Parsons Playlists: Inspired by “Newsies”

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student assistant Kinme (class of 2022) and features a playlist that was inspired by the musical Newsies.

Newsies: The Musical
Synopsis (from Broadway.com):
“Based on the real-life Newsboy Strike of 1899, this new Disney musical tells the story of Jack Kelly, a rebellious newsboy who dreams of a life as an artist away from the big city. After publishing giant Joseph Pulitzer raises newspaper prices at the newsboys’ expense, Kelly and his fellow newsies take action. With help from the beautiful female reporter Katherine Plumber, all of New York City soon recognizes the power of ‘the little man.'”

Newsies

“Santa Fe” from Newsies
(Jack’s act one closer where he is contemplating leaving New York and finding a better place for himself after losing a battle against Pulitzer)

“Seize The Day” from Newsies
(A show-stopping number from act one where Jack and Davey rally the newsies to take a stand. Filled with amazing taps and acrobatics)

“The Beanstalk” from Renascence

“Cool” from West Side Story

“Mama Will Provide” from Once on this Island

“Opening – The Audition” from 42nd Street

“Sincerely Me” from Dear Evan Hansen

“Magic To Do” from Pippin

“On The Right Track” from Pippin

“King of The World” from Songs For A New World

“Sick To Death Of Alice-ness” from Alice By Heart

Here is a link to the whole playlist on YouTube:
https://youtube.com/playlist?list=PLU94rco57Zex4cTU5SXmAwzZBrWYZnu7H

Parsons Playlists: Broadway’s Finest

Welcome back to Parsons Playlists! Today’s playlist features a selection of Broadway tunes curated by Music Library student manager Danny (class of 2023).

Broadway’s Finest

On Broadway

“Santa Fe” from Newsies

“Defying Gravity” from Wicked

“I’m Not A Loser” from Spongebob Squarepants: The Musical

“I’d Rather Be Me” from Mean Girls

“Freeze Your Brain” from Heathers

“Tonight At Eight” from She Loves Me (2016)

“I Dreamed A Dream” from Les Miserables

“The Music of the Night” from The Phantom of the Opera

“More Than Survive” from Be More Chill

“Prologue/The Day I Got Expelled” from The Lightning Thief

Cast album covers

“What Baking Can Do” from Waitress

“Waving Through A Window” from Dear Evan Hansen

“Dust and Ashes” from Natasha, Pierre and the Great Comet of 1812

“One Fine Day” from Beautiful: The Carole King Musical

“Dear Theodosia” from Hamilton

“Just Another Day” from Next To Normal

“Say My Name” from Beetlejuice

“Tonight Belongs to You” from The Prom: A New Musical

“Welcome to the Renaissance” from Something Rotten!

“That Face” from Dogfight

“Grow For Me” from Little Shop of Horrors

Here’s the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZewGPd58vomkfAoKzV0YQyw2

And here is an extended edition on Spotify:

Arachnophonia: The Last 5 Years

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Nicole (class of 2024) and features vocal selections from the musical The Last 5 Years. Thanks, Nicole!

The Last 5 Years

The Last 5 Years

The musical The Last 5 Years, written by Jason Robert Brown, is not the typical musical theatre love story. The story is about the failed marriage of a young actress named Cathy (played by Anna Kendrick in the 2014 movie version) and a young writer named Jamie (played by Jeremy Jordan in the movie version) who, in trying to find a balance between a successful career and a healthy relationship, end up hurting each other. However, the story is being told by both parts of the relationship that are living the same story in different timelines: Cathy starts singing about the end of her marriage in “Still Hurting”, but the following song, “Shiksa Goddess” is sung by Jamie five years before when he had just met Cathy. The Last 5 Years conveys these two different timelines with distinct chord progressions and instrumentation for the songs of each character respective to their timeline, representing how a story should be looked at from different perspectives before taking a stance.

This score includes most of the songs in the musical, such as “Still Hurting,” “Shiksa Goddess,” “Moving Too Fast,” and more. The scores are useful for any beginner-intermediate piano player or musical theatre singer who loves this heartbreaking musical.

The Last Five Years movie poster (2014)

Arachnophonia: Mamma Mia!

