Parsons Playlists: My Favorite Movie Scores

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Isaac (class of 2025) featuring some of his favorite film scores!

My Favorite Movie Scores

One of my favorite aspects about movies are the scores, and here are a few of my favorites.

Nicholas Britell – “Chiron’s Theme” (Moonlight)

Nicholas Britell – “Atlanta Ain’t but so Big” (Moonlight)

Hans Zimmer – “Armada” (Dune)

Hans Zimmer – “Mountains” (Interstellar)

Atticus Ross and Trent Reznor – “Hand Covers Bruise” (The Social Network)

Ennio Morriocone – “The Good, The Bad, and the Ugly Theme” (The Good, The Bad, and The Ugly)

John Williams – “Flying” (E.T. The Extra-Terrestrial)

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZeycEltIYlCLENPs5KDS5a1s&si=UjbxB7fAylViSkM8

Parsons Playlists: Music in Film

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Esther (class of 2025) and features classical pieces used in various film soundtracks.

Music in Film

music in film

Ludwig Van Beethoven – “Symphony No. 9 in D Minor, Op. 125: ‘Ode to Joy'” (Die Hard)

Modest Mussorgsky – “Pictures at an Exhibition: II. Gnomus” (The Big Lebowski)

Béla Bartók – “Music for Strings, Percussion and Celesta” (The Shining)

Frédéric Chopin – “Piano Concerto No. 1 in E Minor Romance Larghetto” (The Truman Show)

Wolfgang Amadeus Mozart – “Duettino Sull’aria from Le nozze di Figaro (The Shawshank Redemption)

Gustav Mahler – “Symphony No. 5 in C sharp minor, Adagietto” (Death in Venice)

Richard Strauss – “Also sprach Zarathustra, Op. 30: I Prelude” (2001: A Space Odyssey)

Peter Il’yich Tchaikovsky – “Fantasy Overture from Romeo and Juliet (A Christmas Story)

Franz Schubert – “Polonaise in B Flat Major, D.580” (Little Women)

Dario Marianelli – “Dawn” (Pride & Prejudice)

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZezXVAhyJoSw1tbSYTslfXXH&si=Tg37dJ6ldT0DH7uv

Arachnophonia: Casablanca

Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student manager Eliana (class of 2024) and features insert title info here. Thanks, Eliana!

Casablanca: Original Motion Picture Soundtrack

Casablanca soundtrack

Among the shelves of CD’s in Parson’s music library sits the soundtrack of Casablanca, one of the most famous movies of all time with a score that certainly holds its own. The score, composed by revolutionary Austrian composer Max Steiner, will transport you to the 1940s and fill you with the triumphant energy of World War II cinema. Steiner not only utilizes leitmotifs in his scoring, but his songs provide formal and rhythmic continuity for the film as a whole, making his composition a true masterpiece.

The beating heart of the film is the song “As Time Goes By,” originally written by Herman Hupfeld in 1931. It is rumored that Steiner disliked this song and wanted to scrap it altogether, but he was forced to use it because the female lead (Ingrid Bergman) cut her hair for a different production and wouldn’t be able to reshoot any scenes with a new theme song. Notwithstanding Steiner’s disdain, the song is a true masterpiece with the context of the film. “As Time Goes By” represents not only the love that Rick and Ilsa have for each other, but also the past that they shared. When the song is not present in scenes between the two of them, the strain on their relationship becomes all the more apparent. Conversely, the song’s presence denotes a sense of calm between the two. Steiner weaves the song’s melody throughout the film to somehow bridge gaps between scenes, allude to strife, and foster love all at once. It is his compositional ingenuity that sets this film apart from many others.

Other notable songs present in the film are “La Marseillaise,” “It Had to Be You,” and “Die Wacht am Rhein.” You can listen to these, as well as the rest of the score, from the Casablanca CD located in the Parsons Music Library.

Arachnophonia: “Hans Zimmer & James Newton Howard’s The Dark Knight: A Film Score Guide”

Editor’s note: Arachnophonia is a regular feature on our blog where members of the UR community can share their thoughts about items in the Parsons Music Library‘s collection. All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by Music Library student worker, Abby (class of 2021) and features an analysis of the score from the 2008 film The Dark Knight. Thanks, Abby!

Han Zimmer and James Newton Howard’s The Dark Knight : A Film Score Guide by Vasco Hexel

Are you a fan of Batman? Do you love learning about how movie soundtracks impact movies, even having the power to completely change emotion and perception? Or maybe you’re taking a music theory class and want to read something that won’t put you to sleep on the first page? Then this, my friend, is the book for you: Hans Zimmer and James Newton Howard’s The Dark Knight: A Film Score Guide by Vasco Hexel. It’s a long title but hear me out. This book tracks Zimmer’s process in the making of The Dark Night film score, as the name suggests. But not only that, it provides in depth analysis of the characters Batman and the Joker, describing how the music was designed to reflect the psychology of each character.

For mega-fans and theorists, it’s a musical, analytical wonderland. And for those who need help in figuring out how to make a Grammy award-winning soundtrack, or who just need a break from Beethoven, this is the place to start!