Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
If you’ve tried improving or mastering any type of skill, whether it be academic, athletic, or musical, you’ve probably heard the phrase “practice makes perfect.” However, this quote may eventually lead one to discouragement. How could you possibly become better if you aren’t practicing as much as you want to?
Professor Green was a highly esteemed teacher who taught with a focus on violin and stringed instruments. In the Practicing Successfully, she writes,” Ultimate success depends upon one immutable, inescapable, and well-publicized fact: the musician has to practice successfully or not.” When you see famous athletes or musicians, the one thing they mention is the continual efforts they’ve put in to reach the point they’re at. So, what makes them different from the others? One section of the book Professor Green points to is the physiological principle of practice and how we can adjust so that we can maximize the productivity of the session.
I have this book checked out personally to myself right now, but I recommend all musicians to take a look at it! Even if you are not a musician, these principles of practice can be applied to other aspects of life.
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
The Beatles have been an iconic part of music history since their original formation in the 60s, and well after their break-up with their impression ever-lasting on today’s music and music culture. With over 33 million monthly listeners on Spotify alone, The Beatles impression has continued through the present day generation. Fans today, whether a new fan or old, know what the Abbey Road crossing is. While the Beatles originated from Liverpool, the Abbey Road album (1969) features a picture outside the studio they often used in London. Fans today visit the crosswalk to see the studio as well as recreate the famous picture. Some may ask why fans go all the way to St. John’s Wood in London to see this? David Hepworth answers this question in his new release focused on the studio itself. Paul McCartney even gives insights into the history and the magic that lies within the studio.
I was originally inspired to write something about the Beatles since they have been a very influential band to my music taste and I find myself listening to their music quite often. I was drawn to this specific book as it talks more about the studio on Abbey Road. Although I am from the US, my family lives in London currently and we live down the road from this very crosswalk. This summer while training for a 10k, I would run past this crosswalk everyday and by the tons of people gathered outside the studio, whether they were waiting to take a recreation photo on the sidewalk or waiting to enter into the studio itself. It always amazed me how even if it was completely miserable out, cold and raining as it typically is, these people would still be there. And all of them would still be smiling and having a completely wonderful time. It made me wonder: What is so special about the inside of that studio? Is it that amazing? And while I’ve never taken a visit to the studio in my 2.5 years living there, after reading this book and learning more about it, it is on my must-visit list for when I return over winter or summer break!
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
Kanye West has been one of the most talented and controversial men in the current music industry. Apart from the many social and political statements he has made throughout the years, West is one of the best producers and lyricists in music.
Additionally, those interested in finding out more about this artist and where he has come from, there is an amazing documentary on Netflix called jeen-yuhs: A Kanye Trilogy. It’s a very interesting documentary that shows the process of his first album and how he came up in the musical scene.
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
Isaac Albéniz, a Spanish musical virtuoso, and his “Suite Espagnole”
Isaac Albéniz was a Spanish composer and pianist known for his significant contributions to Spanish classical music during the late 19th and early 20th centuries. Born on May 29, 1860, in Camprodon, Catalonia, Spain, Albéniz demonstrated remarkable musical talent from a young age. He received his initial musical training from his father and then studied in various prestigious institutions across Europe. His compositions often feature intricate rhythms, evocative melodies, and a passionate, virtuosic piano technique.
I have been studying “Suite Espagnole” recently. It is one of Albéniz’s notable compositions, showing his profound affinity for Spanish themes and musical traditions. The suite is comprised of eight pieces for solo piano, each representing a different Spanish region, and the piece “Granada” is one of my favorites. It represents the Andalusian city of Granada, which is located in southern Spain and is known for its rich cultural heritage and stunning architecture, including the Alhambra, a historical palace and fortress complex. This composition is a showcase of Albéniz’s ability to blend classical piano techniques with the traditional sounds of Spanish folk music. Learning this piece always reminds me the memories I spent a summer in Granada with my family.
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
UR’s South Asian Fusion team, Bollywood Jhatkas, recently performed to some of their favorite remake songs at the 13th annual Celebration of Dance. At the music library, we have a select number of Bollywood films, two of which are remakes! Don and Devdas are two beloved classics that were redone in the early 2000s. Many of the songs were also reused and were given a more updated take.
