River Rat Paddle

 

With a cool fall breeze we beached our kayaks and hopped onto the bank. A long tiring paddle up the river has taken us here, we are at the fish ladder. During our River Rat patrol last Friday, we took time to explore the Bosher Dam. This is a historic dam, constructed in 1835. Our River Rat control determined that wildlife was abundant, and trash in the area was at a minimum. We also saw the pinnacle of all things to improve the health of the James, was the fish ladder. Although not operational last week, during peak migration season the Bosher Dam fish ladder successfully helps fish move up and down the river. From our visit to the Bonneville Dam, we learned about how important fish ladders are to the ecosystem. Fish ladders are one of the most important tools to improve the health of the river, yet the Bosher Dam fish ladder was not contrasted until 1999. Why is this? What took so long and how much damage did the river receive? Historically, fish ladders have existed in France since the 17th century.   Despite this, modern fish ladders have not been implemented into there was proof that they are beneficial for the river, and that proof only came from scientific research.

 

Example Fish Ladder

How a Fish Ladder Works

 

 

Looking at a small section of the river, it may not seem like fish ladders are required. Scale is important to consider because realistically that fish doesn’t actually have to move to the other side of the dam to survive. Food and habitat is still abundant on the down river side. One has to look at larger scale, both physical and time, to find importance of fish ladders. Many species, like the sturgeon we study in class, migrate up and down the river for different life stages. So yes, that one fish will survive if there was no fish ladder, and it was stuck on one side of the dam. But all of the generations after will suffer and successful breeding may be reduced to zero. After this the region where the fish used to travel will be effected. No longer will that fish be hunting on the smaller organisms and other food sources. The balance of the ecosystem will be thrown off, and we can only hope will be able to recover without that once important species once there.

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Spiral Fish Ladder in France

 

 

For all of these reasons fish ladders have been proven successful. Research like this drives public policy, and without any research there would be a lack of informed decision making. This is why federal funding for long term projects, like those undertaken in the Andrews Experimental Forest are important. The HJA itself did not produce fish ladder studies, but many scientific discoveries have been made there, as is described in my blog on the subject. Nevertheless, some recently published studies have suggested that fish ladders do not promote safe travel up river, instead they actually have a negative effect by allowing predators access to the very species the ladder was designed to protect. (Agostino et al. 2012) Research is not binary. Fish ladders cannot not switch from being inherently good nor bad. One study does change conventional wisdom. Instead long term studies can show general trends, and without these it is hard to put all the puzzle pieces together in order to save our great James River.

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Huguenot Flatwater Adventures

A lone cormorant waddled through the towering maze of concrete corridors. He looked a little confused and hungry, maybe a little sad. He reminded me of myself waiting in line for the cook-to-order station at dhall. He had come to the fish ladder adjacent to Bosher dam, probably with the intention of getting a delicious fish snack. Although fish ladders were designed to facilitate the safe passage of fish through dams, studies have concluded that predators congregate where fish are forced to concentrate in traveling through the narrow fish ladder. This phenomenon is referred to as a “predator hotspot,” and the lovely cormorant was hoping to take advantage of the fish buffet he hoped to find (Agostinho et al, 2012).

The hungry cormorant, unable to find fish in the empty fish ladder

The hungry cormorant, unable to find fish in the empty fish ladder.

Unfortunately for the cormorant, the Bosher dam’s fish ladder is only open at certain times of the year to accommodate seasonal fish migrations, and at the time of our paddle, it was not in use. Though the cormorant would eventually leave on an empty stomach, perhaps he was able to enjoy the views from Bosher dam, just as we were able to.

The Bosher dam

The Bosher dam

Taking in the scene was beautiful. Downstream, the setting sun painted vibrant hues across the still water. Above the dam, the water swelled up and pooled along the ancient mansions at its banks. Despite the thunderous crash of the spilling water as it raced over the concrete wall of the dam, the entire world felt still for our moment looking at the James. While it provides a scenic spot to rest after some hardcore paddling, the 12 feet high Bosher dam is not in use today. So why is it still in place?

The answer can be seen from the dam. Upstream of the dam where the grand houses sit, wealthy and influential people live along the James and enjoy a good boat ride. They enjoy boating so much that they rallied to protect the Bosher dam and keep it in place because the dam helps pool the water upstream creating a beautiful boating oasis. However, keeping the Bosher dam inhibits many fish species from traveling upstream up to Lynchburg. Though the fish ladder is in place, it is not very effective. The fish ladder is only seasonally operating and often contains predators waiting for meals (like our friend the cormorant). Some fish populations do not use the fish ladder at all. Fish and fishermen alike could benefit from the removal of the Bosher dam.

Souce:

Agostinho, Angelo Antonio, Agostinho, Carlos Sergio, Pelicice, Fernando Mayer, & Marques, Elineide Eugênio. (2012). Fish ladders: safe fish passage or hotspot for predation?. Neotropical Ichthyology, 10(4), 687-696. https://dx.doi.org/10.1590/S1679-62252012000400001

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Where are the geographic boundaries of community drawn?

