References
Warwick, Jacqueline C. “I Got all My Sisters with Me: Girl Culture, Girl Identity, and Girl Group Music.” Order No. 3094277, University of California, Los Angeles, 2002, http://newman.richmond.edu:2048/login?url=https://search.proquest.com/docview/304800542?accountid=14731 (accessed December 9, 2019).
Ehrenreich, et al. “Beatlemania. A Sexually Defiant Consumer Subculture?” in Gelder, Ken and Thornton, Sarah, The Subcultures Reader, Routledge, London and New York, 1997, pp. 523-536
Emerick, Geoff. “Innovation and Invention: The Making of Revolver.” In Here, There, and Everywhere, 111–31, n.d.
Hughes, Charles L. “Rebuilding the “Wall of Sound”: Bruce Springsteen and Early 1960s American Popular Music.” Interdisciplinary Literary Studies 9, no. 1 (2007): 63-80. www.jstor.org/stable/41209977.
Miller, Arlene. “Women in Popular Music.” Order No. 1466432, California State University, Dominguez Hills, 2008, http://newman.richmond.edu:2048/login?url=https://search.proquest.com/docview/304363918?accountid=14731 (accessed December 9, 2019).
Moorefield, Virgil Edwin. “From the Illusion of Reality to the Reality of Illusion: The Changing Role of the Producer in the Pop Recording Studio.” Order No. 3001208, Princeton University, 2001, http://newman.richmond.edu:2048/login?url=https://search.proquest.com/docview/230748154?accountid=14731 (accessed December 9, 2019).
O’GRADY, TERENCE JOHN. “THE MUSIC OF THE BEATLES FROM 1962 TO “SERGEANT PEPPER’S LONELY HEARTS CLUB BAND.” (VOLUME I: TEXT. VOLUME II: EXAMPLES).” Order No. 7528016, The University of Wisconsin – Madison, 1975, http://newman.richmond.edu:2048/login?url=https://search.proquest.com/docview/302813641?accountid=14731 (accessed December 9, 2019).
O’Grady, Terence J. “The Ballad Style in the Early Music of the Beatles.” College Music Symposium 19, no. 1 (1979): 221-30. www.jstor.org/stable/40351770.
Stephens, Randall J. “The Beatles, Christianity, and the Conservative Backlash.” In The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock ’n’ Roll, 102-45. Cambridge, Massachusetts; London, England: Harvard University Press, 2018. doi:10.2307/j.ctv2867qq.6.
Vercoe, Barry L. “Electronic Sounds and the Sensitive Performer.” Music Educators Journal 55, no. 3 (1968): 104-07. www.jstor.org/stable/3392391.