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item(s) in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Kiran (class of 2024) and features the ABBA musical Mamma Mia!. Thanks, Kiran!

Mamma Mia!

Mamma Mia! selections piano/vocal/guitar

Songs for the Dancing Queen

If you’re anything like me, Mama Mia! is a classic pick for movie night. The catchy songs, written by Swedish 70s group ABBA, are upbeat and danceable. The movie features Meryl Streep, who plays the hardworking Donna. Her daughter, Sophie (Amanda Seyfried), is getting married and wants to invite her biological father. However, it could be one of three different men that Donna was involved with. Sophie sends invitations to all of them, leaving her mother in a predicament as she faces her former lovers. With the addition of breathtaking Greek landscapes and hilarious friends, this film embodies the music that brought it to life. The sweet, slow ballad reminds me of the waves crashing on Greek beaches while the fiery electric guitar solos personify the energy that the men bring to Donna’s life once again. I often wonder how a series of ABBA songs could correlate to form an entire movie. The original recordings are so iconic on their own but Mama Mia! brings them all together for one hilarious story. Parsons Music Library offers both ABBA CDs and the score from Mama Mia!, so you can also listen and read along with these iconic tunes.

Parsons Playlists: Musical Madness

Welcome back to Parsons Playlists! Today we’re featuring a playlist of Broadway tunes curated by Music Library student assistant Kinme (class of 2022).

Musical Madness

“Put On Your Sunday Clothes” from Hello Dolly

“Found a New Baby” from Bullets over Broadway

“Welcome to Wonderland” from Wonderland

“The Schuyler Sisters” from Hamilton

“Times Are Hard For Dreamers” from Amelie

“Non-Stop” from Hamilton

“That’s Rich” from Newsies

“Dancing in Pairs” from Island Song

“Out Of My Head” from Out Of Our Heads: The Music of Kooman and Dimond

Assorted Broadway posters

“Alms” from Renascence

“The Beanstalk” from Renascence

“Salty Teardrops” from Caroline or Change

“West of Worlds” from Alice By Heart

“Those Long Eyes” from Alice By Heart

“My Man” from Funny Girl

“Who Are You Now?” from Funny Girl

“If I Loved You” from Carousel

“Pretty Funny” from Dogfight

And here’s a link to the full playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZewRwtngcguySjs-8RpQRR8n

Arachnophonia: Alan Menken Songbook

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Danny (class of 2023) and features a collection of Alan Menken songs for piano, voice and guitar. Thanks, Danny!

Alan Menken Songbook

Alan Menken Songbook

If you’re any fan of Disney, or of musicals, there can be a 95% guarantee – if not 100%, that you have heard of Alan Menken. Menken, born in 1949 in Manhattan, is a composer and songwriter who has worked tirelessly since 1972 to give the American public and worldwide audiences the pleasures of listening to his incredible musical abilities, writing songs for some of our favorite Disney movies, musicals, and shows.

After graduating from New York University in 1971, Menken’s musical career took off. To name some of his most famous works, he was a songwriter for Little Shop of Horrors, The Little Mermaid, Rocky V, Beauty and the Beast, Newsies, Aladdin, Pocahontas, The Hunchback of Notre Dame, Hercules, Enchanted, Tangled, and a variety of their stage adaptations.

Just the sheer variety of different types of films/musicals and the musical talent to be able to write completely original songs with varying styles is incredible. And all of them were absolute hits. This incredible discography is beyond fascinating. Just imagine – currently in New York, Little Shop of Horrors is playing again Off-Broadway. Aladdin is on Broadway. The Little Mermaid live action remake is coming out in 2023. The Hunchback of Notre Dame’s live-action remake is in the works. That is four – yes four – pending or active projects that have Menken’s name attached to them.

Parsons Music Library has had the privilege to house the Alan Menken Songbook, with scores for piano, voice, and guitar. Some of his most popular pieces are held in this 188 page score.

Songs that are included are “Sante Fe” (Newsies), “Somewhere That’s Green” (Little Shop of Horrors), “Proud of Your Boy” (Aladdin), “Go the Distance” (Hercules), “A Change in Me” (Beauty and the Beast) and a variety of other classics.