Last weekend I had the opportunity to volunteer at the Richmond Folk Festival as part of the bucket brigade. One of the main tenants of the folk festival, is that the event is free and open to the public. The organizers stress this by boldly stating “FREE” on their webpage. Anyone is welcome to attend and enjoy live music, regardless of their financial status. Sponsors and donations are sought to cover the 1.2 million dollar cost of running the festival, and each year it is unknown if they will make enough money to come back the next. The whole community of Richmond Virginia must come together to support, and simply pay for others who cannot.

 

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Fellow bucket brigade members I met this weekend, photo from Richmond Folk Fest FaceBook

My idea of what community is, was completely changed after attending the festival. Originally I thought communities were constrained to very local regions. I have always been under the impression that people only help those in their own community. I’m not saying this is a bad way of doing things, rather simply it is easier to see what impact my help is doing when I live there everyday. What amazed me at the folk festival was what seemed like a bus load of almost 100 ready volunteers traveled here from a Muslim church in Norfolk Virginia.  For those who do not know, Norfolk is almost a two-hour drive, paralleling the James river, down the peninsula. When I asked my new bucket brigade friends why they drove so long to volunteer, they humbly stated that its just normal for them. None of them have ever been to the folk festival before, instead each year they find a new location to serve at. This perplexed me and I’m still not sure why this group of so many people chose this specific location. Maybe they wanted to stay near the James river, which they had to cross on a bridge when they left their houses early in the morning. Regardless, this seems to go against Forsyth’s Awareness-Appraisal model. Here a large group of people engaged in behavior, while seemingly skipping over the awareness and appraisal steps. None of them have ever been to the folk festival before, so I really doubt they were aware that the festival relies on donations. Instead, they must have been motivated by some sort of sense of community. Not a local community to the port town of Norfolk, but a larger community of anyone in need. This is important because I believe that if we better understand this larger sense of community, then we can push more people to take action to protect watersheds all around the globe.

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Every Drop in the Bucket Counts: How Does Richmond Define Itself?

With our traffic-cone-colored t-shirts adorned and Home Depot buckets in hand, we were released from the cramped volunteer’s tent, free to roam Brown’s Island at last.  The group of Bucket Brigadiers fanned out across the festival grounds in pairs, collecting donations from festival-goers.  Initially, I was concerned: how could just a handful of volunteers collect enough money to fund this huge festival?  At that point, the field was practically empty save a few small groups of confused guests looking for a schedule of the music for that night.  Admission was free and this was turning out to be a perfect tragedy of the commons.  Disappointment was imminent.

The sun began to dip lower and lower behind the skyline and bands finally started playing.  As the music filled the air, people appeared out of nowhere to enjoy the performances.  All of a sudden, guests were pouring in from every bridge and were flocking around stages and food stands.  My anxieties cleared and collecting donations became easier and easier as more and more guests flooded Brown’s Island.  People were surprisingly happy to contribute whatever they could in order to fund the festival.  I was overcome by some patron’s generosity and willingness to support the event.  Everyone was contributing together and every drop in the bucket counted.  Attendants, whether old or young, believed in the Folk Festival.  They understood its vital role in maintaining the heartbeat of Richmond.  Over the years, the festival has become part of Richmond’s identity and, without it, residents would feel lost.  It is simply part of who they are.

Why can’t this passion be cultivated elsewhere?  Strong community efforts are necessary to support any societal cause.  Residents will explain how the James River is part of the city’s identity, too; however, they have trouble with proper stewardship of the water.  If it was truly a central facet of Richmond’s identity, then raising money for managing the James would be as easy as wearing an orange shirt.  Perhaps, appraising the state of the James is more difficult for the untrained eye whereas appraising the need for culture is easy.  Anyone can see the benefits of a vibrant festival, but seeing the benefits of a heathy river takes more than a mere glance.  In any case, environmental stewardship demands the support of a community.  Without a collective, distinct and conscious passion for the James, there is no hope for its proper management.  The city of Richmond needs to fully identity with the James and understand the river as a vein of its being.  Although the James disregards synthetic and arbitrary city boarders, someone must take responsibility for it, so why not Richmond?  One river hero alone is limited in his or her actions, but the collective combination of all Richmond residents together can lead to a new set of cultural values that treasures the James in every way.  United, there is hope in the future: every drop in the bucket counts.

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More than 125,000 guests attended the Richmond Folk Festival this year.  (Richmond Folk Festival Facebook Page)

Between 1,200 and 1,500 volunteers helped to raise about $75,000 at this year’s festival.  (Richmond Folk Festival Facebook Page)

Between 1,200 and 1,500 volunteers helped to raise about $75,000 at this year’s festival.  (Richmond Folk Festival Facebook Page)

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A Wildlife Haven and Industrial Wasteland: Confusion at Dutch Gap

Our entourage of delicate kayaks dot the surface of the water, like gerridae, as we slide around the lagoon.  The view of the Dominion coal plant that looms ominously on the horizon is broken only by the flash of our kayak paddles in the air.  The immediate foreground is a wildlife haven full of greens and blues; however, the backdrop decants smoke and steam high into the sky.  Where are we?  What inexplicable heterotopia spans across this bizarre environment?

