BY SANDRA J. PEART AND SUE ROBINSON
Dr. Peart is dean of the Jepson School of Leadership Studies at the University of Richmond. Sue Robinson is director of the school's Community Programs Office, which partners with metro organizations, including the Richmond Symphony.
On Sept. 26, the Richmond Symphony christened the renovated Carpenter Theatre as its permanent home, with the opening night of its Masterworks season featuring guest or Alastair Willis of Seattle. Two more final candidates in the months-long audition for a new artistic leader for the region's symphony will take the stage in October and November.
A new maestro will be named by 2010. While patrons have had the pleasure of seeing each of the nine candidates in performance, the search committee has a harder task before them.
As the figurehead for the orchestra, the conductor often has his or her back to the audience. But where the artistic direction of the symphony goes, so goes the audience and, in many regards, the arts organization's future.
Music directors play three overlapping roles: principal conductor and performing musician; artistic director, who has the artistic vision for the organization; and community arts leader, an advocate, ambassador and teacher working on behalf of the orchestra in its community. This definition is from the American Orchestra League. The complexity of the conductor's role is seen in the league's dauntingly long list of traits that include:
- Comprehensive knowledge of the history of music and its relationship to Western civilization
- An understanding of musician governance structure and collective bargaining
- Ability to work collaboratively with management, boards, volunteers and members of the orchestra
- Thorough grounding in professional ethics
- Language skills to coach singers in French, German, Italian, Latin, Russian and Spanish, and the ability to read source materials in original languages
Knowledge of the visual arts, particularly of the 18th, 19th and 20th centuries, as well as a fundamental knowledge of works of literature and drama that have had a considerable impact on music.
According to the league, "the conductor’s craft may be described as an art of persuasion by which musicians, audiences and communities come to share a deep connection with the orchestra and its repertoire. Passion, intellect, insight, musical talent and charisma all come into play. A conductor’s authority flows from the respect he or she commands, the power of his or her musical vision and the skill and facility by which musical ideas are communicated through physical movement as well as verbal instructions." The mystique that surrounds the conductor's role can obscure one of the most complicated leadership roles around, particularly these days.
Beyond this mastery of the craft of music and conducting, the conductor needs a vision for the orchestra's engagement with its community and must lead his organization in programming, outreach and education that realizes that potential. The conductor must understand the orchestra's challenges and role in a changing society and serve as an influential community advocate for music and music education. Continue reading The Hand That Wields the Baton: New cultural leader should bring more than musical mastery