As you play, listen, or read the scores for all 28 songs included in the songbook, you can feel the different styles and the creativity needed to write songs for such Disney-esque plots. Nothing Disney has come out with has ever been less than imaginative – it takes an even more imaginative person to bring those creative tales to life through song. And that is all achieved through Menken’s song writing abilities.

Arachnophonia: Les Miserables

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Danny (class of 2023) and features the popular musical Les Miserables. Thanks, Danny!

Les Miserables

Les Miserables

At the end of the day, as I leave my shift and head off back to my dorm, I’m on my own. By myself, I have time to decompress and utilize that time to think about everything that is happening in my life. Most days, my thoughts are filled with happiness and satisfaction with the day’s events. Other days, my thoughts are foggy, due to the fatigue caused by the emotionally and mentally draining events of the day. Turning right outside of the Modlin Center for the Arts, I traverse back to my castle on the cloud, Lora Robins court. Once I arrive, I slump into my bed as I dream a dream.

As if it was not evident enough, certain phrases such as “on my own,” “in my life,” “turning,” “castle on the cloud,” and “I dream (ed) a dream” all contain one commonality; they are all wonderful masterpieces in the Broadway musical, Les Miserables. So, it is no question to assume that I was absolutely awestruck when I saw the Les Miserables piano/vocal score on the shelf. After years of looking, I had finally found the book that I had searched for all this time.

What makes this specific piece of music so compelling and important to me?

Les Miserables opened me to the world of theatre, Broadway, piano, and French history. To begin, the movie for the beloved musical reached theaters on Christmas day in 2012. Never taking any attention to the 10th or 25th anniversary performances, I never thought of myself to have any interest in theatre or music itself. It seemed to almost take away from the plot and add nonsense that could stated simply through plain dialogue. It was not until 2017 where I finally gave it a chance. On a rainy day one summer afternoon, I sifted through DVDs in my parents’ movie collection, seeing the one movie I vowed I wouldn’t watch. After all these years, I could have been missing out on an absolute gem. With this in mind, I inserted the disc into my computer and watched the 2012 movie. The movie blew me away. Yes, some of the most popular actors at the time were featured in the movie, but that was not the one thing that captivated me. What made me so in love with the movie was the music. The combination of fast and slow songs, heartfelt and fierce songs, and the melodies were breathtaking. Additionally, the strings and the complexity of the orchestral score made the songs stand out even more.

Les Miserables 2012 movie poster

It was simply beautiful. Every song had been sung with heart and every instrument combined with the rest to create a full orchestra unlike any other. With this in my mind, I went straight to youtube to find the 25th anniversary concert. Seeing the full choir in the back of the stage and the giant pit in front of the actors shocked me. I never really thought of musicals and concerts to have such grand setups and stages. So, completely awestruck of what was in front of me, I took to find other Broadway musicals that had music just like Les Miserables. Although there are none that compare exactly to it, I fell in love with everything Broadway. It even prompted me to join my school musical and do something that years prior I thought was not interesting.

Les Miz 25th Anniversary Concert

Now Les Miserables still touches me. On top of everything mentioned, it is what made me want to learn piano. The music was so beautiful that I knew that I wanted more of an experience with the pieces. I did not just want to sing the songs or listen to them through my headphones; I wanted to play them. So, after finding the sheet music at the library here at the University of Richmond, I took to the practice rooms and began to teach myself the piano. The very first song I learned was “Stars.” A simpler yet more heartfelt song, this song was one of the ones that made me so obsessed with the musical. Because of the impact Les Mis had on my life, it was a no-brainer to choose it, filled with drama surrounding love and revolution, with characters experiencing danger and confrontation at every corner.

Arachnophonia: A Chorus Line

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Jane (class of 2022) and features the classic Broadway cast recording of A Chorus Line. Thanks, Jane!

A Chorus Line

A Chorus Line

If you’re a fan of musical theatre, you probably know about A Chorus Line. It’s a classic musical from the 1970s that’s pretty much the mother of meta – the whole story is a dance-based musical about dancers trying to get cast in a musical. It couldn’t be more self-reflective. The music, composed by Marvin Hamlisch, is lively and bouncy and inspires people even as uncoordinated as I am to get up and dance. A lot of the singing is conversational, with the songs dominated by jazz piano and interesting syncopated drumbeats.