Although fringed by a Dominion coal plant, Dutch Gap, located in the county of Chesterfield, VA, is currently a conservation area.  During the Civil War, union soldiers carved out the land in order to maneuver around a corridor of the James that was then controlled by confederate troops.  After the war, the channel was widened and quickly became a ‘shortcut’ for trade routes on the James.  Between the 1920’s and the 1960’s, the area was used as a gravel mine, which can easily be imaged today as parts of the Gap are still filled with tug boats, barges and crumbling industrial waste.  Currently, Dutch Gap serves its original guests by providing habitat, food, water and natural cycles for both terrestrial and aquatic flora and fauna.

The basic history of the Gap paints a success story of a misused space that was overwhelmed, overused and confounded by anthropocentric needs, ultimately saved and restored to its former wild glory.  However, the reality that saturates Dutch Gap is far from this perfect restoration tale.  In truth, the Gap is a heterotopia and somehow balances the newly reestablished landscape with a polluted past producing a converged environment incorporating both wildlife and industry.  The invisible heat from Dominion’s effluence keeps the water unnaturally warm all year around; however, fishermen still trace the shoreline with their rods in hope of snagging a largemouth bass.  The decaying wood and metal of the barges pierces the landscape, but the foliage simply grows around it as if it is captaining the boats now.  The Richmond Times-Dispatch ran a front page story about Dominion’s unsafe coal ash ponds and their degrading impact on the Gap just days after our excursion, but king fishes, great blue herons, beavers, otters and other wildlife continue to dwell within the lagoon.

Dutch Gap is truly an intricately multifaceted heterotopia that miraculously unites a wildlife haven and an industrial wasteland.  While this is astounding, is it admirable?  Is it beneficial for the environment?  Is it beneficial for humans?  What has been accomplished by the Gap converging these radically dissimilar worlds?  While it unites two opposites, thus adequately serving two separate needs, it also fails to fully provide for either of the needs.  Should each realm be relegated to one area or can they share the space?  The confusion continues as we weave in and out of the islands in our kayaks, threading the questions that whet our minds.

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Todd looks to the skyline and contemplates the Dominion coal plant in the distance.

 

Kayakers flock around an abandoned tugboat, now ravished with vegetation, that once navigated the waters.

Kayakers flock around an abandoned tugboat, now ravished with vegetation, that once navigated the waters.

 

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Folk Festival or State Fair? (Community-Based Service Log)

The Richmond Folk Festival was an amazing experience that I had the privilege of going to for the first time with some moderately cool people- McKenzie, Quinn, and Jack. During my time there, McKenzie and I decided to help minimize the trash and preserve the sanitation of Belle Isle and Brown Island through the outreach of the Green Team. Meanwhile, Jack and Quinn had the crucial role of asking for donations and raising funds for the event as Bucket Brigadiers. The people that we interacted with ranged from all types: from other college students like us to elderly looking for a nice evening out. However, most of the people at the event were just your average Joes; they weren’t necessarily hardcore nature enthusiasts, but rather common people with an appreciation for the river. I thought about how Cronan’s article mentioned that national parks and public lands act as a gateway for further passion in nature. Thus, it was really amazing to see how this event was a real life example of this model; the Folk Festival got everyday people to come out to a spot that they might not commonly go to and open up their eyes to the outdoor scene. Also, during the event I saw many people bring their children. I recall a specific instance where a father and his 2-year-old daughter went up to Jack and Quinn, and encouraged his daughter to place several dollars into the donation bucket. It was a really precious scene and I thought how this related to Cronan’s idea of how we must push forward appreciation for the outdoors at an early age.

However, as amazing of an event the Folk Festival was, I can’t help but also think that we have degraded the magnificent James into an event aimed to entertain the masses. As Thoreau would say, preserving the James and attracting others to come out to this area is also taming it-making it into something for the sole enjoyment of human and turning it into this completely man-made structure. Furthermore, like Cronan mentioned in his article, wilderness attracts those who have the means to afford it. Although this event is open to the entire public, it consisted of food vendors, artisan shops, and donation collectors who were all trying to profiteer from this event. It became more about what was going on at the Brown Island/Belle Isle rather than these areas itself. I am still a believer that the wilderness is more sublime as it becomes more remote and distinguished from civilization. The Folk Festival was a really cool event, but-to me-it was more of a glorified state fair than a true way to appreciate the outdoors.

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community-based service learning activity

I volunteered at the folk festival this weekend with Jack, Quinn, and Eugene. Quinn and Jack collected donations while Eugene and I picked up stray trash and made sure people put their waste in appropriate bins, which included compost, trash, or recycling. There were sets of these bins stationed almost every thirty feet from each other, yet there was still trash everywhere – napkins flying around, hundreds of cigarette butts, food all over the ground. It made me think about how our kayak guides at Dutch Gap talked about getting rid of the trash cans in their area. They found that people littered way less when trash cans were absent. Could the same phenomenon occur at the festival? If there were fewer trash cans, would people be more encouraged to wait and find a trash can instead of just dropping their waste? I think it’d be an interesting experiment to try.

