Some Ideas on What Happens

I think the first major thing that happens in the text is Bassanio asking Antonio for a loan. I would say that the trigger for that would be Bassanio falling in love with Portia and deciding to go to Belmont to take the challenge (the trigger for that being Portia’s dad dying and leaving the challenge of the three boxes to win her hand in marriage), but I’m not sure if we’re supposed to go that far back or if that’s stasis/intrusion business. But the loan and introducing Portia connects the sort of split between the plotlines of what’s going on with Bassanio and co. and what’s going on with Portia in Belmont.
Bassanio asking Antonio for a loan triggers him to say yes, and that they should go find a benefactor
This triggers them to seek out Shylock, which triggers his agreement to give them the money and to set up the term that if they cannot pay it back at the exact time and place agreed upon, that Shylock will cut out a pound of Antonio’s flesh.
This triggers Antonio to agree and they set up a meeting after Shylock runs home for a minute

Here’s where I’m getting kind of lost – the next scene is with Portia and the Prince of Morocco. I know we can have both plotlines occuring simulataneously, but then when we return to Antonio/Bassanio’s side of the plot, it’s Launcelot (is this another split? Meaning the next heap would be Gratiano’s request to go with Bassiano, as triggered by the agreement to lend the money which allows Bassanio to go on the trip?)

I’m so sorry if I’ve confused everyone, but please let me know what you guys think.

1947 in History

Some important historical events in 1947 (year it was written and in which it was set):
Jan 3rd – First televised Congressional opening session
Jan 15th – “The Black Dahlia” murder
Feb 10th – WW II peace treaty signed
Mar 13th – “Brigadoon” opens at Ziegfeld, 581 performances
Mar 22nd – Truman signs executive order calling for loyalty, Congress sets a 2 term limit on presidency
April 6th – The first Tony Awards
April 9th – Atomic Energy Comission confirmed
April 10th – Jackie Robinson becomes first black in major league baseball
Jun 4th – Taft-Hartley Act approved
Jun 5th – Marshall Plan announced
Jul 25th – Department of Defense is formed
Jul 26th – National Security Act/CIA is formed
Oct 5th – First televised Presidential Address
Nov 1st – Howard Hughes flies “Spruce Goose,” a large wooden plane
Nov 20th – “Meet the Press” debuts
Dec 3rd – “Streetcar” opens in New York
(Full list: http://www.historyorb.com/events/date/1947?p=3)
Other cultural info:
Christian Dior launched his “new look” (as dubbed by Life Magazine) – departure from wartime military style
“Hollywood Glamour” style very much in at this time
Mass production made ready-to-wear styles much more accessible
Life expectancy for a woman was 68, for a man 60
Penicillin revolutionized medicine forever only 6 years earlier
Communism/Marxism/extreme political theories
College was becoming available to more and more people, not just wealthy
Commerical TV, the first 13 channels, became available to the public

Blanche

Hey guys! The last post got me thinking mostly about Blanche – her separation from the other characters is apparent largely through her obvious education, which reveals itself in her manner of speaking and the various literary allusions she references in the text.
Here are a few of those allusions:
The inscription on Mitch’s lighter – “And if God choose,/I shall love thee better after death!” – is from Elizabeth Barrett Browning’s Sonnet 43. Love in death (literal (Allen, other family members) and figurative (time, the past, Belle Reve)), is a huge theme in the play, and knowing this poetry off the top of Blanche’s head demonstrates both her literary education, but her familiarity with the topics of death and love.
Blanche also makes a Biblical reference to the notion of ‘the blind leading the blind,’ when Stella leads her away from the men’s poker table.
She is frequently dropping in French words or quotes from French plays (including one from “La Dame aux Camelias” by Alexandre Dumas – she says this to Mitch, and I’m pretty sure she is remarking on how Mitch does not appreciate her)
It is also of note that the only references Stanley brings into the play are in the current, political genre. He talks about both Napoleonic code and Huey Long (elected governor of Louisiana in 1928), both of which are meant to reassert his dominance and relevant knowledge; however, he knows little of the art, music, language and poetry that Blanch often recites. Again, he appears less cultured and more barbarian.

