Brief 9/12

Based on my reading of Avery Gordon’s “her shape and his hand”, it is pertinent to first understand that “life is complicated” and to use that theoretical statement to frame the discussion of events that deal with these complex ideas such as race, racism, and privilege. In doing so, we are able to reveal what Patricia Williams calls “the vast networking of our society” (Gordon, 5). This “vast networking” of the present includes both the visible institutions and their consequences as well as the unseen historical “ghosts” that worked to shape society.

In order to articulate this point, Gordon focuses on Patricia Williams’ attempt to discover who her great-grandmother was and who she would be today by going through the physical evidence passed on by her great-grandmother’s owner, Austin Miller. Through his letters and opinions, William’s great-grandmother was not physically present as herself, but Miller’s choices and opinions about her created “her shape” (Gordon, 6). Her absence due to the lack of agency as a slave, allows her to be redefined in the terms of her master, which replaces her “complex personhood” created by her story with a simple one designed to promote a specific narrative that paints her in the most basic terms (Gordon, 4). This specific example of discovering a figure in their absence continues to be seen in more recent times.

Specifically, this type of haunting exists in the Los Angeles police officers’ manipulation of the video that makes Rodney King the aggressor. King is physically present in the video, however, the police officers’ manipulation of the video utilizes “bottom line blackness” to erase other differentiations and highlight race in order to attach to Rodney King stereotypical traits believed to be associated with large black men (Alexander, 85). In doing so, they dehumanized him to the point that he no longer existed as Rodney King to the jurors but instead as a simple beast intent on causing harm. Furthermore, the jurors neglected to understand that every action that took place was influenced by the complex weaving of King’s story with his troubles and his social world that create his personhood (Gordon, 4). Consequently, the shape of Rodney King was created by the white police officers just as William’s great-grandmother was shaped by her master.

Both of these figures not only exist as people, but social figures whose situation can open a window into the system of social life created through history and the subjectivity of those involved (Gordon, 8). They represent a point in social life that reveal what James Baldwin calls “the evidence of things not seen” because though they exist in the present time, they beg the question of how previous “collective memories forged and maintained through story-telling” influenced the interactions of today (Alexander, 84-5)?

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