Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.
Today’s installment of Arachnophonia is by student manager Griffin (class of 2027) and features the 2002 film City of God. Thanks, Griffin!
City of God
Based in the favela of Rio de Janeiro, City of God is hard hitting and captivating from the first frame. Loosely based on real events, we follow the lives of a group of boys and their experience growing up in poverty and surrounded by crime.
Although the story jumps around to different perspectives, we mainly follow Rocket who has grown up alongside other boys from his slum. The film masterfully gives depth to the juveniles for their choices as they attempt to escape impoverishment from the limited options. Inevitably, their cruel and demanding childhood leads to gang activity and crime.
Filmically, we quickly are thrown into this whirlwind and quickly submerge into the setting. The world is beautifully pictured simultaneously putting Brazil on display but also having gritty, up close shots of what it takes for the characters to survive. Lively music is used throughout the film, putting their culture on full display. The editing is snappy, making the just over 2 hour movie feel half that length.
The plot points of the movie raise interesting questions, especially with Rocket I found. He is an aspiring photographer that tries to distance himself from criminal activities. But in doing so, he cannot perform as an upstanding citizen and often turns a blind eye to crime. It brings to question the morals of documentarians such as the ones creating the film who interviewed and captured real crime in their recordings. More obviously it makes the viewer think about the ever present circumstances and repeating cycles of crime.
These elements together craft a compelling film that is well deserved of its BAFTA Award for Best Editing it won in 2003. I highly recommend checking City of God out at the music library.