First Thoughts on Dialogue and Research

Hey guys!
Here are some main points about the reviews/production history:

  • First opened on December 3rd, 1947 at the Barrymore Theatre (had succesful tryouts in Boston, New Haven and Philadelphia)
  • Thomas P. Adler: “may arguably be the finest play ever written for the American stage”
  • Howard Barnes: Williams is the “O’Neill of the present”
  • 855 performances in the first two years
  • 1st play to ever receive the Pulitzer, Donaldson and New York Drama Critics’ Circle awards
  • Received both as feminist and celebratory of masculinity; Marxist-inspired interpretations claim a message of political revolt
  • Character of Blanche has been widely debated over; hailed as Williams’ “finest creation,” and a “sexual Joan of Arc,” but noted for her contradictions and refusal to accept reality
  • Williams documented as identifying closely with both Blanche and Stanley, “I was and still am Blanche, but I have a Stanley side in me, too.”

Some preliminary biographical info:

Born Thomas Lanier Williams III in Columbus, Mississippi in 1911
Died 1983, apparently alcohol-related, in New York, at 71
Father C.C. Williams was a traveling salesman, mother Edwina had a history of nervous breakdowns
Older sister Rose (very close), younger brother Dakin
Moved to St. Louis in 1918, afterwards moved around a lot
Picked on at school, shy, always loved writing
University of Missouri to study journalism, started writing plays – influenced by Robert Penn Warren, William Faulkner, Allen Tate, Thomas Wolfe
Dad made him drop out and work at a shoe factory for 3 years, had a nervous breakdown, went to Washington University in St. Louis, the University of Iowa
Rose had a prefrontal lobotomy, institutionalized for the rest of her life
Grant to study playwriting at the New School in New York – started to be influenced by Anton Chekov and poet Hart Crane
1944 – The Glass Menagerie opened in New York, won New York Drama Critics’ Circle Award
1947 – A Streetcar Named Desire
1955 – Cat on a Hot Tin Roof (Critics’ Circle and Pulitzer)
Common themes: alcoholism, depression, desire, loneliness, insanity, nostalgia
The South
Being openly homosexual
Realism in the wake of the Depression and World War II
Wrote 25 full length plays, 5 made into movies, 5 screenplays, over 70 one-acts, hundreds of short stories, 2 novels and a memoir

http://assets.cambridge.org/97805216/23445/sample/9780521623445wsc00.pdf, Sparknotes, Wikipedia

Final Antigone Analysis – Thought (Idea)

Mary McDonnellHannah RhodesChelsea Radigan
Script Analysis
September 20, 2010 

 

Aristotelian Analysis- Thought (Idea)- Antigone

I.                   Stated by the characters in plain words:

Gods' Superiority to Humans:

·         "For me it's noble to do this thing, then die€¦ I will commit a holy crime, for I must please those down below for a longer time than those up here, since there I'll lie forever"

·         "At many things – wonders, terrors – we feel awe, but at nothing more than at man"

·         "Nor did I think your proclamation so strong that you, a mortal, could overrule the laws of the gods, that are unwritten and unfailing."

·         "Zeus, what transgression of men could overcome your power? Neither sleep that catches everyone in its nets nor the weariless passing of the months named for gods can overcome it€¦"

·         "No man has the power to stain the gods"

·         "The burden of being mortal – the sad, exhausting burden"

"[Gods] are not of today and yesterday; they live forever."

Negative Effects of Pride/Hubris:

·         "Zeus utterly hates the noise of an arrogant bragging tongue"

·         "Whoever thinks that only he himself owns all good sense, that he and no one else has such a tongue and mind – when men like that are opened up, it's seen that they are empty"

·         "There is no city that belongs to only one man"

·         "Good sense is the first principle of happiness. We must not act disrespectfully toward the gods. Grand words of arrogant men, paid back with great blows, in old age teach good sense"

"There is no reverence in trampling on God's honor."