I also connected the festival to the flowchart in the class notes about creating a sense of community: awareness leads to appraisal leads to action. Many people donated money to keep the festival free for future years. People appreciate the free festival,56io0 ` which leads to them making a donation. Although this doesn’t concern a watershed, the two issues – taking care of watersheds and the festival – are similar in that when people understand its importance, they are more likely to do their part to maintain its quality. However, a middle aged woman came up to us and yelled that we needed to force the younger population to donate because she had “seen a lot of people under the age of forty without stickers!!” When you donate, you get a sticker. This, I felt, also supports the flow chart because the younger people at the festival probably only go to college in Richmond and don’t live here, so they do not attend this festival often or appreciate its significance. The fact that the young people are from different places means that they come from spaces with different characteristics – perhaps where there are not festivals or people are not generous enough to donate at similar events. Whatever the case, they understand different customs than those of Richmond and its folk festival. These people are not aware, so they do not act the same as those who are.

Aside from generally having a good time and doing service, I enjoyed the folk festival because I observed things that I was able to translate to things that we learned in class.

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Portlandness All

Portlandness Blog 1

* Both books emphasize the study of place. Define the geographic concept of “place”. Illustrate the concept by describing the place where you are this summer.

A place is defined by the physical and human characteristics of a location. This summer, I’ve been doing research in Richmond. The physical characteristics of the place I am in include the buildings, the lake, the general layout of campus, and its absolute coordinates. The human characteristics include the people I am with and all of our cultural differences, the languages spoken, the forms of transportation used – basically everything that comprises the daily lives of the people here. Richmond as my place is my apartment, my lab and lab group, my friends that I live with and hang out with, where I get my food, and where I go in my free time, like the gym or the river. These things comprise my experience for the summer, and therefore define my place.

* Before reading this book, think about your preconceived idea of the City of Portland. From this introductory material, describe two things that matched your preconceived notion of Portland. Describe two things that you had not previously associated with Portland.

My idea of Portlanders before this book was all hippies and environmentalists who are super friendly and love to eat locally. I was pretty much right with my ideas – the 100 mile diet is very popular, many residents use green and renewable energy sources, and most everywhere in the area the majority votes with their environmental conscious.  One thing I just did not know about Portland was how big beer is. I learned that Portland has a reputation for having more breweries than any city in the world, which is quite impressive. I also had this preconceived notion that literally everyone is a born and bred liberal, but the population density map on page 25 that shows that the further out from the heart of Portland you go, more people vote conservatively.

* Why did the authors choose to introduce Portland as a Cascadian City? What does it mean to be a Cascadian City?

I think one of the major points of the introduction is that maps have tremendous power to influence how we picture a place. The northwest region has always been introduced to me by the political boundaries created to separate the states. The authors introduce Portland as a Cascadian city as a way to break down the preconceived notions about places and borders and to make us look at the northwest region from a new perspective that can be molded almost entirely by this book. Calling Portland a Cascadian city simply means that it and the area around it should be organized by “ecological realities” and “foremost understood as a land of cascading waters” (p 16).

* What is the essence of Portlandness? Why are maps a useful way of presenting this idea?

From this introduction, I think the main essence of Portland is comprised of certain qualities of the people. The list on page 23 sums up the very small knowledge that I have about Portland from this section – the people are environmentally conscious and love the outdoors, they’re mostly liberal, love their beer and coffee, and the “artsy” districts of most cities couldn’t hold a candle to Portland. The essence of Portland is built by its people, who typically have these intrinsic qualities that are very apparent to tourists and outsiders. The maps in this book illustrate the essence of Portland from several different perspectives, so we as the reader can vicariously experience the city through those who know it best – the people who actually live and grew up there.

Portlandness Blog 2

* What is the main concept illustrated in this section (e.g., what is an Urban Landscape)?

A landscape is defined as all of the visible features of an area, mostly considering the aesthetic appeal of the area. Therefore, an urban landscape is all of the aspects that make up the landscape of a city. It goes further than a normal landscape because it stresses the importance of a holistic view of the spaces and structures of the city. This section uses various types of maps to explain the different aspects of Portland’s urban landscape.

* What perspective did you choose to read for this section (e.g., Bridgetown, Under the Bridges, Where the Sidewalk Ends… or Naked City)? Why? How would you describe Portland according to this perspective in a few sentences?

I chose the subsection “Your Attention Please – Billboards and other Visual Noise” to look at Portland’s urban landscape. I chose this perspective because I thought it was most applicable to Richmond and other places I have been, so I can compare this type of urban landscape to previous experiences. The one thing I wish this section included is statistics – all of the maps simply compare the visual noise to other streets in Portland, so I only know that 82nd Ave has way more visual pollution than Interstate Ave, but not how much there actually is on either street. Based on the information that is given, I would describe the heart of Portland as having a lot of visual noise, with the intensity gradually lessening on the roads that lead away from it.

* What map would you produce for Richmond to represent this concept? Why? What would be the title of the map? What might the map look like? (go ahead and sketch it, if you feel you can. Don’t worry about the technology, if you can’t post

I would do a choropleth map, like they used in this section, which would show the density of advertisements on Richmond’s campus. This would best show how much “visual noise” is found around campus because the key would include numbers and you could know how many advertisements are found in each part of campus. On this map, places like commons that always have a lot of advertising would be shaded darkest to represent the high amount of advertisements, places like dorms would have the lightest shade because there are not usually a lot of advertisements, and other buildings and areas would be shaded somewhere in between. This map would be titled “Where Organizations Market around Campus.”