Bollywood is notorious for recycling their classics, but it’s also received a lot of backlash in recent years. Critics are saying that they’ve run out of ideas and continue to ruin old movies. Some of the movies and songs are very well done, whereas others take away from the classic charm. Devdas and Don are two very controversial films because of this. Personally, I have only known the newer versions, and I have grown to love them. Shah Rukh Khan can truly play almost any role and knows how to draw an audience in. You can watch these remadefilms by checking them out at Parsons Music Library!
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
When wedding music is discussed, the song that comes to almost everyone’s mind is Johann Pachelbel’s Canon in D. The simple baroque era piece is everywhere, from TV shows to playlists to lists of the best pieces of classical music of all time. But it’s eight bars of music 28 times, how is it so popular?
I’ll explain. Pachelbel and his musical career are not well-known. The original composition of Canon (and Gigue (yes, there is a second movement to this piece)) in D was most likely written around 1680, but not published until the early 1900s. The piece fell to the wayside, pushed out of the spotlight by composers like Vivaldi, Bach, and Handel (no malice towards these very fabulous composers, their music is beautiful as well).
In a New York Times article, the conductor and organist at the Cathedral of St. John the Divine in New York, Kent Tritle, said the piece just became popular through that recording, just by happenstance. It was then featured in the Academy Award-winning film Ordinary People, which catapulted it to further stardom.
However, the thing that sealed the deal of Canon in D as the perfect wedding song was Prince Charles and Princess Diana’s wedding in 1981, which used a baroque processional, shining a light on other baroque composers from long ago.
Canon in D is simple, at its core. And that’s what made people love it. Its use of four instruments and natural progression from simple, quiet notes to a swell of instruments gives an intimate feel to the piece.
It’s also simple, musicality-wise. This canon created what is known as the Pachelbel Progression, which is the same eight chords, typically in a major key, repeated over and over again, which are all built upon the same bass line. The bass line of this canon is an ostinato or a continually repeated musical phrase. In the case of Pachelbel’s canon, it’s the same eight notes all throughout the bass line. These chords are then seemingly played in a round-like way so each instrument plays a similar if not the same melody starting at different times, in this case, that’s the canon part of this piece.
The piece is also simple enough to arrange for any set of instruments, string quartet, organ, keyboard, etc., the only thing holding someone back is the occasion. It is also simple enough for a walk. In a traditional wedding, the bride walking down the aisle is nervous, thus having a steady four-count beat to keep her up and something to focus on makes it so much easier on her. It also makes it easy for her to take her time on her walk, there isn’t a set end to Canon in D, since it is a canon and has the same eight chords, it can just be played forever if needed.
So, in the end, there’s a reason Canon in D is the “wedding song.” It’s simple to play, never-ending, and just a good time. It might be overhyped, but it is near and dear to the hearts of many, including me. This was the first “real” piece of music I learned when I started playing the cello. My aunts were finally allowed to get married and they wanted me to play something for them. My cello teacher at the time pulled out a wrinkled copy of the bass line of Canon in D and let me use it. The notes were easy enough and something I could handle, and it sounded beautiful. Who knew eight notes thrown together would sound so right?
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
I love exploring different mediums of storage when it comes to art. I initially became interested in physical art forms because of film photography; as a musician, it was inevitable for me to stumble into the world of sound storage mediums. From VHS tapes to 8-track cartridges to cassette tapes to vinyl records, there were so many different forms of music over the years I did not know about. There seems to be controversy over what form sounds best, but we can respect all the different presentations!
LP stands for “Long Playing” due to the extended playing time (around 22 minutes per side) that resulted from the larger discs spinning at 33 ⅓ rpm. (As compared to EPs which are smaller and held about 10-15 minutes of material per side.) They are also referred to as vinyl records because of the material the physical discs are made of. These discs can transmit sound waves when placed on a turntable because the stylus placed on top of the disc moves through the small grooves along the record. As the stylus is reading, the tip of it vibrates and the microscopic bounces are transmitted along the bar. Ultimately, an electrical signal is generated and is played through the stereo speakers!
