Parsons Playlists: Ineffable

Welcome back to Parsons Playlists! Today’s playlist is curated by Music Library student manager Esther (class of 2025) and features songs that do not need words to speak to us.

Ineffable

"Words do not express thoughts very well. They always become a little different after they are expressed, a little distorted, a little foolish."

One of the many things I appreciate about music is how much it captures and conveys experiences that may be difficult to otherwise express verbally. Here are some songs that seem to speak without words.

“Two Pieces for String Octet, Op. 11” by Dmitri Shostakovich

“Rain” by Ryuichi Sakamoto

“Spring Song” by Felix Mendelssohn

“Flower Dance” by DJ Okawari

“Gymnopédie No.1” by Erik Satie

“Theme from Schindler’s List” by John Williams

“Salut d’Amour, Op. 12” by Edward Elgar

“Affections Touching Across Time” by Kaoru Wada

The Carnival of Animals: “The Swan” by Camille Saint-Saëns

“Mia and Sebastian’s Theme” (from La La Land) by Justin Hurwitz

The Planets: “Jupiter” by Gustav Holst

Here is a link to the whole playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57Zew5oEU_taWdXjzZWRme_TGs&si=YXnKbqGAH33jptbt

Parsons Playlists: 19th & 20th Century Piano Music

Welcome back to Parsons Playlists! Today we are featuring a collection of 19th and 20th century piano music curated by Music Library student manager Ryan (class of 2022).

Baby grand piano

Samuel Barber – Excursions, Op. 20

Erik Satie – Trois Gymnopédies No. 1

Erik Satie – Trois Gymnopédies No. 2

Erik Satie – Trois Gymnopédies No. 3

Frédéric Chopin – Waltz No. 7 in C Sharp Minor, Op. 64

Frédéric Chopin – Nocturne for Piano, No. 8 in D Flat Major, Op. 27

Franz Liszt – La Campanella

Franz Liszt – Liebestraume S541/R211, No. 3. Nocturne in A-Flat Major

Here is a link to the full playlist on YouTube: https://youtube.com/playlist?list=PLU94rco57ZeyweOia4E_CpnV5TG7iyQO0

Liszt Chopin Barber Satie

Arachnophonia: Erik Satie

Editor’s note: Arachnophonia is a feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.

All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.

Today’s installment of Arachnophonia is by student assistant Ryan (class of 2022) and features a collection of works by French composer Erik Satie. Thanks, Ryan!

Erik Satie (b. 1866 – d. 1925)

Parade ; Trois gymnopédies ; Mercure ; Trois gnossiennes ; Relâche

Satie -  Parade ; Trois gymnopédies ; Mercure ; Trois gnossiennes ; Relâche

Erik Satie has long been one of my favorite composers for his ability to blend together subtlety and expressiveness to create an ambiance unlike any other artist. In his day, Satie struggled greatly to find support for his music, but his friendship with composer Claude Debussy proved valuable when Debussy offered to orchestrate two of Satie’s three “Gymnopédies”. Among Satie’s earlier works, Debussy saw great potential in “Trois Gymnopédies” and his orchestrations are still performed today, although Debussy disliked the second of the three and never orchestrated it. In this CD recording by the New London Orchestra, conductor Ronald Corp attempts to elucidate the same subtleties Debussy loved so much in Satie’s work with his orchestrations of Gymnopédie no. 2 as well as “Trois Gnossiennes”. This CD also features recordings of some of Satie’s ballets: Parade, Mercure, and Relâche. Each was met with mixed reviews at their debuts, but are now considered to be some of his finest works.

Erik Satie

Erik Satie in 1920

I love to listen to Satie, especially the Gymnopédies, while I read or do work. Music historians often credit Satie as being one of the precursors to modern “ambient music”, and it’s easy to see why. Satie’s music lends itself equally well to thoughtful listening as it does to background enjoyment. If you’re looking for a CD to help you relax after a long week or accompany a good book, I highly recommend the New London Orchestra’s collection of recordings.