Editor’s note: Arachnophonia (“Arachno” = spider / “-phonia” = sound) is a regular feature on our blog where members of the UR community can share their thoughts about resources from the Parsons Music Library‘s collection.
All links included in these posts will take you to either the library catalog record for the item in question or to additional relevant information from around the web.
Today’s installment of Arachnophonia is by student manager Xipeng (class of 2024) and features Camille Saint-Saëns’s “The Carnival of the Animals”. Thanks, Xipeng!
Camille Saint-Saëns – “The Carnival of the Animals”
Camille Saint-Saëns, born in Paris in 1835, was a prominent French composer of the Romantic era who displayed extraordinary musical talent from a young age. He was a versatile musician, excelling in various genres, including symphonies, operas, and chamber music. His compositions often reflected a blend of traditional forms with modern influences, contributing to his reputation as a forward-thinking composer of his time. “The Carnival of the Animals” is one of Saint-Saëns’ most famous masterpieces that showcases his playful imagination.
French composer Camille Saint-Saëns (1835-1921)
“The Carnival of the Animals” was composed in 1886, a lighthearted and whimsical suite of fourteen movements for chamber ensemble. The piece was originally a private work and the composer requested not to be published during his lifetime, fearing that its playful nature would detract from his more serious reputation. It was published after his death and became one of Saint-Saëns’ most beloved compositions. Each movement in the suite represents a different animal, and each is characterized by distinct melodies, rhythms, and instrumental colors that vividly portray the featured animals.
Here is a performance of “The Carnival of the Animals” by Zagreb Music Academy Chamber Orchestra:
Feel free to check out recordings, scores and biographies at Parsons Music Library!