Family vs. Country Loyalties:

 

  "Any man who feels that someone close to him is more important than his own fatherland – him I count as belonging nowhere"

·         "Knowing that this ship keeps us safe, and only when it sails upright can we choose friends for ourselves"

·         "Honoring the laws of the earth and the justice of the gods, to which men swear, he stands high in his city. But outside any city is he who dares to consort with what is wrong" (also Gods)

·         "He who is a good man in his own house will also be seen to be just in public life"

·         "This is why men pray to bring up dutiful offspring and to keep them at home: so they'll pay back a hated foe with trouble, and giving honor, love the friends of their father as he does. Of him who breeds useless children, what else can you say but that he only begets more burdens for himself, and more mockery among his enemies?"

·         "Whoever is put into power by the city must be obeyed in everything – in small things, and what's just, and the opposite. There is no greater evil that lack of rule"

"Anyone thinking another man more a friend than his country, I rate him nowhere"

"There is nothing worse than disobedience to authority."

Negative Effects of Greed/Corruption:

"For nothing current grows among us worse for men than silver: money ravages the cities, it forces men to leave their homes, it teaches mortals to turn to shameful deeds, it shows men how to commit all crimes, and know all kinds of irreverence"

"Dirty profits make for suffering"

"The mind of those who plan in the dark what is not right will often find itself caught as a thief"

"The gods' swift-footed bringers-of-harm cut down the evil-minded"

"When a man's enjoyment betrays him, I don't think of him as living but as a dead man who can still draw breath"

"Often greed has with its hopes brought men to ruin."

"Do you see the gods as honoring criminals? This is not so."

 "Ill-gotten gains ruin more than they save."

 

"When people plot mischief in the dark, it is the mind which first is convicted of deceit."

"The good man does not seek an equal share only, with the bad."

Human Weakness/Limited Knowledge of Mortals – Stubbornness:

·         "Mortals should not swear anything's impossible! – since later thoughts can prove one's judgment quite mistaken"

·         "For does not someone who, like me, lives on among so many evils, profit by dying?"

·         "Rigid walls are those most apt to fall, and that the hardest iron, forged in fire for greatest strength, you'll see is often broken, shattered"

·         "Good sense that is innate in people deserts them in the midst of troubles"

·         "The trees that bend with the current save themselves and even their twigs, but those that stand straight are annihilated, root and branch"

·         "It's best by far if a man is completely filled with knowledge by his nature€¦ It's also good to learn from what's well said"

·         "To show reverence is indeed some reverence. But power, in him who holds power, is absolutely not to be opposed"

·         "Making bad choices is something shared by all men, but when a man goes wrong, he's not still ill-advised and not ill-situated if he tries to rectify the evil he has fallen into and stops insisting that he will not move. Stubbornness will earn the charge of botching things!"

·         "It's terrible to give way. But to resist – and strike my soul with ruin – is terrible"

 "It's a bad thing if one judges, and judges wrongly."

"No city has he with whom dwells dishonor prompted by recklessness."

 Women Subservient to Men:  

 "We must keep in mind that first, we're born as women, we're not brought into being to war with men; and second, that we are ruled by those whose strength is greater, and we must yield to this"

·         "We must safeguard the orders of the rulers, and we must never be defeated by a woman – better to be overthrown, if we must be, by a man; then we will not be said to have been beaten by the women"

·         "For a woman who has died it is a great thing even to be spoken of as having the same fate as those who are like gods, both when alive and then afterward, when dead"
Predestination – ( also Cyclical Tragedy in Families):

·         "It makes no sense to do things that are futile"

       "Among those whose house the gods shake, no ruin is absent as it creeps over a multitude of generations€¦"

·         "The power of fate – whatever that is – fills us with terror and awe. Neither wealth nor weapons nor high walls nor dark sea-battered ships can escape it"

·         "Don't pray for anything – for from whatever good or ill is destined for mortals, there's no deliverance"

II.        From the action, not the interpretation:

The main themes of Sophocles' Antigone are the importance of honoring the dead, the dangers of greed and pride, the gods' superiority in the face of human weakness, and the power of fate and predestination.  Antigone's actions demonstrate the importance of honoring the dead because she buries her dead brother, according to the gods' laws, despite Kreon's protest.  Kreon is punished for his hubris and unwillingness to bend to the will of the gods when he punishes Antigone for defying his proclamation to leave Polyneikes unburied.  The power of fate is stressed by the Chorus, who reflect on the ultimate sovereignty of the gods regardless of men's laws.  These themes combine to form a play whose purpose is to promote the necessity of living in adherence to the gods' laws rather than the laws of any man or country.

