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Bird, Joshua. “Climbing Aboard the Mothership: An Afrofuturistic Reading of Parliament-Funkadelic.” Occam’s Razor 3 (2013).


Chesterton, George. “Old music: 100 Miles and Runnin.’” The Guardian. July 12, 2012.


Dery, Michael. “Black to the Future.” Flame Wars: The Discourse of Cyberculture. Durham and London, p. 179-210, 1994.


Erlewine, Stephen. “Ice Cube: Biography.” Accessed Dec. 6, 2018.


Erlewine, Stephen. “N.W.A.: Biography.” Accessed Dec. 6, 2018.


Felker-Kantor, Max. “The 1992 Los Angeles Rebellion: ‘No Justice, No Peace.’” May, 2017.


Galli, Chuck. “Hip-Hop Futurism: Remixing Afrofuturism and the Hermeneutics of Identity.” Rhode Island College (2009).


Gines, Candace. “Black Musical Traditions and Copyright Law: Historical Tensions.” Michigan Journal of Race and Law 10 (2005): 481.


Kajikawa, Loren. “‘Let Me Ride’: Gangsta Rap’s Drive into the Popular Mainstream.” Sounding Race in Rap Songs. University of California Press, p. 85-117. 2015.


Kellman, Andy. “Kendrick Lamar: Bibliography.” Accessed Dec. 6, 2018.


Mercer, Kobena. “Monster Metaphors: Notes on Michael Jackson’s Thriller.Welcome to the Jungle. Routledge, p. 35-50. 1994.


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Odell, Michael. “The Greatest Songs Ever! It Was a Good Day.” Blender. April, 2005.


Perchard, Tom. “Hip Hop Samples Jazz: Dynamics of Cultural Memo y and Musical Tradition in the African American 1990s.” University of Illinois Press: American Music 29 (2011): p. 277-307.


Ritter, Juliana. “Black Liberation Teach-In Series Presents: Afrofuturism.” May, 2016.


Rose, Tricia. “A style nobody can deal with. Politics, style and the postindustrial city in Hip Hop.” Popular Music: Critical Concepts in Media and Cultural Studies. New York and London: Routledge, p. 341-359. 2004.


Saunders, Ralph H. “Kickin’ Some Knowledge: Rap and the Construction of Identity in the African-American Ghetto.” The Arizona Anthropologist 10.


Williams, Jonathan. “‘Tha Realness’: In Search of Hip-Hop Authenticity.” University of Pennsylvania Scholarly Commons (2007).