Portlandness Blog 3

* What is the main concept illustrated in this section (e.g., what is an Urban Landscape)?

The main concept of this section is “Views of the City.” This sections calls people to experience a city with all of their senses, not just their eyes as someone usually would. It is difficult to define Portland in one experience because everyone will experience the city differently depending on their emotions, feelings, and ideas about it. Therefore, this section takes general facts, such as population density, and several different opinions into consideration when describing the Views of the City.

* What perspective did you choose to read for this section (e.g., Bridgetown, Under the Bridges, Where the Sidewalk Ends… or Naked City)? Why? How would you describe Portland according to this perspective in a few sentences?

I chose to look at the Views of the City through Psychogeography. I had to make a lot of mental maps in middle school and my human geography class in high school, so it is interesting to see how other people view their home city and how accurate, or inaccurate, they are about it. As far as accuracy, the map of the Willamette River shows that most people think the river is far more east than it actually is, and almost no one knows exactly where it is within Portland. I think this speaks volumes for how people understand their city – people know relative directions, and could tell you landmarks that are along the river, but cannot actually pinpoint where something is on a blank map. This is further illustrated by the “Composite of student’ mental maps of Portland,” as landmarks and the type of people that live in the general area are included instead of actual parts of the city. This map is also laid over an outline of the city, and the students are pretty off as far as their dimensions. I think this page is one of the best representations of what is important to Portlanders when they view and think about their city.

* What map would you produce for Richmond to represent this concept? Why? What would be the title of the map? What might the map look like? (go ahead and sketch it, if you feel you can. Don’t worry about the technology, if you can’t post

While trying to explain to my mom where I’d be living next year, I drew a mental map of Richmond’s campus with the buildings that are important to me. I basically drew a circle as the outline of campus and put circles for the buildings, so it was clearly very detailed and advanced. To explain the “Views of Richmond,” I would create another mental map, but with better dimensions and I would try to get the shape of campus a bit more accurate. However, if the map is just for myself, I would only include places that are important to me – Gottwald, Jepson, Dhall, Gray, the gym, etc. I would probably ignore B-school and the Law school simply because I don’t go there because it’s so far been irrelevant to my Richmond experience. Someone on the mental map of Portland wrote “North-ish” for the northern part of the city, and that is pretty much how I’d handle the parts of campus I don’t know a lot about. Essentially, my map would be very elementary, but might be able to give someone a good enough view about my perspective of Richmond.

Portlandness Blog 4

* What is the main concept illustrated in this section (e.g., what is an Urban Landscape)?

This section is titled “Social Relations,” which is defined in the book as “how people relate and get along… or how they don’t.” Most of the parts in this section compare race and income levels of people in Portland, and how different people respond to each other. Portland is generally known for everyone being overly friendly to one another and even visitors, but this section highlights where this is not always the case, like with the prevalence of gentrification and ignoring or simply not knowing about the amount of homelessness.

* What perspective did you choose to read for this section (e.g., Bridgetown, Under the Bridges, Where the Sidewalk Ends… or Naked City)? Why? How would you describe Portland according to this perspective in a few sentences?

For this section, I chose to write about “The Invisibility of Homelessness.” During the school year, I volunteer at an organization called Youth Life, which is located in Delmont. On the way to get there, I always see the same homeless people out on the streets, and I think about them a lot, which is why I am interested in homelessness in Portland. In Portland over the past couple decades, homeless people were removed from wherever they were living and given campground sites to live in. This is a wonderful idea and gives the people a safe place to stay, but the campgrounds are very out of the way, so most Portlanders never see it, and they forget about the homeless. Therefore, the homeless will rarely interact with those who have homes, and the Social Relationship between the two communities is virtually nonexistent.

* What map would you produce for Richmond to represent this concept? Why? What would be the title of the map? What might the map look like?

I think another choropleth map, titled “Homelessness in Richmond,” would best represent the homeless people in Richmond. Areas of Richmond would be shaded darker if there is a higher number of homeless people and lighter if there are less homeless people. I would also include the homeless shelters on the map. I would expect that regions near the homeless shelters would be shaded the darkest because people would likely stay near shelter and safety.

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Forest Understory All

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* What do you expect to observe when we visit the forests of the H.J. Andrews?

Before reading this book, I didn’t have many expectations of visiting the forests. I expected trees, a stream or two, and lots of bug bites. I typically think of research as strictly in a lab, so I certainly did not think about how people ran experiments within the forest, or how different of an experience it would be to stray from the given paths. Now, I am excited to see the awe-inspiring beauty that motivated the incredible poetry and stories that people wrote about the forest. I expect to feel very small in comparison to the massive trees and the diverse nature, and hope to forget about the real world – the disruptive, manufactured, “concrete jungle” – for as long as possible.

* What are some different ways of telling the story of these forests? How do methods of creative reflection support scientific inquiry and vice versa?