Listening to this musical will give you confidence about your biggest creative insecurities. “Nothing” is about a girl whose acting teacher hates her because she doesn’t understand the value of pretending to be a table or an ice cream cone during class. “Sing!” is sung by a girl who can’t carry a tune to save her life.

At the Ballet” is my favorite musical theatre song of all time. Three women sing about their different experiences getting into ballet while simultaneously talking about their families’ issues. It’s powerful without being sentimental, and the dark lyrics are contrasted with such lively music which creates the same kind of contrast between love and longing that I’m sure existed in their lives.

Overall, A Chorus Line is already so famous but if you haven’t heard it and you’re in the mood for a raw, real musical about a musical, give the soundtrack a listen.

Arachnophonia : Rent – Filmed Live on Broadway (2008)

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Meghan (class of 2020) and features a filmed performance of the musical Rent. Thanks, Meghan!

Rent: Filmed Live on Broadway

Rent Live on Broadway DVD cover

Rent is a Tony award-winning musical production that originated on Broadway in 1994, and has since been remade into a movie and has been touring since its 20th anniversary in 2014. The story follows a group of New York City bohemians who are struggling to make their rent payments, while juggling the challenges of the AIDS epidemic that directly affects a few main characters. We see the ups and downs of their lives, all set to catchy rock music.

This musical is a personal favorite of mine. I remember stumbling across it about 8 years ago, when I was entirely too young to really understand what was going on. I can remember my attraction to the upbeat rock music, which I had never experienced in a musical theater setting before. However, as I got older and began to grasp the story line that the talented actors were portraying, it suddenly clicked: it is such a powerful work targeting tough social justice issues.

Rent Live cast photo

From homelessness and poverty, to the AIDS epidemic, drug abuse, and homosexuality, this musical puts faces, names, and stories behind people who grapple with the challenges associated with these and the experiences they have. Especially for those who were born in the 1990s and after, they don’t really have an idea of what the AIDS epidemic was like in the United States. This musical is a way for us to get a glimpse into what the lives of affected individuals were like. We see a heartbroken romantic partner and devastated friends lose a loved one, we see others struggle with past losses, and we see others just wondering when it will be their turn. At times, it can be hard to watch these characters go through this, especially because the writing and acting is so realistic and authentic. However, I think it is important to watch, as it gives us a chance to reflect on our own privilege, and how lucky we are today. We never know when our time is up in this world. We must treat every day like there is “no day but today”, and we must hold onto what is important. There’s only 525,600 minutes a year: how will you measure your year?

Rent Live Cast 2008

Arachnophonia: The Sound of Music

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student worker Emma A. (class of 2021) and features the libretto for the classic Rodgers & Hammerstein musical The Sound of Music. Thanks, Emma!

The Sound of Music: The Complete Book and Lyrics of the Broadway Musical

I’ve chosen to discuss the libretto for The Sound of Music. Growing up this movie, play, and its music were quintessential to my after-school evenings and my sister’s love for the music. She was Maria in our school’s production of this show which inspired my own love for the drama club years later. We would watch this movie over and over until we knew every word and could sing along perfectly. They are very happy memories that I share with my sister; and the rest of my family and I will always enjoy listening to and watching The Sound of Music no matter how many times we’ve done it before.

I love how some of the songs are so intricate and over-the-top (“The Lonely Goatherd”) and some are so sweetly written and simple (“My Favorite Things”). No matter which song from the show you’re playing, they are all different — no two sound the same. Some Broadway shows can be very repetitive and over the course of three hours song after song can become boring, but that was never the case for me with The Sound of Music. In addition, the talent that you need to sing some of the songs is amazing. That’s not to say anyone can’t sing along, but to sing them well requires some major pipes. My sister had this talent and seeing her perform our favorite show was one of the moments she truly knew that music and singing would be her life’s passion.

I think that watching, or even just listening to, The Sound of Music is a must for everyone, even if you’re not into musicals. The story line is so captivating and the music is beautiful. If you’ve never seen it before give it a try! If you’re feeling so inclined after, take out this book and learn some of the songs too!

Sound of Music banner