 

III.       Comparison to themes of the author's other works:

Fate- Oedipus and his family cannot escape their fate, no matter how they try to avoid it.

Stubbornness and denial of the truth- Oedipus and Jocasta stubbornly resist the truth because it would be too painful to acknowledge.  Likewise, Kreon is confronted with signs, such as Teirisias' speech, that his method of handling the problem is unwise, but he stubbornly holds to his course.

Honor v. Corruption- Electra and Antigone would rather do what is morally right and suffer for it than act dishonorably for their benefit.

 

IV.       Comparison of themes by other authors of the time period:

Gods are supreme- Both Antigone and Medea illustrate that mortals cannot defy laws or promises set down by the gods and avoid punishment

Family- Even though Kreon initially considers family connections secondary to upholding his laws, he, like Jason in Medea, is devastated when his choice to put political expediency before his family precipitates the death of his new wife and children

Subservience of Women- In both Medea and Antigone, women are said to be inferior to men in a variety of ways.  Medea and Antigone make themselves exceptions to this rule.

Dying honorably- Antigone considers it her top priority to honor her dead brother, regardless of the consequences.  She would rather do the right thing and die for it than sacrifice her beliefs.  Similarly, Alcestis' Admetus demonstrates the importance of giving the dead the respect they deserve.

Heriditary curse- Antigone's ancestry is plagued with unhappiness and violence. In the play Agamemnon, though the violence is more intentional, it is still embedded in the family's nature.

Greed for power- Jason from Medea abandons his family in order to gain power and political standing.  Kreon is also preoccupied with his own power.  The chorus, in Antigone, specifically warns against the dangers of greed.

 

V.        Comparison of themes of plays with similar actions:

King Lear– Similar to the way in which Kreon punishes Antigone for disobeying his orders, Lear exiles his daughter, Cordelia, for not telling him what he wants to hear.  Also, Kreon and Lear handle their power poorly, with one clinging to his authority relentlessly and the other giving it away to his incompetent daughters, resulting in chaos and death. Both kings are foolishly stubborn.

Hamlet– Like Antigone, Hamlet is determined to honor a lost relative, his father, and sacrifices his life in the process.  Claudius' decision to murder his brother in order to gain power parallels Kreon's obsession with his own power.  Both of the power-hungry characters are the uncles of the title character and responsible for their deaths.  Also, in both plays, the loyalty to family conflicts with the loyalty to country.  The themes which connect these plays are honor for the dead, lust for power, and family versus country loyalties.

Quote Classifications

Gods' Superiority to Humans:

·         "For me it's noble to do this thing, then die€¦ I will commit a holy crime, for I must please those down below for a longer time than those up here, since there I'll lie forever"

·         "At many things – wonders, terrors – we feel awe, but at nothing more than at man"

·         "Nor did I think your proclamation so strong that you, a mortal, could overrule the laws of the gods, that are unwritten and unfailing."

·         "Zeus, what transgression of men could overcome your power? Neither sleep that catches everyone in its nets nor the weariless passing of the months named for gods can overcome it€¦"

·         "No man has the power to stain the gods"

·         "The burden of being mortal – the sad, exhausting burden"

"[Gods] are not of today and yesterday; they live forever."

Negative Effects of Pride/Hubris:

·         "Zeus utterly hates the noise of an arrogant bragging tongue"

·         "Whoever thinks that only he himself owns all good sense, that he and no one else has such a tongue and mind – when men like that are opened up, it's seen that they are empty"

·         "There is no city that belongs to only one man"

·         "Good sense is the first principle of happiness. We must not act disrespectfully toward the gods. Grand words of arrogant men, paid back with great blows, in old age teach good sense"

"There is no reverence in trampling on God's honor."

