music ID

Music ID offers over 60 years (1950 – present) of international chart data for popular music recordings.

Here’s what student manager Abby (class of 2021) had to say about this resource:

“One of our research tools that I find particularly interesting is Music ID. This resource compiles over 100 years of global music industry data in an incredibly easy-to-use platform. The site itself is divided into three analytical topics — most popular, most profitable, and most impactful. It’s fascinating to see the difference between the three, especially with the site’s ability to separate song, album, and artist. And with data going back as far as 1900, not only can you discover some great old songs you may have never heard of but also a comprehensive meta-narrative of popular music itself, and by extension its cultural impact.”

And here’s what student manager Colin (class of 2021) had to say about this resource:

“A resource I like and that I have used for a paper before is Music ID. Specifically, Music ID Data‘s database has information on over 5,000 different charts, tracking music popularity in countries all over the world based on the popularity of artists and their songs on these different charts, as well as on platforms like Spotify, Apple Music, and Shazam. This resource is best utilized by examining overlapping chart data to analyze the popularity and trends that follow an artist, whether it be through a new album release or from a popular single track. To use this platform you type a keyword into a search bar, such as the latest Super Bowl Halftime Show artist “The Weeknd,” and select the different measures you wish to analyze. From there, the website will bring you to a graph that details the artist’s popularity based on the measures you selected. For example, you can simply click “The Weeknd” as an artist and you can see his trend in the U.S. Billboard Top 100 artists over the years in which Music ID has effective data. To utilize this resource further, you can start applying additional filters, specifically on singles he has released like “The Hills” and “Can’t Feel My Face,” to effectively observe how the popularity trends of his songs affect the popularity of himself as an artist. Music ID Data has a lot of information that can be applied to many different artists across the world and is an amazing research tool when needing to find graphical trends as evidence for reference support.”

The Weeknd  - Superbowl LV performance still

Arachnophonia: The Black Keys “Brothers”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Abby (class of 2021) and features The Black Keys’ 2010 album Brothers. Thanks, Abby!

The Black Keys

Brothers

The Black Keys - Brothers album cover

The Black Keys have always been one of those bands where I couldn’t name a single one of their songs off the top of my head, yet I know all the words to nearly every one I hear. Looking back, they very well could’ve been considered my favorite band for how often I listened to their music and how much I liked it.

I can’t say exactly why I never committed titles to memory; it certainly wasn’t because they were forgettable songs. Rather, I think it was the sheer fact that, at the height of their popularity, their music was so genre-defining and omnipresent that I only needed to hum the melody or say a few lines from the chorus, and anyone would know what song I was referring to. Take the song “Tighten Up” for instance. If you don’t recognize it from the title, listen to the first few bars of the track and wait for the instant hit of nostalgia.

The Black Keys

The group consists of two friends from Akron, Ohio: Dan Auerbach on guitar and vocals and Patrick Carney on drums. They started the band in 2001, and like all good grassroots garage bands, dropped out of college to pursue their bluesy-rock sound and slowly built an underground fan base through extensive touring, frequent album releases, and music festival appearances until their commercial breakthrough in 2010. This album, Brothers, catapulted them from garage indie band to one of the most popular and famous bands in their genre and winning them three Grammy Awards in the process.

For me, they defined a pivotal era in my music history. Being a child who grew up on her dad’s CD collection of alternative rock albums from the 70s and 80s, The Black Keys were one of the first bands that I discovered all on my own and shaped what I would listen to from then on. They drove me to find other music like theirs: the type of music that couldn’t have been written at any other time, yet still feels timeless.

The Black Keys - Brothers back cover

Arachnophonia: “Hans Zimmer & James Newton Howard’s The Dark Knight: A Film Score Guide”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about items in the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library student worker, Abby (class of 2021) and features an analysis of the score from the 2008 film The Dark Knight. Thanks, Abby!

Han Zimmer and James Newton Howard’s The Dark Knight : A Film Score Guide by Vasco Hexel

Are you a fan of Batman? Do you love learning about how movie soundtracks impact movies, even having the power to completely change emotion and perception? Or maybe you’re taking a music theory class and want to read something that won’t put you to sleep on the first page? Then this, my friend, is the book for you: Hans Zimmer and James Newton Howard’s The Dark Knight: A Film Score Guide by Vasco Hexel. It’s a long title but hear me out. This book tracks Zimmer’s process in the making of The Dark Night film score, as the name suggests. But not only that, it provides in depth analysis of the characters Batman and the Joker, describing how the music was designed to reflect the psychology of each character.

For mega-fans and theorists, it’s a musical, analytical wonderland. And for those who need help in figuring out how to make a Grammy award-winning soundtrack, or who just need a break from Beethoven, this is the place to start!