The way the forest’s story is told depends on the perspective of the storyteller. A scientist’s viewpoint differs from that of a poet, which differs from that of an artist. The scientist sees the perfect venue to run an experiment; the poet finds his muse, and the artist sees a landscape to put on canvas. You, hearing the story second hand, would get a very different idea of what the forest is like if you heard from the three different sources. However, you might get the best picture of what it is like when considering all possible perspectives. Creative reflection allows you to analyze how it looks, whereas scientific inquiry lets you figure out how it works, what happened to make it look that way, and predict how it might look in the future. The different perspectives compliment each other because to further appreciate the beauty during reflection, you have to understand the history of the forest, how it grew, and the science that keeps it alive. Additionally, during scientific inquiry, you have to reflect upon your surroundings to see the worth in the experiments that you worked so hard to conduct.

* Why is the long-view critical to understanding the role of humans in the natural world?

I read a metaphor about unsustainable practices, which is as follows:

“The Earth is 4.6 billion years old. Scaling that to 46 years, we’ve been here 4 hours, and our industrial revolution began just one minute ago. In that time we’ve destroyed more than 50 percent of the world’s forests.”

That really speaks to me as far as the long-view goes because we are not using our natural world, forests in this case, sustainably. Looking at the long-view, we can predict what our forests will look like in the future, and they might be completely gone with no intervention and deforestations continues. Understanding our role can help us change our practices, and hopefully create a long-view that includes forests that are still natural and flourishing.

* Why was this theme chosen (e.g., Research and Revelation for Part One) to tell the story of the H.J. Andrews Experimental Forest?

The big revelation from part one is the importance of the forest and that we need to work to preserve it. This theme was chosen as one of the major parts of the story because if the revelation had not occurred, deforestation might still be happening at rates as high as described in the 1930’s. The revelation came as a result of the research conducted in the forests, which is why it is another important theme to this part of the book.

* What do you expect the landscape to look like from the passages in this section?

I expect to see a variety of landscapes, some which have been affected by deforestation and others that have not. Since the research that stopped deforestation was conducted fairly recently, the effects of people viewing the forest as “large saw timber” should still be visible (p 62). In the places affected by this, I expect an area that is in recovery and trying to regrow. In places that were not affected, I’m pretty much expecting just a stereotypical forest dense with tall trees and lots of other greenery.

* Provide an example or two of how the scientific context presented in the Ground Work essay is reflected in creative storytelling for the section.

The ground work describes the forest as being incredibly diverse with over 4000 species. This diversity was discovered through the research conducted since 1970s, also known as the “golden era of old-growth research” (p 63). I thought the amount of diversity was well portrayed in Vicki Graham’s poem, “Cosymbionts.” She uses asyndeton, the absence of a conjunction like and, when listing the different pieces of the forest and to describe some of the animals found there. Asyndeton is used to make a list of things seem even larger, which helps her to illustrate the enormity of the forest and its inhabitants.

* What’s a question you have about the forest from reading these passages?

I wonder how much the research that is conducted in the forest alters how the forest would be naturally. I’m sure the researchers are cautious not to change anything, but their presence surely scares some of the animals, or where they step might affect how some of the vegetation grows. This question isn’t one that can be answered when we go there, because there’s no way of knowing what it would look like without interference, but all the same, I am curious about it.

  • Why was this theme chosen (e.g., Research and Revelation for Part One) to tell the story of the H.J. Andrews Experimental Forest?Change and continuity juxtapose each other while still being complementary pieces of the overall subject of this section. The first Ground Work Essay entitled “Disturbance” best explains this: “… despite all this disturbance, ecosystems are resilient” (p 122). People tend to hold a negative connotation with the word “disturbance,” but it has been found that routine disturbances in the Andrews Forest are necessary to help the forest’s ecosystems further develop. Although the disturbances cause change to the landscape, they foster continuous change and growth within the forest, thereby helping it to evolve.
    • What do you expect the landscape to look like from the passages in this section?

Based on this section, I expect a lot of diverse life, even in areas that have been recently subjected to a disturbance. A few of the passages talk about the organisms that are able to thrive in what first looks like debris and destruction, which makes me think that there will be different types of plants and animals in areas that have been subjected to different conditions over the past few decades.

  • Provide an example or two of how the scientific context presented in the Ground Work essay is reflected in creative storytelling for the section.

The poem “Clear Cut” on page 149 talks about the negative effects of disturbances, specifically man-made ones like logging. It illustrates the difficulties that some of the animals face when their ecosystem has been destroyed, and how long it takes for it to recover. The author even “wants time to hurry” so that the forest can regrow, even though he knows he will not be alive by the time this happens (p 149). “New Channel” tells the other story of the forest after a disturbance. The author calls out those who “focus always on the destruction and not the regeneration,” which includes the author of “Clear Cut” (p 123). Although many animals die and trees fall, causing more debris, other organisms are able to thrive in the aftermath of a disturbance, which is what we should focus on when studying the change and continuity in the forest.

  • What’s a question you have about the forest from reading these passages?

This passage makes me wonder how much change has occurred in the forest in the past couple decades. Additionally, with each disturbance like a wildfire or logging, how much adaptation occurs to recover from the event, and how much is the course of evolution within the ecosystem altered?

* Why was this theme chosen (e.g., Research and Revelation for Part One) to tell the story of the H.J. Andrews Experimental Forest?

Borrowing Others’ Eyes was chosen for this section because it explains the full sensory experience of the forest. You use your other senses to understand or see the parts of the forest that you could not find with only your eyes. For example, you would not think to turn around to see an animal if you did not hear it moving from behind you. All senses are necessary to fully experience the forest.