I appreciate the history of music storage forms, especially because of the wide availability we have for any song nowadays that significantly contributed to the relationship between the listeners and producers. Though I prefer the pros of digital music over analog with the technology we have today, the nostalgia of LP records is appealing as well. One of my fondest memories of growing up was listening to opera on the cassette tape player with my mother.
So, when I found out about a new addition to the music library — a portable record player — I had to recommend this LP to go with it!
Though you are welcome to play it on your turntable, and in addition to the record player that lives in one of our study rooms, the Music Library also has a portable vinyl player available for anyone to check out for a week at a time!
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
I remember my mom waking me up to go watch my first musical in the downtown of my city, much to my chagrin. I never showed an interest in musicals––really, ever––so spending the first few hours of my weekend attending a show about a movie I’d seen a billion times was never on the top of my bucket list.
Finding our seats in the dark and cramped theater after buying $8 bottles of water just added to my annoyance, especially after finding out that ushers would be watching vigilantly for phone users, so I couldn’t even resort to that. And then the show started. Immediately, I knew this was definitely NOT The Wizard of Oz I’d grown up watching. The dynamic expressions, the mercurial lighting, and the most handsome of musical notes filled every corner of my surroundings: I smiled, I relented.
The cast of Wicked, from the verdant “villain” of the story to the anthropomorphic bat-monkey-things that legitimately frightened me, were equal in energy to the score that is still stuck in my head. “Are musicals my new thing?” I thought to myself. Maybe not fully. Was I puerile to dismiss them in their entirety? Definitely.
So if you haven’t, I would highly recommend watching Wicked, it remains one of my favorite Saturday 12:10 pm’s ever; if you can’t attend a full show (they can be pretty popular), check out the score and imagine yourself on the indelible yellow brick road.
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
The dynamic duo that swept the Hip hop scene in the late 1990s/early 2000s, OutKast consisted of André 3000 and Big Boi. With only six studio albums and 32 singles, OutKast made a big name for themselves in hip hop, and disbanded in 2007. They have very memorable songs that many have heard in movies and radio such as “Hey Ya!” And “Ms. Jackson.”
Many of their albums live in the Parson Music Library at UR. My favorite of the bunch must be Aquemini, released in 1998. Their music is the type to transition into our current media in the best way possible. This album can be a refreshing break from the current hip hop and musical scene. Songs to check out form the album include: “Chonkyfire,” “Mamacita,” and “Da Art of Storytelling.” Aquemini is definitely worth checking out from Parsons Music Library.
Editor’s note:Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
Today’s installment of Arachnophonia is by student manager Eli (class of 2024) and features a couple of albums by and a biography of American singer-songwriter Harry Nilsson (1941-1994). Thanks, Eli!
This Arachnophonia post is centered around Harry Nilsson, an underrated and somewhat forgotten artist, at least by younger generations. Known for his “pioneering vocal overdub…, returns to the Great American Songbook, and fusions of Caribbean sounds,” Nilsson was an international phenomenon in the early 1970s. Sometimes referred to as the “American Beatle,” Nilsson is best known today for his songs “Without You” and “Everybody’s Talkin’,” both of which have over 100 million plays on Spotify.
I find Nilsson to be somewhat of an outlier in his stardom. He achieved great success, winning Grammy awards for Best Male Pop Vocal Performance & Best Male Contemporary Vocal Performance and produced three international top 10 singles. Yet, Nilsson rarely performed live and never took regular tours. He instead remained relevant through his consistent innovation and unique role within the music industry. Music historians credit Nilsson as the inventor of the “mashup,” thanks to his 1967 cover of the Beatles’ song“You Can’t Do That,” which Nilsson overlaid with vocals from over a dozen other Beatles songs.
Nilsson existed during a transient musical space, providing a smooth link between the psychedelic music of the 60s and the classic singer-songwriter era of the 70s. Rolling Stone lists Nilsson as number 62 on the “100 Greatest Songwriters of All Time,” and The Beatles themselves once revealed that Nilsson was their favorite American artist. In a musical world so dominated by The Beatles, Nilsson managed to differentiate his sound while collaborating with the superstars. He became friends with John Lennon and Ringo Starr and became a strong gun control advocate after Lennon was assassinated in 1980. Nilsson died in 1994 from a heart attack while recording his final album Lost and Founnd, which was posthumously released in 2019.
