October 17 Story as a way of knowing

  • Annotated Bibliography for the Story Project
    • Shows importance of sources
    • Forces you to actually incorporate them by describing how the source is relevant to your project
    • Keeps track of what you’ve read
    • Include the actual story source and history
      • Backstory of that character or type of hero, does it tell a lesson, etc.
  • Criteria for choosing a story
    • Relatable, personal connection
      • Makes you want to tell and research about it
    • Semi-well known so sources actually exist on it
    • Find a story: has to be fiction, you connect with, from a different culture, pick any story from a culture that you came from (your origin)
    • Expand on research by researching origins and type of story which will help listener understand better
  • Performance Plan
    • 7-8 minutes of actually performing
    • Research really shows in the plan
    • 2-4 pages
      • See Rubric on blog
      • There is a different Rubric for actual performance
    • If you use a visual MAKE SURE IT ENGAGES AND DOESN’T DISTRACT
  • Bon Air
    • V will be coming on Monday nights
    • We want to create one final project and we need to determine what type of thing we think it would be best
    • Prof. Dolson will be sort of backing out now in hopes that meaningful conversation will naturally occur
    • At the Richmond City Jail, inmates thought that the juvenile system failed them as kids, it was not a productive experience, and may have resulted in why they ended back up in the system
  • Blog posts
    • Write down questions about their stories
    • Write about things that bother you about stories that you hear in Bon Air
    • Don’t need to understand or solve the problem
  • The Truth About Stories
    • Begins with a creation story
      • The chapters begin with Thomas King hearing the same question on the same story but in a different place asked by a different person
        • Story about a story- provides a responsibility to the person listening to do with the story whatever they need to do with it
        • “The truth about stories is that’s all we are”
        • “You’ve heard it now”
    • Showing stories are important though his own life experiences
    • What makes this style engaging?
      • Style of writing
      • Background of story teller makes his perspective more gripping
      • Pronoun use like we connects us
      • It’s like strung together essays
        • Not a lot of quotes can make you involved in the story
        • How does this make the flow of it
      • His voice: conversational, sort of informal (“screw you”), personal, casual
        • Opposite of being a professor more relatable more rambling
        • He wants to be different, makes it’s not a forceful digestion of facts/his story but he makes you want to learn about it
    • History
      • Half-native American
      • Grew up liking other worlds and travelling to planets → first glimpse of his own story (wanted to get out of town and escape where he lived)
        • He is telling us that he was restless, felt disconnected to the rest of the country and even some of his peers, dissatisfied with his current situation, disappointed
      • Had a single mother during a time women were not respected professionals → exposure to injustice at an early age
      • His father left them, married two more times, had 7 more kids, and died → he made learning about this a story but what makes something a story?
        • Beginning middle and end
        • Not in that order though
        • Some stories don’t yet have an end
    • Truth, lies, and introductions
      • Every story has a lie or some sort of misinformation even if it’s true
      • Manipulations of time or a specific scene just sticks with you but does remembering it differently than your siblings or not knowing the context make it a lie?
      • What about those specific scenes are important?