* What do you expect the landscape to look like from the passages in this section?

This section didn’t necessarily give me any expectations for the landscape, but it made me want to experience it differently – with all of my senses, and not just my eyes. I expect to be more attuned to the different sounds and smells of the forest, and the various textures of the trees and leaves of the environment. The only new expectation I gained from this section is to have a complete sensory experience.

* Provide an example or two of how the scientific context presented in the Ground Work essay is reflected in creative storytelling for the section.

My favorite poem from this section is “This Day, Tomorrow, and the Next” by Pattiann Rogers. The opening line is “When the blind and the deaf walk/ together in the forest,” which then goes on to explain how the two are able to complement one another by working together with the senses that they have (p 174). Usually we think of just seeing, or just hearing something, and sound and sight are two completely different entities. However, these two with their respective disabilities have to work together to get a more complete experience in the forest. Likewise, when a person with all of their senses goes to the forest, they have to let their sight and sound work together to better and more fully appreciate the forest.

* What’s a question you have about the forest from reading these passages?

This section makes me wonder how much sound will affect how I view the forest. Similarly, I wonder how different of an experience I would have on this trip had I not read this book – would I be as alert to the sounds of the forest, and would I see or understand as much if I was not paying attention to the different sounds?

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Forest Understory

HJA #1

There are numerous things I am excited to observe when we visit the H.J. Andrews Experimental Forest. To start off, I am just eager to be in an environment so different from the one I’ve grown up in—in the Forest and within Oregon in general. I expect to see many different types of trees and plants, such as the conifers, and various types of land and bodies of water. I am also looking forward to seeing the wildlife native to the forest and the overall ecosystem. Finally, I hope to see how all parts of the forest work together to become a single, successful, functioning place.

The stories of these forests can be told through multiple different mediums, from storytelling and poetry using imagination to observations and experiments using direct experience and research. However, all of these avenues of expressing thoughts fall on a scale from the sciences to the humanities—two different types of insight that actually complement each other. Creative writing allows its readers to derive their own depiction of what they see from their imagination. It can also open a reader’s mind to new ideas and inventive solutions through the use of similes, metaphors, and other literary techniques. However, by combining it with the conceptual insights of science, creative writers can adeptly express the complex emotional and cultural relationships that humans have with the natural world. Meanwhile, science can then successfully make an impact on a person’s life and ultimately become a part of it. Essentially, these two thought processes build off each other; only when someone feels a deep connection to an issue, that issue will be acted upon. Overall, both scientists and writers together teach us of the many ways we approach, experience and understand the forest and its relationship with people.

The long-view is essential to understanding the role of humans in the natural world because ecological processes tend to be long-term. Therefore, we can only really understand the forest ecosystem if we look at it over time, and along with this, the understanding of our role in the natural world will deepen. Additionally, although there will never be permanent solution to any problem in the world—as society as a whole and its interaction with the environment is constantly changing—studying it over a long period of time is a great place to start learning and building from. Also, by tracking something over time, techniques tend to become sharper and more efficient. Conclusions are more skeptically analyzed and understood as we build a connection and delve deeper and deeper into the topic being studied. Through this process, over time, our understanding of our place in the natural world unfolds.

HJA #2

The theme Research and Revelation was chosen as the first section of the book because it provides the reader with a background and the overall facts of the Forest. It also allows the reader to accurately picture the Forest through its extremely detailed imagery. For instance, the first ground work essay describes the location of Andrews Forest relative to the landmarks surrounding it. It also describes how the Forest was made, the influence of weather on the environment, and the trees and wildlife that can be found within it. The next ground work essay focuses on the “ancient forest” and its relationship with people and research, while the final ground work essay mentions the role of decomposition in forest growth. Together, in conjunction with the other entries in this section, the reader can get a basic understanding of how Andrews Forest looks and how its different parts work together to make it a thriving ecosystem.

Based on the passages in this section, I expect to see a blanket of conifer trees above me everywhere I go filled with different types of squirrels, bats, and birds. Additionally, there will be streams filled with rocks and logs filled with insects, fungi and moss. Furthermore, the woods will be very dense with plants and branches, but there will also be open meadows all over. The ground will be soft and spongy. However, I also think the Forest will contain numerous areas that are visibly marked and outlined for research. Nevertheless, the forest will be picturesque, green, and alive.

An open meadow on the Carpenter Mountain trail.

An open meadow on the Carpenter Mountain trail.

In the poem “The Web,” by Alison Hawthorne Deming, she focuses on the age of the forest and the parts within it multiple times in a creative way, and goes on to question the beauty of a place that has survived over so much time and so many challenges. For instance, Deming references the trees that were able to survive the fires 500 years ago, which was mentioned in the first ground work essay. She also talks about the floods that occur when warm rain falls on fresh snow by calling it “snowmelt” and goes on the describe its effect on the forest in a beautiful way. Finally, she uses a lot of wordplay in the poem. For instance, she uses the word “erupt” to describe the sounds of the Forest, which references the several volcanic eruptions millions of years ago, which created its underlying bedrock. In addition, the word “dense” was used to describe the Forests’ intelligence, while it is also a word that can be used to describe the Forest environment. Deming uses creativity to express something serious in a beautiful way.