Family vs. Country Loyalties:·         "Any man who feels that someone close to him is more important than his own fatherland – him I count as belonging nowhere"

·         "Knowing that this ship keeps us safe, and only when it sails upright can we choose friends for ourselves"

·         "Honoring the laws of the earth and the justice of the gods, to which men swear, he stands high in his city. But outside any city is he who dares to consort with what is wrong" (also Gods)

·         "He who is a good man in his own house will also be seen to be just in public life"

·         "This is why men pray to bring up dutiful offspring and to keep them at home: so they'll pay back a hated foe with trouble, and giving honor, love the friends of their father as he does. Of him who breeds useless children, what else can you say but that he only begets more burdens for himself, and more mockery among his enemies?"

·         "Whoever is put into power by the city must be obeyed in everything – in small things, and what's just, and the opposite. There is no greater evil that lack of rule"

"Anyone thinking another man more a friend than his country, I rate him nowhere"

"There is nothing worse than disobedience to authority."

Negative Effects of Greed/Corruption:·         "For nothing current grows among us worse for men than silver: money ravages the cities, it forces men to leave their homes, it teaches mortals to turn to shameful deeds, it shows men how to commit all crimes, and know all kinds of irreverence"

·         "Dirty profits make for suffering"

·         "The mind of those who plan in the dark what is not right will often find itself caught as a thief"

·         "The gods' swift-footed bringers-of-harm cut down the evil-minded"

·         "When a man's enjoyment betrays him, I don't think of him as living but as a dead man who can still draw breath"

"Often greed has with its hopes brought men to ruin."

"Do you see the gods as honoring criminals? This is not so."

 "Ill-gotten gains ruin more than they save."

"When people plot mischief in the dark, it is the mind which first is convicted of deceit."

"The good man does not seek an equal share only, with the bad."

Human Weakness/Limited Knowledge of Mortals – Stubbornness: ·         "Mortals should not swear anything's impossible! – since later thoughts can prove one's judgment quite mistaken"

·         "For does not someone who, like me, lives on among so many evils, profit by dying?"

·         "Rigid walls are those most apt to fall, and that the hardest iron, forged in fire for greatest strength, you'll see is often broken, shattered"

·         "Good sense that is innate in people deserts them in the midst of troubles"

·         "The trees that bend with the current save themselves and even their twigs, but those that stand straight are annihilated, root and branch"

·         "It's best by far if a man is completely filled with knowledge by his nature€¦ It's also good to learn from what's well said"

·         "To show reverence is indeed some reverence. But power, in him who holds power, is absolutely not to be opposed"

·         "Making bad choices is something shared by all men, but when a man goes wrong, he's not still ill-advised and not ill-situated if he tries to rectify the evil he has fallen into and stops insisting that he will not move. Stubbornness will earn the charge of botching things!"

·         "It's terrible to give way. But to resist – and strike my soul with ruin – is terrible"

 "It's a bad thing if one judges, and judges wrongly."

"No city has he with whom dwells dishonor prompted by recklessness." Women Subservient to Men:  

 "We must keep in mind that first, we're born as women, we're not brought into being to war with men; and second, that we are ruled by those whose strength is greater, and we must yield to this"

·         "We must safeguard the orders of the rulers, and we must never be defeated by a woman – better to be overthrown, if we must be, by a man; then we will not be said to have been beaten by the women"

·         "For a woman who has died it is a great thing even to be spoken of as having the same fate as those who are like gods, both when alive and then afterward, when dead"

Predestination – ( also Cyclical Tragedy in Families):

·         "It makes no sense to do things that are futile"

       "Among those whose house the gods shake, no ruin is absent as it creeps over a multitude of generations€¦"

·         "The power of fate – whatever that is – fills us with terror and awe. Neither wealth nor weapons nor high walls nor dark sea-battered ships can escape it"

·         "Don't pray for anything – for from whatever good or ill is destined for mortals, there's no deliverance"