In reading about the experiences of black people in the age of submission there two distinct topics that I thought of. One was the use of music, poetry and other forms of art which gave a political message and the second one was the usage of churches within the black community. Zinn showed many poems from authors such as Countee Cullen, Langston Hughes, and Paul Lawrence Dunbar. These Harlem Renaissance arts used their art to express political messages about the discrimination within the Jim Crow system. By writing from personal narratives as well as those which they knew were pervasive in the community, they were able to accurately convey the blatant racism and ostracization that took over their daily lives. This is especially powerful in Cullen’s incident poem as it shows that one racist experience can have a lot of power on a person’s life. By showing that his entire summer all he remembers was a racial slur that he was called, we are able to understand the message Cullen wanted to send to both the black and white audiences who read his work.
Another powerful aspect of these first-hand stories was the usage of the church, particularly Baptist churches, as a source of power, strength but also functionally as a place to meet where many marches and organized dissent started. When Zinn writes about Montgomery this is especially evident. By meeting at the church, it was symbolic of black unity but by also noting that the followers were instructed to “walk with God” demonstrates the power and significance that church and God had in these stories. The church, according to Zinn, was central to Martin Luther King’s movement but generally had a large presence in other movements as well.
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