I would like to know if the are a lot of microecosystems within the Forest. I recently went on a hike in Shenandoah where there was a small microecosystem that was actually slowly dying out due to the temperature of the area slightly increasing each year. Is this a problem faced in Andrews Forest as well?

HJA #3

Change and Continuity was chosen as the theme of the second section because it is important to understand the disturbances, or changes, in an environment, and their effects on the future of that environment. Only then can people figure out ways to continue managing and studying that environment. In terms of Andrews Forest, wildfires, landslides, and floods have all changed the environment of the Forest. This, in turn, has disrupted its ecosystem and caused plants and animals to have to adapt to a new surroundings. While it has caused some organisms to die out, it has also created a space suitable for other species. Scientists to use the data gathered on these disturbances to prepare for future ones. Although disturbances may be rare, being successfully prepared for them can have beneficial effects for decades after.

Based on this section, I believe I will see a mix of old and new trees—old trees surviving the numerous fires, floods, and landslides, and new trees created after these natural disasters took place. I also think there will be a greater variety of new trees than old trees, as weaker trees would have fallen to the chaos will the stronger trees would have been the only ones to survive. This phenomenon will be mirrored in other organisms as well, such as smaller plants and fungi. I will also be able to see different grounds created by these disturbances and notice the firmness of certain features of the land, such as rocks, in contrast to the newness of the land it is embedded in.

Fallen Trees on the Old Growth Trail

Fallen Trees on the Old Growth Trail

One of the major topics of this section was destruction and regeneration, which Jeff Fearnside focuses on in his poem “New Channel.” He gives the readers a closer look at the February 1996 flood, but instead of just saying what happened, he used imagery and similes to describe what we may have seen had we been there. He even questions the wildlife that died. The way he described it—“How many fish died—the torrent sculpin and longnose dace—their eggs—water skippers…Choked bludgeoned, buried?”—just pulls the reader in even more. It sounds so emotional, as if Fearnside is those animals, which helps us connect to the burden the loss of habitat through the flood brought to the wildlife in the Forest even more. He continues to mention that disturbances should not always be viewed as bad—a point made in the ground work essays—and goes on to say we should realize there is regeneration because of it. This is what we should focus on and build from.

I was very interested in the topic of clear-cutting mentioned in this section. How would the environment of Andrews Forest differ from how it is today if clear-cutting was not practiced? Was that something that was necessary or if it did not happen would the environment be thriving even more? I wonder if it affected how diverse the environment was in terms of trees and wildlife.

HJA #4

Borrowing Others’ Eyes was chosen as the theme of the third part of the book because it is important to look at and analyze things from multiple different perspectives. One may see or understand something by him or herself, but by collecting the thought and opinions of multiple people, more can be seen or understood. Others point out things we make not think of ourselves. In terms of the Forest, everyone will experience it differently, as everyone is unique. Therefore, one may notice the difference in tree color in one area while another may focus on the sound of the water current. However, all of these thoughts, when shared and combined, can create a more rounded experience of the forest. Additionally, by bouncing off ideas and observations, someone may notice something someone pointed out previously in a different place. This is why it is important to share what we observe—it lets others detect what they may not have been able to before. In another sense, to discover long-term changes in the forest, scientists can use other techniques, such as soundscape, to understand the forest in ways we cannot ourselves. Using this technique to examine bird calls allows scientists to better understand migration patterns—something they were unable to do unless they borrowed others’ eyes.

Based on this section, I realize there is not one clear-cut way the Forest landscape will look because everyone will experience something different on his or her visit. Yes, all of us will see the green trees and the streams and meadows of the rainforest, but everyone will focus on different things within those environments. The ground work essays and other entries of this section also made me realize that the “look” of a landscape does not just refer to what can be seen with your eyes—it extends to what can be heard, smelled, or felt. Therefore, I can imagine the squirrels roaming the grounds, the smell of fresh air, the sound of water dripping off the leaves, the denseness of the plants, and the buzz of mosquitos swarming in the air. However, I also know so much will go unnoticed.  I will just have to experience the landscape to find out.

Robin Wall Kimmerer’s “Listening to Water” combines the ideas of water and sound—both mentioned in the ground work essays. He touches on all the different bodies of water and events involving water he has witnessed in the Forest and describes them using sound and imagery. For instance, he talks about the “sshhhh from rain,” “pitpitpit from hemlock,” and “popp of falling alder water,” and the different paces and resonances he hears in a pool of water.  He even goes on the describe the hyporheic water flow described in the ground work essay focusing on water, and says he is listening for it. As the reader, the way he writes this section makes me feel as if I am there and listening for it as well. Also, this entry makes me realize the importance of actually listening to other people’s observations, because I do not think I would have perceived all the things he has been able to had I been there myself. Overall, in his piece, he successfully uses sound to convey exactly what he is witnessing within the water. By combining this with what others have observed over time, the story of water in the Forest may be able to be told one day.

As soundscape seems to be a widely used technique in the Forest, do some sounds overlap for multiple species? If so, what is a way to combat this problem? I also wonder; if sounds do overlap for multiple species, do all these species stem from the same ancestors?

 

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