Tag Archives: Rocio

Parsons Playlists: Through the Decades

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Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Rocio (class of 2027). It features a multi-decade selection of songs.

Through the Decades: A Journey Through Time

This playlist spans across many different styles, from rock to soul, from grunge to pop, each representing the distinct culture of its time (1960s – 2020s).

1960s

The Beatles – “Here Comes the Sun”
Genre: Rock/Pop
A perfect track to represent the cultural shift of the ’60s, full of optimism and innovation.

Aretha Franklin – “Respect”
Genre: Soul/R&B
An iconic anthem for empowerment and the civil rights movement.

1970s

David Bowie – “Space Oddity”
Genre: Glam Rock
This track encapsulates the futuristic and experimental vibes of the ’70s.

Fleetwood Mac – “Landslide”
Genre: Folk Rock
A soft, introspective classic that showcases the band’s emotional depth.

1980s

Michael Jackson – “Billie Jean”
Genre: Pop/Funk
One of the defining tracks of the ’80s, with its infectious groove and pioneering production.

The Smiths – “There Is A Light That Never Goes Out”
Genre: Indie Rock
A melancholic yet beautiful anthem from the ’80s alternative scene.

1990s

Nirvana – “Smells Like Teen Spirit”
Genre: Grunge/Rock
A cultural shift to grunge, encapsulating the rebellious spirit of the ’90s.

Lauryn Hill – “Doo Wop (That Thing)”
Genre: R&B/Hip-Hop
A blend of soulful R&B and sharp rap lyrics that defined ’90s hip-hop culture.

2000s

OutKast – “Hey Ya!”
Genre: Funk/Pop
A genre-defying hit that blends funk, pop, and dance.

Amy Winehouse – “Rehab”
Genre: Soul/Pop
A modern classic, blending jazz, soul, and pop with sharp lyrics.

2010s

Kendrick Lamar – “Alright”
Genre: Hip-Hop
An anthem for social change, it captures the political and cultural landscape of the 2010s.

Lorde – “Royals”
Genre: Indie Pop
This minimalist anthem became a defining song of the ’10s indie scene.

2020s

Taylor Swift – “All Too Well”
Genre: Pop/country
A track that redefined mainstream pop with its unique production and style.

Olivia Rodrigo – “drivers license”
Genre: Pop
One of the biggest songs of the 2020s, full of emotional vulnerability and teenage angst.

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZezxvxmvyKbScOGaCAawroKq&si=6FIbD3s07_Bu9S3M

Arachnophonia: Wicked

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Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Rocio (class of 2027) and features the piano/vocal selections score for the 2003 Broadway musical Wicked. Thanks, Rocio!

Wicked

Wicked

One of my favorite items from the Music Library is the piano and vocal selections from Wicked, the beloved Broadway musical by Stephen Schwartz that has made its comeback since the movie and its iconic Broadway shows.

Not only is Wicked an iconic and transformative show in musical theater, but also its music is both emotionally powerful and technically engaging for performers.

Wicked is associated with a storyline of the wizard of Oz and basically describes who is wicked in the storyline or how does one become wicked. The songbook is full of catchy, dynamic numbers like “Defying Gravity” and heartfelt ballads such as “For Good,” each with its own unique, detailed vocal and piano arrangement. It’s a great tool for pianists and singers-be it preparing auditions, performances, or simply singing at home. It gives the musical theatre fan another way to access and enjoy the music, other than by simply listening to the cast album. The collection also provides insight into Stephen Schwartz’s ability to combine appealing, accessible, and singable melodies with deeper emotional themes, which will make this a great study for anyone into musical theater composition and performance.

Parsons Playlists: Bridgerton – A Regency Romance Playlist

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Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Rocio (class of 2027) which features music from the Bridgerton television series.

Bridgerton: A Regency Romance Playlist

Immerse yourself in the opulent world of Bridgerton with this curated playlist. Inspired by the lavish early 1800s London Regency era depicted in the series, each track captures the elegance, drama, and allure of high society. Experience the charm and sophistication of a world where love and ambition dance in perfect harmony.

Kris Bowers – “Bridgerton Opening Credits / Main Title Theme”

Vitamin String Quartet – “thank u, next”

Vitamin String Quartet – “Girls Like You”

Vitamin String Quartet – “In My Blood”

Vitamin String Quartet – “bad guy”

Duomo – “Wildest Dreams”

Ludwig van Beethoven – “Piano Sonata No.21 in C Major Op. 53: I. Allegro con brio” (performed by Boris Giltburg)

Sufjan Stevens – “Love Yourself (Short Reprise)”

Franz Joseph Haydn – “String Quartet No. 82, Op. 77”

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZewFMUSaqVeLdBLyj3xO11gj&si=alVwrbq6A362kRfq

Arachnophonia: Velvet Terrorism – Pussy Riot’s Russia

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Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Rocio (class of 2027) and features a book about the activism of the punk feminist collective Pussy Riot. Thanks, Rocio!

Velvet Terrorism – Pussy Riot’s Russia
edited by Maria Alyokhina, et al

Velvet Terrorism: Pussy Riot's Russia

Maria “Masha” Vladimirovna Alyokhina (Russian: Мария Владимировна Алёхина[a]) is a Russian political activist and member of the anti-Putinist punk rock collective Pussy Riot. Alyokhina was born on June 6, 1988 in Moscow, Russia. Her mother works as a programmer and her father is a mathematics professor.

The book Alyokhina co-edited – Velvet Terrorism – Pussy Riot’s Russia – showcases the largest representation of the Pussy Riot artistic collective’s work up to this date. Alyokhina describes Pussy Riot as a way of life and a form of civic responsibility. Their art is their unique way of engaging in activism and she makes it clear to the audience that her goal is to fight against the oppression of Putin’s tyranny.

Alyokhina was arrested several times (August 2012, February 2014, January 2021, and February of 2022) due to “hooliganism motivated by religious hatred,” along with other acts that where treated as crimes due to her activist ideals and opposition to Putin. Because of her continued arrests and oppression she decided to flee Russia, disguising herself as a delivery driver. In exile she tours around Europe to support victims of the 2022 Russian invasion of Ukraine.

The book Velvet Terrorism – Pussy Riot’s Russia chronicles an exhibit about the group curated by the Louisiana Museum of Modern Art in Denmark. It’s worth a look if you’re interested in learning more about the group and its activism.